Search Results for: Tito Rojas
Europe Festivals in September 2023
Founder and owner of Guapacha Productions Gil Tower
Talk with Gil Tower
From this platform, we have had to interview many famous Latinos who have left their countries and Latin culture in general on high, but today is the turn of a very special one. We are talking about the talented Venezuelan musical director and multi-instrumentalist Gilberto Torres, better known as Gil Tower in the artistic environment.
Thanks to a mutual friend, we have managed to make contact with Gil Tower, who from the beginning has been very accessible and willing to share everything related to his work in the music industry and his contribution to the Latin cultural scene, so we are very grateful to him for giving us the opportunity to hear his great story.
Below, we share the topics covered in a conversation that was as enjoyable as it was enlightening.

Musical beginnings in his home country
Gil Tower always knew that he wanted to devote himself to the world of music. When he was about five years old, he began watching television programs related to classical music and zarzuela. Several of his aunts were zarzuela teachers and took him to see zarzuela orchestras, which was great for him. In fact, several of those musicians he got to see play on these occasions ended up teaching him when he began preparing to become an artist.
One of the most important institutions in the training of Gil is the National System of Youth and Children’s Orchestras and Choirs of Venezuela (El Sistema), where he was trained directly by maestro José Antonio Abreu, a fundamental part in the path which this young musician would take later in his career.
He joined the children’s orchestra, advanced all the way to the youth orchestra and finally reached a more professional level in the national orchestra. At about this time, Gil recalls that ”maestro Abreu always said that we were rich because we had an instrument in hand and could change the world through music. As a child, I didn’t understand what he was getting at. Now I do understand and I think he was absolutely right.
”Abreu was a unique influence on me because he transformed me as a person and musician. He also made me become a leader, as he had always wanted me to be,” he continued.
Learning from the groups he was in
As to the learning acquired in the many groups he worked with, Gil singled out Carlos Rojas, who was a musician and jazz lover. Carlos took the initiative to give a workshop in La Pastora (a very important area of the city of Caracas, Venezuela).

As a teenager, Gil used to go to La Pastora to learn to improvise with Carlos in salsa, as he liked this genre so much ever since. This is how he started learning about harmonies and taking his first steps as a composer.
When given the chance to play with the group Los Morrillos, he learned a lot about gaitas and other Venezuelan rhythms from the western region of the country. In the case of the group Madera, he learned (and keeps learning) a lot about Afro-Venezuelan music in general.
After that, he met Jesús ”Chucho” García, who is an intellectual, activist and author of several books on Afro-Venezuelanity. Together they formed a group called Cimarrón, with which they represented Venezuela at the International Jazz Plaza Festival in 1989. To date, they are still very good friends and continue to learn about this great musical branch from one another.
Why move to Germany?
His initial plan was to move to the United States to continue his studies in Berkeley, but he was unable to obtain the required visa at the time. However, that would not be the end of his dream.
It turns out that some friends of his from the group Madera went on a Germany tour and stayed to live there. Then, one of them, Felipe ”Mandingo” Rengifo offered him to join them to work in that country and try to be admitted in one of their conservatories. At the time, Gil only had a saving of $1,000, with which he took a gamble.
Although he had to play in the streets and wash bathrooms at the beginning, he achieved his goal of entering a conservatory, an institution that gave him the opportunity to fix his papers to have a legal status in Germany. Having solved this inconvenience, he was able to focus his attention on his musical project Guapacha (name in honor of a great Cuban drummer who lived in the parish of San Agustin del Sur, Caracas).
All this experience was preparing him for when he could finally achieve his goal of going to the United States.

Arrival in the United States
While still in Germany, Gil was invited to participate in a jazz festival in the United States, specifically in Montana. He did so well that he amazed many musicians with whom he shared the stage that day and exchanged contact information for future events.
Later, he managed to play in San Diego and Boston, where he had the opportunity to share the stage with the Boston Power Orchestra and meet Danilo Pérez, Dizzy Gillespie’s pianist. The latter, in turn, recommended him to maestro Tito Puente, whom he met shortly thereafter.
This was how the artist managed to build a very respectable reputation in the industry through his talent. This is how he ended up playing with ”half the world” and building a great prestige as a musician and composer.
In addition to singing and playing multiple instruments, Gil has also taught low-income youth in order to spread the knowledge he has gained throughout his career. He even created an orchestra composed of children whose parents have no resources or documents in order to help them learn music and provide them with better work-study opportunities in the future. Some have even got into college and obtained scholarships thanks to this knowledge.
Parallel to these activities, he began composing and making arrangements for other artists who began to require his services.
Guapacha Productions
On the subject of Guapacha Productions, Gil says that the idea came when he began researching on the music industry, licensing, distribution and other things.
The musician saw an opportunity to achieve his dreams during the pandemic, which is when he noticed that many artists had no idea how to register a composition and how other necessary licenses to collect their royalties from their music works.

