Search Results for: Son

What the situation will be in New York in August 2021

What is happening in New York?

There are several reports in New York for the coming months in terms of salsa and Latin music in general. There are so many that we could not mention them all here, but we will summarize the most outstanding and interesting of the month. So make yourselves comfortable because we have many things to say.

Salsa International Day Celebration

Recently, it was announced that New York will host the First Salsa International Day Celebration, an event that has been announced by Carlos Velasquez from GrupoCKV and myself on 27 June of this year. This fabulous festivity will be broadcast through Canal America in an exclusive way and carried out on 14 August between 4 and 5 pm on New York time.

In the words of Velasquez, this will be an event meant to unify and glorify all salsa lovers. He also mentions that for him and the rest of the team that makes this possible are proud to be able to share this great event with all viewers who are interested in the show that has been prepared for them.

This is Carlos Velasquez — Carlos Velasquez

Donation of the last jacket worn by Franklin Ruíz in one of his shows

For me and for the rest of the Spaha Salsa Gallery, it is a great honor that Franklin Ruíz’s brother Víctor Rolando Negrón Ruiz, best known as Viti Ruíz, has donated the last jacket worn by the artist at Madison Square Garden before his unfortunate death due to liver cirrhosis that had afflicted him a while ago. With this special offer, we will always have a pleasant memory of El Papá de La Salsa, who has left a bottomless void after his departure.

Viti Ruiz is a huge iconic figure like his brother Franklin, who made us be more honored to receive him in our facilities and meet him about the gift to the Salsa Museum and how much this priceless possession meant to him. What makes this jacket so special is that it was worn by the singer during a heartfelt tribute in which his name was chanted for more than 15 minutes at Times Square Garden, time that will remain forever in the memory of the musician until his last days and that of all his fans.

Johnny posing next to Viti Cruz — Johnny Cruz and Viti Cruz with Franklin Ruiz’s jacket

Tito Allen is more relevant than ever

We all know the artistic career of Tito Allen for more than 60 years, whose songs hit speak for themselves. Despite so many decades, the Puerto Rican is still a very active man and wants everyone to know that he will return to the stage and will do it with a few surprises up his sleeve.

He has announced that he will be part of the Salsa Festival, which will take place on 21 August from 8 pm. According to information recently published, the place chosen is the Stereo Garden in New York, which is a multi-use venue built in the 1940s under the name of Patchogue Roller Rink. One of the best characteristics of this place is the absence of inconvenient columns that can hinder the movement and view of the spectators, providing them with much more space in which they can move about.

Additional to that, Tito will not be the only one performing that night, as the concert will count on the participation of Franklin Vasquez and Hector Tricoche. Those who wish to book their tickets may do so through Ticketmaster and they have a value of $40.

Poster about the Salsa Festival — Poster in which you can see Tito Allen, Frankie Vasquez and Hector Tricoche

By: Johnny Cruz correspondent of International Salsa Magazine in New York City, New York

Home

Johnny “Dandy” Rodríguez Jr. Growing Up in Latin Dance Music and Jazz

Johnny “Dandy” Rodriguez Jr. is a salsa legend and world-renown, pioneering bongocero.

His “Dream Team” is currently regarded as the hottest salsa “conjunto” performing In New York City.

It is rare, and ever increasingly so, that a musician would spend a lifetime in a band. But percussionist Johnny “Dandy” Rodríguez Jr. who was a teenager when he was allowed to sit in with the Tito Puente Orchestra and be an apprentice for a few months before earning a place in its rhythm section, was also there at the end, playing alongside Puente until his death, after a concert on May 31^st, 2000.

“I went from being a kid, coming into the band as a 16-year-old to being the man running the band at the end,” said Rodríguez, 70, in a conversation from his home in Las Vegas.

Johnny "Dandy" Rodriguez Jr. Growing up in Latin dance and jazz music — Johnny “Dandy” Rodríguez Jr.

Between that beginning and end, Rodríguez also contributed, in prolonged stints, to the sound of the Tito Rodríguez Orchestra, Ray Barretto, his own band, Típica ‘73, and more.

The son of Johnny “La Vaca” Rodríguez Sr., a respected percussionist who also played with the Puente and Rodríguez orchestras, “Dandy” Rodríguez is one of those essential musicians who have created and shaped the sound of contemporary Latin Jazz yet are little known by the public at large.

