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February, the month where the Carnival begins worldwide.

Did you know that … Carnival is a party that is celebrated all over the world:

Carnival has many characteristics and with slight variations in the type of celebrations that depends a lot on the character of each region. Where people celebrated it with costumes, groups that sing songs, parades and street parties.

For many centuries, its origins vary according to historians, such as: pagan festivals, such as those held in honor of Bacchus, the Roman god of wine, Saturnalia and Roman Lupercals, or those held in honor of the Apis bull in Egypt more than 5000 years ago, the pre-Hispanic Andean festivals and African-American cultures.

Currently, the carnival is celebrated in different ways in each country either by culture, religion or holiday and / or recreational activity, where it is represented with a parade in which the participants wear costumes and wear masks. However, the custom was transforming the celebration to its current form.

There are different ways to celebrate carnival in the world, this time we will mention some of them:

The carnival that takes place in Brazil, Rio de Janeiro: especially in the Sambadrome known for being one of the largest open-air spaces in the city where one can hold large events, where Brazilians and tourists gather to dance and see the great festivals offered by the different dance academies and / or samba studios where the evaluation of each one depends on the rhythm, participation, costumes and originality of the parade, it already takes place outdoors, which makes the visitor have a more active participation at a lower cost and you can dance and enjoy the shows and / or shows that are in the marches carried out by the academies with their dancers wearing their best costumes and Samba steps as well as the floats and also the The public can enjoy and see the electric trios (they are musical groups that travel the city in equipped trucks playing music) in the street parties of Rio; and not only in “Rio” it is celebrated but it can be found in Recife and Olinda, in Salvador de Bahía, the city where Samba was born – Florianópolis, among others.

The Carnival parade in Brazil — Carnival dancer dancing Samba

Samba is the national music of Brazil, having Afro-Brazilian origin of 2 by 4 times but the beginning was specifically in Angola before arriving in Brazil; Currently he has a style that has received many mergers and is very varied; It is one of the rhythms that is used to celebrate carnival for the most part, the rest would be Latin rhythms (Salsa, Merengue, etc).

Carnival of Venice (Italy): it is unique in the world and its tradition dates back to the 11th century, although it was not declared a public holiday until two centuries later, it is totally different from the Spanish image, and much more from the Brazilian one. During the 10 days it lasts, people dress up and go out to walk and take photos, either in organized parades, or improvised (as if they were fresh out of a Canaletto painting).

Photo of a Carnival in Venice — Carnival with tradition dates back to the eleventh century

Carnival in Barranquilla (Colombia): takes place in a space in which differences are overcome and diversity is expressed without limits in each mask, costume, dance and dance. The happy notes of a cumbiamba or band music make you feel that social classes, regions and the whole world come together to enjoy the riches that the ancestors left as a cultural and historical legacy in Colombia.

One of the famous carnivals in Venezuela is “El Callao”: where the Venezuelan celebrates and shows his public the history and culture that transcends the carnival in Venezuela for more than a century; where at the beginning they were family reunions who did not have in their hands the necessary resources to temporarily move to their native towns and enjoy the colorful festivals, in these they pointed out their concerns acquired from generation to generation of the family and whose most outstanding manifestations were general art culinary, homemade drinks, varied music, dance, dance, theater, stories about their tales and legends, and perhaps the practice of magical and / or religious beliefs; Some of the best known characters are: La Madama, Medio Pinto, miners, fantasy, the sun and the star of the last moon, although they always vary in each carnival.

Photo - Carnaval Callao — Dancing in the Carnaval Callao

That is to say, the “El Callao” carnival is the result of the history of the city’s inhabitants and their diversity by exalting the Afro-Caribbean cultural legacy and the influences of other communities, causing a strong strength of the identity of the people of Callao, fostering unity among them and encourages the younger generations to discover their cultural heritage, passing from generation to generation among families by composing melodies, playing musical instruments, singing, dancing and making masks.

