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Search Results for: Salsa music

Quinteto D’Amore Cultivating traditional Cuban music worldwide

Quinteto D’Amore of Havana – Cuba

Quinteto D’Amore was founded in 2000 within an acoustical format; cultivating traditional Cuban music, although in its repertoire, you can find international songs; and made various presentations both domestic and international.

All these years, different musicians have integrated the group, but two years ago, it has been renewed and is now composed of Bass, Tres, Violin, bongo, minor percussion and soloist.

They are characterized for combining music, voices, and choreography in some of their songs, filling those who can enjoy their show with joy and energy.

Quinteto D'Amore Cultivating traditional Cuban music worldwide.
Quinteto D’Amore of Havana – Cuba

Yasney (violin): Graduated from Higher Institute of Art with a specialty in Violin (ISA). Member of the UNEAC, she joined the National Symphony Orchestra of Cuba, participated in recordings of leading groups and soundtracks, as well as in the CD “Mi Querido Pablo II” with Pablo Milanés and his guests: Milton Nacimiento, Lucecita Benítez,

Fito Páez, Joaquín Sabina, Alberto Cortes, and at the concert offered at the National Auditorium in Mexico City.

He has made numerous tours and concerts with the band “Mambo Así”, the group “Sol y Arena”, “Piel Morena”, among others, through various countries such as Moscow, Spain, Thailand, Hong Kong, Saint Martin Island and Guadeloupe, Italy, and Angola. Yasney joined D’Amore in May 2014.

Quinteto D’Amore

Yonel (three/four Cuban guitar) I began my career in music when I was six by learning to play the guitar. Since then, I used to sing some songs and to accompany others like my brother. AI was seven when I started at the school of arts in Santiago.

In Cuba, I studied violin for about three years and, in time, I started to learn about other instruments such as the piano and the percussion to reach the bass with which I played with the group Son Chévere de Matanzas for several years.

Then I came to Havana and started playing the tres until I made it into a CUATRO, adding a couple more strings and it is the instrument with which I currently work in Quinteto D’Amore.

Evelyn (soloist) began to study music since choildhood, taking piano and musical theory lessons. At the age of 11, she received her first award as a solo singer given by the pioneers’ organization and took dance lessons at the National Ballet School in Havana and contemporary dance workshops, integrating various dance companies and performing in the 2nd Tropicana Show. She is a mid-level graduate from micro operator. She studied at the School for Art Instructors.

As a singer, she started her professional career by joining several groups such as: Lady Salsa Mix, Cuban Salsa Orchestra, Las canelas, Ketlman Ferrer and his orchestra, etc. She is currently the lead singer of Quinteto D’Amore.

In all these years different musicians have integrated the group, currently two years ago the group has been renewed and is composed of Bass, Tres, Violin, bongo, minor percussion and soloist. They are characterized by combining music, voices and choreography in some of their songs, filling with joy and energy those who can enjoy their show.
Quinteto D’Amore was founded in 2000 with an acoustic format.

Orley (Bass): He studied bass and contrabass, he began his musical career in Ciego de Avila as part of different groups of small and great format such as: Eclipse Orchestra, Conjunto Campesino “Campo Lindo”, etc. Later on, he joined groups in Havana such as Septeto Tradición, the group of the singer Leyanis Lopez with whom he travelled to France (Paris) under the record label “Luz Africa”. From 2007 to 2011, he was on the Orchestra of Maykel Blanco Y Su Salsa Mayor with whom he made several international tours in Italy, Sweden, Denmark, Germany, Poland, Switzerland, Belgium, and Peru, and participated in the recording of his 2 albums. From 2011 to 2013, he joined the groups like “Amor y el Son”, Pepitín y su CumBachá”, and Habana Midic with whom performed in Egypt, Jordan, Tunisia and Lebanon. Orey joined D’Amore in May 2014.

Daymé (Director, tres and bongo): Graduated of Telecommunications and Electronics engineering at the “José Antonio Echeverría” Higher Polytechnic Institute and at the intermediate level in music in the specialty of “Tres”. She belonged to the amateur artistic movement for 14 years, participated in international festivals, integrated several groups of small format with which she performed in Cuba in the “Dos Gardenias” complex, La Bodeguita del Medio, the Floridita Restaurant and various hotels, Outside of Cuba, she has fulfilled several contracts in Jamaica, Qatar, Arab Emirates (Abu Dhabi, Dubai and Al Ain), Jordan, Egypt, Japan, Spain, Turkey and China. She is currently the bongo player and director of Quinteto D’Amore.

