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Search Results for: Salsa orchestra

Where the idea of the name of the Fania Record label came from

October 2020

Jerry Masucci and Johnny Pacheco

 

Genaro Masucci, known as Jerry Masucci and Juan Azarías Pacheco Kiniping, known as Johnny Pacheco
Jerry Masucci and Johnny Pacheco

Where the idea of Genaro Masucci, known as Jerry Masucci ((Brooklyn, New York, Oct. 7, 1934 -Argentina Dec. 21, 1997)) and Juan Azarías Pacheco Kiniping, known as Johnny Pacheco ((Santiago, Dominican Republic, Mar. 25, 1935)) to give the title to the record label “Fania” arose.

The name was taken from the old Cuban son: “Fania”, which was successfully performed by the Conjunto Estrellas de Chocolate and composed by Reinaldo Bolaños.

The lyrics present a syncretism between the Spanish and African languages.

 

Chocolate Stars Set
Chocolate Stars Set

Members of the Conjunto Estrellas De Chocolate.

Theme: Fania

Author: Reinaldo Bolaños

Voice: Filiberto Hernández Fuentes

Voice: Chinese Lion Lahera Wilson

Voice: Agustín Cabrera .

Three: Andrés “Nino Rivera” Echevarría

Bass guitar: Sergio De Cuba

Bongos: “Pichi”

Piano: David Palomares

Trumpet: Armando “El Gorilla” Albertini

Felix “Chocolate” Alfonso was not afraid to put together and lead an ensemble in the style of Arsenio and Chappottín in 1959. The ensemble format was part of the medium in which he swam like a fish in water.

He knew the best montuneros musicians and called them together. The good ensembles still retained the favor of part of the public.

Jesús Gorís, the architect of the Puchito label, didn’t think twice about it and recorded them right away.

Victrolas in bars and bodegas all over the island began to spread the son montuno macho of Las Estrellas de Chocolate.

But the 1960s in Cuba were too strong, diverse and creative, and the good work of Chocolate with its stars had to deal with a scene that was too competitive for a novel ensemble.

As often happens, it took several years for the Chocolate Stars to finally shine as stars and be on everyone’s lips.

was recorded in the voice of Pedro Juan Rodríguez Ferrer "Pete" El Conde Rodríguez
“My New Tumbao Cañonazo”

Fania, although composed by Reinaldo Bolaños for Conjunto Estrellas de Chocolate, was recorded on the voice of Pedro Juan Rodríguez Ferrer “Pete” El Conde Rodríguez (Ponce, Puerto Rico, Jan. 31, 1933 – Dec. 2, 2000); who along with Pacheco’s group recorded the company’s first album entitled “Mi Nuevo Tumbao. Cañonazo”, with a majority of Cuban songs, like most of the albums recorded by Pacheco and many of those recorded by that label.

In 1964 Jhonny Pacheco and Jerry Massucci founded Fania Records and created the international and renowned Fania All Stars.

Pete was the first singer that Fania had, and on his shoulders was the responsibility of taking that project forward.

In the first Fania album Cañonazo (1964) Pete interpreted the theme Fania, composition of Reinaldo Bolanos and with which the band was inaugurated.

It is 1964 and the history of Latin music is about to change.

The Dominican flutist Johnny Pacheco, one of the most popular Latin artists in New York, has parked his flute, changed his orchestra and recorded an album, “Mi Nuevo Tumbao…Cañonazo”.

It’s a curious recording, although it doesn’t seem special.

It sounds like a somewhat modernized Sonora Matancera. But it has been released under a new label, Fania Records, which he has just founded in partnership with New York lawyer Jerry Masucci.

And what was only meant to be a start to relaunch and boost Pacheco’s career is out of the hands of both of them and becomes a phenomenon.

Fania All Stars

Additional information:

The name of one of the most important record labels in Latin America and the world All comes from a song by Cuban Reinaldo Bolaños called Fanía, which refers to a story about a woman whose name was Epifanía and her mentally challenged son.

The story goes that in the middle of a fight between the two, she threw flour (funche as it is called in the Caribbean) in her son’s face and he responded “Fania Funché”.

Bolaños liked the story very much, as did the founders of the record company Jerry Masuci and Jhonny Pacheco, who decided to name their music company after her and include the song in the first album produced.

With the passage of time, they stopped pronouncing the tilde on the “i” and started calling it Fania, without an accent.