Cologne Carnival (Germany) also known as “the fifth season of the year”: it is one of the most important cultural events in Germany. They are especially popular for the parades on Carnival Monday (Rosenmontag).

There is a great variety of carnivals around the world with their culture and / or customs, in conclusion, it is an event or holiday that people release stress as it is dynamic, theatrical and sporty (due to the dance of different rhythms, most of them Latin especially in Latin America), in such a way that it helps the body to release tension resulting in fun and relaxation.

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Ayumi “Azucar” Suzuki, she plays Latin percussion, Classic percussion, Marimba & Vibraphone

Ayumi was born in Japan She graduated from the Faculty of Percussion, Tokyo College of Music.

Ayumi was born in Japan. She plays Latin percussion, Classic percussion, Marimba & Vibraphone.

At the college; she began to study percussion in earnest mainly with classic music and gained experience of ensemble in orchestras, brass bands, musicals, operas, etc.

Ayumi “Azucar” Suzuki She plays Latin percussion.

At the same time, she started to organize concerts and participate as percussionist, keyboard percussionist or drummer.

She has been also teaching eurythmics at a nursery school.

In 2015, she started her own band, “Ayumania” that features mostly her original compositions and arrangements, where she fuses Japanese atmosphere into Latin rhythm.

Inviting both Japanese and foreign guests, she has been organizing live concerts in various places in Tokyo.

In July 2017, she released her first album “Oukagekka” in Japan. It has been promoted in overseas radio programs in Colombia, Puerto Rico and New York.

He plays Latin percussion At the same time, he began to organize concerts and to participate as a percussionist, keyboard percussionist or drummer. — She graduated from the Faculty of Percussion, Tokyo College of Music

The Japanese vibraphonist, timbalera, composer and arranger Ayumi Suzuki launches her Ayumania debut, a musical production recorded between Tokyo and Los Angeles that includes 7 original numbers – composed and arranged by Suzuki herself – and two covers: Maria Cervantes de Noro Morales and Mi Amore by Naoya Matzuoka. In this album, Ayumi’s speech establishes a bridge between classical and contemporary Cuban music, with different rhythmic touches and influences that have marked his background as an instrumentalist.

Sakura, a beautiful instrumental melody composed by Suzuki herself, highlights Chiho “Isabel” Saito on the violin, as well as Hiromishi “Yan” Tsugaki on the keyboards, and of course, Suzuki on the marimba and the vibraphone.

Ring Loop is a cadenciosa are montuno with outstanding participation of Takashi Nakazato in the congas; La Lluvia, vocalized by the Cuban Julian “El Pillo” Tapia, presents the solos of Mitsuru Tanaka and Ayumi on the trumpet and vibraphone, respectively.

Knock Knock Knock is a festive cut that builds bridges with Caribbean music, particularly calypso, and salsa and in which Ayumi herself punches the timpani and a mind-blowing one in the marimba.

Saredo Danzon, as the name implies, is a danzon that opens with a solo by Hiromichi Tsugaki on the piano while Umihotaru, with vocals by Julian “El Pillo” Tapia, is an afro rhythm in 6/8 with the intervention of Hiromichi Tsugaki (fender rhodes) and Ludwig Esteban Nuñez (drums).

Suzuki offers a tribute to Noro Morales in his legendary composition of Maria Cervantes. In this piece we hear the participation of Jimmy Branly in the drums and an overwhelming solo of Ayumi in his vibraphone, with that way of playing that only she has.

Branly himself performs the drums in the last two pieces;Suzuki achieves a premium opera that honors her at the rumberos school.

With sophisticaded arrangements. with the elegance and the street necessary to position it is as one of the most

outstanding salseras of the international level. It wil surely be one of the best productions of this 2017.

Ayumania

Sakura emerges with a flow of wind sounds with minor percussions that set the mood for an eclectic and harmonious journey. — Ayumania A material consisting of 7 original songs, two covers and all under the baton of Ayumi.

