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Search Results for: Salsa music

Kadenza Dance School

Latin America / Argentina/ Buenos Aires

Kadenza Dance School is a dance academy located in Buenos Aires, Argentina. They don’t just teach people the steps of a musical rhythm; they demonstrate through their teaching that dancing nourishes the spirit of those who practice it. Not only that, but dance also allows for a connection with emotions, giving students more freedom for their spirit or soul.

KADENZA is a school geared toward students of all ages and with different goals, whether they wish to pursue a professional path or use dance as a form of recreation or therapy. All their students and teachers benefit from a comfortable reception area, spacious studios equipped with mirrors, barres, wooden floors, high-quality sound systems, and Wi-Fi throughout the studio. In short, it’s an ideal place to learn with passion, as the atmosphere is full of joy, respect, and good vibes, where one can enjoy what they love to do most… which is dancing.

Kadenza Dance School - Danza Jazz
Kadenza Dance School – Danza Jazz

They also state that they are seriously committed to the quality of instruction, where qualified professors and instructors give their best in every class. This ensures their students incorporate the essentials of each technique and develop the maximum potential of their learning in the rhythms chosen by the student.

The Directors: Yamila Larraura and Juan Pablo Villar

The School’s Directors are Yamila Larraura and Juan Pablo Villar, who mention that, “Anyone can open an Academy, but few are the ones that make a difference.”

If we want to know more about the history of these two directors, we can start with Yamila Larraura, who was born in Argentina. Since she was a child, she began listening to Afro-Latin music thanks to her father, “Jorge Washington Larraura,” who was of Uruguayan origin. When she was 14, she went on vacation to Villa Gesell with her parents and a friend of theirs. It was on this trip that her interest in Salsa was awakened, as she went to a place near the beach that played Salsa music and offered classes in the afternoon with all the people from the beach.

One of the songs heard back then was “El Muerto se fue de Rumba” by the group “Las Sabrosas Zarigüellas,” which was very catchy for everyone who heard it. After her vacation, she decided to enroll in Salsa classes, where her teachers were Pablo Demaro and Kimena Puente.

As for Juan Pablo Villar, during his youth, he worked as a waiter in a bar and took theater classes, which also included lessons in national folklore and Latin rhythms (Salsa). This was his first contact with dance, and from that moment, he developed an interest in it. One day, a person came to the bar and mentioned that they taught classes in a studio, asking if they could leave flyers at the bar for people who wanted to dance. Knowing this, Juan Pablo Villar decided to go to the Salsa classes taught by Professor Pablo Demaro.

Kadenza Dance School - Social
Kadenza Dance School – Social

They explain that the Salsa classes back then were in a Cuban style, which featured fairly simple movements and figures. It was in these very classes that the future directors of KADENZA, Juan Pablo Villar and Yamila Larraura, first met.

The Journey to Kadenza

To gain a better experience, and to teach and give classes, they had to learn new techniques. They decided to seek out the best teachers in Argentina, who at that time were from the “Escuela de Mambo en Dos,” led by teachers Liz Paredes and Carlos Aragón, until they moved to Italy in 2007.

Afterward, they formed a dance group with their colleagues called “Combo Bayres,” during which time they toured the country and performed on various stages. In 2007, Liz Paredes and Carlos Aragón returned from Italy and formed the “Compañía Mambo en Dos,” where Yamila Larraura and Juan Pablo Villar joined the project. They gained great experience in the artistic world, traveling to different Argentine cities like Mar del Plata, Rosario, among others.

They also had the opportunity to travel abroad, attending the Salsa Congress in Uruguay, and later going to the United States, to New York City, to present at the Salsa Congress where they met great dance legends like Eddie Torres. Another great experience they had was the honor of being the official dancers for the famous Venezuelan Salsa singer “Oscar D’León” and the Dominican Salsero José Alberto, also known as “El Canario.” By 2010, they left the Mambo en Dos company to start their own school.

The academy’s beginning went without a name for a year, simply referred to as Pablo and Yamila’s school, but they were always looking for a name that would identify the essence they wished to convey. They eventually came up with “Cadenza,” which in Italian means “style of free rhythms.” To make the name more original, they changed it to “KADENZA,” feeling proud of their choice.