"When they called me to talk about the concert I thought it was a great idea," Rodriguez says. — Johnny “Dandy” Rodríguez Jr. y Pedro Bermúdez en New York

While some of the great players in Duke Ellington or Count Basie bands have long been recognized for their contributions, their counterparts in the Latin orchestras, for the most part, have not. Rodriguez will be honored by Arturo O’Farrill & the Afro Latin Jazz Orchestra in their concert “Tribute to the Great Sidemen of Latin Jazz” alongside Sonny Bravo, Ray Santos, Papo Vázquez, Reynaldo Jorge, José Madera, Joe González, and Bobby Porcelli at Symphony Space, in New York City, January 29^th and 30^th.

“When they called me about the concert I thought it was such a great idea,” says Rodriguez.

Johnny Rodríguez — Johnny “Dandy” Rodriguez Jr. is a salsa legend and a world-renowned pioneer bongocero.

“Usually people just know the name of the bandleader and it’s fine,” he says. “But they must remember that there is a good team behind that leader which makes him look so much better.

There’s a way of playing that music that makes it sound the way they wrote it and the way they wanted it and these guys knew it and they knew how to do it.”

Rodríguez grew up in Spanish Harlem, Manhattan, in a house with “a great music collection, a good, what was then called, hi-fi system and always full of musicians,” he recalls.

“It was great but I was interested in baseball, in stickball. I didn’t get involved with music until later, but the music was always in the background, in my house.” By the time he was in junior high, Rodríguez played bongos, congas, timbales, and set drums and, as he puts it, “started to get into it.”

“Remember, I lived in El Barrio and back in those days, in that area, there was a lot of music in the air.

There would be speakers outside the furniture store or the bodega or the record shop, and music would be playing. This shop would be playing this radio station, the butcher would have another, so walking one block you’d be hearing three different pieces of music. It was an environment full of music.”

During the first two decades of the new century, the musical work of maestro Johnny Rodriguez continued; thus, his musical imprint has remained in other publications with The Latin-Jazz Coalition, Frankie Morales, Eddie Palmieri, Gilberto Santa Rosa, George Delgado, Victor Manuelle, Rick Arroyo, Orestes Vilató, Mitch Frohman, Cita Rodriguez, Doug Beaver, Adalberto Santiago and Jeremy Bosch.

In addition, special mention must be made of the participation of maestro Johnny Rodríguez with a group called The Latin Giants Of Jazz, in the best style of the classic Big Bands, made up of great teachers, among them, some of the former members of the band of maestro Tito Puente; with this group they have released four albums; this project gave rise to another band called The Mambo Legends, who recorded the album titled: Watch Out! ¡Ten Cuidao!

John Rodriguez is, without any doubt, one of the most prolific percussionists in the world of Latin music called Salsa; the nickname “Dandy” goes back to his childhood, when the car in which he was taken was bought in a warehouse or a store called “Dandy”, and people said: look how cute the “Dandy”, and from there he kept that nickname. In music he is better known as Johnny instead of John.

In the (year 2022) the experienced Johnny Rodriguez had three or four groups with which he is playing, among them Dandy Rodriguez and his Dream Team, and at the same time he teaches percussion classes over the Internet. He is part of the true legends of Latin music, not to mention that his talent has also been reflected in recordings for other musical genres such as: Electronic, Folk Rock, Folk, World & Country, Funk / Soul, Heavy Metal, Jazz, Stage & Screen, Jazz-Funk, Merengue and Pop.

In his very extensive artistic career, the master Johnny Rodriguez took part in historical and iconic recordings of our musical culture, some of these albums have been worthy of awards such as the Grammy Award, among which are:

Homenaje a Beny Moré – Year 1978.
On Broadway – 1983
El Rey: Tito Puente & His Latin Ensemble – Year 1984
Mambo Diablo – 1985
Goza Mi Timbal – Year 1990
Mambo Birdland – Year 1999
Masterpiece / Masterpiece Tito Puente & Eddie Palmieri – Year 2000.

“In 2008, Johhny entrusted LP’s Research and Development Department with the design of the John “Dandy” Rodriguez Jr. bongoes in the Legends series. John is proud that these drums, which bear his name, feature such outstanding sound and visual characteristics.”

He died on August 17, 2024 in New York City of a stroke.

