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Search Results for: Salsa music

Hanny the Voice of Cuba for the world

Leosbel Jiménez Licea is Hanny the Voice of Cuba

Born on July 8, 1972, Havana Cuba in the Vedado neighborhood. For the love of the songs I used to listen to on the radio at home, the love for music was born, especially for the guitar. That’s why since I was 4 years old all my toys were musical instruments, a drum set, drums, harmonicas, triolas, until I had a little toy guitar with which I used to invent concerts on the balcony of my house, the neighbors would pass by and laugh when they saw me so small believing me to be a star.

Leosbel Jiménez Licea Born on July 8, 1972, Havana Cuba in the Vedado neighborhood By the passion to the songs that I listened at home on the radio was born the love for music especially for the guitar, so since 4 years old all my toys were musical instruments, a battery, drums, harmonicas, triolas until I had a toy guitar with which I invented concerts on the balcony of the house, the neighbors passed and laughed to see me so small believing me a star Translated with www.DeepL.com/Translator (free version)
Leosbel Jiménez Licea

Hanny the Voice of Cuba

9 years old, I begin to study the basics of the guitar in the house of culture of the neighborhood at the same time that I was practicing fencing, at the age of 11 I won the national infantile championship of fencing earning me a scholarship to the school of sport incision (Eide) in the city of Havana, school from where many glories of the Olympic and world-wide sport of Cuba have come out.

14 years for disenchantment with the sport life I decide to leave the sport and to concentrate only in the music, in a self-taught way of course, there I begin to write my first songs that were poems that I was musicalizing at the time that I was learning new chords.

At the age of 19 I already had some songs that were sometimes played on some programs of the radio station in the province on the Havana City Radio.

So I was trolling the streets meeting many street artists until one day, an Englishman David Butlle, known as Mr. Bongo, arrived in Cuba in search of an orchestra to produce a record in Britain, a few days before leaving Cuba wanted to buy several albums of Cuban music from the 50s and did not know how to speak Spanish, my friend who passed by helped him with the translation into English, thanked him and told him who he was, my friend told him about my music, then we recorded a demo of 11 songs of my authorship then took them to London.

Between August and September of 1996, I was flying to London to record my first CD titled (Athe Voice of Cuba) production of 11 themes of my authorship and a danzón of the composer Niurka Díaz and Daniel Rodriguez, recorded with British, Cuban, Venezuelan, Colombian musicians all settled in London, my first recording work came out two themes that were in the French movie “Place Vomdome”, with the famous actress Catherine Deneuve, a British novel called Coronation Street, I also use my music, novels and series from Argentina, one called the Lola from Colombia and Israel, my first cd enjoyed good reviews in the best known and respected media especially in the UK opening the doors to the Royal Albert Hall, jazz cafe in London, the most prestigious jazz festivals and world music generally from the UK, as well as taking my music to all Europe, Colombia, Peru, etc, making for the success of the album concerts in Norway, Spain, Turkey, and Finland.

So I was trolling the streets meeting many street artists until one day an Englishman David Butlle known as (Mr. Bongo) arrives in Cuba looking for an orchestra to produce an album for him in Britain
The Troubadour Leosbel Jimenez Licea

In 1998 I recorded my second album produced by my company (Hanro Records) and this time we recorded between the laboratory of electroacoustic music of Cuba and London with the participation of musicians from the Orchestra of Elio Reve, Paublito fg and Irakere, plus some British and Latin musicians based in London, at the same time conducted and directed a radio program in Spectrum radio called Cannonazo in England. Then came a period of just a few acoustic concerts to prepare all the new songs that we will start recording at the end of the quarantine. In 2019, I did 6 concerts in Finland, 5 Acoustic and one with a band in one of the most prestigious halls of Helsinki, I did 5 concerts in Ecuador and one concert in Cali Colombia, now we were preparing a group of concerts in Colombia, Chile and Peru everything is stopped until normality arrives, with 3 albums ready to start recording little by little.

In 1998 I record my second album produced by my company (Hanro Records) and this time we recorded between the laboratory of electroacoustic music in Cuba and London with the participation of musicians from the Orchestra of Elio Reve, Paublito fg and Irakere
Hanny the Voice of Cuba for the world

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Greeicy premiere “Los Consejos”

Greeicy premieres her new single “Los Consejos” and is nominated for the 2020 youth awards

This time we have the Colombian actress, singer and dancer Greeicy Rendón who has moved into the world of current music; Since she was little, she was interested in acting and music, so with the help of her parents, she began to take acting classes, piano, flute, guitar and singing.