Kadenza Dance School - Mambo, Salsa, Bachata, Tango, Urbano, Arabe
Kadenza Dance School – Mambo, Salsa, Bachata, Tango, Urbano, Arabe

Contact Information

For more information, contact them at:

  • Website: http://www.kadenza.com.ar
  • Facebook:escueladebaile
  • Phones: 5354-0957 / 15-3331-7875
  • Email: [email protected]
  • Google Plus: https://plus.google.com/106664874547676369685
  • Youtube: https://www.youtube.com/channel/UC-he58RYqrJwoxoH8OID3ZA

 

Pedrito Moya and Jhonatan Araque: A Tribute to Jerry Rivera

Latin America / Venezuela / Caracas

“There is a great variety of new artists who want to expand and promote their new talents to all lovers of salsa music. For this new edition, we present Jhonatan Araque, a Venezuelan born in Maracay, Aragua, on March 25, 1983. Since he was very young, he showed admiration and an inclination for music, especially singing. By the age of 14, he joined the Grupo Rumba Costeña for a year, performing as a soloist; later, he joined the quintet ‘Quinto Elemento,’ who interpret pop and ballad music. From that moment, he had the opportunity to perform at the ‘Forum’ of Valencia, his first experience performing in front of a significant audience.

He mentions that he began his studies at the ‘Tecnológico de Música de Valencia’ (Valencia Technological Institute of Music), where he graduated with a major in singing, obtaining excellent grades. By the age of 18, he decided to record his first solo demo, which opened the doors to his first record contract with the ‘Sonográfica’ record company, alongside the Moratinos brothers, forming part of a group called ‘Okey,’ experimenting with various genres on that album, such as ballads and pop with Latin and Spanish influences.

“Jhonatan Araque’s Orchestra is made up of very talented young Venezuelans.”

Pedrito Moya and Jhonatan Araque
Pedrito Moya and Jhonatan Araque

After performing in various nightclubs, he decided to join the salsa orchestra ‘Los Latinos,’ where he became known in the cities of Caracas, Maracay, and Valencia, having the opportunity to share the stage with great national and international performers of the genre, including: Hernan Olivera, Marcial Istúriz, Wilmer Lozano, Edgar ‘Dolor’ Quijada, Hildemaro, Erick Franchesqui, Rodrigo Mendoza, Ángel Flores, and Mariana La Sonera.

Additionally, he spent six months as the singer for La Dimensión Latina, performing with them in different cities across the country; he also auditioned and became part of the ‘Simón Bolívar Latin Caribbean Orchestra,’ belonging to the National System of Youth and Children’s Orchestras and Choirs of Venezuela, with which he had great experiences in various projects under the direction of maestro Alberto Vergara Icaza.

With all these new experiences, new opportunities arose for him in various forms to become part of renowned orchestras within the national salsa genre, such as Rumberos del Callejón, Orquesta Puma Band, El Combo de Venezuela, and the recording of two tracks with Fidel and Julito Antillano. In 2013, he decided to retire from La Latino Caribeña and form his own orchestra to lead ‘The Tribute Project to Jerry Rivera and Rey Ruiz.’

Salsa singers Jerry Rivera (Puerto Rican) and Rey Ruiz (Cuban) are recognized in all Caribbean countries, and both have had a great impact in the Venezuelan salsa scene, where their recordings are widely known and have a large following.

Jhonatan Araque’s orchestra is made up of very talented young Venezuelans with specific studies for each of the instruments they use. They are dedicated to presenting the audience with the interpretations that have been highly successful throughout their careers, thus paying tribute to these two singers of great international renown.

The members of this great orchestra are:

Name Role
Jonathan Araque Solo Vocalist
Mauricio Marin Backing Vocalist
Luis Martínez Backing Vocalist
Angel Palma Piano
Edwin Garcia Bass
José “Puma” Reyna Timbales
Braimy Mijares Congas
Lukas Gomez Bongos
Jose Anahole Trumpet
William Rada Trumpet
Pedro Xavier Moya Trombone (Musical Director)
Leycester Licon Trombone
Pedrito Moya and Jhonatan Araque - TV
Pedrito Moya and Jhonatan Araque – TV

For more information, contact them at:

Contact Method

Phones

Jonathan Araque: +58 424-3443504 Pedro Xavier Moya: +58 416-3077868 0414-9276637

Facebook: https://www.facebook.com/ Bachology?hc_ref=SEARCH

Correo: [email protected]

YouTube: https://www.youtube.com/ channel/UCZP0snvp3tqkP24c X_fg1KQ

Twitter: @Bachology

Alberto Gonzalez talks about his book on Hector Lavoe and his experience with ‘‘El Jibarito de Ponce’’

As an artist, one of the most noble actions to be taken is to honor the great artists whose legacy inspired later generations, including those who pay homage to them today. Proof of this is the talented bandleader, composer, singer, and now author, Alberto González, whom we thank for sharing his story and various facets of his life with us, including his role as the author of a new book about “the singer of all singers,” Hector Lavoe. 

