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Search Results for: Son

Versatile multi-instrumentalist, producer and arranger, Taylor Aranguren

In Barquisimeto, a city catalogued as the musical capital of Venezuela, there are musicians of excellent quality and one of them is the versatile multi-instrumentalist, producer and arranger, Taylor Eduardo Aranguren García, a young man born in the aforementioned city on August 2, 1991.

Taylor plays piano, bass and trumpet to perfection. His musical beginnings were in 2003 and in 2005 he had the great honor of joining the Lara State Symphony Orchestra, accompanying the “Sonero del mundo” Oscar D’León in a concert held at the “Coliseo Hípico” of the twilight city of the country.

Then in 2005, he makes artistic life in Puerto la Cruz, Anzoátegui state; in 2007 he moves to Colombia, in 2009 he returns to Caracas as a member of the Staff of the television program “Súper Sábado Sensacional”; then in 2010 he travels to Beijing to perform musical works, later in 2012 he accompanies Maelo Ruiz on a tour of Venezuela, later he is contacted by the Band of Benjamin Rausseo, humorist known as “Er Conde del Guácharo”.

In 2014 he joins Óscar Arriaga and Néstor Rivero ex-vocalists of “Los Adolescentes”, directing them as musician and arranger and additionally they record with the musicians: Diego Galé, Ytúrvides Vìlchez, Franco Lemus and Freddy González, achieving successful concerts in countries such as: Dominican Republic, Peru, Colombia, Chile, Ecuador, Panama, United States, Mexico, Italy, Germany and Spain.

And with this preamble of his artistic career, consequent readers, we welcome again, to the column “Salsa Escrita” to one of the best musicians of our country.

Greetings Taylor, it is an honor to have you as a special guest in International Salsa Magazine, “the Only Salsa Magazine in the World”.

Thank you Professor Carlos, for giving me the opportunity to be in your well read column “Salsa Escrita”, through this prestigious media and to be able to interact with all readers nationally and worldwide, making known my projects and part of my artistic life.

Taylor to begin with, we want you to tell us about your role as an arranger and to which artists you have done your musical works?

Ok my friend Carlos, let me tell you that I was arranger and musician in the production “Quintero Salsa Proyect” with the Quintero brothers (Luisito and Roberto Quintero) on that occasion with the song “Chamito Candela”, performed by Gustavo Aguado and Luis Fernando Borjas of Guaco, I also had the pleasure of arranging the song “No lo Beses” in the voice of my uncle Jorge Luis Suarez (former singer of Oscar D’Leon), also the song “Chismoso” by Marcial Isturiz; “Te Quedas” interpreted by José Alberto “El Canario”, in the same way “Te amo y punto” with Óscar Arriaga, I also made arrangements for the last movie of “Er Conde del Guácharo” and many more that at the moment do not come to my memory.

Very good Taylor, Congratulations, but we are curious to know in which facet you feel better, as a musician or as an arranger?

Professor, it is different to feel as an arranger, it is cool because it is a work or a child that comes out of your guts, it is something that you create, it comes from you and you enjoy it a lot, but playing live is a feeling in the moment, you know, enjoy the stage, the musicians, but I like the recording more, both for me are super important.

Excellent, now which singer, arranger and percussionist would you like to record and play live with?

Well, as a singer would be Oscar Arriaga, in percussion, Luisito Quintero and arranger I would like to share with Oscar Ivan Lozano, a great brother from Colombia, director and arranger of “Grupo Niche”.

Taylor, can you tell us about the work you have been doing with the ex-vocalists of Adolescentes Orquesta?

Actually I am working sporadically with some of them and right now I am in alliance with former teenagers from Venezuela who are currently based in Bogota and God willing at the end of July we will be touring throughout Colombia.

My friend Taylor, do you have planned this year some shows where you accompany as a musician to some recognized artist?

Well yes brother, in mid-July I will be accompanying Andy Montañez and Maelo Ruiz in Buenos Aires – Argentina and then I’m going to Uruguay with my project Taylor Aranguren to a concert in the city of Montevideo.