Research sources:

Thomas Muriel (Puerto Rico)

www.gladyspalmera.com

 

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Harry Fraticelli Virtuoso on guitar, requinto and bass Music for All Occasions

Latin America / Puerto Rico

Harry Fraticelli. Its birthplace was the city of Yauco, Puerto Rico

Its birthplace was the city of Yauco, Puerto Rico on July 6th.  He is so proud of it that he proclaims it in every place he visits.

His older brothers distinguished themselves by playing stringed instruments.  They would play threesome tunes to lull Harry to sleep during his childhood.

That’s how Harry’s love and inclination to the peculiar strings of the guitar grew.

He demonstrated his ability to play stringed instruments correctly at the age of 12, his brother tutored him in traditional Serenades.

He played the “Maracas” and was the First Voice of the Trio in those performances.

Harry along with his brother Julio Erving and Jose Luis (Cheli) Padilla moved to San Juan in 1962. They formed the Trio Los Altairos.

How many artists of that time debuted in the Tribuna del Arte Program of Don Rafael Quiñones Vidal.  They won First Prize and Harry was recognized with a professional musician.

Thus he expanded his musical art. He learned to write musical arrangements, play bass and various string instruments. He stood out as the first voice in the trios. He cultivated and perfected his style with self-discipline.

He joined the pop ballad group Aidita Viles and Los Del Río with Máximo Torres in 1964.  They presented their musical show at the Caribe Hilton Hotel for several years.  They also performed in all the towns of Puerto Rico.

The maestro, Máximo Torres offered him the great opportunity to record as a soloist in 1969. Maximo created the band “Los Barbarians” and with them Harry recorded his first album with the title “El Mamito”. The song “El Mamito” included in that album was the one that made him famous and internationally recognized as a performer in the Salsa genre.

He then recorded the bolero “Te Pido Perdón” with great success. The song “Temeridad” became one of the public’s favorites very soon. Harry Fraticelli and Los Barbarians participated in recordings and performances with distinguished figures of Puerto Rican entertainment such as: Héctor Lavoe, Richie Ray, Bobby Cruz, Willie Colón, José Miguel Agrelot and Tito Rodríguez, among others.

Harry was the moderator of two radio programs in Yauco.  He interviewed great figures of Puerto Rican entertainment such as the illustrious composer Don Pedro Flores, comedians José Miguel Agrelot and Adalberto Rodríguez “Machuchal”, among others.

The phrase “in recognition of being a Yaucano who through music has raised the name of the people who saw him born” have left in Harry a pleasant and unforgettable memory.  The protocol acts were in February 2004.

Harry Fraticelli Virtuoso on guitar, requinto and bass Music for All Occasions
The Virtuous Harry Fraticelli

He has participated in multitudinous artistic spectacles next to recognized figures of our show business: Cristian Castro, Chucho Avellanet, Danny Rivera, Ednita Nazario, Gilberto Santa Rosa, Julio Ángel, Lucecita Benítez, Manny Manuel, Máximo Torres y Los Murcianos, Papo Valle and his Trío Borinquen, Pijúan and Los Baby Boomer Boys, Tato Díaz and his Drim Tim Trío, Tavín Pumarejo, Trío Los de San Juan, among others.

He has displayed his musical talent in prestigious hotels such as the Caribe Hilton, Condado Plaza, Courtyard Marriott, Embassy Suites, Four Points By Sheraton, Holiday Inn, Intercontinental, La Concha, Marriott, Radisson, Ritz Carlton, Sheraton Convention Center, Travelodge, etc.

He participates as a professional singer in the group Los Baby Boomer Boys.  He participated in the two recordings of the CDs: “Bohemia Bailable” 2010 and “Solo Pa’ Los Jóvenes de Corazón” 2014.

The outstanding salsa musician Joe Quijano invited him to join as a singer in 2011 for the musical production with unreleased songs by Tite Curet Alonso. He performed as a soloist the song “Te Amé”, in the salsa genre on the CD, “Lo Inédito de Tite Curet Alonso 50 Años Después”, in duet with Paquito Guzmán on “Nube Negra” and participated in the chorus.

He has performed as a soloist in fifteen (15) musical productions during his professional career, but has participated in countless recordings as a Guitarist, Requintist, First, Second and Third Voice.