A modern and contemporary material, original and unusual, is the one that establishes this Japanese multi-instrumentalist Ayumi Suzuki, establishing different arrangements and touches to each theme, this Japanese vibraphonist, timbalera player, composer and arranger establishes a thin line between Cuban music and modern, going through bold and effective rhythmic domains.

A material that consists of 7 original songs, two covers and all under the baton of Ayumi.

Sakura emerges with a flow of wind sounds with minor percussions that make the environment conducive to an eclectic and harmonious journey, one of the fundamental pieces to understand the musical transculturation of this talented woman, the violin solo by Chiho “Isabel” Saito and the keyboards by Hiromishi “Yan” Tsugaki and the marimba and vibraphone by the emblematic Ayumi stand out.

A son montuno can not be missing in this material, Anillo De Lazo where a congas solo by Takashi Nakazato stands out, La Lluvia, a song that already rolls through the wide world of the networks in which the voice of Julián Tapia can be appreciated, the trumpet of Mitsuru Tanaka and the vibraphone of the great Ayumi, undoubtedly a 5 star material, a musical base and instrumentalist of first line that give the incomparable recognition to the musical talent of this great artist and in conjunction with the band.

Gerardo Rosales meets Orlando Poleo, who invites him to study Afro-Caribbean percussion in Caracas

Gerardo Rosales was born on July 6, 1964, in Caracas, Venezuela. He has been living in the Netherlands since 1993.

At the age of 8 he started studying piano and at the same time he became interested in playing congas and bongo.

In 1977, at the age of 13, he met Orlando Poleo, who invited him to study Afro-Caribbean percussion at the “Taller de Arte” in the Sarría neighborhood in his hometown Caracas.

From 1977 to 1980, he studied congas and bongo with Orlando Poleo, and timbales with Alberto Borregales.

In 1985, he studies Afro-Venezuelan percussion with Alexander Livinali at the “Fundación Bigott”.

In 1987 Gerardo starts his career with very important figures such as: Soledad Bravo, Cecilia Todd, Canelita Medina, Alberto Naranjo y el Trabuco Venezolano, Maria Rivas, Joe Ruiz, Ilan Chester, Orquesta Café, Trina Medina y Yarake, Victor Cuica among others.

At the same time, Gerardo began his own orchestra called “Salsa 70” and with it he toured the neighborhoods, theaters and night spots of the capital.

In 1992, he receives an invitation to participate in the Expo Sevilla in Spain, with the group ‘Caracas Son 7’.

From that moment on he decided to settle in Europe. In 1993, he releases his first CD “Gerardo Rosales y su Salsa Pa’lante”, in Spain, which was recorded in Venezuela.

At the same time, Gerardo started his own orchestra called "Salsa 70" and with it he toured the neighborhoods, theaters and nightclubs of the capital. — In 1992, he received an invitation to participate in the Expo Sevilla in Spain, with the group “Caracas Son 7”.

From this moment on he is invited to work in France with Alfredo Rodriguez and Orlando Poleo; in Germany with Conexión Latina and Nicky Marrero and in Holland with Saskia Laroo, Jose Avila y su Quimbombo and Cedric Dandaree. In 1995, Paquito D’Rivera invited him to participate in the recording of the CD “Bebo rides again” together with the legendary Cuban pianist Bebo Valdés.

From 1996 until now, Gerardo Rosales has been touring Europe with his own salsa and Latin jazz projects. Gerardo has earned the respect and admiration of the public through his concerts and recordings, managing to spread and project rhythms from Venezuela, Cuba, Puerto Rico, Colombia, Peru, Curaçao, Suriname and the Caribbean.

In 2002, he produced the music for the film “Madamme Jeanette” directed by Paula van der Oest which was nominated for an Oscar as a Dutch film.

These are the titles of his CDs: “Salsa pa lante” (1992), “Venezuela Sonora” (1996), “Señor Tambó” (1998), “El Venezolano” (1999), “Rítmico & Pianístico” (2001), “La Salsa es mi Vida” (2001), Tribute to Fania all stars (2003), Charanga La Crisis “Salsa Antigua” (2005), Mongomania “Tribute to Mongo Santamaria.