Noticing the ignorance of many young talents about the industry, he created the company Guapacha Productions, which is responsible for the musical production and arrangements for artists signed to this label.
When asked how the economic issue was handled for artists who do not have the resources to launch their career as it should be, he explained that there are three types of music distributors: major labels, labels created by the artists themselves and independent companies like Guapacha Productions. We are a group of independent artists who created our own label and we are trying to have our own distribution, so we would not be obliged to negotiate with any big distribution company” explained Gil.
Along with that, it is Guapacha Productions that will make agreements with Spotify, iTunes and other digital platforms to distribute the music of its artists without intermediaries.
The company has been so successful in these efforts that its name will soon be part of the Latin Grammys, which means that the talents signed to the label will have the chance to stand out and be finalists in the various categories.
Cheo Valenzuela’s ”Salsa Buena” Tour
With respect to the important issue of Cheo Valenzuela’s ”Salsa Buena” tour (artist signed to Guapacha Productions) in Europe, there are negotiations with some event producers in France, Spain and England so that Cheo Valenzuela can perform at various venues in those countries. There are also talks of taking the artist to Central America and the United States, specifically to San Francisco, where Gil lives.
In addition to that, Valenzuela is working on an EP with five songs by other artists and another one with five compositions created by himself. Being already a singer with a long-standing career, this last work would also become him a consacrated composer before the world. Once all this material has been released, his name is going to be considered for a Grammy nomination, which Gil has a lot of faith that he will win due to his great talent.
At the time of doing this interview, Valenzuela is taking a few days off due to the death of his mother, so we send our condolences and solidarity to him and his family at such a difficult time.
Rosa Maria Peña Collado, Rome and its Sauce Online TV program Music and Entertainment
Latin America / Peru
Rosa María Peña Collado: “ROMA Y SU SALSA” is an On Line TV Program with a MAGAZINNE format of MUSIC and ENTERTAINMENT that has as its main objective to promote the permanent diffusion of the Peruvian national talent and international guests that work in the different musical and artistic genres.
The Program “ROMA Y SU SALSA” begins its transmission in March 2015 through the web address http://www.radiomiraflores.com and later in other media such as

Roma y su Salsa
http://www.radioondadigital.com/tv
where it has been executed in a sustained way (with two periods) until now.
In the itinerary of interviews and presentations, Peruvian members and talents of ORCHESTRAS have paraded such as
Zaperoko La Resistencia Salsera del Callao
K’llao Salsa, N’Samble,
Creole Sax, Perkutao
Sabrosura
La Chola Caderona
Salome
Beto Chira and Orchestra
Las Estelares de la Rumba
The Wizards of Sauce
Sauce Suggestions
Son Canelas
Rock Band Stirrup
SINGERS AND COMPOSERS
Antonio Cartagena
Edilberto Cuestas CANTES Willy Rivera
Johnny Rojas
Kike Peña
Pablo Villanueva “Melcochita”
Victor Zanelli
Manolo Rodriguez
Carlo Supo
Shanney Hurtado
David Roman
Marcelo Villar
Martin Lopez
Anne Kolher
Laura Mau
Fanny Almenara
Sandra Cardenas

SINGERS AND IMITATORS
Paquito Português “Frankie Ruiz”
Isabel Castro “La India”
MUSICIANS AND COMPOSERS
Carlos Orozco
Isaac Sanchez
Juan Rebaza
Juan Arana
Juan Medrano “Cotito”
Manuel Leon
Daniel Venegas
MUSICIANS
Cesar Vivanco
Urban Collac
Maximum Chest
Mita Barreto
Lucho Cueto
John Canevello
Aldo de Dios
Omar Basallo
Percy Chinchilla
Carlos Nieves
Guillermo Arias
Jesús Zavala (visually impaired percussionist)
WRITERS
Mario Aragon
DANCERS AND CHOREOGRAPHERS
Charles Anton
Julio Zegarra
Joel Pictures
Daniel Vivanco
COLLECTORS
Walter Renteria
Beto Onetto
Albert Cologne
ANIMATORS AND PRESENTERS
Jorge Eduardo Bancayan
Dante Corrales
Oscar Godos
INTERVIEWS PERUVIANS LIVING ABROAD
Cesar Correa
Daniel “The Cat” Arboleda
Hector “Jereto” Ferreyra,

SINGERS AND COMPOSERS
Renzo Padilla “El Borincaico”
Mirko Radovic
Mike Ortiz, Luchito Muñoz
MUSICIANS AND COMPOSERS
Ahmed La Torre
Kiki Sanchez
Rafaelo Parejas
DANCER AND CHOREOGRAPHER
Cecilia Villalobos
DJ’s SALSA
Armando Carrasco
August Felibertt
(Caracas – Venezuela)
INTERNATIONAL ARTISTS
Pedro Brull
Roberto Blades
Pichie Perez, Jose Lugo (RIP)
Alberto Martinez
Alex D’Castro
Vitti Ruiz
Jose Fajardo Jr.
Nolberto Velez
Gerardo Rivas NG2
Patty Padilla
TELEPHONE LINK
Herman Olivera
Papote Jimenez
Ramonita Parra
Raffi Torres
DANCER
Allien Ramirez (Tri World Salsa Champion)
PRODUCER
Albert Torres (RIP)
Finally, it has been planned to resume the interviews via zoom in order to continue the permanent work of diffusion of the art and talent of the great SALSA FAMILY, complemented by the online radio that is under construction.

