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Search Results for: Salsa

Argentine-American composer and guitarrist Alejandro Meola kindly talked to us

There is a country we do not usually talk much about in this edition, but we have found the best moment to do so, and it is the land of tango and mate, Argentina. It turns out that, on this occasion, we talked with composer, singer and guitarist Alejandro Meola, who has honored us by accepting our invitation to this very special exclusive interview we had. 

Alejandro Meola is an artist who was born in the city of Miami, but his parents moved to Argentina when he was very young, so he spent his childhood and adolescence in the aforementioned country. In his accent, we can see how influential his upbringing in Buenos Aires was.   

Next, we will touch some of the most important issues related to his career and his life in general.  

This is Alejandro Meola
This is Alejandro Meola, a very talented Argentine-American guitarist

Alejandro’s beginnings in music 

As is typical, Alejandro began to feel a great attachment to music and it all started with the guitar that was in the house he grew up, with which he played at an amateur level and began practicing slowly and improving his skills over time. He says he always knew that his vocation was music, even without being old enough to decide on these issues. 

Given that the guitar was the instrument with which he started in music, this will always be the most important element in his artistic life above any other. However, he is also capable of playing other instruments such as piano, drums and bass, which can transport him to places within his mind where the guitar does not always take him.   

With regard to composition, Alejandro started to develop in this area through the need to express those emotions he had on the inside and communicate what his feelings in an original way with the help of music and the melodies that compose it. ‘‘I like to communicate things that resonate in other people’s minds and that’s where my taste for composition came from. Besides, I think that practice and time improve your ability to communicate emotions and transmit messages to anyone who listens to you. That evolves with oneself” said the artist.  

Alejandro’s musical education 

Alejandro told us that he studied at a music school in Argentina where he specialized more on guitar and composition, but what he calls ”street training” also helped him a lot to polish his act as an artist. The experience gained out the academies is so important to Alejandro that he even defines it as ”a parallel university”, which is as important as formal academic training, if not more. 

”It’s the street that gives you the tools, the experience and the journey to be a more complete artist. Practice on real stages is critical to specialize in music as it should be” Alejandro said on the subject.  

street training is important for Alejandro
According to Alejandro, ”street training” is very important for any artist

Argentine and American roots in Alejandro’s work 

Hearing Alejandro play evidences that he is heavily influenced by legendary and world-famous Argentine rock and the artist confirms this stating that he listened a lot to Fito Paez, Soda Stereo, Charlie Garcia, Gustavo Cerati, Luis Albert Spinetta, Andres Calamaro, among others. Undoubtedly, all of these music luminaries played a very important role on how this young man would perceive music, adding to all the American rock and blues he would listen to upon arrival in the United States. 

However, he noted that being in the United States also allowed him to listen to a number of Latin artists and rhythms which he never planned on experimenting with, but he did. His song ”La Inmigración” is a good example of this. In that regard, living in New York has expanded his horizons and led him to discover salsa, Cuban and Puerto Rican music. He also says that he took inspiration from Héctor Lavoe, Cheo Feliciano and La Fania when doing one or two songs. 

”At the end of the day, my music is a mixture of who I am and the places I’ve lived. A little from there, a little from here and a little from nowhere (laughs). A little from everywhere and a little from nowhere” he said.  

Alejandro also said that he is always on the lookout for other rhythms and ideas that come his way, but always using rock and guitar as a starting point.   

Alejandro at The Bowery Electric
Alejandro Meola playing live at The Bowery Electric

Why Alejandro chose New York as his permanent residence 

Since he was very young, Alejandro had always wanted to experience the dream of living and working in his art in New York. In addition to that, he wanted to know other cities in the country where he was born because while it is true that he spent most of his life in Argentina, he was also very clear that his country of birth was the United States, so he was curious to know it better. 

Once in New York, I met all kinds of people and artists with a very high musical level, so I was able to learn a lot from all of them. I feel like the bar is rising here and that led me to want to improve further every day. In that sense, I feel that New York gives you thick skin, since there are many obstacles to overcome to be truly recognized in music” said Alejandro about the city.   