On August 3, 2017, she made her debut as a solo singer with the release of her first single, «Brindemos» and subsequently, in the company of other artists or alone, they developed various musical themes; currently the charismatic and talented Colombian singer and songwriter, Greecy premieres “Los Consejos” the second preview of her new album.

"LOS CONSEJOS" the second advance of his new record material
New single “Los Consejo”

“Los Consejos” is a ballad with a fresh proposal that incorporates urban pop tones with a sweet melody and powerful lyrics that fuse nostalgia and disappointment “Duele quererte y tú tan lejos, tenía la fé de que íbamos a llegar a viejos, me hago la fuerte, pero es complejo, si la tristeza se me nota en el espejo”

The song was written by Greeicy, Andres Torres, Mauricio Rengifo, Keityn, Rudeboyz, Lexuzbeatz, Bullnene, Flybot, and Juan Camilo Vargas Vasquez.

“Los Consejos” is accompanied by a music video, directed by Greeicy and Dario F. Burbano and produced by Mike Bahía, where Greeicy is seen longing for that love that could one day be, while he is seen alone on a swing, transmitting that pain we feel when love escapes from our hands, without really knowing why.

Greecy photo
Greecy photo on an estate

This new song follows in the footsteps of the premiere of “Los Besos” and its version on piano, a song that was initially released in April this year. “Los Besos” already has more than 60 million combined reproductions and its video more than 40 million views and is currently in Spotify’s Top 200 and Top 50 Viral lists in 9 countries, and also in the Top 100 of Apple Music Latino in 11 countries.

“Greeicy Rendón delights with his version of ‘Los besos’ on piano” – RCN Radio

“In this new romantic and fresh version, the charismatic and cheerful personality of Greeicy continues to be reflected, who today is positioned as one of the most important Latin pop artists of the moment.” – 40

Since entering the music scene, Greeicy has become one of the most prominent female figures within the genre, projecting sensuality, sparkle and style. For this reason, she has established herself as one of the most influential female artists, reaching 4.1 million subscribers and almost 2 billion views on her YouTube channel.

The nominees for Youth Awards 2020 were announced through social networks and in the voice of the most important artists of the moment, where the Colombian artist Greeicy achieves a nomination.

The awards given by the leading Hispanic network in the United States Univision, which year after year recognize the best of music, confirm Greeicy’s nomination in the Hottest Core category with their single “Aguardiente”.

The award ceremony will take place live at 8P / 7C on August 13 from Miami, Florida, in compliance with strict public health and safety measures.

Votes are already available at www.premiosjuventud.com/vota until next July 21.

Somaly Zapata Santana Artist

Somaly Zapata Music

The Dominican Republic is known for being the second largest and most diverse country in the Caribbean, noted for the warmth of its climate and the hospitality of its people. They are also known and famous for their talent for dancing wherever there is music, which is influenced by their West African, Spanish and European roots; Among the genres that stand out the most is “Merengue”, “Bachata” and “Son”; Another genre that also stands out as popular music is “La Balada”, “Rap”, “Dembow”, “Rock” and “Jazz”.

In this opportunity we have the pleasure of introducing you through International Salsa Magazine to Somaly Zapata, a Dominican singer who followed her path in the musical world firmly and in an evolutionary way in her musical themes, from her first song in merengue “Regálame” to his new theme song to be promoted at the moment “¿Verdad que duele?” In its sauce version.

She was born on July 24, 1988, from a very young age she showed inclinations for musical art, getting to participate in different social events. Her first song was a Mother’s Day gift to her grandmother when she was 13 years old. As the years went by, its melody and lyrics developed in the genres of Salsa, Merengue, Balada, Bachata or a fusion of them, giving it a characteristic that other songs do not have.

Somali Zapata Music
Somaly Zapata recording in the studio

It was influenced by great tropical artists such as Milly Quezada, Olga Tañon, Celia Cruz, La India, among others; However, he did not show his voice to the public at that time because he was a very shy person, but always with a musical spirit deep inside him.

Later he began to perform in different activities imitating only the movements of Milly Quezada and doing an almost perfect mimic of his great songs. In her adolescence she began to discover herself as an artist on a vocal level through her lyrics, taking classes on topics related to this art, writing situations without personal experience, but that were interesting for a composer hungry to express her most intimate feelings.