Peru: Roma y su Salsa
Rosa María Peña Collado
Driver
“ROME AND ITS SAUCE”
Oscar D’León celebrates 50 years of career in Caracas “International Salsa Magazine says present”
In September, the greatest exponent of Venezuelan salsa in the world will celebrate five decades of brilliant artistic career with an international tour that will have as its main event, an impressive and awaited symphonic gala at the Teresa Carreño Theater. And for september 22 at the Forum in Valencia.

Miami, May 19, 2022. Undisputed legend of Caribbean music, Oscar D’León, the Sonero of the World, celebrates 50 years of successful artistic career with an international tour that will take him to different locations in the Americas and Europe this summer.
This tour, which will begin on June 20 in Mexico City, will continue in July with the “50th Anniversary Europa Tour 2022”, culminating in a spectacular symphonic gala at the iconic Teresa Carreño Theater, which, during two performances on September 16 and 17, will give his audience the opportunity to sing and dance to the music that has made him the most recognized and admired Venezuelan artist in the world over the course of five decades.
Acapulco, Arequipa, Santiago de Chile, Miami, Frankfurt, Munich, Berlin, Paris, Amsterdam, Madrid, Tenerife, London, Istanbul are some of the cities that will live the energizing experience of seeing him on stage, a real party for music lovers.

Deserving of hundreds of awards and recognitions, including five Latin Grammys, D’León has been nominated nine times for the U.S. Grammy, being the first Venezuelan to obtain such a statuette. He did it in 2001 thanks to the song “Cielito Lindo, La Negra Mariachi Medley” Featuring-Oscar D’Leon, included in a collection album: “Masterpiece/Obra Maestra de Tito Puente y Eddie Palmieri”.
In 2013, he received the Award for Musical Excellence, a special recognition granted by vote of the Board of Trustees of the Latin Recording Academy to artists who have made creative contributions of exceptional artistic importance in the field of recording during their careers.
A true prophet in his own land, this global artist who began writing his formidable musical history in 1972, at the age of 28, when he formed the Dimensión Latina Orchestra, promises to celebrate his half-century of career with an unforgettable show at the Teresa Carreño Theater, the most important in Caracas, organized by the Venezuelan companies Imagen Producciones and Oz Show, in alliance with the National Orchestra System of that country.
Important Notes
Venezuelan musician who is among the most outstanding authors and performers of salsa and Caribbean music in general. Oscar D’León’s professional career began late: legend has it that one night, while visiting a nightclub in 1973, he heard that the band playing there had been fired. Oscar seized the opportunity and offered his own band to replace the one that had left.
The owner accepted and hired him to start playing a few days later. There was only one problem: the band at that time consisted only of D’León himself. He quickly got in touch with trombonist César Monge, told him what had happened and both got down to work to put together a line-up.
The band was finally formed by Oscar (vocals and bass, an instrument he had taught himself to play), César Monge (trombone), José Rodríguez (percussion), Enrique Iriarte (piano) and José Antonio Rojas (trombone).
Thus was formed La Dimensión Latina, Oscar D’León’s first orchestra. “Pensando en ti” was the first of the orchestra’s long list of hits. Four years later, Óscar left the band and was replaced by Puerto Rican Andy Montáñez, a vocalist who sang with the Gran Combo de Puerto Rico. Óscar returned with his own orchestra, La Salsa Mayor, with which he recorded his first album, titled after the group’s name: La Salsa Mayor (1977). The work was a great success in his country, and little by little his name began to be heard on an international scale. The following year he recorded the album El Más Grande, which contained the songs “El baile del suavecito” and “Mi bajo y yo”, and shortly afterwards he made his first visit to New York to offer live performances.
Aside from being a great sonero, Oscar D’León is also an extraordinary showman. Almost always accompanied by his bass, with which he plays and dances as if they were a couple, Óscar moves around the stage with great skill. In Venezuela, Óscar D’León is an idol, not only as a singer and musician, but also as a model of a self-made man who, from a very humble position, achieves fame and success on an international scale.

He is considered one of the best interpreters of Afro-Latin music of all times and is undoubtedly among the Venezuelan artists with more projection abroad.
Despite having gone through several stages in the development of Latin music, Oscar D’León’s style, always unmistakable, has maintained some constants that have allowed him to ensure the loyalty of his wide audience. D’León has recorded with the most outstanding salsa stars; among his collaborations, which can be traced in more than fifty albums, stands out his participation in The Mambo King, the hundredth full-length album by the legendary Tito Puente.
Corresponsal: Lida. María Fernanda León
www.Sanjuanproducciones24.blogspot.com


















