The artist has been living in New York for 10 years now and is at ease in the place in which he currently is. In addition, he has managed to find a niche singing in Spanish, which has made him very happy and satisfied with his career.    

How Alejandro deals with languages in his music 

Something very common that many well-known artists do is to record songs in both English and Spanish so that the audience they reach is bigger, but Alejandro does not believe in it. He thinks that each song must have its own language and feeling, so he prefers to do one version of each song in one language. 

When he arrived in New York, he experimented a lot with English and has several albums in this language, but noting that he could work with Spanish without problems, he began to focus his music in that direction. In fact, today, almost all of his concerts are in Spanish.   

Each language has its advantages and disadvantages in terms of sound, so I must always pay attention to that,” said Alejandro on the subject. 

It has been a great pleasure for us to count on the talented Argentinean singer Alejandro Meola for this edition and we wish him the greatest success in his career from now on. 

Read also: El Tresero Moderno San Miguel Perez 

Gabriel from the band Changüí Majadero talks about traditional Cuban Music

Latin America is the birthplace of so many different musical genres that a lot of us could never even know them all. Although salsa is our main focus, there are many Latin genres that also deserve our full attention and, in this writing, we are going to talk about one of them: the changüí. That is why we interviewed one of its main exponents: Gabriel García, leader and founder of the band Changüí Majadero. 

Gabriel García from Changüí Majadero playing
Gabriel García playing his Cuban tres

Gabriel’s beginnings in music 

Gabriel started relating a little of his history with music. Something interesting to say about this artist is that his beginnings in music did not take place as a child like many others, but when he was about 19 years old.   

Before being a musician, Gabriel was an amateur boxer since he was a child and, thanks to his dedication, he went on to win Gold Gloves and was part of sport organizations in his native Mexico. The sport was the center of his life until a school friend of his lent him a guitar and taught him how to play along some chords. This was the beginning of his interest in music. 

Apart from this, he learned that his grandmother was an opera singer in her youth, which increased his desire to start experimenting with music and focused entirely on it, to the point that he applied the same discipline as with boxing at the time.   

Gabriel then decided it was time to be academically trained in what would become his new passion, so he took a degree in jazz and a subsequent master’s degree in Afro-Latin music. This is interesting because he did not grow up with these genres and had not heard them before, so studying them was something new for the artist. And of course, he did not know changüí either.  

Gabriel García from Changüí Majadero smoking
Gabriel García smoking a Cuban cigar

The Cuban Tres 

Let us remember that Gabriel was a guitarist and jazz player and his initial training was based on this, but that changed as he got to know Cuban rhythms and salsa itself. Something that caught his attention is that salsa hardly ever uses the guitar, until one day he heard a son montuno record with something very similar to a guitar, but it was not one. It was a Cuban tres.   

When he realized that the tres was the root of all this type of music, he set himself to learning to play it and bought one. To help himself, he began listening to artists and groups such as Buena Vista Social Club and the famous tres player Pancho Amat, who was the one Gabriel became interested in the Cuban tres for. 

Then, a friend told him that, if he wanted to know the roots of this instrument, he had to study changüí. The problem was that, at that time, there was very little information about this genre, so it became much more difficult for him to learn about it. The only thing he had was a record by the most famous changüí group, whose name was Changüí Majadero. 

There was so little Gabriel could know about changüí that he met Cubans born and raised outside Guantánamo who did not know it, since it came from very rural areas. For the same reason, changüí was unable to reach the big cities like Havana, where most foreign tourists went.   

Given that there was only little information available on changüí, Gabriel chose to do part of his master’s degree in Guantánamo and that is when he finally got to know this genre for real. He also had the opportunity to make friends with changüí teachers, who helped him a lot to understand it, including the founder of the group Changüí Guantánamo.   