Maria Carla (2nd violin) began her music studies at the “Alejandro García Caturla Conservatory” where she acquited basic secondary education and the 7th year of violin.

In 2006, she entered the “Amadeo Roldán Conservatory” to continue his studies to reach the ipper secondary level of violin. During her time as a student, she was part of the orchestras of the respective schools and participated in meetings, competitions and concerts as both instrumentalist and vocalist in choirs.

Upon her graduation, she taught in the province of Pinar del Río and gave classes at the Vocational School of Art in the same city for two years.

Since 2010, she is part of the National Symphony Orchestra of Cuba by working simultaneously with various classical and popular music groups such as “La Camerata del Son”, “Ensemble Alternativo”, “Quinteto D Amore”, “Orquesta Panorama”, and “Quinteto Doble Sabor”.

María Carla has also participated in several events and festivals: Encuentro Nacional de Orquestas Sinfónica, Feria Internacional Cubadisco, Encuentro de Coros, Festival América Canta, Festival de Música Contemporánea, Festival de Jóvenes Pianista, Festival del Danzón, Feria Internacional del Libro de La Habana as well as in several recordings and phonograms with artists such as José María and Sergio Vitier, Toni Pinelli, Rafael Guedes, and Aldo López-Gavilán.

She has also accompanied renowned soloists such as pianists Lang Lang, Chucho Valdés, Frank Fernández, Aldo López Gavilán, singer Omara Portuondo, violinists Ryu Goto, Francesco Manara, clarinetist Keisuke Wakao, and guitarist Joaquín Clerch.

He has worked under the baton of conductors such as Yoshikazu Fukumura, Marin Alsop, Francesco Belli.

Quinteto D’Amore Repertoire

Latin/English Recent Hits

Havana – Camila Cabello

Someone Like You – Adele

Don’t You Remember – Adele

Unbreak My Heart – Tony Braxton

Rehab – Amy Winehouse

Whenever Whatever – Shakira

Dancing – Enrique Iglesias,

Lambada – Kapma,

Macarena – Los del Rio,

Mambo No 5 – Lou Bega,

Nossa Nossa – Miechl Telo

Yo Tengo Tu Love – Si7e

Solo Quiero Darte Un Beso – Prince Royce

Despacito – Luis Fonsi & Daddy Yankee

English Pop, Rock, Blues, Jazz, R&B

Stand By Me – Ben E. King

Yesterday – The Beatles

Only You (And You Alone) – The Platters

New York New York – Frank Sinatra, Liza Minelli

Misty – Errol Garner & Johnny Burke / Johnny Mathis

Girl From Ipanema – Pery Ribeiro, Frank Sinatra

Flying To The Moon – Frank Sinatra, Doris Day, Tony Bennett, Diana Krall

Summertime – Ella Fitzgerald, Janis Joplin, Billie Holiday …

Autum Leaves – Nat King Cole, Andrea Bocleli, Eric Clapton …

My Way – Jacques Revaux, Paul Anka / Claude Francois, Frank Sinatra, Elvis Presley

I Just Called To Say I love you – Stevie Wonder

Somewhere Over the Rainbown – Harold Arlen and Yip Harburg / Judy Garland, Israel

For Ever And Ever – Demis Roussos

Hotel California – Eagles …

Cuban/Latin Salsa, Son, Rumba, Cumbia, Bolero

El Yerbero Moderno – Celia Cruz,

Quimbara – Celia Cruz

Life is a Carnival – Celia Cruz

Idilio – Wilie Colon

El Carretero – Buena Vista Social Club

El Cuarto De Tula – Buena Vista Social Club

The Discreet Kisses – Compay Segundo

Chan chan – Compay Segundo

Hasta Siempre, Comandante – Carlos Puebla

Maridos Majaderos – Perdro Luis Ferrer

Yolanda – Pablo Milanés

Volveré – Diego Verdaguer

Montón de Estrellas – Polo Montañez

Cariñito – Los Hijos del Sol

Oye Como Va – Tito Puente / Carlos Santana

Nel blu dipinto di blu (Volare) – Dean Martin …

Capullo de Aleli – Cateano Veloso

Dos Gardenias – Daniel Santos, Buena Vista Social Club

La Flor Pálida – Polo Montanez / Marc Anthony

Perfidia – Alberto Domínguez / Los Panchos, Perez Prado, Nat King Cole, Ben E. King,