Gerardo Rosales has accompanied on tours, recordings and performances in Europe artists such as:

Dee Dee Bridgewater, Benny Bailey, Paquito D Rivera, Bebo Valdés, Toots Thielemans, Jimmy Bosch, Juan Pablo Torres, Herman Olivera, Oscar D’León, José Alberto “El Canario”, Andy Montañéz, Meñique, Edy Martínez, Carlos “Patato” Valdés, Conexión Latina, Orlando Valle “Maraca”, Alfredo Rodríguez, Armando Peraza, Luisito Quintero, Robert Quintero, Ramón Valle, Larry Harlow, Adalberto Santiago, Frankie Vázquez, Oscar Hernandez, Africando, Chamaco Rivera, Luisito Carrion, Jorge Herrera, Edgar Dolor, Dorance Lorza, Ajo Porro, Luisito Rosario, David Cada and Tito Allen.

Discography by Gerardo Rosales:

Gerardo Rosales has accompanied artists on tours, recordings and performances in Europe — Discography by Gerardo Rosales:

2019 Gerardo Rosales “Cachandera and Singapore Vibes” (Single)

2016 Gerardo Rosales “Salsa Vintage” (Download – CD )

2014 Gerardo Rosales “Son Del Sofa” (Single) ITunes

2013 Gerardo Rosales “Síguelo” (CD)

2011 Gerardo Rosales “Chano Pozo’s Music” (CD)

2011 Gerardo Rosales “30 Aniversario” (CD)

2010 Cachao Sounds “La Descarga Continúa” (CD)

2010 Gerardo Rosales “Buscando Chamba” (CD)

2009 Venezuelan Masters Orchestra “Toros y Salsa” (CD)

2008 Gerardo Rosales “Salsa Mundial” (CD)

2007 Our Latin Groove “Bringin’ it All On Back” (CD)

2005 Gerardo Rosales “Mongomanía” (CD)

2005 Charanga La Crisis “Salsa Antigua” (CD)

2004 Gerardo Rosales “Tribute to Fania” (CD)

2001 Gerardo Rosales “La Salsa es mi Vida” (CD)

2001 Gerardo Rosales & Edy Martínez “Rítmico y Pianístico” (CD)

1999 Gerardo Rosales “El Venezolano” (CD)

1998 Gerardo Rosales “Señor Tambó” (CD)

1996 Gerardo Rosales “Venezuela Sonora” (CD)

1992 Gerardo Rosales “Salsa Pa’lante de Venezuela” (CD)

1991 Gerardo Rosales “Salsa Pa’Lante de Venezuela” (33 RPM Vinyl)

Discography of Gerardo Rosales with other artists:

Orquesta Cafe “Criollisima” 1987 (Fama) Venezuela ( Salsa )
Joe Ruiz – Javier Plaza – Jose Torres – Gerardo Rosales

Bebo Valdes “Rides Again” 1994 ( Messidor) Germany ( Latin Jazz )
Bebo Valdes – Paquito D Rivera – Patato Valdes – Amadito Valdes – Gerardo Rosales

Conexion Latina – “La Conexion” 1996 (Enja) Germany ( Salsa )
Rudi Fuesers – Leslie Lopez- Anthony Martinez – Nicky Marrero – Gerardo Rosales

David Rohschild “Looking Up” 1997 (Via) The Netherlands ( Salsa )
David Rothschild – Adalberto Santiago – Banjamin Herman – Gerardo Rosales

Leslie Lopez “Bomba Moderna” 1999 (Buitenkunst) The Netherlands (Latin Jazz)
Leslie Lopez – Ramon Valle – Joe Rivera – Nils Fischer – Gerardo Rosales

The Rosemberg Trio “Suenos Gitanos” 2001 (Polydor) The Netherlands ( Latin )
Rosemberg Trio – Toots Thielemans – Leonardo Amuedo – Gerardo Rosales