And in relation to the recording of the video, “Taylor Aranguren and his Venezuelan salsa” which would be captured for DVD format and would be recorded in Barquisimeto and where they would be invited figures such as: Luisito Quintero, Roberto Quintero, Edward Montoya, (Willie Colón’s trombonist), Rónald Borjas, Rónald Gómez, Jorge Luis Suárez, Wilmer Lozano, Toñito León “El Bebé Salsero”, Marcial Istúriz, Hildemaro, Mariana “La Sonera de Venezuela”, among others; it is still standing? Tell us:

Let me tell you professor Carlos that for reasons of the pandemic everything was suspended and thanks to God I already have almost certain date between November and December of this year 2022 and we will record it in the city of Sol Miami – Florida and the reason for the change of city is because of the ease that almost all the artists and musicians are there and the logistics and sponsorship is broader, many producers have been interested and for that reason, it is less expensive and after that recording I am committed to do a concert with them in the city of Barquisimeto.

My friend Carlos, I take this opportunity to tell you that in August I have a tour in Europe with Maelo Ruiz and David Pabon but I am waiting for the confirmation of my friend also from Lara, Yomar “Caballito” Mendez and for my album that will be released with God’s favor at the end of the year, Rónald Borjas has already recorded, Óscar Arriaga, Néstor Rivero, Benjamín Rausseo, Erick Franchesky, Luis Matheus from Colombia, Rodrigo Mendoza, Sócrates and soon Oscar D’León, and I am also making some arrangements for Luis Fernando Borjas ex Guaco.

Excellent Taylor, we would like to know your social networks and also wish you the best of success and many blessings for exalting and putting up the name of our country outside our borders, demonstrating your quality as a musician; you know that you always have our support in all projects you undertake in your artistic career.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Thanks a thousand, my friend Professor Carlos Colmenárez and INTERNATIONAL SALSA MAGAZINE through www.SalsaGoogle.com for giving me the support not only to my person, but also to many artists of Venezuela that day by day we work for our Latin music, also on behalf of this server Taylor Aranguren, I wish you the greatest success in your work and continue to make us known worldwide, to finish you can follow me through @Taylorarangurenpiano.

Hasta la próxima y sigamos salseando!

Article by Correspondent: Carlos Colmenarez

Yissy García Calzadilla, former member of the Anacaona Orchestra, plays drums, timbal and bongo

On May 29, 1987, in Havana, Cuba, Yissy García Calzadilla was born.

With a great musical heritage that comes from her father and inspiration, Bernardo Garcia, who is a drummer of the ICRT Orchestra.

Since she was a child she has been inclined towards percussion and has her father as her first teacher.

At the age of 9 she began her elementary music studies at the “Manuel Saumell” school, later attending the Amadeo Roldan Conservatory where she excelled in the school’s Charanga band and was also a member of the Youth Symphony Orchestra.

As a student of the conservatory in 2004 she traveled to the island of Guadeloupe as part of a cultural exchange between music schools in both countries.

Also in 2005 she was invited as a soloist in the paila (Cuban percussion instrument) to play with the National Symphony Orchestra of Cuba under the direction of the prestigious conductor Zenaida Romeu. In the same year she obtained the Special Prize of the “Fiesta del Tambor” contest.

In 2006 he travels to Barbados to participate with the “Quinteto Chico de la Habana” (a group of outstanding students of the conservatory) in the Barbados Jazz Festival and shares the stage with prestigious jazzmen such as Horacio Hernández (El Negro), Giovanni Hidalgo, Arturo Tappin (saxophonist) and Roy Hargrove (trumpeter), his performance is reviewed by international television stations and for the English newspaper Daily Niticns.

In November of the same year he obtains a Special Performance MECION at the International Festival of Young Jazz Players “JOJAZZ” and plays drums with the Big Band of Canada.

It is in this same year that she graduates in Percussion with excellent grades.

Once graduated, she joined the female orchestra Anacaona with which she made multiple performances on stages all over the country, and also performed on national television and radio, recorded the album “No lo puedo evitar” for the Bis Music label, and has also accompanied the Buena Vista Social Club diva Omara Portuondo.

With a small orchestra format, he recorded in 2008 the song “Parampampán”, for the musical film: “Chico y Rita” by the Spanish filmmaker Fernando Trueba. And also participates in another recording of traditional music with an American singer, both in the Areito studios of the EGREM.

In 2009 she made two important international tours with Anacaona, first in several Canadian cities, among them, performing at the “Art Jazz Festival” in Toronto, and in the Lula Lounge of the same city, the “30th Montreal International Jazz Festival”, alternating with the famous salsa singer “La India” with whom she was also invited to play, During the days of this great festival she participated very actively in various Jan sessions with Canadian musicians and musicians from other countries, in the city of London in the “Sunfest”, the Festival “La Nuit de Africa” in Montreal in its 27th edition and in the cities of Chicoutimi in the Festival “Rhythms of the World” and in the City of Quebec in its festival “Musics of the World” in addition to other venues in some of these cities, monopolizing in all many applause and congratulations for his outstanding performance.