Luis Miguel

Guantanamera – Celia Cruz, Compay Segundo, Tito Puente, Joan Baez

Lágrimas Negras – Trio Matamorros, Omara Portuondo, Celia Cruz, Compay

Segundo/Cesária Évora

Moliendo Café – Jose Manzo Perroni / Mario Suárez, Xiomara Alfaro, Ricardo

Montaner

El Manisero – Rita Montaner, Antonio Machin, Mistinguett, Louis Armstrong

Historia de un amor – Carlos Eleta Almaran, Guadalupe Pineda

Besame Mucho – Consuelo Velasquez / Los Panchos, Pedro Infante, Louis Armstrong,

Andrea Bocelli

Quizás Quizás Quizás – Osvaldo Farres / Bobby Capo, Celia Cruz, Nat King Cole

El cumbanchero – Rafael Hernandez / Tito Puente

Que Será, Será – Jay Livingston and Ray Evans / Connie Francis, Natalie Cole

Pink Cherry – Los Tecolines

www.quintetodamore.com

www.facebook.com/QuintetoDAmore

Youtube Quinteto D’Amore

Contact us at [email protected]

Quinteto D'Amore Cultivating traditional Cuban music worldwide.
Quinteto D’Amore of Havana – Cuba

Argentina and its musical genres of origin and the tropics

Argentine musical genres and development to date with tropical genres

 

Each country has its essence with respect to what it represents above all in its culture, and in Latin America there is a great variety of musical genres and dances unlike Europe since during the colonization of the new world a mixture occurred not only at the level of races but also of culture, emerging a great variety of musical genres…

In this time we have Argentina, a country full of cultural diversity being the most interesting characteristic of this great South American country. It is a country where music is expressed with great style and elegance, especially at the level of dance, since its presentations are made in various places, including outdoors, especially in Buenos Aires (usually in summer).

Argentinian dance
Argentine Collash

Among the musical genres that stand out are:

  • Argentine Rock: it is the mix of rock and roll, blues, country & western, R&B, doo wop, boogie woogie and swing; It is characterized by having an outstanding and recognized Hispanic lyrics throughout Latin America thanks to the great popularity of the bands and artists that participated and reaped records in album sales and in attendance at recitals in the mid-1950s to date. (sample bands)

 

  • Tango: a musical and dance genre very characteristic of the Rio de la Plata region and its area of ​​influence, but mainly of the cities of Buenos Aires (in Argentina) and Montevideo (in Uruguay). Their music and dance is very popular in Argentina and this expressive dance has strong European influences. It is danced as a couple where the dancers merge in a romantic embrace, showing their sensuality, passion and feeling in each step taken, leading it to become one of the most famous dances and musical genres in the world.

 

  • Cumbia: despite the fact that this rhythm from the Caribbean countries, particularly Colombia, has spread in several Latin American countries including that country, the cumbia and the different variants are part of the music called “tropical”, and in Argentina Cumbia Villera is a subgenre born in popular areas, born approximately in 1997. It emerged from the fusion with local rhythms such as chamamé and tango, due to its instrumental endowment; Another particular characteristic of Argentine cumbia is the inclusion of flamenco within its musicalization.

 

  • In Argentine there are folk rhythms:

 

  • Zamba: its name derives from the daughters of black slaves and aborigines, who were sought to seduce through dance, this genre is located in the central part of the country and is generally associated with the Argentine Pampas. It is danced in pairs where the man surrounds the woman’s shoulders with a handkerchief with the intention of seduction.

 

  • Carnavalito: this genre is located in the Andean region, north of Argentina, its music and dance make up a part of the Andean pre-Columbian culture, it has a festive and lively tone.

 

  • Chacarera: a dance native to the north-central part of the country, has a marked aboriginal influence where the Quichua language is manifested. With vehement and intense tones, it is used in regional Carnival dances and is danced by stamping and courting figures.