As a trios music lover he offered his time for several years in the position of Secretary of the “Puerto Rico Trios Music Foundation”.

He participated in the program “Así Canta Puerto Rico”, with the prestigious producer Luis Vigoreaux, Son, transmitted by Channel 6 and in the United States by WAPA AMERICA.  She was the First Guitar and Second Voice of the beloved artist Tavín Pumarejo during the last 20 years of Tavín’s artistic career.  They played typical Puerto Rican music and boleros.

Harry was the Music Director on the musical project “El Gran Sentimiento de Fufi Santori” (Fufi Santori’s Greatest Feeling) which contains eleven (11) songs by Puerto Rican sports star, José “Fufi” Santori (RIP).  The CD was released in May 2011.

The phrase "in recognition of being a Yaucano who through music has raised the name of the people who saw him born" have left in Harry a pleasant and unforgettable memory. The protocol acts were in February 2004
Harry Fraticelli has made fifteen (15) musical productions as a soloist during his professional career

Harry was awarded by the Institute of Puerto Rican Culture with the Trio Musician of the Year Award in its 18th edition.  The events took place at the Paseo de las Artes in Caguas in February 2013.

He produced his CD Harry Fraticelli y sus Amigos on 11/2013. He performs traditional tunes as a soloist, with his Trio and shared honors with the incomparable Tavín Pumarejo who agreed to come out of his self-retreat to participate.  Harry and Tavín formed the “Dúo Poca-Jontas” which was very popular with their fans in Puerto Rico and the United States.

The Casa Museo de la Música Amaury Veray in Yauco included Harry in the Galería de Músicos Yaucanos on 10/2014.  He is listed alongside such famous compueblanos in the art of music as Amaury Veray, Kike Lucca and Johnny Albino among others.

The song Son Pa’ Barrio Obrero and other of his hits continue to be heard in Colombia. The successful presentation of 3/2014 in Cali, Colombia revived in Harry the desire to return to his roots in “Salsa”.

That was why he decided to record a single with the starring participation of the talented Jerry Rivas on the Tres. The single includes the bolero rhythmic Flor Pálida and Puras Mentiras in the Salsa genre.

Harry Fraticelli was chosen among more than 500 international singers for the Maximum Image Award 2014-2015 in the category Voice International Impact of Venezuela in July 2015.  He competed with prestigious singers such as Franco De Vita, Chayanne, Myriam Hernandez, Valeria Lynch, Ricardo Arjona, Samuel Hernandez, among others.  He obtained an honorable second place with the highest vote obtained by a Puerto Rican until 2015.

Harry conducted for 2 years the program “Harry Fraticelli De Todo un Poco” in (Emisora Sol Latina de Buenos Aires) through the “Web” since 2015. His audience was over half a million people on the Internet.

It participated in the 60th Cali Fair in December 2017 on a spectacular stage.  There he presented his concert in front of an audience of more than 10,000 people.  Harry felt great emotion when he noticed the large audience and began to sing the song “Soñando con Puerto Rico”.  He was accompanied by the BoleOro Orchestra conducted by Carlos Cordoba from Cali, Colombia.

Harry conducted for 2 years the program "Harry Fraticelli De Todo un Poco" at www.emisorasollatina.com
Harry Fraticellis is the Music Director of Harry Fraticelli and his

He is the Musical Director of Harry Fraticelli and his Trio which he maintains simultaneously with his other artistic projects. They perform in hotels and in private activities.

He offers musical and cultural shows with varied options:

– Harry Fraticelli “One Band Man”

– Harry Fraticelli in Bohemia

– Harry Fraticelli to Duo

– Harry Fraticelli and his Trio

– Harry Fraticelli and his Combo

– Harry Fraticelli and his Conjunto de Música Típica

– Harry Fraticelli and The New Barbarians

He produces and hosts his weekly program Harry Fraticelli y sus Amigos on Radio WIPR Maxima 940 AM with interviews to personalities of our show, anecdotes and live songs with a large local and international audience since 2/2018.

Harry Fraticelli returns to the stage with his new CD that includes Salsa Gorda, Son Montuno and Boleros with the title Harry Fraticelli y Los Nuevos Barbarians.

He has the participation of Gilberto Santa Rosa, Jerry Rivas and Tony Rivas’ choirs and a select group of excellent musicians.  He hopes to complete the production in 2020.