Alberto and his book on Hector
Author Alberto Gonzalez with a version of his book ”Hector Lavoe and Associates”

Alberto’s initial interest in music

Alberto’s initial interest in music began with an aunt from Puerto Rico who went to live with him and his parents in Chicago. She loved the music of Raphael and Sandro, so her nephew listened to them practically every day and ended up falling in love with their music and how they sang.

Little by little, Alberto began to learn their songs and was unknowingly taking his first steps toward becoming a professional singer. However, it did not stop there; he also listened to the trio music that his parents enjoyed and eventually to the salsa albums that his older brother began bringing to the house. Those salsa albums really caught Alberto’s attention.

Among the artists his brother listened to were Eddie Palmieri, La Sonora Ponceña, El Gran Combo de Puerto Rico, Willie Colón, and the one who would become his greatest inspiration, Héctor Lavoe.

Eventually, his brother became a professional trumpet player and played with various salsa orchestras in Chicago. Since he always heard Alberto singing songs at home, in 1979, he suggested that he audition for a new band of young salsa musicians his manager was putting together. For the audition, Alberto was tasked with learning and singing the popular Willie Colón and Héctor Lavoe song “Voso.”

Fortunately, his audition was a great success, and Alberto was asked to join La Típica Leal 79. The story behind the band’s name is interesting: Carlos Caribe Ruíz, the manager of the group, decided on the name Típica Leal because most of the members of his previous band, La Juventud Típica, decided one day to quit; they left him. For that reason, he decided to create a new band, and he made sure to add the word “Leal” (loyal in English) to the band’s name. His hope was that the new band, made up mostly of teenagers, would be loyal and not leave, just like the previous band did.

Sometime later, Alberto would go on to sing with a band called La Inspiración Latina, and he also worked briefly with Orquesta Yambo. In 2001, he moved to Los Angeles, where he began working with Johnny Polanco y Su Conjunto Amistad, becoming one of their main vocalists and traveling the world with them and the band.

Alberto and Johnny Polanco
Alberto Gonzalez playing with Johnny Polanco Y Su Conjunto Amistad

Orquesta Salsa Caliente

When he left Johnny Polanco’s group, Alberto finally felt ready to form his own group, and that is how Orquesta Salsa Caliente was born. He has been leading the band for many years now and has even traveled with the band to Africa and Bermuda.

Over the past few years, Alberto has concentrated mainly on his work as an author. While he continues to perform, his primary focus has been on his debut book ‘‘Hector Lavoe and Associates.’’

Alberto’s Hector Lavoe Experience

In 1979, after auditioning and doing well with the song “Voso,” 15 year old Alberto officially became a member of La Tipica Leal 79.Caribe, the band’s manager, then asked him to learn a few more Hector Lavoe (and Willie Colon) songs. Since Hector was his favorite singer, he gladly learned the songs. Since his voice was somewhat similar to Hector’s, his bandmates began to affectionately call him “Baby Lavoe.”

In the fall of that same year, Alberto learned that Héctor and his orchestra were going to be performing in Chicago. Once he found that out, he asked Caribe to please take him to see Héctor, and, if at all possible, to introduce him to Héctor. Thankfully, he did get to go to that show, and he did meet Héctor. It was during that show, and during one of Héctor’s breaks, that he was able to take a photo with his favorite singer. Alberto still cherishes that photo to this very day. That night, he realized that Héctor was a “man of the people” due to his humility and how he treated others. The photo and his experience with Héctor were some of the main reasons why he decided to write a book about Lavoe. Over the years, many have criticized Héctor and have focused primarily on the negative aspects of his life. Sadly, many people are not familiar with the other side of Héctor, the humble, generous, and kind side of Lavoe. They will learn more about that side of Héctor in the new book.

Well, about a year and a half after first meeting Héctor, La Típica Leal 79 was booked to open for Celia Cruz and Héctor Lavoe. That show would take place at one of the most acclaimed dance halls in the city, where many of the greatest salsa artists performed over the years. That night, Alberto was able to share another conversation with Héctor, and he also took another photo with him. Héctor was generous with his time; he was kind and very accommodating. That’s something that Alberto never forgot.