Facebook: John Rodriguez(Dandy)

Article of Interest: José Madera Timbal de Machito and his Afro-Cubans, Tito Puente, Mambo Legends Orchestra and Fania Record Co.

Johnny "Dandy" Rodríguez Jr. y Frankie "El Sonero del Barrio" Vázquez — Johnny “Dandy” Rodríguez Jr. y Frankie “El Sonero del Barrio” Vázquez

Home

Coca-Cola Music Hall Performance and event venue in Puerto Rico

International Salsa Magazine / www.SalsaGoogle.com supporting the diffusion of amusement

Coca-Cola Music Hall offers the perfect stage for scenic events and legendary entertainment. This cutting-edge concert hall will change the music industry and live entertainment in Puerto Rico. Inauguration in August 2021!

The Coca-Cola Music Hall offers the perfect setting for legendary stage events and entertainment. This state-of-the-art concert hall will change Puerto Rico's music and live entertainment industry, opening August 2021! — Coca-Cola Music Hall Events and shows hall

Come to our opening with El Gran Combo de Puerto Rico “La Universidad de La Salsa” on August 28th. We will be the first salsa orchestra to perform in this new and trendy lounge, you really shouldn’t miss it!

We will be the first salsa orchestra to perform in this new and modern hall, you can't miss it! — Come with El Gran Combo de Puerto Rico “La Universidad de La Salsa” to our inauguration next August 28th.

PROCEDURES FOR STOPPING THE SCALE OF COVID-19

We are delighted to welcome you to Coca-Cola Music Hall while addressing the important health and safety needs of our guests and employees. We have worked diligently with health authorities to improve our already strict health, safety and cleaning measures.

ACCESSIBILITY

Our goal is to create that magic in the first time for all who come to Coca-Cola Music Hall by providing a memorable experience in receiving our guests with a smile, providing assistance, and outstanding service.

TICKETS TO ACCESSIBLE SEATING

Accessible seating is available at all events at Coca-Cola Music Hall. These are available at all levels of the venue and can be bought through the Ticketpop website by clicking on the accessible seating button located at the top left of the page where you can read “Buy Tickets”.

In addition, accessible seating is available at the ticket office at Coca-Cola Music Hall. Adjacent sets are available for companions depending on the availability.

ADDITIONAL SERVICES

ACCESSIBLE PARKING

Accessible parking is available beside Coca-Cola Music Hall at the Puerto Rico Convention Center for vehicles that show a handicap license plate issued by the State. These positions are assigned according to arrival, first-served basis, so we urge you to take this into account.

Places to drop off and pick up guests who are next to the ticket office.

ELEVATOR

The elevator is accessible to visitors who need help and is located on the esplanade of the main entrance at Coca-Cola Music Hall.

SERVICE ANIMALS

Service animals are welcome at Coca-Cola Music Hall and will rest in the seating area for the guest with a disability instead of the corridor.

It is recommended that people with large-sized service dogs occupy accessible seats for wheelchairs so that they do not block spaces.

PASSENGERS FOR WHEELCHAIRS

Wheelchair escorts can be requested at any entry point from one of our service representatives or security agents. — The Coca-Cola Music Hall’s customer service department offers free wheelchair escort to visitors upon request

Coca-Cola Music Hall customer service provides free wheelchair escort to those visitors who request it. Passengers for wheelchairs can be requested from one of our service representatives or security officers at any entry point.

Please note that our staff members will not stay with you during the event, nor shall you be permitted to remain in the wheelchair of the venue during it. Upon request, our Service Representative will walk you to the door following the end of the event.

For all of the above, both our staff and International Salsa Magazine invite you to visit our facilities. — Coca-Cola Music Hall Events and shows hall

Coca-Cola Music Hall is the venue for the most important concerts and special events in the country. The place has internal systems of staging, sound, and lighting, a LED video wall, and a capacity for up to 5,000 guests. Seven full-service bars are conveniently located around the hall to maximize flow, efficiency, and customer experience.

Coca-Cola Music Hall is a unique space for special events, corporate meetings and other function shows like awards ceremonies, galas, graduations, receptions, coming-out parties, private events, etc.

For all of the above, both our staff and International Salsa Magazine invite you to attend our facilities.