In September 2010 the Aruba Jazz Festival is presented where they have the responsibility to close the festival and also perform with great success with saxophonist David Sanborn with whom they have the honor of downloading to close his performance the first day of the festival, for all this they are welcomed with great success by the public and the press.

He has worked in Cuba with other important jazzmen such as Alexis Bosh and Orlando Cubajazz.

He also performs for a special program on French TV channel 33 about his musical life and appears on a web page of the Spanish magazine “The H”.

He competes again in the JOJAZZ Contest and obtains the 2nd place in interpretation.

He has also recorded the Cuban Television program “A todo jazz” with trumpeter Roberto García and saxophonist Emir Santa Cruz, and with the group “Joven Jazz” led by saxophonist Michel Herrera, with whom he also performs in Havana’s Jazz clubs. He has worked with the outstanding trumpet player Yasser Manzano and his group.

In early 2010 he made the national tour of the singer Cucu Diamantes and also participates in the film that was recorded of the same.

In June 2010 he performed with Anacaona a successful tour of Curacao presenting the show “Viva Cuba”, in order to raise funds for the fight against breast cancer, organized by the Sinte Rose Foundation of that country and also close the 1st International Film Festival of Aruba.

Solo career

Yissy and Bandancha.

In 2012 she decided to embark on her solo career, debuting as composer and leader of the project YISSY & BANDANCHA, a quintet that develops jazz from the fusion with other genres.

She is regularly invited to participate in the most important festivals in Cuba, such as Jazz Plaza, JoJazz, Ellas Crean, Havana World Music Festival, among others.

Along with her project, she develops an intense work of collaboration in record productions and with various artists and recognized groups in the country, as is the case of Interactivo, Alexis Bosch and Telmary Diaz.

In 2014 he participated in Argentina in the festival El sur suena a cubano, along with Kelvis Ochoa, William Vivanco and Yusa, whom he also accompanied on his tour of Japan. He participated in the recording of the album Feeling Marta, by singer Gema Corredera, and accompanied the Buena Vista Social Club diva, Omara Portuondo, on her tour of Mexico.

Since that same year and until now, he is part of the line up of the band Maqueque, led by the renowned Canadian saxophonist Jane Bunnet, with whom he has played in the most important festivals in Canada and USA, in addition to having recorded the album Jane Bunnett and Maqueque, winner of the 2015 Juno Award for Best Jazz Album.

She began 2015 with the recording of her debut album Última noticia, and with a tour with her band YISSY & BANDANCHA through several cities in the USA.

She was included in a documentary for Brazilian TV directed by filmmaker Max Alvim, which aims to collect the most outstanding of the vanguard of Cuban jazz today.

She was part of the concert Women of the World, led by M Alfonso. She participated, together with Brazilian artist Baddi Assad, in the Les Voix Humains festival, held in Havana and organized by the Leo Brouwer Office.

Invited by the prestigious drummer Terri Lyne Carrington, she gave a clinic on Cuban rhythms at Berklee College of Music.

Perspectives of our senses in being an excellent Dj. and or Musicalizer

It is known as Disc Jockey (also known with the abbreviation of DJ, and its Anglo-Saxon pronunciation of Deejay) or disyóquey to “the person who selects and mixes recorded music of his own or of other composers and artists, to be listened to by an audience”.

Musicalizador: is that person who can extract a periodic and varied list of an equis amount of songs of proven success loaded in the storage system.

Many people and/or dancers express the controversy of the musicalizadores and Dj’s. Of the rumbas salseras of all the times nowadays that call it of (Salsa Guateque and Baúl).

With respect to the content or musical selection that they place or propose each one to give to understand to the public rumbero dancer.

Today there are many musicalizers and above all self-appointed “Dj`s” and they use to call themselves from one day to another and what they do not know that to reach this art they must study and know the art of basic music such as harmonies, theory and solfeggio, to be more complex.

First, one thing is to be a Dj and another musicalizer, both have to know music, but the Dj is responsible for making the mix of one over the other in couplings of the song without distorting the original revolutions or Bpm that makes you feel the harmony of both in one. Making the dancers flow and make the place feel good and cool.

 

The Djs and musicalizers have a difficult task to bring the creativity and the magic to put to dance to their public some traditional and others demanding to be able to over carry a rumba or danceable night.

This work has been difficult, but also easy to have an ear to select a song with a good sense of lyrics and above all with a harmonious and contagious arrangement that gives pleasure at the time of dancing. Making of them the work of how and when to place the melody to make the hook between the public/dancer.

