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Be frightened at the Transilvania Salsa Fest!

Afterlight 10 very successful editions, the Transilvania Salsa Fest is back with great force to scare anyone who dares to live this experience from beyond the grave.

Living in this beautiful city (Transilvania) is not supposed to be synonymous with coldness and seriousness, quite the contrary. These are the events that make you remember the beauty of Latin music!

This great festival offers you a big selection of attractions and advantages that you cannot miss, such as the meeting of instructors and dance teachers specialized in all types of salsa to live an amazing weekend full of scary things.

This is the logo of the Transilvania Salsa fest

The Transilvania Salsa Fest includes 4 days of an absolutely extraordinary salsa experience, which brings you a series of ghostly parties animated by the best DJs, interesting dance workshops and the best classes taught by a large group of local and foreign instructors and shows that will leave you breathless.

The event offers various genres of music, but the main rhythms will be salsa, bachata and kizomba, which will satisfy your desire to dance and entertain you in the cold month of November.

Having fun at the Transilvania Salsa Fest — Attendees having fun at the Transilvania Salsa Fest

Salsa instructors

Magna Gopal

Super Mario

Panagiotis & Myrto

Alafia Group

Farid Ferchach

Kat & Eddie

BACHATA

Marco & Sara

Arnold & Wandaisha

Sorush & Nora

KIZOMBA

Ricardo & Paula – Afrolatin Connection

Richard & Manon

Location: Grand Hotel Napoca. Strada Octavian Goga

Cluj-Napoca, Judetul Cluj

Date: November 19-22

Facebook: www.facebook.com/transilvaniasalsafest

WhatsApp: 0040747171850

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International Salsa Magazine Celebrates 2020 Latin Grammy Nominees

North America / United States

Latin Grammy Awards

The Latin Grammy Awards were created to honor Spanish-speaking artists. They are awarded by the Latin Academy of Recording Arts & Sciences, created from the National Academy of Recording Arts & Sciences, an American organization specializing in music and production in general. The Latin version was broadcast for the first time in 2000, through the CBS network.

The Academy was founded by Michael Greene and Mauricio Abaroa. The first Grammy ceremony was held in 1959. 41 years later the Latin version was inaugurated. They are not awarded by popularity but by the number of votes received by members of the academy.

The award for excellence in Latin recording achievements is a gramophone. Its base is red and the gramophone is gold. For its part, the statuette of “Awards for Musical Excellence” has a copper-colored gramophone. As you might imagine, its creation goes through a long process, it is composed of a zinc alloy and is plated in 24-karat gold.

Latin Grammy Nominees were announced recently — The Latin Grammy 2020 Edition will be soon

The ceremony is held annually in the United States, in the third week of November. The locations have varied through the years between Los Angeles, Miami, New York, Houston, Las Vegas for the last nine years and in 2020 is returning to Miami, at the American Airlines Arena.

The presenters have been a true parade of stars: Jennifer López, Gloria Estefan, Antonio Banderas, Lucero, Eugenio Derbez, Patricia Manterola and Ricky Martin, among others. In this opportunity, the honor will go to the Dominican Carlos de la Mota and the Polish, nationalized in Mexico, Ludwika Paleta.

On September 29, the names of the candidates for the awards were announced.

Among the nominees are:

Best Salsa Album

40 Años De Power
Luisito Ayala y La Puerto Rican Power
Record Label: Musical Productions, Inc.

Tentaciones Vol. 1
Charlie Cruz
Record Label: Get Crazy Note, LLC

40
Grupo Niche
Record Label: PPM USA

Memorias De Navidad
Víctor Manuelle
Record Label: Sony Music Entertainment US Latin LLC

Un Gallo Para La Historia
Tito Rojas
Record Label: J&N Records, LLC

Some of these nominees belong to JN Music Group, J&N Records and Musical Productions Disquera, a company that for more than thirty years has been in charge of producing Latin music for the whole world. Tito Rojas and Luisito Ayala and La Puerto Rican Power have received the support of the record company and their directors are very proud of their representatives.

