Search Results for: Salsa music

Palladium in the New Millenium engalana el “Lehman Center for the Performing Arts”

On March 5, 2022, the heirs to the mambo will reunite once again, this time the concert entitled Palladium in the New Millennium will grace the Lehman Center for the Performing Arts in the heart of New York’s Bronx.

This concert coincides with the coming of age celebration of the establishment of The Big Three Palladium Orchestra. The initial idea of bringing together the three great Palladium orchestras in this innovative concept came to Mario Grillo, better known in the music world as Machito, Jr. approximately twenty-one years ago.

His counterpart, Tito Rodriguez, Jr. told me about it and, thanks to his complicity, I had a pleasant conversation during which Machito, Jr. shared with me a myriad of details. Having previously collected and shared the conversations I had with Tito, Jr. and later with Machito, Jr. I must now share the point of view of the youngest of the three mambo heirs -Tito Puente, Jr.- about this trilogy, among other things. During the beginnings of this historic reunion, Tito Puente, Jr. was barely 30 years old.

As with me, the two oldest members of the trilogy have been very supportive of Tito Puente, Jr. During an exclusive interview granted for this special assignment, Tito Puente, Jr. expressed his deep appreciation for having been so lovingly guided by Tito Rodriguez, Jr. and Machito, Jr. to the recording of what has become the legacy of the Palladium big three: The Big Three Palladium Orchestra live at the Blue Note (2004).

On March 5, 2022, the heirs to the mambo will reunite once again, this time the concert entitled Palladium in the New Millennium will grace the Lehman Center for the Performing Arts in the heart of New York's Bronx. — Palladium in the New Millenium engalana el “Lehman Center for the Performing Arts” en pleno corazón del Bronx de New York

The youngest of the three heirs of the mambo is doubly celebrating, as he has just released his sixth production, entitled The King and I. It contains nine tracks, as you can hear on the album. It contains nine tracks, as detailed below: Picadillo, featuring Humberto Ramírez on trumpet; Salsa na ma, featuring José Alberto “El Canario” on vocals; Pa los rumberos, with a masterful performance by Domingo Quiñones; Oye como va, with a performance by “Mulato Rumbero”, Michael Stuart; Para la niña y pa la señora, with none other than Miguel Angel Barcasnegras, better known as “Meñique” (EPD) on vocals; Hong Kong mambo, instrumental theme that highlights the Puente dynasty, with Ronnie Puente on xylophone; El bribón del aguacero, with Yolanda Duke on vocals; 20 años and El Rey del Timbal. Let’s be clear that this album is not the big band arrangement to which the eternal King of the Timbal has accustomed us. It is, however, the best tribute that the youngest of the three heirs of the Palladium pays to his father, keeping the legacy alive and kicking.

As you can see, each of the “Palladium’s Big Three” inherited a timbalero son. Coincidentally, Machito, Jr., Tito Rodríguez, Jr. and Tito Puente, Jr. grew up surrounded by music. Their family environments, respectively, supported them. Indeed, today, all three are musicians. These three bandleaders have made it their mission to keep the Palladium legacy alive and well. Although the mambo heirs have transcended the label of being the sons of the mambo owners, they do not forget that the Patriarchs are still a topic of conversation in musical circles around the world.

As the past is the past and the future is uncertain, here we are already waiting in despair. For this new reunion, first-class musicians have been secured, backing up the three heirs of the mambo. The musical constellation that will be part of this historic night is formed by: Carmen Laboy on baritone saxophone and musical direction, Jorge Castro on tenor saxophone, Mark Friedman and Al Acosta on alto saxophones; Larry Moses, Seneca Black, Mike Mossman, and John Carlson on trumpets; Gilberto Colón, Jr. on piano, Jerry Madera on bass, John “Dandy” Rodríguez on bongo and Eddie Montalvo on tumbadoras. On the vocal front, Sammy Gonzalez, Jr. leads with Luisito Rosario and Jeremy Montalvo on backing vocals.

I for one continue to live in salsa, which to put it in more earthly terms is, simply put: magic, fantasy, and illusion.

Article of Interest: Sigo entre amigos de Luis “Perico” Ortiz

By: Bella Martinez “The Irreverent Salsa Writer”

Puerto Rico

Latin America – March 2022

Memo Arroyave, entre las voces más importantes e impecables del Caribe

Considered as one of the faithful representatives of Venezuelan salsa, the young vocalist Guillermo José “Memo” Arroyave, born on July 22nd in the city of Caracas, arrives to “Salsa Escrita” for an exclusive interview.