This and other experiences are documented by the author in the book. Alberto actually interviewed about sixteen of Héctor’s former musicians, and eight of them are featured in the book. You’ll learn about their musical experiences, and you’ll be able to read about their experiences with “El Jibarito de Ponce,” Héctor Lavoe. These are the musicians that are featured: Gilberto Colon Jr., Eddie Montalvo, Jose Mangual Jr., Louie Romero, Eric Matos, Ray Feliciano, Danny Rosado, and Chino Núñez.

Alberto called the book “Héctor Lavoe and Associates,” and that title was somewhat inspired by Willie Colón’s 1978 compilation album “Willie Colón and Associates.”

Alberto and Salsa Caliente
Alberto Gonzalez and his orchestra Salsa Caliente

A few Lavoe stories from the book

Among the many anecdotes that can be read in the book, Alberto told us one in which, on one occasion, a couple of Héctor Lavoe’s musicians had their vehicle broken into, and all of their instruments were stolen. When Héctor found out what had happened, he bought them new instruments and told them not to worry about paying him back. He did not charge them a penny.

Here’s another story. During a show, one of Héctor’s trumpet players accidentally dropped his trumpet on the floor and damaged it beyond repair; the instrument was unplayable. What did Héctor do? Héctor gave him $1,000 to go buy a new trumpet and, once again, didn’t charge him a penny.

These are just a few of the many stories regarding Héctor Lavoe that you’ll be able to read in the more than 400 pages of the book. The book will be officially launched in the coming months. For more information, please visit: www.hectorlavoebook.com.

Alberto and Hector in Ponce
Alberto Gonzalez next to the statue of Hector Lavoe in Ponce, Puerto Rico

Read also: Puerto Rican American bandleader and singer Elle Jay is proud of her roots

Somos Latinos in Mexico

Latin America / Mexico / Ciudad de Mexico

Somos Latinos is a company based in Mexico that has specialized in the production and organization of salsa music events since 2006. We had the opportunity to speak with the General Director, Omar Gonzales, who told us that he is an Audio Engineer. Before starting the company “SOMOS LATINOS,” he worked for another company providing services to most of the international singers or musical groups that came to the country. He also mentioned that he has always liked the salsa genre, even though it’s difficult to find since it’s not the country’s native music. However, this doesn’t mean there aren’t small to medium-sized groups of “Salsa” followers.

Oscar D'Leon - Somos Latinos in México
Oscar D’Leon – Somos Latinos in México

One day, he decided to create his own office with the idea of doing something—promoting “Salsa.” Starting in 2007, they took a chance and organized their first event. After some time, the famous singer Tony Vega came to the country and gave him the opportunity to produce his first event there. Thanks to its success, “Somos Latinos” became his exclusive office in Mexico. One of their biggest successes was an event they organized with the salsa artists N’Klabe and NG2, who were known as “The Pioneers of the Future of Salsa.” The salsa fans who attended the event applauded like never before, as it was a world-class show.

Somos Latinos in Mexico - Roberto Blades and Viti Ruiz
Somos Latinos in Mexico – Roberto Blades and Viti Ruiz

The company currently has 10 years of experience and is known for:

  • An extensive roster of artists.
  • A solid reputation for event production, recognized as a reliable and trustworthy production company, earning the confidence of the public, their clients, and the artists they promote and represent.
  • Broad knowledge of musical genres and an excellent team trained for massive events.
  • Having the necessary equipment and infrastructure for event production (stages, audio, backline, lighting, voltage generators, giant LED screens, and other technology to create top-level shows).

Omar also mentioned that to celebrate their anniversary, they created the “Somos Latinos International Salsa Festival,” their most important event, which has been held 8 times in different parts of Mexico, such as “Mexico City,” “State of Mexico,” and the “State of Veracruz.” In the latter, they participated as organizers and suppliers for the fourth edition of the Boca del Río International Salsa Festival 2014, the world’s largest salsa event, which takes place over 4 days (with an average attendance of 120,000 people per day). This event has earned the State of Veracruz recognition as the world capital of salsa.

Upcoming Event

Somos Latinos in México
Somos Latinos in México

On July 14, 2017, the event “Roberto Blades & Viti Ruiz #EntreAmigos” will take place at the “La Maraka” venue located at Mitla No. 410, Esq. Eugenia, Col. Narvarte, 03023 Benito Juarez, Mexico City, Mexico.