Ronal Snijders “Bijlmerjazz 2004 (Independent) The Netherlands (Jazz)
Ronal Snijders – Randal Corsen – Jesse van Ruller – Gerardo Rosales

Cubop City Big Band “Arsenio 2004 (Tam Tam) 2004 The Netherlands (Cuban)
Lucas van Merwijjk – Edy Martinez – Nelson Gonzalez – Gerardo Rosales

Drums United “World of Rhythm” 2006 (Tam Tam) 2004 The Netherlands (World Music)
Lucas van Merwijk – Nils Fischer – Aly N ‘ Diaye Rose – Gerardo Rosales

Samba Salad – Metropol Orkest “Live Vredenburg” 2006 The Netherlands (World Music)
Herman Link – Dick Bakker – Maurice Luttikhuis – Rita Iny – Gerardo Rosales

Aquilez Baez “ La Patilla” 2007 (Cacao) Venezuela (Latin Jazz)
Aquilez Baez – Anat Cochen – Huascar Barradas – Diego Alvarez – Gerardo Rosales

Maria Catharina “Obsecion” 2010 (Independent) The Netherlands (Jazz)
Maria Catharina – Adinda Meertins – Thomas Bottcher – Marc Bischoff – Gerardo Rosales

Masalsa “Resurreccion” 2012 (Independent) The Netherlands (Salsa)
Soeshiel Sharma – Ray de La Paz – Marcos Bermudez – Cachito Vaz – Gerardo Rosales

Izaline Calister “Kandela” 2012 (Coast to Coast) The Netherlands (Latin)
Izaline Calister – Yumarya – Vernon Chatlein – Larc Alban Lotz – Gerardo Rosales

Africando “Viva Africando” 2013 (Sterms Music) France (Salsa)
Boncana Maiga – Oscar Hernandez – Doug Beavers – Luisito Quintero – Gerardo Rosales

Mezcolanza “Headbanger” 2015 (O.A.P Records) The Netherlands (Jazz)
Peter Wenk – Chistof May – David Barker – Mick Paauwe – Gerardo Rosales

Tango Extremo “ Havana” 2015 (JWA) The Netherlands (Latin)
Ben van den Dungen – Rob van Kreeveld – Tanya Schaap – Gerardo Rosales

Orquesta La Potente “ Potente “ 2018 (Independent) Colombia (Salsa)

Coco Ramirez – Guarnizo – Gerardo Rosales

Barry Hay & JB Meijers (Universal Music Group) 2019 The Netherlands ( Pop)

Barry Hay – JB Meijers – Gerardo Rosales.

Gerardo Rosales

( Salsa – Latin – Jazz – Cuban )

Bands – Percussion Workshops – DJ – Percussionist – Shows

+31627862001

[email protected]

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Anacaona The Cuban Female Orchestra

It was founded on February 19th, 1932 by Concepción Castro Zaldarriaga and her sisters, being the first son female Sextet and expanded to the jazz band and typical charanga format in 1934 and projected onto the world from the famous “Aires libres of the Hotel Saratoga” at the Prado of Havana.

These talented women toured the entire length of America from north to south, the Caribbean and France between the 1940s and 1960s.

In Mexico, one of the most visited countries by the Orchestra at this stage, their images and sounds were recorded in some Mexican films, such as: “La noche es nuestra”, “No niego mi pasado” and “Mujeres de teatro” that they alternated with film and music artists from that country. At the same time, they recorded for the record label RCA Victor.

Anacaona The Cuban Female Orchestra It was founded on February 19th, 1932 by Concepción Castro Zaldarriaga and her sisters — Anacaona The Cuban Female Orchestra

THE AGUIRRE

Sisters Georgia and Dora Aguirre, who have a strong background playing contrabass and saxophone and were new graduates from the “Amadeo Roldan” Conservatory, joined the Anacaona Orchestra with its founders from the 1983 under the direction of Alicia Castro, with whom they learned the most genuine genres of Cuban popular music, rigor and discipline in this profession.