Memo Arroyave, continues to project himself with more and more quality and professionalism, characteristics that define him in the Caribbean music genre at the national and international levels.

In a pleasant and enjoyable conversation with Memo, he told us about his career and his current and future projects.

Memo Arroyave, welcome to Barquisimeto’s salsa column “Salsa Escrita”; it is a great pleasure for us to have you as our special guest and we would like you to tell us about your beginnings in your artistic career.

-Thank you Carlos for the opportunity you are giving me to reach your readers in a direct and fraternal way.

My beginnings in the world of music and show business date back approximately to 1996, when I was a student of the successful Venezuelan Rafa Galindo (R.I.P.D.), the musical legend of our country.

Then I ventured into the stages forming part of different groups in Caracas, such as Partitura Latina, Orquesta Gente Novel, Orquesta Ensueños, Galaxy Latin Band, El Código Salsero, among others.

-Memo, which artists have you shared the stage with, what can you tell us about them? Professor Carlos, I have had the opportunity to share the stage and accompany, on occasions, as a soloist and others as a backing vocalist, national and international artists of the stature of: Andy Montañez, Ismael Miranda, Viti Ruiz, Christian Fernandez, Adalberto Santiago, Pupy Santiago, Paquito Guzman, Roberto Blades, Jose Mangual Jr, Max Torres, Wichy Camacho, Willman Cano, Nino Segarra, Nelson Arrieta, Marcial Istúriz, Mandinga Star Band, Wílmer Lozano, Wiwi Buznego, Wílmer Cobos, Cheo Valenzuela, Miguel Araujo, Erick Franchesky, Irving Manuel, Ángel Flores, Samir Bazzi, Manuel Guerra y su Orquesta, and in December 2019, I shared the stage with Hermán Olivera, Luisito Carrión and Frankie Vásquez.

-Regarding current projects, what can you tell us about them? I am part of several projects simultaneously my friend Carlos, among which stand out: Orquesta Puma Band, Victor Cardona y la Máquina de la Salsa, La Rumba Sonora de New York, Afro Códigos and recently I was invited to participate in the 10th Anniversary album of “Los Rumberos del Callejón”.

Well Memo, for all that you have given us to know about your talent and dedication, you are an obligatory reference of the salsa show and we would like to know about your most recent and future projects.

-In fact, I recently recorded and released the song “Si falta el Aire”, a composition by the Spaniard David Santisteban, with arrangements by Enmanuel “Cerebro” Romero and under my production.

It was recorded in Caracas, Mexico, Miami, and New York, mixed and mastered in the Venezuelan capital, as part of my first musical production. Other of my hits are: “Y lloré”, “No Puedo estar sin ti”, which I did a duet with Rafael “El Pollo” Brito. And as a scoop for your salsa column “Salsa Escrita”, I already have the next promo ready and it is a duet with NG2 from Puerto Rico and last week was the release of the song with José Madera Niño “3º Mundo”, titled: “Me gustas pero…”, which is sounding strong and last year I recorded for a Colombian pianist, but he is based in Washington, United States, which made an album called “10” and among other singers participate: Rodrigo Mendoza, Mariana “La Sonora de Venezuela”, Marcial Istúriz, Gonzalo Díaz, Mike Barrios, which is a talentazo of Zulia state, who is currently in Mexico, my person and other people from other countries.

Soon I will be in the production that is in the process of mixing and where Argenis Carruyo, Oscar Arriaga, Wichi Camacho, and others also participate.

-Excellent Memo, I understand that in addition to your facet as a singer, you also dabble in the media?

That’s right professor, let me tell you that I am the nephew of Fernando Sosa Leal, I have done radio and television since 2002; I started with a radio program in the state of La Guaira, I was the director of the musicalization of Azul 95. 9 FM, then we did “Mundo Latino”, there I was as an animator with Fernando Sosa Leal and Luis Arturo in CMT, then in TVES, but I leave the project to devote myself more to my singing career and also went several times to Puerto Rico to the editions of the National Salsa Day, World Salsa Congress, to give coverage from there for all Venezuela and the Caribbean and recently as the producer of Strike 13 with Fernando Sosa Leal in his Bowling program for Meridiano TV.