(The recording has been stopped due to the Covid Pandemic)

He returned to producing and conducting the Harry Fraticelli Show De Todo Un Poco y Más… on Thursdays at 8:00 P. M. Sol Latina Broadcast (www.emisorasollatina.com.ar) on 6/2020.

Although he remains isolated by COVID’s Pandemic regulations, as soon as conditions allowed he organized a Bohemia for Paquito Guzman during his convalescence.  Together with Gilberto Santa Rosa, Jerry Rivas made the great bolero player Paquito Guzmán vibrate with emotion.  (https://youtu.be/OnBN851O9DQ )

That day, Paquito Guzmán asked for another bohemian to be brought to him, but with the songs of his idol Cheíto González.  He did the same and was pleased with the San Juan Trio (Luis Díaz, Tony Bermúdez and Harry Fraticelli).  That day he enjoyed the improvement in his health and they managed to get Paquito Guzmán to join the trio on several occasions.  (https://youtu.be/wXDgmdVWMI8 )

Harry has mastered the performance of ALL tropical genres, has the virtue of integrating with other singers and musicians without rehearsal. He is distinguished in the musical environment as a virtuoso in the Guitar, in the Requinto and in the Bass.  In addition, he plays the Maracas perfectly.

Harry is multifaceted, a stanchion, has a high level of performance and is very professional.  His artistic talents, his human quality in combination with his musical knowledge have earned him respect and high esteem locally and internationally.

He is also an exemplary citizen with an excellent reputation. He has kept his professional and personal life free of scandals or negative remarks.

Harry Fraticelli is grateful for the appreciation, support for his artistic career and positive feedback he receives through social networks and in his activities.

Harry Fraticelli returns to the stage with his new CD that includes Salsa Gorda, Son Montuno and Boleros with the title Harry Fraticelli y Los Nuevos Barbarians.
It has the participation of Gilberto Santa Rosa, Jerry Rivas and Tony Rivas’ choirs and a select group of excellent musicians. He hopes to complete the production in 2020

EVENTS COORDINATOR

Iris Morales – 787-810-6259

Email: [email protected]

 

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Mark Weinstein Flutist, composer and arranger

North America / United States / New York

With his heart in jazz, Weinstein contributed greatly to the development of the salsa trombone by playing and arranging

Flutist, composer and arranger, Mark Weinstein began his study of music at age six with piano lessons from the neighborhood teacher in Fort Green Projects in Brooklyn where he was raised.

Between then and age 14 when he started to play trombone in Erasmus Hall High School, he tried clarinet and drums. Playing his first professional gig on trombone at 15, he added string bass, a common double in NYC at that time.

Mark learned to play Latin bass from Salsa bandleader Larry Harlow. He experimented playing trombone with Harlow’s band and three years later, along with Barry Rogers, formed Eddie Palmieri’s first trombone section, changing the sound of salsa forever.

With his heart in jazz, Weinstein was a major contributor to the development of the salsa trombone playing and arranging. He extended jazz attitudes and techniques in his playing with salsa bands.

His arrangements broadened the harmonic base of salsa while introducing folkloric elements for authenticity and depth.

Flutist, composer and arranger, Mark Weinstein began his study of music at age six with piano lessons from the neighborhood teacher in Fort Green Projects in Brooklyn
Mark Weinstein Flutist, composer and arranger

The only horn in a Latin jazz quintet led by Larry Harlow in the jam session band at the Schenks Paramount Hotel in the Catskills

The only horn in a Latin jazz quintet led by Larry Harlow at the jam session band at Schenks Paramount Hotel in the Catskills, soloist and arranger with Charlie Palmieri in the first trumpet and trombone salsa band in NYC, arranger and featured soloist along with the great Cuban trumpet player Alfredo Chocolate Armenteros in Orchestra Harlow, and with the Panamanian giant Victer Paz in the La Playa Sextet, and with the Alegre All Stars, Mark’s playing and arranging was a major influence on Salsa trombone and brass writing in the 60s and 70s.

Mark Weinstein continued to record with Eddie Palmieri, with Cal Tjader and with Tito Puente. He toured with Herbie Mann for years, played with Maynard Ferguson, and the big bands of Joe Henderson, Clark Terry, Jones and Lewis, Lionel Hampton, Duke Pearson and Kenny Dorham. In 1967 he wrote and recorded the Afro-Cuban jazz album, Cuban Roots for the legendary salsa producer Al Santiago.