During the 50s in the USA (United States) several musical genres were called “Latin Rhythms” to differentiate them from African-Americans, among which are salsa, merengue, samba, bachata and bolero among the most known. You will say that this has to do with the musical genres mentioned above … because there is a great difference and history since each musical genre or dance has its own rules to perform them either on a musical or dance level, but when a mixture arises. from two or more musical genres, a new one more innovative, fun and with a taste to the population, like what happened with the Latin rhythms in that country.

Photo of some dancers
Tango dancers photos

Salsa is a contagious and fun rhythm most of all for the general population at the time of dancing it, since people enjoy a very lively music where they usually shine with the amount of turns to magically show themselves with their spectators and to achieve this you are born with it or you train with professionals in dance; this generally applies to all Latin and / or tropical rhythms.

It does not matter what genre this popular in each country, the important thing is the dedication, expression and that each person has when producing their musical theme or dance to the public, giving the native his personal touch to his music or dance, becoming more unique and not as generic as it is made in other countries.

 

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Tips for the Latin dances “Salsa”, “Bachata”, “Merengue” and “Lambada”

To be able to socialize and have fun, many people learn different activities that can attract others either in their daily routine or during a rest time they have; among those activities is music and dance, where the person can interact with their neighbor and / or partner (a) either by practicing it or simply talking about the subject.

 

Dancing is simply the act of performing a dance, where a person uses his or her body to perform movements to the beat or to the rhythm of a music or melody, in order to express a message, by tradition or with the aim of entertaining oneself; of course, in order to practice it, body communication is very important because the couple or group needs to know certain signals that indicate the “when” or “how”, in order to perform the steps and as a result the success of this performance will test the quality, maturity and growth of the dancers; and to perfect the technique the best thing they could do is to look for an academy where they can orient them and thus achieve their equilibrium either as a couple or as an individual.

However the dance is not something monotonous, it has different musical genres and on this occasion we will talk about La Salsa, La Bachata, El Merengue and a little known but at the same time very interesting rhythm called Lambada.

 The tenses in these 4 musical genres are different, for example:

 

  • The Lambada is a dance that comes from Brazil although you still have doubts about its exact origin.  Another influence of its development came from Caribbean music adding metal drums, electric guitars making this a unique musical experience.  It has a degree of popularity in Europe because it is exotic and uncommon due to certain characteristics la Lambada that there are traces of flamenco and other ancient Spanish dances.  The Lambada uses a three (3) beats, where the first 2 are fast and the third (3rd) is slow, with simple steps dancing either in the same place or on the side, showing momentum and interest where the dancer is looser, flexible and docile, whereas the woman is full bodily movement and should be guided by her partner, as if the woman were clay in the hands of the potter.
Lambada dance
Photo of a Lambada dance contest
  • La Salsa is an Afro-Caribbean rhythm and dance fused with jazz and other styles.  Its birth has been much debated, but it is known that it comes from a fusion carried out by the inhabitants of the Caribbean when they listened to European music and then mixed it with their drums, it is a rhythm with flavor, joy and the force of life, a very common characteristic when it comes to party, which one can associate through the salsa songs. The Salsa handles a four (4) beat beat beat, either side to side or back and forth, it can also be crossed (as if you draw a “V” with the 2 and 3 in the middle) and the turns in both dancers can be from simple to complex as you progress level in (a dance academy), citing the textual words of Glenis is a rhythm where the woman It’s man-guided, so if you want to blame her for a misstep, you know who to blame.
Salsa Pose
Photo of a couple dancing Salsa
  • The Merengue is a dance from the Dominican Republic, becoming a Caribbean and Latin rhythm, it is one of the easiest rhythms to learn to dance even without experience, since it is not as fast or strict as the “Salsa” is, its movement can be back and forth, or side to side, always adding very noticeable hip movement with the rest of the body although not as exaggerated as bachata or kizomba; giving it a touch of flavor and flavor.  It is required to do this a close dance with your partner that when salsa is danced, facilitating the fluency of the couple at the time of moving and so be more synchronized, of course it is that not all the time is like this, the trick is the synchronization of the couple’s steps; usually it resembles the turns of the salsa with the merengue.
Meringue Competition
Photo of dancers dancing Merengue

There are many types of dances in each country and in its academies and-or dance venues, which have their own rules, tips, names and steps to follow, what matters is that you achieve the ultimate goal which is to “dance” by holding classes regularly, following the advice of your teachers, practicing your technique outside your classes, dedicating time to improve your dance skills specific, improve your postures, exercise without abusing it getting your rest time and above all observe outstanding dancers of different styles, this way you will be able to achieve your goals without staying on the path of learning.