Somaly Zapata shows us her musical history, beginning in 2011, when she decides to go to work in the United States “USA” at the “Stagedoor Manor Performing Arts” as a cultural exchange, which allows her to acquire knowledge and in turn save money for be able to professionally record your first song. From that moment on, she began her artistic career with the outstanding Dominican musician / arranger Juan Valdez Ybet, who, merging ideas, supported by the great career of Mr. Valdez and the magic of the singer’s lyrics, is launched from gradually form the different singles of the artist; Not to mention that he is a member of ASCAP (American Society of Composers, Authors and Publishers).

Somaly Zapata Music
Somaly Zapata pose

The themes and / or songs that they present to us:

Author: Somaly Zapata

Arrangement: Juan Valdez Ybet

Regalame – (Merengue)

Para alguien como ti – (Salsa)

Cuando se apague el sol – (Salsa)

¿Verdad que duele?  (Salsa) promotional theme

 

For more information, you can contact this great artist through:

 

Correo: [email protected]

WebSite:

Instagram: https://www.instagram.com/somalymusic/

Twitter: https://twitter.com/somaly_zapata

GooglePlus: https://plus.google.com/116832184355913365324

Facebook: @ somaly.zapata.5

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Azúcar Club Cubano – Brazil

Meet the “ Azúcar Club Cubano ” of Sao Paulo, Brazil:

Since the Salsa boom in the sixties, “60” invaded the ears of many Latinos and North Americans, later Europeans, Africans and Asians in restaurants, Academies, clubs, parties and events since they were the novelty of the moment and they had something that made his guests dance with seasoning and fun and for future talents (artists) a new style and / or musical genre.

Brazil is the largest country in South America and is one of the countries with the most energy and positivity. The good humor of its people and its constant party atmosphere make this Brazilian culture one of the pillars of world dance. Among the dances that exist in Brazil, the “Samba” stands out, which is danced during festivals and popular celebrations such as the Carnival, some of the most popular versions include “carioca”, “a baion”, “conga”, “mesemba”, “a batucado” and “carnivale”.

Outside of the carnival there is the Carimbó, Capoeira, Lundu, Baião and “Xote” (typical type of lining dance that is incredibly versatile and has several variations throughout the country, it is a dance that has a mixture of European and African influences, it also incorporates elements of salsa, mambo and rumba, depending on the region of Brazil).

Night Club
Azucar Club Cubano is open

Despite everything in Brazil other musical rhythms are also danced but in less quantity such as salsa and bachata in nightclubs and in Brazil there are a great variety of Latin academies, restaurants and clubs where you can enjoy pleasant music and if what You want to dance Merengue, Salsa and Cumbia, you can go visit the “Azúcar Club Cubano” which is a disco and nightclub that is located at Rua Dr. Mário Ferraz, 423 Itaim – Bibi, São Paulo, Brazil.

Which was inaugurated in August 2000; being the first Latin house in Sao Paulo at that time thanks to the Latin inspiration with its flirty and great Caribbean music. Currently it is recognized for being very cheerful and with excellent service where it had great successes and that until today it opens its doors to all people who like Latin rhythms, both music played by DJs and live music are also performed. events, concerts, festivities (birthdays, anniversaries, celebrations, among others).

Azucar Club Cubano working
In the Azucar Club Cubano

They also have a bar where the most requested alcoholic beverages are Rum and Tequila and among their cocktails are ” El Margarita “, ” El margarita con Tequila ” and ” Mojito “, the latter known as the best in all of Sao Paulo, Brazil; They also have a varied menu so that people can taste good food and the music that they are playing at that time.

The Club opens its doors to the public from Tuesday to Friday from 7:00 p.m. (7:00 p.m.) and on Saturdays from 8:00 p.m. (8:00 p.m.) and there one can pay with any credit card or debit.

Cocktails
cocktails are “El Margarita”, “El margarita con Tequila” and “Mojito”,

For more information you can search through:

WebSite:

Facebook: @ azucarclubcubano

Instagram: @ azucarclubcubano

Correo: azucar@ azucar.com.br

Teléfono: +55  11 3074 3737

Tripadvisor:

 

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Orestes Vilató is one of the most influential figures in the world of Latin percussion

The Cuban multi-percussionist, Orestes Vilato, is undoubtedly one of the greatest figures in the history of Cuban drums known as timbales.

He is one of the most influential figures in the world of Latin percussion.

He was born on May 4, 1944 in Camagüey, Cuba, and currently resides in San Francisco, California in the United States.

He has worked with many of the best exponents of Cuban popular dance music and Latin jazz, from José Antonio Fajardo and Israel López (Cachao) to Rubén Blades and Carlos Santana.