It revolutionized Latin jazz; combining authentic folkloric drum ensembles with harmonically complex extended jazz solos and arrangements. Chick Corea was on piano and the rhythm section included the finest and most knowledgeable Latin drummers: Julito Collazo, Tommy Lopez Sr. and Papaito (timbalero with La Sonora Matancera).

El único cuerno en un quinteto de jazz latino liderado por Larry Harlow en la banda de jam session del Hotel Schenks Paramount en los Catskills, solista y arreglista con Charlie Palmieri en la primera banda de salsa de trompeta y trombón en NYC, arreglista y solista junto con el gran trompetista cubano Alfredo Chocolate Armenteros en Orchestra Harlow, y con el gigante panameño Victer Paz en el Sexteto de la Playa, y con los Alegre All Stars, el hecho de que Mark tocara y arreglara fue una gran influencia en la escritura del trombón de salsa y los metales en los años 60 y 70.

Mark Weinstein continuó grabando con Eddie Palmieri, con Cal Tjader y con Tito Puente. Hizo giras con Herbie Mann durante años, tocó con Maynard Ferguson y con las grandes bandas de Joe Henderson, Clark Terry, Jones y Lewis, Lionel Hampton, Duke Pearson y Kenny Dorham. En 1967 escribió y grabó el álbum de jazz afrocubano Cuban Roots para el legendario productor de salsa Al Santiago.

Revolucionó el jazz latino, combinando auténticos conjuntos de tambores folclóricos con solos y arreglos de jazz extendido armónicamente complejos.

Chick Corea tocaba el piano y la sección rítmica incluía a los mejores y más conocedores bateristas latinos: Julito Collazo, Tommy López Sr. y Papaito (timbalero de la Sonora Matancera).

A principios de los 70 Mark se tomó un tiempo libre de la música para obtener un doctorado en filosofía con una especialización en lógica matemática.

Se convirtió en un profesor universitario y sigue siéndolo hasta el día de hoy. Cuando regresó a la escena musical en 1978 tocando la flauta, escribió produjo y grabó las Suites de los Orishas con la cantante Olympia Alfara, el gran pianista de jazz colombiano Eddy Martínez y los percusionistas Steve Berrios, Julito Collazo, Papaito y Papiro junto con un coro afrocubano. Inédito hasta hace poco, la música de las Suites de los Orishas se convirtió en el tema del Sunday Salsa Show de Roger Dawson en WRVR.

Mark Weinstein volvió al jazz con una venganza, trabajando en conciertos y grabando más de una docena de CDs desde 1997.

Seasoning, su primer CD de flauta experimentó con diferentes escenarios para la flauta, incluyendo un cuarteto con el vibrafonista Bryan Carrott y Cecil Brooks III en la batería y un trío de flauta y dos guitarras con Vic Juris y Rob Reich.

En 1998, Mark grabó Jazz World Trios con el maestro guitarrista brasileño Romero Lubambo y el premiado percusionista Cyro Baptista.

Su exploración de temas brasileños con guitarra clásica y percusión contrastaba con un trío de freebop con Santi Debriano en el bajo y Cindy Blackman en la batería.

Jean Paul Bourelly y Milton Cardone completaron el conjunto con música basada en temas de santería.

El lanzamiento de Three Deuces en 2000, emparejó a Mark con los guitarristas Vic Juris, Ed Cherry y Paul Meyers.

Mark continued to record with Eddie Palmieri, Cal Tjader and Tito Puente
With his heart in jazz, Weinstein contributed greatly to the development of the salsa trombone by playing and arranging – Mark Weinstein

Because of limited distribution and more demand that albums available, Mark rerecorded the material from the original Cuban Roots with new arrangements and the help of such giants of Cuban music as pianist Omar Sosa, percussionists Francisco Aquabella, Lazaro Galarraga, John Santos, Jose De Leon, and Nengue Hernandez. It was co-produced with his nephew, trombonist, violinist and arranger Dan Weinstein for Michael McFadin and CuBop Records.

In 2002 Mark had the incredible opportunity to go to Kiev, Ukraine, where his father was born, to record the music of the Ukrainian composer Alexey Kharchenko. Milling Time, the record that they made, stretched his playing in a number of directions, from modern classical music to smooth jazz to Ukrainian folk music.