The emblematic band Puerto Rican Power — Pure energy of Puerto Rican Power

Puerto Rican Power was born in the 70s by the hand of its founder Jesús Castro. Later Luis Ayala, assumed the role of director and trumpeter of the band. They became known quickly, thanks to the participation they had with greats of the show such as Ismael Miranda, Cheo Feliciano, Héctor Lavoe, among others. The group has mixed the roots of Puerto Rican folklore with its great performance on stage; becoming known in the United States and Latin America. This is his first Latin Grammy nomination.

Charlie Cruz, a Dominican salsa singer, also competes in this category. He has collaborated with greats of the genre such as Tito Nieves. Cruz is proud to be Latino and to work with his heart. He thanked his producer, work team and members of the academy for their support in reaching his nomination.

For its part, Grupo Niche is enjoying its third nomination for the Awards. They proudly represent their home country, Colombia. 40, his latest production, refers to the number of years since his birth. The album was recorded between Puerto Rico, Cali and Miami.

Victor Manuelle participates with his album “Memorias De Navidad”, he sought to rescue the traditions of the Christmas season and remember two loved ones. In early 2018, he lost his father Victor Manuel Ruiz and last year his younger brother, Héctor Gustavo.

To finish the round of nominees, we find Tito Rojas, known for his salsa songs. He began his artistic career in the early 70s. He has more than thirty record productions (one with La Puerto Rican Power). Rojas thanked through his social networks for the support of his career.

Best Merengue and / or Bachata Album

The Genetics Of Bachata
José Manuel Calderón
Record Label: Baile Records

Bailando Contigo
Manny Cruz
Record Label: Manny Cruz / La Oreja Media Group, Inc

Los Conquistadores
Grupo Manía
Record Label: Mania Music, Inc.

Ahora
Eddy Herrera
Record Label: Intermusic

Larimar
Daniel Santacruz
Record Label: Penluis Music

Thanks to Diario Libre, we could know that Latin Grammy Awards were evaluating the possibility of eliminating this category. This, due to the lack of submitted proposals. This warning activated the exponents of the genre. The academy received around 40 applications. The competition is very close between artists with a long history and young people who have come to give a new air to the genre.

José Manuel Calderón is considered the pioneer of bachata. Most of his hits are his own and he has also dabbled in merengue. The artist is very happy with this recognition for so many years of experience. He considers it “a great blessing.”

Manny Cruz receives his fourth Grammys nomination in two different categories. “Bailando Contigo” is the singer’s second album and it took him more than a year to produce. The Dominican was very happy and sent his thanks through his Instagram account. He became the Dominican with the most Latin Grammy nominations.

For its part, Grupo Manía celebrates its tenth nomination. The Puerto Rican singers released their album “Los Conquistadores” to celebrate their twenty-five years of artistic career.

Eddy Herrera, renowned merengue singer, has been nominated for the fifth time and, within the framework of his virtual concert, he expressed his happiness.
“Being nominated in normal times is wonderful, but being nominated within this world of the pandemic is doubly great. This has fallen from my soul, from heaven, “he said.

Daniel Santacruz, has his eighth Latin Grammy nomination for his album “Larimar”, his seventh musical production. The artist was in charge of all the elaboration of the disc that counts on eleven subjects.

Best Tropical Song

Among the 5 nominees are:
Imaginarme Sin Ti
Elvis Crespo & Maribel Vega, songwriters (Elvis Crespo y Manny Cruz)
Record Label: Flash Music

Quédate
Paula Arenas, Debi Nova & Juan Pablo Vega, songwriters (Debi Nova & Pedro Capó)
Record Label: Sony Music Entertainment US Latin LLC

Y Basta Ya
Pavel Nuñez, songwriter (Pavel Nuñez)
Reco Grrd Label: La Oreja Media Group, Inc

Tropical Music is present in the Latin Grammy — Manny Cruz and Elvis Crespo

Elvis Crespo by the hand of his wife and manager Maribel Vega and the composition of Manny Cruz, received a nomination for the album “Imaginarme Sin Ti”. The promotional theme was dedicated to Crespo’s daughter. The singer thanked through his social networks and made special mention of his label and the singer Manny Cruz.