Address and Contacts

250 Convention Boulevard

San Juan, Puerto Rico 00907

Box Office: (787) 425-0900

Box Office Hours:

Monday-Friday 10 AM to 5 PM

https://www.cocacolamusichall.com/

Article of Interest: Son Divas with new energy

Home

The Superimposition of Conguero Eladio Pérez

Conguero Eladio Perez was born on May 5, 1946, in Cataño Puerto Rico

He alternated at the side of renowned orchestras and stellar figures of Salsa. He was a great percussionist with a career that includes collaborations with Tito Puente, Tito Rodríguez, Tommy Olivencia, Justo Betancourt, and Puerto Rico All-Star, one of the main ones is the one he did with Eddie Palmieri, with whom he recorded nine albums, four of which won Grammy awards.

Eladio gained fame as a member of the Orquesta del Maestro Eddie Palmieri, appearing in the band for the first time in the album Superimposition.

The Superimposition of Conguero Eladio Pérez — Conguero Eladio Pérez was born on May 5, 1946, in Cataño, Puerto Rico.

His first recording was with La Orquesta del Maestro Eddie Palmieri in 1970.

“A real scorcher from Eddie Palmieri as much a transition as Superimposition and the kind of record that would have a huge impact on Latin jazz in the 70s! Eddie’s got one foot in the small group styles of his 60s work, but he’s also reaching forward in a mode that’s rootsy and modern at the same time a back-to-basics approach that’s tremendously focused on the rhythm, and which mostly uses heavy percussion and piano to layout the grooves then tops them off with some jazzier riffing on brassy horns.”

Eddie’s piano is sublime throughout — crackling with life and energy that barely made it onto record before, and hitting notes that are modern, yet which sit comfortably next to the earthier grooves of the rest of the band. Ismael Quintana’s on lead vocals.”

He was a member of that “Ecuación Palmeriana” of the song 17.1 (download included in that LP) together with Chucky López and Nicky Marrero (it was said that 17.1 was the average age of the three young percussionists).

Eladio Pérez participated in the recordings of Vámonos Pa’l Monte, Harlem River Drive, the live LP at the University of Puerto Rico, and the two Salsa Grammy winners (Sun of Latin Music and Unfinished Masterpiece).

He was a member of the "Ecuación Palmeriana" of the song 17.1 (download included in that LP) together with Chucky López and Nicky Marrero (it was said that 17.1 was the average age of the three young percussionists). — Eladio Perez participated in the recordings of: Vámonos Pa’l Monte, Harlem River Drive, the live LP at the University of Puerto Rico and the two Salsa Grammy winners (Sun of Latin Music and Unfinished Masterpiece).

In the anthological song “Un Día Bonito” there are two congueros: Tommy López Sr. is the soloist in the opening rumba guaguancó and Eladio descarga in the solo accompanied by the entire band.

Around the same time he formed the Orquesta La Única with Julio Castro, Carlos Santos and Junior Córdova.

Years later, in 1976, Pérez was recruited by Frank Gregory to be part of the Puerto Rico All-Stars.

Charlie Palmieri and Roberto Roena also enlisted the services of the percussionist. When Eddie Palmieri returned to Puerto Rico and formed his new orchestra, he again called upon the conguero from Cataño, who shared credits with Giovanni Hidalgo (bongo) and Charlie Cotto (timbales).

1973, unloading of timbales in Panama with the man from Toa Baja Héctor Endel Dueño Rivera and the orchestra of maestro Tommy Olivencia in the song Cuero Na’ Ma where Eladio Pérez on congas, Papy Fuentes on bongos, with the intermission between each unloading of Reynaldo Jorge, Victor Candelario on trombones, the voice of Sammy González with the chorus of Paquito Guzmán and Papy Fuentes.

This song comes from Tommy Olivencia’s album “Cueros…Salsa y Sentimiento” from 1971 for the Inca Records label, but it was originally composed by Tito Puente in 1949 when he had Vicentico Valdés on vocals and Manny Oquendo on bongos.

In 1973 the Orquesta LA UNICA and Friends with the song PA’ LA RUMBA that comes on the album of the same name, composed and sung by Junior Córdova, with the direction and bongos of Julio Castro, the congas of Eladio Pérez, the timbales of Pedro Roque, Angel Rivera on piano, the trumpets of Joe Cepeda, Roberto Ramírez and Norberto Torres among others.

One of the last times we saw his name in recording credits was on Justo Betancourt’s Mató album.

On July 30, 2018, he dies while hospitalized at the Puerto Rico Veterans hospital.