Carlos, I wanted to thank you for the focus you give to the singer through your salsa column, if I may say individually and not so much as choristers, which of course is important, but in your work and interviews we have read the support and contribution you give to our musical productions and recordings with orchestras, since this way we make ourselves known to music lovers as well as to the public.

Finally, I want to thank you for your time and congratulate you for this work that you do with a lot of enthusiasm, with desire and that should be appreciated not only by me but by all musicians, artists who are giving it their all and that, if it were not for people like you, it would be even more difficult.

-Your social networks? Through @memomedicen, they are my accounts in R.R.S.S. Thanks, Memo for this connection we had and thank you for accepting the invitation to Salsa Escrita “La Columna Salsera de Barquisimeto”, through International Salsa Magazine, www.salsaGoogle.com, we would also like to have you performing in our twilight city and musical capital of Venezuela and remind all artists that we are to serve them in an unconditional way in favor of our Latin music and obviously the Venezuelan talent that is unquestionably superior every day.

See you next time and let’s keep salseando!

Article of Interest: Henry Valladares, a brilliant, versatile, and disciplined percussionist

From Chile Nairoby and La Casa del Ritmo with their project “Vinyl Plater Productions”

Definitely that… “What we dreamed as children someday begins to materialize”.

And because I begin this review with this phrase, since all our childhood we were born in a salsero home we woke up with a musical background of the Sonora Ponceña, Gran Combo, Ismael Miranda, and when we went to sleep we would listen to a bolero by La Lupe, Celio Gonzalez or something by Joe Cuba, where we saw the cassette and acetate records so close and yet so far away because for us children that was untouchable, but we never lost faith in having what we longed for so much.

After almost 5 years of having emigrated to Chile, one Sunday shopping my husband Julian Rangel and I were walking through an antique fair and we saw a used turntable, but in good condition and at a tentative and affordable price so we both looked at each other and the language of our eyes spoke for itself… we bought it! and with them a couple of records to test the recent acquisition, that day we were super excited and decided to share this achievement with our friend Juan Joseph, who did not hesitate to come to the house to share some time with us, after several purchases and purchases and more purchases of vinyl because it became a passion was born:

PRODUCCIONES VINILOS PLATER EN CHILE (formed by Julian Rangel, Juan Joseph and my person Nairoby Plater).

From Chile Nairoby and La Casa del Ritmo with their project "Vinilos Plater". — Vinyl Plater Productions in Chile

A personal project to revive part of our childhood and that was taking shape when we started looking for a place to make a family party called El Arepazo Plater (where arepas are distributed and salsa dancing all night), after several months looking for a local call us and offer us a place called Club 440 to make our first salsa event in original format which was a challenge first because Chile is not a very salsero country and the strong Venezuelan public here is the salsa trunk or alcoba called in other countries, On the other hand, the place offered did not have a kitchen, it was small and so we could not realize what we had in mind in principle, however we reinvented ourselves and managed to do on October 17, 2021 the first Vinyl salsa matinee in Chile, which was a success and an appetizer for the contemporary salsero with a good ear and taste, dancer and who likes to enjoy and listen to less of the same and of course in Acetato.

So we began to see the meaning of our dreams, on January 1st of this year we made the first International Arepazo Plater in Chile under the production of Vinilos Plater in original format, in a place called Caracas Club, which was something extraordinary first because it was the first time that such a party was held here, and because we gave our countrymen exquisite Arepas and good salsa.

Thank God doors have been opening with other musicians such as Nohel Farias, producers such as Dj. Alexander Navas, Jorge from The Brooklyn Sound and venues like the Salsoteca where we have been invited on several occasions and we have left high the name of our beloved Venezuela, reviving and rescuing the format of the acetate, we also made an appearance at events such as Salsa Woman, Integration Salsera (audition of music lovers and collectors between Colombians and Venezuelan), private birthdays, Guateke and Salsa for Adults among others.

We know that this is just the beginning of a long way to go, to learn and to improve, but we thank God for guiding us and humbly continue working on new projects in the short, medium and long term, grow as collectors, music lovers, producers and continue to contribute and highlighting the invaluable of Vinyl, as music is very broad and infinite.

Facebook: Vinyl Plater Productions in Chile