LEARN TO DANCE SALSA IN 3 MONTHS WITH STUDIO SALSAMÁS

Show off like an expert tropical genre dancer with figures and 12 combinations of different steps during one quarter of the year at this innovative academy in Munich

Salsamás Logo

The LA Salsa style (on1) is danced online and is characterized by dynamics and power.The Studio Salsamás is one of the most popular Latin dance specialized academies in Germany. The teaching of this school is based on a sporty, expressive, fun, and elegant training system, in which you will learn the steps of Salsa in three months to look like an expert dancer of this genre. And although at the moment it is not possible to attend the studio in person, the lessons are broadcast live through the Zoom platform with personalized assistance.

In this academy, you can choose the different popular styles of Salsa today: Salsa Los Ángeles, Salsa Nueva York, Salsa Cubana, Bachata, Bachata Sensual, and Kizomba for all ages.

couple dancing in a hall
Mambo (on2) – Salsa NY Style – is characterized by smooth and flowing movements. The typical Mambo is suitable for social dances.

The Class System during the first week conducts instruction in the typical Los Angeles Salsa On1 style (United States), which is danced in line and is characterized by an acrobatic and highly dynamic style with smooth movements and transitions typical of the Mambo ( ideal for shows) with the mix of Salsa On2 developed in New York (United States).

Different combinations of dance and figures are shown on each level during the three months. It means that all those people who feel that they do not master the dance steps after the fourth date and want the elements learned in this phase to solidify the basis have the option of staying in the same stage to repeat the fundamentals. For example, the Beginner I course includes 12 different step combinations with the same degree of difficulty, and they are taught alternately over three months. Everyone can decide after the first month whether to go to the next level or stay there. The recommendation is to complete the classes up to Beginners III in succession and not take breaks to establish a solid base.

The maximum objective of Salsamás is to establish Salsa in this European country as a feeling of joy that offers the opportunity for relaxation, providing a new lifestyle for all ages while also involving the development of the technical skills necessary for mastering the essential steps of this Afro-Caribbean rhythm.

SALSAMÁS DANCE STUDIOS

Asian couple dancing
The Bachata originally from the Dominican Republic is similar to the salsa spread all over the world, varied, and very popular!

Currently, the German government continues with restrictions on the start of activities in dance academies and entertainment establishments in order to safeguard the lives of its inhabitants. For this reason, Salsamás offers its teaching system online. However, once this dance studio, located in a central but quiet area of Munich city, very close to the Ludwig-Maximilians University and the Schwabing Technical University, has reopened will begin its teaching work in person and with all the biosecurity measures established by the government entity.

The main studio is located at Arcisstraße 36, 80799, a popular and culturally diverse neighborhood developed in the German city, inhabited in the past by numerous artists. This studio is placed on the ground floor, comfortably furnished and illuminated, and can be reached on foot at 6 minutes from Theresa Street U2 or U6 University subway station.

Also, they recently opened the second venue in Am Schützeneck 3, 81241, inside the middle of the Pasing district, directly next to Pasing Arcades. This new location offers the same characteristics as its main headquarters: good atmosphere, lighting, and excellent furnishing conditions. Find it as Studio Salsamás Pasing.

SOUTHERN HISTORY

couple of dancers posing
Cha Cha is danced On2. This slower rhythm allows for precise and smooth execution of the movement.

Pablo De Queiroz and Silvina Igova run the Salsamás Dance School founded by De Queiroz in October 2006 in the bohemian district of Munich. Together, Pablo, Silvina, and their team (Karolina John, Elena Frolova, Steffi Menz, Jean Caruana, Isabella Grill, Vasco Martins, Charley Raymdt, and Katrin Aumer) teach Salsa at nine different levels with great enthusiasm, effort, and commitment to be today to Salsamás one of the most innovative dance schools in the city.

But, who are Pablo and Silvina? Pablo De Queiroz of Brazilian origin moved to Germany in 1998. In a short time after his organization in this land he discovered his passion for dance, and it is what has characterized his personality until now. On the other hand, the Bulgarian Silvina Igova began to dance intensely during her childhood and it was until she met with Pablo (six years ago) that she discovered her love for Salsa and especially for the stage. Pablo and Silvina’s shows fascinate with their unique musical performance and energetic execution. The choreographies are created by Pablo and never fail to impress with artistic genius, genuine passion, and precision in dance.