Debi Nova, a Costa Rican singer-songwriter, bet on romantic bachata and had the collaboration of Paula Arenas and Juan Pablo Vega. The promotional theme of the album talks about taking advantage of time with our loved ones.

We finished the round with the Dominican Pavel Núñez, a young man who has surprised with the amount of Sovereign Awards obtained, a total of eleven; took advantage of the global pandemic to make music. With his album “Y Basta Ya” he adds his third nomination for Los Premios.

The 21st edition of the Latin Grammy will be held on November 19, in the city of Miami. Although it is an achievement to be on the coveted list, everyone wants to be recognized.

Who will be the winners?

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Timbalero Manolito Rodríguez Debuts a Fresh Sound as Musical Director of La Zónica

On Friday, March 27, 2026, Manolito Rodríguez and La Zónica performed at La Respuesta, a unique venue a hall where diverse musical genres blend, creating an atmosphere where a dance concert serves as the artists’ formal introduction to the public. The ensemble has been working together since August 2025, when the new orchestra was formed under the leadership of the virtuoso timbalero.

Timbalero Manolito Rodríguez arrives with a renewed energy as musical director of La Zónica

When Manolito began assembling the group, he sought out songs that resonated with him, such as “Gente Luminosa” and “A Mi Medida.” He has also been working with unreleased compositions by Anthony García and Leni Prieto. La Zónica marks a new chapter for the timbalero as the director of his own orchestra. Nevertheless, they continue to perform hits from Manolito’s previous era, now brought to life by the vocal front: Ángel Pomales, Joelis Crespo, and Gabriel Cotto. Manolito has promised to step back from singing to focus entirely on his instrument and musical direction.

The director of La Zónica hopes the dance concert at La Respuesta on March 27 marked a turning point for the band. “It’s an event we’ve been working on with great intensity,” Manolito says with enthusiasm. With energy and conviction, the timbalero adds: “I want to leave a legacy like El Gran Combo de Puerto Rico, like Sonora Ponceña, like Roberto Roena’s Apollo Sound, or Willie Rosario’s band. I want people to say in 25 years, ‘Look, that’s Manolito’s La Zónica.’ It’s a long road, but it’s possible.”

As if that weren’t enough, a new line of Meinl Percussion instruments, inspired by the young Puerto Rican timbalero, is now available.

The new line of instruments - from Meinl Percussion - inspired by Manolito — The new line of instruments – from Meinl Percussion – inspired by Manolito

A Prodigy’s Journey

The career of this salsa virtuoso began early. Manolito Rodríguez is a percussionist, musical director, singer, and dancer. While he was still in middle school, piano genius Papo Lucca invited him to record on the 45th-anniversary album, Homenaje a Tres Grandes del Teclado. “At that time, I was just entering the Escuela Libre de Música; I was in ninth grade,” the timbalero recalls. Four years later, upon graduating from the Ernesto Ramos Antonini ELM in San Juan, Manolito earned the timbalero chair with Sonora Ponceña on Papo Lucca’s recommendation. “Don Quique” accepted him, and the young musician remained with the group for four years.

Puerto Rico’s salsa stages watched Manolito Rodríguez grow up, flanked by musical institutions such as Sonora Ponceña, his now-colleague Willie Rosario, and Roberto Roena’s Apollo Sound.