El Conguero Eladio Perèz…Caballero

Around the same time he formed the Orquesta La Única with Julio Castro, Carlos Santos and Junior Córdova. — The Superimposition of Conguero Eladio Pérez

Facebook: Eladio Pérez

Article of Interest: Bella Martínez presenta “Las memorias de Jimmie Morales: un conguero para la historia”

Home

Wherever a musician lives, Salsa Superior will arrive.

International Salsa Magazine and its Miami Correspondent Diana Marie present Richard Román one of the most recognized and respected announcers of Salsa Dura on On-Line Radio in Miami.

His name is Ricardo Román Zapata; he has 40 years as a show promoter, 26 years as producer and host of his Superior Salsa Program in Miami.

As a promoter began in a series of events in Ventanilla Beach in 1981, his activities were known in Lima and Callao, so much so that Dr. Luis Delgado Aparicio came to my place in Ventanilla and made a program of Maestra Vida in which he gave me a plaque with the logo of Channel 9 Television and the name of Dr. Delgado Aparicio. Delgado Aparicio in 1984, in the years 1986 and 1988 I organized the First and Second Festival of Salsa Playa de Ventanilla where Orchestras of Lia and Callao participated with unpublished songs in lyrics and music.

Richard Román says Wherever a Musician Lives, Salsa Superior arrives

The winner in 1986 was Carlos Orozco y La Fragua with the theme “ESTAS LLORANDO” of the authorship of Carlos Orozco in tribute to Chabuca Granda, in 1988 the winner was El Combo Espectáculo Creación with the song “CONVERSEMOS” by Ricky Tosso, in homage to the problem of the Petisos (street children), in 1995 I started the Salsa Superior Program in Ventanilla Estéreo FM.

Wherever a Musician Lives, Salsa Superior will Arrive — His name is Ricardo Román Zapata

In 1997 I moved to Radio Pirata FM del Callao, in 2007 we started transmitting via www. radiosalsasuperior.com to date, in 2015 we started the delivery of plaques of recognition to musicians, composers and personalities of music in Peru, United States, Puerto Rico, Dominican Republic, Colombia, Venezuela, Ecuador, Cuba, Panama and our motto is “WHERE A MUSICIAN LIVES THERE WILL COME SALSA SUPERIOR”, The particularity of the plates is that in all this our National Flag, highlighting our beloved country and its people.

The District of Ventanilla

It is one of the seven districts that make up the constitutional province of Callao in Peru. It is the largest of them and the second in population.

It has gone through a process of economic, social, cultural, political, and urban changes, mostly unplanned, presenting itself as a district with a mostly poor population, territorially disjointed, disorderly, with worrying levels of environmental pollution and that has grown at rates that have exceeded the capacity of local management.

The District of Ventanilla
It is one of the seven districts that make up the constitutional province of Callao in Peru.

Chimpùn Callao

Callao is a port city located in the constitutional province of Callao, in central-western Peru and in turn on the central coast of the Peruvian coast and in the central-western part of South America. It has the Pacific Ocean to the west and 15 kilometers to the east the Historic Center of Lima.

Most of its territory extends in a wide bay protected by the islands of San Lorenzo, El Frontón, Cavinzas, and the Redondo islet, south of the mouth of the Rímac River, but also reaches the northernmost part of the bay of Lima.

Both bays are separated by a peninsula known as La Punta. It covers an area of 148.57 km², including 17.63 km² of islands. It is located 5 meters above sea level.

Since colonial times, the port of Callao has been the largest seaport, the most important in Peru, and one of the most important in America.

ERMOZO BALENARIO LA PUNTA CALLAO – LIMA — Chipum Callao
Callao is a port city located in the constitutional province of Callao, in central-western Peru.

Today it is the main port of the country and the Jorge Chávez International Airport, making it the main gateway to Peru. These in turn are the ‘natural’ port and airport of the city of Lima.

In terms of population, Callao is the third-largest city in the country, with more than 1 million inhabitants (only behind Lima and Arequipa).

It has a floating population of approximately 500,000 inhabitants who visit daily for family, tourist, educational and business reasons, among others. Callao has always had the privilege of receiving military visitors, especially sailors, merchants, immigrants, tourists, and other types of social currents.

Salsa Superior Radio (Live)

Facebook: Richard Roman

Article of Interest: Ralph Irrizary, a well-known percussionist, is considered one of the most “Swing” timbaleros in the world.

Home