He continued his exploration of his roots with a jazz album of Jewish music with Mike Richmond on bass, Brad Shepik on guitar and Jamey Haddad on drums and percussion.

He then turned to Brazil and the music of Hermeto Pascoal’s Calendario do Som, entitled Tudo de Bom with guitarist and vocalist Richard Boukas, Nilson Matta on bass, Paulo Braga on drums and Vanderlei Pereira on percussion.

In 2005 he began his ongoing association with Jazzheads record recording another version of Cuban Roots called Algo Más, with Jean Paul Bourelly playing electric guitar, Santi Debriano on bass, Thelonious Monk award winning percussionist and vocalist Pedrito Martinez,  as well as Nani Santiago, Gene Golden and Skip Burney on congas and batá drums.

His next release on Jazzheads was O Nosso Amor with Brazilian jazz masters Romero Lubambo, Nilson Matta and Paulo Braga along with percussionists Guilherme Franco and Jorge Silva.

In the early 1970s Mark took time off from music to pursue a doctorate in philosophy with a specialization in mathematical logic.
Mark Weinstein He became a university professor and continues to be one to this day

This was followed by Con Alma, a Latin Jazz album featuring Mark Levine on piano, Santi Debriano on bass, Pedrito Martinez playing conga and drummer Mauricio Hererra.

Next a straight-ahead album, Straight No Chaser, with guitarist Dave Stryker, bassist Ron Howard and Victor Lewis on drums. A return to Brazilian music, Lua e Sol, saw Romero Lubambo and Nilson Mata joined by award winning percussionist Cyro Baptista

Mark Weinstein took time out from Jazzheads to record an album for Otá records in Berlin with Grammy nominated pianist Omar Sosa playing vibes, marimbas and piano along with Ali Keita on balafon, Mathais Ogbukoa and Aho Luc Nicaise on African percussion, bassist Stanislou Michalou and Marque Gilmore on drums. Back to Jazzheads, Mark recorded Timbasa with the percussion team of Pedrito Martinez and Mauricio Hererra, joined by Roman Diaz with the young giants Axel Laugart on piano and bassist Panagiotis Andreou. This was followed by Jazz Brasil with NEH Jazzmaster Kenny Barron on piano along with Nilson Matta and drummer Marcello Pellitteri.

His most recent album, El Cumbanchero was recorded with a string ensemble and arranged by Cuban piano virtuoso Aruán Ortiz, along with Yunior Terry on bass and percussionists Mauricio Herrera and Yusnier Bustamante.

Next up is an album of tangos with GRAMMY and Latin GRAMMY nominee, bassist Pablo Aslan, and featuring Latin GRAMMY winner Raul Jaurena playing the bandoneon, pianist Abel Rongatoni and guitarist Francisco Navarro. And many more surprises to come.

Mark took time from Jazzheads to record an album for Otá records in Berlin with Grammy-nominated pianist Omar Sosa
Back at Jazzheads, Mark recorded Timbasa with the percussion team of Pedrito Martinez and Mauricio Hererra, along with Roman Diaz with young giants Axel Laugart on piano and bassist Panagiotis Andreou

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New Music Video Billo’s “Tu Amor Para Navidad”

Get ready to celebrate another Christmas with Billo’s

Celebrating Christmas with Billo’s has been for a long time part of the Venezuelans traditions, and fans around the world. This year, to the surprise of many, it won’t be the exception. Thanks to the project carried out by several recognized latin singers, who participate with so much love and fondness, we can enjoy a legacy of good music.

JN Music Group, a record company that support latinamerican talents, reaches a higher level. On this occasion it does with “Legendarios”, an album that commemorates the band’s career and master Luis María Frometa.

Few days ago it was released another production from this album: “Tu Amor Para Navidad”. The single is interpreted by Billo’s Orchestra, which right now are under the baton of Frometa’s son Adrian Frometa, and are settled in Miami. “Tu Amor Para Navidad” featured executive production by Juan Hidalgo and Nelson Estévez, arrangements by Mauricio Silva, musical production by Víctor Pabon and Remil Renna, and performed by singers Abraham Casanova, Rolando Mendoza, Fredy Giménez and with the participation of Victor Pabon.

Billo's Tu amor para Navidad
Billo’s is bringing right for Christmas “Tu amor para Navidad”.

The music video is already available on the different digital platforms, and has exceeded the expectation within the industry. Only on YouTube it has more than ninety thousand views. In the audiovisual work you can observe the different singers inside a kind of musical studio. The artists were very happy and smiled incessantly.