He is one of the most influential figures in the world of Latin percussion. He was born on May 12, 1944 in Camagüey, Cuba, currently resides in San Francisco, California in the United States
Orestes Vilato is one of the most influential figures in the world of Latin percussion

During the 1950s, the Vilato family moved to New York, the world capital of salsa, where the young Orestes would rise to fame as an innovator of his beloved traditional instrument, “Los Timbales.

While living in New York City for 25 years, Orestes was intimately involved with many musical organizations that played key roles in shaping the course of Latin music around the world.

Among the many groups were: Fania All Starts (founding member), Ray Barretto, Tipica 73 (founding member), Los Kimbos (founder-director), Tito Puente, Johnny Pacheco, Cheo Feliciano, Ismael Rivera, Joe Cuba, Eddie Palmieri, Ruben Blades, La Lupe, Celia Cruz, Rolando La Serie, Chico O’Farril, Lionel Hampton, Los Chavales de España, Cal Tjader.

Other artists he has recorded or worked with include: Winton and Bradford Marsalis, Paco De Lucía, Whitney Houston, Linda Ronstadt, Aretha Franklin, Willie Nelson, Herbie Hancock, McCoy Tyner, Cachao, Andy García, Emilio Estefan, Gloria Estefan, Paquito de Rivera, Dave Valentín, Mongo Santamaría, Armando Peraza, John Santos, Rebeca Mauleon, Giovanni Hidalgo and Raúl Rekow.

In 1980 he moved from New York to San Francisco, California, where he worked with Armando Peraza, in the band of Chicano rocker Carlos Santana.

He later recorded with American jazzmen Bobby Hucherson and Buddy Montgomery, and with Cuban percussionist Luis Conte.

He also works with Jon Santos’ Batachanga Orchestra and Machete Ensemble.

He is one of the most influential figures in the world of Latin percussion. He was born on May 12, 1944 in Camagüey, Cuba, currently resides in San Francisco, California in the United States
Orestes Vilató Born May 12, 1944 in Camagüey, Cuba

In 1992 he recorded with Israel López (Cachao) as well as with Cuban percussionist José Luis Quintana (Changuito).

In 2009 he recorded his production entitled Orestes Vilató ?- Its About Time, with a repertoire in the style of Salsa, Latin Jazz, Descarga.

In 1981, Mr. Vilato moved to the San Francisco Bay Area, where he continues to reside with his family.   From 1980 to 1989 he recorded and toured with Carlos Santana’s renowned band.

Orestes was nominated for a Grammy in 1995 (Latin Jazz category) for his CD, Ritmo y Candela con Patato y Changuito. In 2009 his solo CD Its About Time was nominated for a Latin Grammy.

Orestes has recorded several film soundtracks including  Our Latin Thing, Mambo Kings, Carlito’s Way, Steal Big Steal Little, The Bird Cage, Dance With Me, Just A Ticket, Things To Do In Denver and The Lost City.

He has been a special guest artist at multiple jazz festivals around the country and in Puerto Rico, including the San Jose Jazz Festival.   He has performed and taught at numerous music conservatories including the Berkeley School of Music, UCLA, the University of Fresno, Stanford University, as well as many conservatories abroad.

Orestes was honored at the Yerba Buena Garden, Monterey and San Francisco Jazz Festivals.

Orestes’ style is one of the most imitated and emulated among recording artists.

Orestes Vilató It's about time
Orestes Vilató It’s about Time

Credits
Acoustic Bass – Carlitos Puerto Jr.
Backing Vocals, Handclaps – James Zavaleta
Bass – René Camacho
Bongos, Cowbell – Johnny “Dandy” Rodriguez
Co-producer, Timbales, Bongos, Lead Vocals, Cowbell, Cajón, Guiro, Maracas, Claves, Handclaps, Backing Vocals, Music Director – Orestes Vilató
Congas – Joey De León
Engineer [Assistance] – Joshua Blanchard
Engineer, Mixed By – Jimmy Branly
Executive Producer – Camerina Campillo, Ralph Campillo
Flute, Soprano Saxophone, Alto Saxophone, Tenor Saxophone – Justo Almario
Lead Vocals, Handclaps, Backing Vocals – Adonis Puentes
Mastered By – Peter Doell
Piano – Alberto Salas
Piano, Arranged By, Handclaps, Backing Vocals, Music Director – Rebeca Mauleón
Producer [Associate] – Manolo Santana
Tres, Acoustic Guitar – Ramón Stagnaro
Trumpet – Luis Eric González*, Sean Billings

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.