The public rumbero, dancer…It is hard to understand that going out one night and feeling the atmosphere with something musical that not only you like, but also your partner or whoever you ask to dance likes the theme. Remember that not only the song makes the night enjoyable, but also the sound of the song and the people around you.

On the other hand, there is the audience that is not even a dancer. Many have the bad sense to bother with a drink in hand, dance alone, even take pictures and record the musicians and / or DJs. They get in the way of those who really want to enjoy the dance floor.

The criticisms are constructive to be better for the next dance, remember that there is a lot of music from the older music stirring memories of the public. As well as the newest, given that the music is modern and evolving.

With this I do not mean that all are bad, on the contrary there are good musicians and DJs par excellence that I follow for many years. But there is a large group that is coming out in this that lacks some of the conditions mentioned above.

For DJ’s

  1. If you are going to play a number, play the original. The musicians, composers, arrangers and dancers will thank you for it.
  2. Music with instrument downloads are UNCOMFORTABLE FOR DANCING. Know how to choose which solos are danceable. Give swing to the dancer.
  3. Don’t cut the end of the music, or mix it up. It takes away the happy moment of that final punch.
  4. Just because it’s fast doesn’t mean it’s danceable; listen and see how people enjoy the different tempos in the music.
  5. Hey…the guajira, the son montuno, the chachacha…whatever you call it, it’s part of the genre. Why do you have to ask for it and they look at you funny? Out of every three to four salsas, a chacha goes down very well.

Meet The Dates Of Havana D’ Primera – Europe Tour 2022

Alexander Abreu & Havana D’ Primera will begin their concert tour in Serbia celebrating their 15-year artistic career

cinco personas cantando
Alexander Abreu with the Van Van at Tempo Latino 2022

Alexander Abreu & Havana D’ Primera will visit Europe in September with their 2022 tour to celebrate their 15-year career with love and music, starting on Saturday, September 3rd in Belgrade (Serbia), and two days later they will step on the Bulgarian salsa stage (Monday, September 5th).

Subsequently, they will sing their repertoire in Spain (Seville, Madrid, Bilbao, and Barcelona) on September 8th, 9th, 23rd, and 30th, and will continue in France with two concerts: on Sunday 11th, they will be on stage on the Cabaret Sauvage (Paris), while the Sunday, September 25th, they will do so in the Patio de Camargue (Árles). In the same way, their tour of Germany (Hamburg) continues on Thursday, September 15th, and the 16th of this month, they will be in Finland, specifically in the capital city Helsinki.

The 2022 Tour continues in Italy (Florence and Naples) on September 17th and 21st. The latter will be in the Sweet Life concert hall located in the Somma Vesuviana municipality of the Neapolitan city.

On Thursday the 22nd, they will do the same at the Cuban Latin Festival in the Netherlands (Amsterdam) and will end their 2022 Tour 400 miles from Europe in Tunisia in the Yasmine Hammamet neighborhood located in the north of the African continent on Saturday, October 1st.

16 personas en un escenario
Ticket prices vary between £30 and £100.

Alexander Abreu spent his childhood in the city of Cienfuegos (Cuba) where he began playing the trumpet at the age of ten and has currently become one of the most versatile and acclaimed Cuban musicians of Afro-Cuban music. “I have always seen Havana D’Primera with 15 people on stage and everyone said that it was impossible, that it would be too expensive, too difficult to move… This is how we started: 14 or 15 of us and a lot of positive energy, now we are stronger than ever.” Abreu commente.

Havana D’ Primera (HDP) is a Cuban timba band founded by Alexander Abreu in 2007 and made up of 17 of the best Cuban musicians. The orchestra is led by the main composer Abreu, who has stood out for his melodic voice and ability to fuse genres through Salsa such as Jazz, Funk, and other Afro-Cuban rhythms.

“Since its inception, the band has released five studio albums and one live album. The debut album release was Making History with EGREM in 2009 and their first release for the Páfata Productions record label. 2012’s Pasaporte received favorable reviews from the international press and was voted one of the best Latin alternative albums of that year.

Since then, they have followed the success of “Pasaporte” with four more albums, released through Páfata Productions and the last one in co-production with the Cuban Producciones Abdala.