If you want to get to know them and learn more, you can contact them through:

  • Website: http://www.somoslatinosmexico.com/eventos.html
  • Email: [email protected] / [email protected]
  • Phone: +52 (55)5082-9580 / +52 1 5523281427
  • Instagram: @somoslatinos
  • Twitter: @somoslatinos
  • YouTube: http://www.youtube.com/channerl/UCzNWbZ7HyIPxE5tmkrwIRag
The Perfect Salsa Alignment - Somos Latinos in Mexico
The Perfect Salsa Alignment – Somos Latinos in Mexico

Rumbao Latin Dance Company

North America / USA /

Rumbao Latin Dance Company represents the vision of five Charlotte Latin dancers to provide a fusion of fun and technique for Salsa Dancing. Rumbao combines two key aspects of salsa dance to provide the best performance and instruction possible. Our emphasis is on Rumba and the Tumbao.

Dancers - Rumbao Latin Dance Company
Dancers – Rumbao Latin Dance Company

Tumbao is the percussive beat in salsa music that On2 dancing follows. Rumba implies a party aspect where people get together and have fun. Together the words make “Rumbao”. Rumbao was formed in March 2013 by a group of five talented and dedicated individuals who are passionate about Latin dance and who are always striving to new heights

Each dancer enjoys creative freedom and brings unique talents to the group following an On2 New York Style. Rumbao has been able to present beautiful choreographies full of sabor (flavor) and has quickly made a mark in Charlotte and surrounding cities. In addition to being passionate Salseros, Rumbao dancers are also proud Charlotteans and are committed to the continued growth of salsa in their hometown.

Meet Rumbao Latin:

Brian Frias | Dancer:

“I have always liked to dance growing up, but somehow salsa dancing had never crossed my path, until it was casually introduced to me in 2007. I have been in love with salsa ever since. I love being able to create a fun and unique experience with a dance partner over the course of just a few minutes.”

Brian Frias | Dancer: Rumbao Latin Dance Company
Brian Frias | Dancer: Rumbao Latin Dance Company

Morgan Cruz | Art Director:

“Learn the music before you learn the dance. The music will guide you and make learning more enjoyable. Also, don’t be embarrassed by being less experienced. Everyone starts somewhere.”

Chan Martinez | Audio Specialist:

“I like salsa because it connects me with all kinds of people. Everybody is very generous and they really get along. I discovered more of my interest in salsa when I moved to the US. I saw a group of performers doing cool moves while dancing salsa. They were able to go to big events and perform beside some other really good dancers. I wanted to be part of that experience.”

Chan Martinez | Audio Specialist: Rumbao Latin Dance Company
Chan Martinez | Audio Specialist: Rumbao Latin Dance Company

Connie Chen | Stage Manager:

“Have fun, relax, and never stop wanting to learn! Salsa is an enjoyable experience; make it a great one with Rumbao!”

Connie Chen | Stage Manager: Rumbao Latin Dance Company
Connie Chen | Stage Manager: Rumbao Latin Dance Company

Jennifer Geyer | Business Operations Manager

“I was inspired to dance salsa while at Davidson College, I joined a student organization called Dance Ensemble and there was always a salsa choreography. I would always try out to be in the routine but I would never make it. It looked like fun and it was something I always wanted to do. I finally made it into a choreography my junior year with a professor and after that experience took classes in the Dominican Republic while studying abroad and got hooked!”

Jennifer Geyer | Business Operations Manager: Rumbao Latin Dance Company
Jennifer Geyer | Business Operations Manager: Rumbao Latin Dance Company

Classes

Rumbao aims to provide excellent instruction for salsa dancing focusing on the foundations for music, movement and connection. They bring sabor (flavor) to the basics and emphasize personal style and expression while having fun. Also emphasize the importance of posture, timing for on2 salsa dancing, footwork, proper technique for connection in partner-work and musicality.

Location: Abundant Life Creative Expressions 2424 North Davidson Street, Ste 110, Charlotte, NC

  • Salsa class time: 7:30PM – 8:30PM, Every Tuesday
  • Bachata class time: 8:30PM-9:30PM, Every Tuesday
  • New Brazilian Samba Class! Mondays at 7:00pm
  • New Cha Cha Class! Mondays at 8:00pm
  • Drop In Price: $20.00 per class
  • Class Packages: $150.00 (ten classes)
Photo - Rumbao Latin Dance Company
Photo – Rumbao Latin Dance Company

Benefits of Salsa Dance Reduce Stress

  • Help loose weight
  • Increase energy
  • Increase muscle tone and stamina
  • Meet new people, make new friends
  • Learn about musicality, rhythm and other cultures
Rumbao
Rumbao
Dancers on stage
Dancers on stage

http://www.rumbaolatindance.com/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.