More about the song

Yo sólo quiero tu amor, para esta navidad y que me llenes de luz, cuando haya oscuridad, Yo solo quiero tu amor, para esta navidad, saber que estoy a tu lado y que conmigo tú estás”, is part of the corus.

It has already had a good acceptance, and it’s projected as another song that will be part of the band’s history. Venezuela was present within the creation and composition of some of the songs, among them we can find Simón Ruiz “Simón”, Óscar Hernández “Oscarcito”, and Yasmil Marrufo. The actor Ricardo Álamo was part of the direction team, and of course the team from JN Music Group.

“Tu Amor Para Navidad” is part of “Legendarios”, the album has another eleven singles that have broken records in views and downloads. There is also an animated music video for “Tres Perlas”

The fans of Billo’s and the latin artists that were part of this project, had enjoyed each release. Carlos Vives, Milly Quezada, Tito Rojas, Oscar D’ León, Wilfrido Vargas, Sergio Vargas, Charlie Aponte, Eddy Herrera, Alex Bueno, Don Fulano and Karina; were the responsibles to give their voices to Billo’s hits. Beside, we are waiting for the behind the scenes of the production, a documentary that portraits the work of each participant.

The band’s new generation has a presentation schedule in Miami, and they will end the year with the tour “Tu Amor Para Navidad 2020”. However, with this new single some new work commitments can emerge. What could bring 2021 to them? We hope for endless opportunities!

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“Boricuas En Nueva York” the new from Marlow Rosado and Frankie Negrón

Meet Marlow Rosado, a Talented Pianist

Marlow Rosado is a versatile artist with a born talent, a pianist, arranger, writer and orchestra director. His genres are quite diverse, and they have given him a great career path within music. Among his genres we can find merengue, jazz, bachata, salsa, reggaeton, rock and cumbia. His amazing abilities have taken him to participate in some big and high profile productions. He has collaborated with renown artists such as Alejandra Guzmán, Ricardo Montaner, Elvis Crespo, Marc Anthony, Celia Cruz, Selena, Olga Tañón, El Gran Combo de Puerto Rico and Ricky Martin.

Rosado was born in Puerto Rico, but from a young age he moved to Florida. In the USA he had the opportunity to study music, and he specialized in jazz. He started to participate as a teacher in his area, while sharing his knowledge. Also, he was part of some groups as director, musician and composer.

I was formed in orchestras in which the architect was the director, the musician, not just the singer like La Fania, and so many others. I loved mine “La Riqueña” with the best musicians that I’ve met along these years. Then, I made an album my way. An album that you can make when you don’t have any kind of limitations”, he expressed.

His New Adventure is “Boricuas en Nueva York”

The artist has obtained on two occasions the coveted Latin Grammy. Now, he presents “Boricuas en Nueva York” with another Puerto Rican Frankie Negrón, and hand in hand with the record company JN Music Group.

Marlow Rosado
Marlow Rosado is releasing “Boricuas en Nueva York” junto a Frankie Negrón.

Since a couple of weeks the single has been on different digital platforms, and on YouTube the numbers keep rising. It has lyrics, production, and arrangements by Marlow himself, but it doesn’t have a music video, just a flyer with the name and Rosado’s picture.

Está botao el boricua en New York (está botao), está botao el boricua en New York (el boricua de Nueva York, está botao el boricua en New York (el jibarito está botao), está botao el boricua en New York”, it’s the song’s chorus.

As it was expected, the production is full of caribbean rhythms, especially Puerto Rican salsa where it feels his pride for his country. It lasts around two minutes, and has a catchy melody. “Boricuas en New York” is the first single of Marlow’s new musical production named “Los Colores de la Salsa” which is expected shortly, because there have been some last minute adjustments.

Rosado announced the single’s release through his Instagram profile, and stated that it will be an incredible album. He also thanked Negrón participation.

Here is Boricuas en New York. Marlow Rosado and Franklin Negrón. ENJOY IT MY PEOPLE”, he posted with a lyrics video.

Rosado performs in different latin establishments in Miami city. He is known as the music’s Dalí, because the magic that he produces when playing piano, can be compared to the famous painter’s brushes. Definitely, he is a highly talented jazz pianist, and his name will continue to be heard within the industry.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.