Gabriel García from Changüí Majadero playing live
Gabriel Garcia and Changüí Majadero performing live

Changüí Majadero 

After returning to Los Angeles with all the information he collected in Guantánamo, he began recording videos for YouTube playing the original changüí and its typical instruments. Alfredo Ortiz, a very popular salsa percussionist in Los Angeles and member of the orchestra Son Mayor, saw these videos and immediately contacted Gabriel to invite him to play with his group. Subsequently, they all decided to form a new group based on this not so well known genre. 

Gabriel explains that he and the other members decided to call the group ChangüÍ Majadero because it was relegated to being heard only by poor farmers in Cuba, so the wealthy people from the big cities referred to ChangüÍ in a derogatory sense as ”música majadera” (music for uneducated and poor people). 

The guantanameros who played changüÍ started using the word ”majadero” in their lyrics, but to refer to how proud they were about their roots and this genre. This fact made Gabriel and the other musicians choose to use ”changüí majadero” as the name for their group. 

Fortunately, this situation has changed over time thanks to those who have been interested in making changüí known to the rest of Cuba and the world. After many years of work, it has become much more popular and well respected compared to other times, but it is still not enough. In the words of Gabriel, it is necessary to pursue efforts to make this traditional and folkloric genre more relevant every day. 

Read also: Berklee Online: The Best Option for Learning Music Online 

ISM May 2019

Pupy Pedroso An Ambassador of Cuban Music in the World

Latin America / Cuba / La Habana

When we talk about the beautiful island of Cuba, it is impossible not to automatically think of its rich and ancient musical culture. We are talking about a small piece of land in the world, of that long Caribbean, but it is full of the most successful musicians of Cuba. the history of Latin rhythms.

It all lies in the Spanish and African influences that came to the Island hundreds of years ago, that race that was created from the strings and the drum, from the white and the black, from singing and dancing.

On this occasion I feel very proud to be able to speak directly with a cultural ambassador, recently appointed by the Latin Institute of Music, the leader of those who are are and one of the founders of the very famous Van Van orchestra, the great Cesar Pupy Pedroso, teacher of teachers, as we have called him for this occasion.

Good morning maestro, thank you in advance for the time you give us to all the readers of the International Salsa Magazzine and the portal www. salsamundi.com.

“Well, here I am very happy to be able to talk a little with you and grateful that you want to talk about this server”

Maestro with 19 years of foundation with Pupy and those who are maestro, tell us how the idea of ​​founding this great orchestra was born after making the whole world dance with the Van Van.

“The idea for the project ‘’Los que Son Son’’ arose from a recording I made (while in Los Van Van) with songs of my authorship performed by an internationally renowned performer. (Omara Portuondo, Rolo Martínez, Xiomara Laugart, Raúl Planas, Caridad Cuervo, Pedro Calvo, Raúl Planas etc…etc..) From that moment on I got the idea of ​​making another album with other performers, with a German publisher, and The album was called César Pedroso y Los que Son.

There came a time when I was on tour with Van Van and the dancers came with the records, so I could sign them, and it was then that the idea came to me of forming an orchestra and leaving Van Van and calling it ‘Los que Son Son’. . ”

Why Pianist?

“In my house when I was born there was already a piano, my father was a pianist, and children always want to be like their parents, and I was not going to be the exception, regardless of the fact that I liked the piano since I was little.”

What theme do you consider the flag of Pupy Pedroso’s new journey? When your orchestra opens

“Themes of the new transit: themes like ”What are the things in life” ””A crazy man with a motorcycle” ”Mommy behave well”, ”They’re calling me” and of course ”Six weeks “”

Pupy Pedroso
Pupy Pedroso

Tell us the story of the musical piece “De la timba a Pogolotti” does it tell us about a change in your life?