Pero, ¿quiénes son Pablo y Silvina? Pablo De Queiroz, de origen brasileño, se mudó a Alemania en 1998, poco tiempo después de su organización en esta nación descubrió su pasión por el baile y es lo que ha caracterizado su personalidad hasta la actualidad. Por otro lado, la búlgara Silvina Igova comenzó a bailar intensamente durante su infancia y fue hasta su encuentro (hace seis años) con Pablo que descubrió su amor por la Salsa y especialmente por los escenarios. Los espectáculos de Pablo y Silvina fascinan por su interpretación musical única y enérgica ejecución. Las coreografías son creadas por Pablo y nunca dejan de impresionar por el genio artístico, genuina pasión y precisión en la danza.

Pablo de Queiroz and Silvina Igova are frequently welcome guests nationwide to Salsa congresses, various festivals, and events.

In 2011 they came second in the German Salsa Championship held in Ludwigsburg.

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Hicham Billouch and his Nour Marruecos Orchestra “Arabic music”

“Music for me is like oxygen, I cannot live without it and I will never forsake my passion “.

Hicham Billouch, Moroccan musician, seeks to explore new musical avenues and possibilities.

Billouch studied music at the Royal Conservatory in Marrakech and graduated as a pianist. He also plays the violin, the lute, the guitar and the sintir.

When he was a teenager, he started working in cabarets in Marrakech like Hotel Sahara Inn, Rotana, VIP Club and Hotel Le Semiramis in Casablanca.

In Morocco, he played along with singers like Ahmed Adawiyya from Egypt, Fares Karam from Lebanon, Mohamed Reda, Pinhas, and Badr Sultan from Morocco.

He also participated at the Mawazin Festival organized by the Government of Morocco and worked in the organization of musical events such as Green March Day.

"Music for me is like oxygen, I can't live without it and I will never give up my passion."
Hicham Billouch and his Orchestra Nour Morocco
Arabic Music

In France, he played with Maqam al Ushaq, which is a Moorish music group, at the Mediterranean Music Festival in Corsica and the International University Music Festival in Belfort Ville, France.

In Mexico he created Nour Marruecos, an Arabic music ensemble, with local musicians. Nour Marruecos has participated in international festivals such as Lerdantino (Durango), Festiva Toluca and Calimaya (Mexico State) and the Córdoba International Book Fair (Veracruz). He also played in the Lebanese Restaurant Adonis in Polanco. Mexico City.

In Mexico City, he organized a belly dance competition and also published a book with the Spanish translation of 40 Arabic songs.

Her record production includes 3 CDs: Salam, Qamar and Kalimat, with covers of Arab songs and her own compositions.

After moving to Mexico City, Maestro Hicham Billouch established the Arabic music ensemble Nour Marruecos with local musicians.

Gnawa music to be inscribed in 2019 on UNESCO's Representative List of the Intangible Heritage of Humanity
Nour Morocco Orchestra Arabic music

The Orchestra

Nour Marruecos has participated in international festivals such as Lerdantino (Durango), Festiva Toluca and Calimaya (State of Mexico), the Córdoba International Book Fair (Veracruz) and the Arab Week organized by the Centro de Investigación y Docencia Económicas of México.

The ensemble has also represented Morocco in various cultural and official events organized by the Embassy of Morocco and in private events of the Arab, Lebanese and Jewish communities.

Fusion

Gnawa music, inscribed on the UNESCO Representative List of Intangible Heritage of Humanity in 2019, is one of the most versatile, because its scales and rhythms have their roots in sub-Saharan Africa, so theyr are compatible with the pentatonic scales of blues and jazz.

That is why Hicham Billouch has merged the traditional instruments of Gnawa music such as the guembri, the outar and the qraqeb, with instruments from India such as the sitar, the tabla and with electronic music.

Arabic instruments

Arabic music has a long history of interaction with many musical styles in the world. Arabs people translated and evolved Greek texts and mastered musical theories.

In the pre-Islamic period, Arabic music consisted of singing poetry. As for the musical instruments, they were used in a manner that may accompany and savour the meaning of poetry.

Arabic instruments can be classified into three main types: string instruments, wind instruments and percussion instruments.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.