3rd GENERATION

With the Castro sisters’ retirement in December 1987, Georgia Aguirre asumed the direction of the orchestra and continued the work of its founders with her sister and other young women graduates in music schools, consolidating a style that combines tradition with modernity in order to preserve and enlarge the history of Anacaona.

Sisters Georgia and Dora Aguirre, with a solid musical training in the specialties of double bass and saxophone, recently graduated from the "Amadeo Roldán" Conservatory of Music. — Anacaona La Orquesta Femenina de CUBA Between the 1940s and 1960s, these talented women toured all of North and South America, the Caribbean and France.

TOURS

At international level, they have traveled to more than 30 countries in Europe, Asia, Africa, America and the Caribbean to perform at important festivals and multiple scenarios including: The 34-city tour in China; their participation in the theater play “The Tropical Bourgeois” under the direction of Gerome Sabarí and inspired by Moliere’s classic, “Le bourgeois gentilhomme”; the tour round some US cities in which they also had an emotional meeting with Graciela Pérez, singer and founder of Anacaona and the show “Sabor de la Habana” that opened the season of Cuban shows at the Cabaret of the Grand Casino Monte Carlo from the Principality of Monaco and other important jazz and summer festivals in Spain, Germany, Belgium, Sweden, Holland, Canada, Jamaica, Aruba, Curaçao, French Guiana, Guadeloupe, Martinique, St. Lucia, Peru, Honduras, Venezuela, Mexico, among others.

TRAYECTORY

The orchestra has also participated in several films such as “La Bella de la Alhambra” by director Enrique Pineda Barnett, “Vidas Paralelas” by Pastor Vega, the Cuban-Swiss co-production, “Barrio Negro”, as well as the documentaries “La ruta del ritmo” by director Harry Belafonte, “Anacaona, 70 Años después” by director Jorge Aguirre and produced by Cuban Television, and the documentary “El mundo cantan el mundo baila” about the history of Cuban music produced by NHK from Japan.

LATEST NEWS

In recent years, they have recorded 8 albums with the labels PM Record, LUSAFRICA, BISMUSIC and COLIBRI and have been invited to productions from other labels such as DISMEDI-Spain in Volume ll of “Cuba le canta a Serrat” and with the English producer Kenny Young to perform two classic theme songs of Anglo-Saxon music set to Cuban rhythms.

In Cuba, it performs in popular dance music main stages, cultural events, national tours, festivals and Cuban radio and television programmes with a great gathering and the public and critical acceptance.

At present, it is integrated by 14 women who cultivate Cuban popular music, merging the most traditional rhythms with a contemporary sonorite. The musicians, also known as “Las Mulatísimas del Sabor”, have achieved a seal that distinguishes them and are appreciated by critics and dancers from all over Cuba and other countries.

ANACAONA, with more than 85 years of uninterrupted work, is among the top-level groups of Cuban popular music and considered “The Distinguised Cuban Female Orchestra”.

RAIDER TECHNICAL

– YAMAHA or Peavy Drum

(’10, ’12, ’14, ’22) with stool.

-Timbal LP (’14 and ’15) with stand.

-LP Congas (’12 and ’13) with stand.

-Bongó LP with stand.

-ROLAND RD 700 or ROLAND RD 500 piano with stand.

-Korg Trinity keyboard.

-Baby Bass, AMPEG or similar with stand.

-Peavy, Tracy Elliot bass amp, or similar for Baby 400w (minimum) Bass and Electric Bass.

-Digital mixing console with 32 channels for living room with splitter and connectors (Yamaha).

-MCL7, CL5, LS9, Soundcraf Expression Si3 or similar).

-7 Music stands.

MICROPHONICS

-1 Shure Beta 52 AKG 112 (Bass Drum)

-6 Shure SM 57 or similar (Brass)

-8 Senheiser 421 or SM 98 H or similar (Percussion)

-3 Condenser SM 81 (Over)

-6 Shure SM 58 or SM 87 (Vocals)

-6 Direct Box (Piano, Bass, Keyboard, Tres)

Each microphone with its stand and corresponding lines.