“From Timba to Pogolotti: It arises from a piano solo that I did in ”Sandunguera” and Pedrito Calvo identified me, as ”Pupy the sandunguero of Pogolotti” and the neighbors of La Timba (neighborhood where I I was born) they asked my older relatives why they said about Pogolotti, if I was born in La Timba, then I wanted to be okay with the two neighborhoods, when I made ”Los que Son…”

Well, I made that song in honor of the two neighborhoods, because I was born in La Timba, but I grew up in Pogolotti, and all my childhood friends are from Pogolotti, I don’t have friends in La Timba, and I consider that one is from where one is from. upbringing, not where he was born, because all the customs, friendships, first ”girlfriend” were Pogolotti’s.”

Which song is your favorite from Van Van’s golden era?

“If you talk to me about the songs from Van Van’s golden age, there are several, of mine the authorship of Maestro Formell and others of mine, for example of the maestro, there are several, “My doubts” ”Marilu”” The Painful” ”There are women” ”I’m everything” and one of mine: ”Six weeks “Sugar” ”The Negro is cooking” ”It must be over” ”That’s good ”, among many others, we live in a wonderful time”

Since August 2018, he was named Cultural Ambassador by the Latin Music Institute. Do you consider it an achievement or a new commitment?

“I consider both things, an achievement because it is not easy in a country with so much talent and so many performers to take me into account for said recognition, and at the same time a commitment, because I am obliged not to let my musical guard down in any way.” sense.”

Maestro comes from a family of great musicians, his grandfather a director, his father a pianist, both from great Cuban orchestras. Can we say that being a musician in your family comes in your blood? Is it inherited in the genes?

“Yes, sir, I am grateful for having been born in this family where there was so much musical talent, where only music was breathed, my autistic grandfather, director of an orchestra called ”Cuba”, my uncle a percussionist in an orchestra very famous for that ”Arcaño y sus Maravillas” era, and I believe a lot in the musical heritage because I consider myself a product of it.

As a pianist, it is because my fundamental patron was my father, from whom I copied and learned a lot from what I could discreetly practice and as a conductor, because I had the joy of having worked with different directors, Rolando Valdés, Enrrique Pérez, I assisted in substituting for my father and the ones I spent the longest time with, Elio Revé and Juan Formell, I spent 6 years with Revé and 32 with Formell and I learned a lot with both directors, I was lucky.”

To what do you owe your great success as a pianist and conductor?

“I think that to be good at any career, the fundamental thing is that you like it and have the aptitude for it, I think that music does not escape from that rule, because you can like it, but if you don’t have the aptitude, don’t waste your time, and Maybe if you have aptitude and you don’t like it, over time you may like it and fall in love with it, so aptitude is the fundamental thing.”

What is your greatest reference or influence in music?

“My greatest influence is Son, I love Son, rumba, guaguancó, Cuban music and Brazilian music, jazz, but my greatest influence is Son.”

Currently, how do you see timba within the island of Cuba? Minimized by Cubaton or leader of local rhythms?

“I believe that at all times, there have been different musical genres, which have been in the preference of the dancer, in the era of Rock and Roll they danced with Elvis Presly, with Bill Halle and his comets, with Little Richard, but also they danced with Aragón, Benny Moré, Sonora Matancera, among others,…

but today the balance leans more towards these foreign movements, good and bad, and that is happening all over the world, in the dance area, but I do not consider our dance music critical or dead, because there is taste for everything and every time “A convening orchestra performs on an open-air stage, it overflows with audiences, that means we are in battle, and the country that has the most musicians making a living from music is Cuba.”

Tell us about the 2019 projects? New CD? Tours?

“Fundamentally starting the next album, the release of a documentary of a tour we are doing in Cuba and some presentations abroad, to reappear again at the end of the year in Europe, with one of the dance hits from France:

”Having a good time”, I make a parenthesis, clarify that there are countries where our music prevails (El Son, La Timba, La Salsa) like Peru and Colombia, Cuban rhythms are still in fashion, thanks to many musicians and orchestras that make a great job for the dissemination, to the printed media and now the digital wave that quite develops our work, look, you are an example of this, we hope to continue giving our audience reasons to dance.