His skill as a percussionist grew by leaps and bounds, and his versatility was tested on multiple fronts. In fact, his vocals were featured with the orchestra Del Sur al Norte, led by the renowned director, arranger, and producer, trumpet master Julito Alvarado. “Julito was the first one who gave me the opportunity to record as a singer,” Manolito acknowledged in an interview.

Manolito Rodríguez and La Zónica performed at La Respuesta, a different venue.

Thanks to his interactions with salsa veterans since childhood, Manolito served as musical director for various youth projects along the way. This included Revolución Juvenil in high school and Manolito y su Trabuco, an orchestra that performed every Wednesday at El Doble Seis in Caguas.

Legacy and Discipline

According to Manolito himself now a music professor—he owes much of his career to the support of his mother and grandmother, who nurtured his musical interests and encouraged him to pursue formal training. Today, the instrumentalist considers himself a “music worker” who approaches his craft with respect and maturity.

His new orchestra, La Zónica, finds him with a different mindset: he wants to concentrate on the timbales and direction. He considers Master Willie Rosario—who treats him as a protégé one of his greatest influences as a timbalero-bandleader. Rodríguez shares that when he read the authorized biography of “Mr. Afinque” (Willie Rosario, El Rey del Ritmo by researcher Robert Téllez) and saw himself mentioned, he was overcome with emotion. “My eyes welled up. I didn’t expect it,” he says. “Since I started taking things seriously, Willie has always mentored me.”

Despite his vast experience, the young musician felt deeply blessed to be chosen to fill in for the leader of “the band that delights” (la banda que deleita) on several occasions, and to perform at the Willie Rosario Centenary concert at the Coliseo de Puerto Rico. “I feel very fortunate because Willie is a very serious person, someone highly respected in the world of salsa with an impeccable career. He is a true role model.”

Following the passing of Roberto Roena, Rodríguez was also entrusted with the legacy of the Apollo Sound—a testament to the confidence and solidity he projects despite his youth. “Wow, yes. It was an honor,” he recalls nostalgically. “Roberto was the first person to give me a big break in Puerto Rico,” referring to his participation in the 1998 Día Nacional de la Zalsa at the Juan Ramón Loubriel Stadium in Bayamón.

On Sunday, March 22, 2026, Manolito Rodríguez returned to the Día Nacional de la Zalsa as the timbalero and director of La Zónica, a project that debuted last November during Sonora Ponceña’s 70th-anniversary concert. The current lineup includes: Airemyelisse Díaz (bass), Reinaldo Burgos (piano), Savier Díaz (congas), Manolito Rodríguez (timbales/director), Carlos Arroyo (bongo), Víctor “Yuca” Maldonado (baritone sax), Efraín Martínez (tenor sax), Rubén Díaz (trumpet), and Jan Santana (flugelhorn).

Manolito is well aware that “people pay to be entertained,” as he mentioned in a Zoom interview, and he views himself as a craftsman of music. He feels fortunate to be a full-time musician. “That’s what keeps me grounded. I get paid to make music. I am a music worker with great aspirations who trusts his talent and knows he must stay focused.”

Also Read: Sessions from La Loma brings together salsa fans from all over the world in Puerto Rico

Puerto Rican bandleader and musician Diana Sosa talks about her many projects in Nashville, Tennessee

We had a wonderful and very nice conversation with Puerto Rican percussionist, timbalera, conga player, and cuatro player Diana Sosa, who kindly told us about all the projects she has in the pipeline. Her husband and bandmate, guitarist and vocalist Chuck Nelson, put us in touch with her so we could learn more about both the project they share and the one she has undertaken on her own.

Then these are the things the talented Puerto Rican shared with us on this warm Sunday before Easter.

Diana Sosa is playing — Diana Sosa is posing for the camera while playing the timbales

How Diana got into the world of music

Diana was born and raised in Puerto Rico, where she began to love music and play, but not professionally yet. She was just experimenting with some traditional instruments of her homeland, such as the Puerto Rican cuatro, which she even studied with a private teacher.