MONITORING

-1 Mixing console with 32 reference channels with 8 sends and splitter.

-5 floor monitors for vocals.

-2 Brass monitors.

-1 Tres and guitar monitor.

-1 Piano monitor.

-2 Drum monitors.

-1 Drum Field.

* Kilos of Power and Monitoring will be adjustable according to the to the conditions of the place, depending on whether they are indoor or outdoor stages.

ANACAONA THE CUBAN FEMALE ORCHESTRA

Director: Georgia Aguirre

Email: [email protected]

FB/Orchestra Anacaona II

Recruitment agency: Artex’s Clave Cubana

Email: [email protected]

Manager: Leonardo Sintes

Email: [email protected]

FB/Orquesta Anacaona II

Cell phone number: 5 35 289 82 26

Email: [email protected]

ANACAONA, with more than 85 years of uninterrupted work, is one of the first level groups of Cuban popular music and is considered "The Insigne Female Orchestra of Cuba". — “Las Mulatísimas del Sabor”

” Vuelve Conmigo ” with the Dominican singer Enyel Co.

Did you know that the popular, traditional or folk musical manifestations in Dominican Republic came up thanks to Spanish and African music with regards to the rhythmic, tonal and harmonic aspects many years ago? They are interpreted with bass drum, guitar and accordion, like mangulina (dance similar to a popular rhythm of merengue, or rather traditional from Perico Ripiao very danced in the 80s) and pambiche (it is a type of merengue, but at the same time is not because the instruments gather another rhythm in the case of tambora, pandero, accordion and the ensemble itself) with the great strength of the Negroid people, who are considered the ancestor of the rhythms of Merengue and Kopa(a style of music from Haiti, popularized since the mid-1950s. Some authors consider that the konpa is an evolution of the meringue, a rhythm danced and sung in Haiti since the end of the 19th century; Apart from Haiti, the konpa dirèk is present in the French Antilles, Martinique and Guadeloupe) and in front of the island of Dominican Republic (The Carabine.) However, in the 21st century, popular music residing in the Dominican Republic are: Balada, Bachata, Rap, Dewbow and Rock.

Right now, we have been informed that Dominican singer Enyel Co, produced his new proposal of tropical salsa titled “Vuelve Conmigo”; under the production of maestro Noe Cid.

Enyel Co - Vuelve Conmigo — Enyel Co y su nuevo tema Vuelve Conmigo

This singer has extensive experience in various musical genres; he is currently betting on salsa and presenting a fresh release, appropriate for new trends in the music industry and his young audience.

Enyel Co is a Dominican artist of the salsa tropical genre, he was born in Santo Domingo, Dominican Republic. Through his journey across the musical world, has gone through several musical genres, while consolidating his musical career in Salsa from the year 2019 with his single Vuelve Conmigo, which gain notoriety abroad.

The Enyel Co project begins in 2000, when he participated with the Puerto Rican salsa group called Selección Perfecta, in Lawrence, Massachusetts, USA, for a short time. Since that time, he was left with a taste for tropical salsa and, over time, he maintained his desire to develop his musical project. In 2018, producer Francisco Mota, was who encouraged him to make his first studio recording, being his first step towards the development of his dream project.

He had also accompanied musical groups such as “Chiquito Team Band”, among others. He is currently working on his second single, which will be released soon so that his salsa audience can enjoy it, being something new from a new talent in the musical world.

The single “Vuelve Conmigo” is available on all digital platforms, so you can listen to it and download it through: and you can also listen to it through this link, which is mentioned there as a salsa beautiful song in which he demonstrates all his talent and follows in the footsteps of the great salsa masters under the label Tumbao Media Productions.

For more information about Dominican artist “Enyel Co”:

Phone: +1 809-328-2124

Facebook: @ EnyelCo https://www.facebook.com/EnyelCo/