HDP released “La Vuelta al Mundo” in 2015 and “Haciendo Historia LIVE” arrived in 2016. “Cantor del Pueblo” in early 2018, earning the band a Latin Grammy nomination for Best Salsa album. We cannot forget “A Romper el Coco” with the participation of Mayito Rivera released in 2019, and the single Quiero Verte Otra Vez (2020) which won the Special Prize at the 2020 Lucas Awards gala and was also cataloged by the French newspaper “Le Monde” as one of the favorite songs of Latin music.

Finally, in 2021 the album “Será Que Se Acabó” was released, as a tribute to Cuban popular music of the 80s and 90s. Discography extracted from the Biography of Havana D’ Primera.

You can read: Where to go dancing Salsa in Paris?

Fasching Presents An Intimate Concert With Miriam Aïda

The only performance of the most influential Bossa Nova and Jazz singer in Sweden will be in September

Leyenda: Miriam Aïda sings in Portuguese, Spanish, English, and Swedish (her native language).

Miriam Aïda is one of Sweden’s most popular Jazz singers. She has an indisputable talent, a seductive and harmonic voice, and her outstanding appearances on stage always surprise the audience thanks to her impeccable fusion of Jazz and Latin rhythms.

On Thursday, September 29th, it will be the only concert that the Swedish singer will give at the imposing club Fasching https://www.fasching.se/miriam-aida/#2022-09-29T20-00 from 8 PM, and tickets are available from 120 SEK (persons standing) to 200 SEK.

She will create this intimate and exceptional show with the feature of five prominent musicians from the Scandinavian Jazz music scene: Mats Andersson (Guitars), Johan Olsson (Accordion and Keyboards), Simon Peterson (Bass), Finn Björnulfson (Percussion), and Ola Bothzén on Drums.

Miriam will navigate the music of the American coast, stroll along the Caribbean Sea, and descend to the magnificent beaches of Brazil to present the rhythms that took root in the New World: Bolero, Cuban Rumba, Samba-Soul, and Jazz, among other genres that together to the colorful voice of Aïda, they will perform the songs from their most recent production Loving the Alien released in 2018, in addition to their greatest hits compiled on eight albums.

This singer, leader of Bossa Nova and Latin Jazz in Sweden, has taken her show to the main cities of Japan, the United Kingdom, Brazil, France, Spain, USA, Turkey, Russia, Italy, and Germany as a soloist as with the band A Bossa Elétrica, and has had the good fortune to have shared the stage with great Brazilian personalities such as Hermeto Pascoal, Badi Assad, and guitar master Marco Pereira.

She is the Director of the record label Connective Records and radio programs.

The extensive career of Miriam Aïda www.miriamaida.com goes from her first album Jan Lundgren Trio Presents Miriam Aida & Fredrik Kronkvist released in 2002. This record production together with her husband Fredrik Kronkvist, the pianist Jan Lundgren, and two very talented young soloists performed for the first time the Funky-Soul-Jazz rhythm and standards with an American and Swedish touch.

Who is Fredrik Kronkvist? https://fredrikkronkvist.wordpress.com/bio He is a master of the Alto Saxophone and one of the established stars of Swedish Jazz. He has nearly 9 million views on digital platforms for his ballad hits Theme for Ernie. This saxophonist with extensive knowledge of the instrument and Jazz is currently releasing a new album in early 2022 with ten original ballads and directs his band made up of four musicians from the vanguard of current Jazz.

Miriam after a year of this successful album releases her debut solo album My Kind of World (2003) with classics like “Big City” and passionate Bossa Nova ballads. She continues with A Bossa Elétrica – Eletrificacao (2004), and Miriam Aïda & Fredrik Kronkvist with Monday Night Big Band – Live at the Palladium (2005) recorded live. This CD features moving, direct Jazz and Bossa nova. With this powerful Big Band, they covered great songs like Horace Silver’s Senor Blues, Nat Adderley’s Fun, Right Here, and Right Now, to name a few.

She also participated in the album Joe Spinaci and the Brookolino Orchestra-Too Darn Hot (2005) and continued with her solo album Meu Brasil (2007). The material is mainly in Portuguese and compiles great composers from different eras such as Baden Powel, Nelson Cavaquinho, and Jorge Ben. It contains a new Bossa Nova written by Miriam with Swedish lyrics and incorporated Swedish poet Nils Ferlin’s interpretation of the poem in Portuguese.

It is followed by Come on Home (2008), Letras ao Brasil (2009), Visans Väsen (2011), É De Lei! (2014) recorded in Sweden and Rio de Janeiro in collaboration with the Brazilian arranger Jayme Vignoli and the voice of one of the best singers from Rio, Marcos Sacramento, and Quatro Janelas (2015).

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.