At the age of 39, she moved to Nashville, Tennessee, where she finally got her first big opportunities in music, and the background she brought for years helped her a lot. It all started with a short rehearsal she was invited to, and from there, she has done nothing but prove what she is really made of.

Of course, she keeps studying and preparing to improve every day. When she is not learning to play with fellow musicians like John Santos, she is taking online courses to solve any doubts she may have.

Diana’s first opportunity with The Bicho Brothers

The first serious group that gave Diana the opportunity to develop professionally—and with which she keeps to playing to this day is The Bicho Brothers, a classic rock band whose members really appreciated the contribution provided by Diana. For this reason, it is she who brings that Latin flavor, the product of her heritage and years of training in these genres.

Something that really attracted the audience was that she was the only woman in the group and, incidentally, she played the timbales, which was uncommon back then. In addition, she added atypical sounds to certain well-known songs, which was also remarkable.

Diana Sosa and the rest of the Bicho Brothers — The Bicho Brothers from left to right: Jeff Krinks (guitar and vocals), Ron Krasinski (drums), Diana Sosa (timbales, congas, percussion, and Puerto Rican cuatro), Chuck Nelson (guitar and vocals), and Kenny Zarider (keyboards and vocals)

Another important personality who encouraged her to follow this route was the great producer Bill Cuomo, who told her she was very good at playing but needed to improve her technique. Twenty years later, it can be said that she took him at his Word seeing all she has achieved since then. From that point on, there have been many other projects and opportunities that make her very happy and keep her fulfilled.

Soul Sacrifice

Soul Sacrifice is a Santana tribute band founded in 1969 that has won a high reputation in Nashville by becoming one of the best tributes to Santana to date. The mix of familiar melodies and infectious rhythms they play at every show transports audiences to the biggest classics of the legendary Latin rock group created by Carlos Santana.

The band also includes some of the same members of The Bicho Brothers, such as the cases of Diana and Chuck due to all the years they have spent playing together, but including Cuban musician John Santos. He plays a fundamental role in making people feel they are listening to the original Santana rather than an imitation, which is why both he and Diana are key to the band’s performance.

Diana’s Mambo Maniacs

Diana also has her own project, which she decided to call Diana’s Mambo Manics. This Latin music group was founded in the early summer of 2025 as part of Hispanic Heritage Month. In that time of year, there are always many festivals dedicated to Hispanic and Latin music in the United States and around the world, so Diana and a group of musicians she had been in contact with for some time took the opportunity to play wherever they were able to make themselves known.

Among some of the musicians in the band we can mention John Santos as singer and timbalero, whose presence is essential at every show. The group also includes conga player Josvany Cordero, bassist Isoel Villareal, pianist Kenny Zarider, trumpeter Joe Mercado, and trombonist Huge Lindsay.

The main difference between this band, The Bicho Brothers and Soul Sacrifice is that it plays exclusively Latin music, but of the great artists in the 1950s and 1960s who performed at the Palladium Ballroom, the Copacabana, El Corso, Chez José & 3 and 1, among many others. Diana feels that, to a certain extent, she pays tribute to her parents, who used to go dancing and enjoying these rhythms to some of these places in their youth.

However, not all are covers. She is about to release an original song featuring Puerto Rican cuatro player Prodigio Claudio, but she did not have the details to share with us yet.

Diana and Tito Puente Jr. — Diana Sosa Playing with Tito Puente Jr.

Paoli Mejías A Talent Forged in the Streets and Discipline with a New Sound in Latin Jazz

From legendary sideman to the leader of a limitless musical vanguard.

Paoli Mejías is a pivotal figure in the evolution of contemporary percussion, renowned for his seamless fusion of Latin jazz with masterful conga technique.

Paoli Mejias: From accompanying legends to leading a musical vanguard without borders

While he is an exceptional multi-percussionist, his command of the congas has established him as one of the most in-demand soloists in the world.