In August we return to South America, it is the tour we are most looking forward to, the Latin public is one of the best, we think about stopping in August in Colombia, Ecuador and Peru, in the same way we are now planning to organize the calendar, for businessmen or producers who wish to have us in their cities, must contact our direct representatives, talking to them is like talking to Pupy”

What should a producer do to have them in their Latin American projects?

“No compadre, very simple, contact them at these numbers +573022582306 and +51992630351, they are the only ones authorized to market our tour, we want to be in all the cities of Latin America.”

Grateful teacher for your time and for letting us get to know you a little, may the successes continue for what they are.

“Grateful to you, thank you for the dissemination you make of the popular dance music of my island.

It remains to leave you the social media links of such an important orchestra so that you can follow in its footsteps and find out about the development of the successes of this great band, on Facebook:

@pupypedroso and the numbers

+573022582306 and +51992630351.

Roberto Roena and Apollo Sound will celebrate 50 anniversaries at the Puerto Rico Fine Arts Center

Latin America / Puerto Rico / San Juan

Roberto Roena: Staying active in any profession for 50 (fifty) years is not an easy task for anyone. But if it is a musical orchestra that half a century later continues to bring tropical music to all corners of the planet, more than a musical group, it becomes an institution.

That is the reality of the Apollo Sound orchestra and its founder, the percussionist and dancer Roberto Roena, who this summer celebrate five decades making the world dance and will celebrate it with a great concert to commemorate his career.

“We are going to do something big to celebrate 50 years. It will be in the month of June at the Center for Fine Arts, “said Roena in conversation with this medium.

“It’s going to be something really cool. We are going to sing the hits of the orchestra, we will have guests and a little bit of everything”, added the musician, who indicated that the exact date will be confirmed in the coming weeks.

Roberto Roena and Apollo
Roberto Roena and Apollo

The Apollo Sound Orchestra was founded in July 1969 and its name derives from the launch that same month of the Apollo 11 space mission, which aimed to carry the first human being to walk on the surface of the moon.

His record catalog includes more than 20 productions and among his most notorious hits are “Tú loco loco y yo tranquil”, “El Escapulario”, “Marejada Feliz” and “El Progreso”, among many others. In the case of Rohena, the renowned 79-year-old musician from Mayagüez began his musical career much earlier, at age 16, with the distinguished group of Rafael Cortijo y su Combo.

He was also part of Rafael Ithier’s Gran Combo and appeared in the star catalog of the famous Fania record company and its All Stars, among other collaborations.

It was in the Mayagüez neighborhood of Dulces Labios where he was born, raised and took his first steps as a dancer. “Sweet Lips is my neighborhood. I have many memories of my childhood days.

From there came great musicians, such as Santitos Colón and Mon Rivera”, he pointed out.

Roberto Roena
Roberto Roena

When she was nine years old, her family moved to Santurce and when she was barely a teenager, she was already appearing on television.

He was discovered by Cortijo in one of his dance performances on the La Taberna India program and from there he became a percussionist for the renowned group. Since then, he has not stopped delighting his followers with his music.

“In these 50 years, there is no greater satisfaction than being able to continue playing,” said Roena, who last Saturday began the celebration of his 50 years in a concert at the Lehman Center of Performing Arts in New York, where he brought together several of the singers who accompanied the group in its beginnings, such as Sammy González, Tito Cruz and Carlos Santos, among others. In addition to the concert, Roena does not rule out going back to the studio to continue shaping her music for posterity.

“This does not mean the end of Roberto Roena and the Apolo Sound. We are going to continue as long as God wants”, he sentenced.

Roberto Roena
Roberto Roena

RELATED ITEMS: 50TH ANNIVERSARY, CENTER OF FINE ARTS P.R., INTERNATIONALS, ROBERTO ROENA AND HIS APOLLO SOUND

http://asondesalsa.com.pa/roberto-roena-y-apollo-sound-celebrara-50-aniversario-en-centro-de-bellas-artes-p-r-para-el-mes-de-junio/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.