He is distinguished by a melodic style; he doesn’t just keep time he makes the drums “sing,” utilizing precise tuning and astonishing speed.

After touring the globe alongside icons such as Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea, and Marc Anthony, Mejías has solidified his status as an international benchmark. His vast musical, folkloric, and cultural knowledge positions him today not only as a percussion virtuoso but as a visionary leading his own quintet.

With a career marked by success, Mejías has produced three high-caliber independent albums: Mi Tambor (2004), which received a Latin Grammy nomination, Transcend (2006), and Jazzambia (2008).

Paoli Mejías, a talent forged in the streets and through discipline

These works have placed the Puerto Rican percussionist at the forefront of the genre, earning glowing reviews in the world’s most influential publications, including JazzTimes, DownBeat, Jazziz, and Modern Drummer.

A Talent Forged in the Streets and Discipline

Born in Río Piedras, Puerto Rico, on March 7, 1970, Paoli discovered his calling at the age of twelve. Inspired by the records of Carlos “Patato” Valdés and Ray Barretto, and the innovation of groups like Batacumbele and Irakere, he bought his first conga and began a self-taught journey.

Without formal teachers, he learned the language of percussion by mimicking the sounds emanating from his favorite vinyl records.

Paoli Mejía with Nuevo Sonido en el Jazz Latino

His true training took place in the effervescent musical atmosphere of San Juan, absorbing the styles of his mentors in street rumbas.

His professional debut came via Rafú Wagner (former vocalist for Bobby Valentín), and while still a teenager, he was already collaborating with renowned local artists such as José Nogueras, Glenn Monroig, and Charlie Sepúlveda.

The Leap to the Global Stage

His impeccable technique and melodic sensitivity quickly made him the preferred sideman for the greats. For over eight years, he was a key member of maestro Eddie Palmieri’s orchestra, recording on historic projects like Masterpiece/Obra Maestra (with Tito Puente), which won a Grammy Award.

Paoli Mejías is a fundamental figure when discussing the evolution of contemporary percussion

His discography now exceeds 20 commercial productions, including the nominated Acuarela de Tambores.

This exposure to world music enriched his creative fire. As Elmer González noted in Latin Beat: “Through Mi Tambor, Paoli achieves a watercolor of rhythms and textures that make this album one of the best Afro-Latin jazz productions released as a leader, and he aspires to continue a career forged on the stages of the world’s most important festivals.”

Beyond the Traditional Genre

Today, Paoli Mejías’ group offers a style that transcends labels. His proposal fuses the “Salsa Gorda” of the big orchestras with Puerto Rican bomba and plena, incorporating nuances of Greek, Flamenco, Indian, and African music. The result is a vibrant experience where the audience ceases to be spectators and becomes participants.

His versatility was cemented at the Heineken Jazz Festival, where critics highlighted his absolute mastery of minor percussion, timbales, bongos, and ethnic instruments like the Nigerian Udu, hailing him as one of the most complete percussionists of our time.

Paoli was there: Eddie Palmieri, Tito Puente, Seis del Solar, Chick Corea and Marc Anthony

Beyond his role as a performer, the “Maestro” shares his knowledge by conducting clinics at prestigious institutions such as the University of Washington, the University of New Mexico, and the Puerto Rico Conservatory of Music.

Sponsored by leading brands like Latin Percussion and Sabian, Paoli Mejías continues to elevate the legacy of Latin jazz into exciting new dimensions.

Member of Santana

Paoli Mejías is a world-renowned percussionist who was a member of the band Santana, led by Carlos Santana.

Joining Santana: Paoli joined the group in 2013, taking over the conga chair. His arrival brought an impressive technical energy and rhythmic depth, establishing him as a fundamental piece of the band’s world tours for several years.

Source: Paoli Mejías

Also Read: Carlos “Patato” Valdés: One of the Greatest Percussionists in Latin Jazz History