• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Search Results for: Tropical

Isidro Infante is one of the most successful producers and arrangers in the history of Salsa

Born August 12, 1952, San Juan, Puerto Rico) is a professional pianist, arranger, composer and music producer, working in genres such as Classical Music, Rock, Pop Rock, Latin Ballad, Rock in Spanish, Salsa, Latin Jazz etc.

Isidro Infante is one of the most successful producers and arrangers in the history of Salsa
Isidro Infante is one of the most successful producers and arrangers in the history of Salsa

In addition, he has 5 awards and 47 Grammy nominations and several Billboard projects, Lo Nuestro Awards and Ace & Paoli Awards.

His parents were Dr. Isidoro Infante and Carmen Santiago.

From a young age Isidro was influenced by listening to his father play the violin, getting involved with music at age 14 when he participated in a band that played songs by Santana and Chicago.

At the age of 15 he formed his band “Carpe Diem” (Live Life), a Rock/Salsa group that played Rock’n’Roll, Pop, Salsa and included Tommy Villarini on trumpet, Cuto Soto on trombone and guitarist Manolo Sastre.

With this band Isidro wrote his first arrangement “Tiempo De Ti”.

Two years later, Infante was in charge of the background music for Myrta Silva’s television show.

After taking private piano lessons with the famous pianist Carmen Socorro Duclerc, he studied at the Conservatory of Music of Puerto Rico and at the University of Puerto Rico, obtaining bachelor’s degrees in music and chemistry.

Although he was inclined towards medicine because it was his father’s profession, he decided to delve into music and graduated in composition and arrangements at Temple University in Philadelphia in the late 1970s.

In 1995, Isidro Infante and ‘La Élite’ signed a contract with RMM Records as an exclusive artist. Isidro also signed as A&R director for RMM records.

With him he gained experience, quality and evident success in his productions for the label. His work with La India earned him double platinum sales and a Grammy nomination for their album “Sobre El Fuego.”

Within just four years of its founding, La Élite became a dominant force in the Salsa music industry. The band’s first release earned a gold record as well as awards from AS, Paoli and Diplo.

Isidro Infante He also has 5 Grammy awards and 47 nominations and several Billboard projects, Lo Nuestro Awards and Ace & Paoli Awards.
Isidro Infante He also has 5 Grammy awards and 47 nominations and several Billboard projects, Lo Nuestro Awards and Ace & Paoli Awards.

The hit songs “Que Tengo de Ti,” “Nave de Papel,” “Ganas” and “Has Quedado Retratada” all topped the Tropical Salsa charts.

On Isidro Infante y La Élite II, the group’s second production, Isidro added vocalist Maggie Ramos. This helped him create an album with an exceptional variety of music.

Songs like “Quítame ese Hombre” and “Santo Militar y Montuno” made Isidro Infante a favorite of many.

Along with Louie Ramírez, Infante was credited as one of the creators and pioneers in the Salsa movement. Romantic Salsa.

In 1998, his production “Licencia Para Engañar” was released, which was the result of his creativity and flexibility as a musician. In his orchestra, Isidro Infante y La Élite, Jennifer Jiménez and Guillermo Duval participate as vocalists.

In his first album “Secretos”, Kevin Ceballo made his debut as a soloist in “Licencia Para Engañar”, produced by Isidro Infante.

His work as a producer earned his album “India’s Sola” a Grammy nomination. Venezuelan Oscar D’León also received a nomination for “La Fórmula Original” which Isidro also produced.

Isidro’s commitment to everything related to the Latin community prompted him to produce the event “Canto Para La Guaira”.

The concert was held with the purpose of raising funds for the victims of the disaster that affected thousands in Venezuela and thus “Poliedro de Caracas” has been filled to full capacity.

Among the RMM artists who performed were Kevin Ceballo, Ray Sepúlveda, Cheo Feliciano, Tito Nieves, Roberto Avellanet, Michael Stuart and Tony Vega.

In 1981, Ramírez and Infante were approached with the idea of ​​producing an album of famous ballads with Salsa arrangements.

Both found the project interesting and ambitious, so they accepted the challenge. Isidro added his experience in the field of ballads, acquired through his work with José Luis Rodríguez, Camilo Sesto and Yolandita Monge, to Ramírez’s knowledge of Latin jazz.

The result was “Noche Caliente”, the first album in the genre to sell over a million copies.

Memories at El Corso Night Club in New York City with my friend and mentor, Master Louie Ramirez, producer, arranger, vibraphonist, timpanist, marimba player
Memories at El Corso Night Club in New York City with my friend and mentor, Master Louie Ramirez, producer, arranger, vibraphonist, timpanist, marimba player

Isidro Infante is one of the most sought-after arrangers in Salsa.

Venturing into a genre other than salsa, he also participated in Willennium, Will Smith’s most recent recording where Isidro played piano and keyboards.

Isidro Infante was working with artists such as Stevie Wonder, Herb Alpert, Gloria Estefan, Dizzy Gillespie, Dionne Warwick, Patty La Belle, Will Smith, Wyclef Jean, Clark Terry, Jon Anderson & Yes, Vangellis, Sheila E., Tito Puente, Celia Cruz, Machito, Marc Anthony, La India, Fania All-Stars, Oscar D’Leon, Hector Lavoe, Willie Colon, Larry Harlow, Roberto Roena, Johnny Pacheco, Pete El Conde Rodriguez, Louie Ramirez, Ray De La Paz, Jose Alberto “El Canario”, Adalberto Santiago, Eddie Santiago, Lalo Rodriguez, Paquito Guzman, Marvin Santiago, Domingo Quinones, Camilo Azuquita, Kako, Rafael Cortijo, Ismael Rivera, Manny Manuel, Raul Marrero, Vitin Aviles, Papaito, Tony Vega, Puerto Rico All Stars, Ralphy Leavitt & La Selecta, The Latin Corporation, Jose Mangual Jr,Jr. Gonzalez, Ramon Rodriguez,Orquesta La Terrifica, German Olivera, Wichy Camacho, Johnny Ventura, Sergio Vargas, Cuco Valoy, Ramon Orlando, Los Hermanos Rosario, Los Niches, Los Fabulosos Cadillacs, Little Louie Vega, Robert Avellanet, Michael Stuart, Yanko, Kevin Ceballo Danny Rivera, Sophy, Mirta Silva, Ivy Queen, Tego Calderon, Mickey Perfecto, TNT and many more.

Among his compositions are “Viejo Pachanguero”, “Vicio de Quererte”, “Esa Niña” etc.

With more than 2,500 arrangements in his resume, Isidro is one of the most successful producers and arrangers in the history of Salsa.

Isidro Infante has been working for major record labels such as Sony BMG (Epic, Sony Discos, Sony International, etc.), Universal EMI Capitol TH Records Salsa International Velvet (Venezuela), Co Discos (Colombia), J&N Records, Univision Poligram, Luna Records Fonovisa, Sono Tone, Caiman Records, Faisán Records, GB Records, Ibero- Records, Salsoul Records and many more.

Isidro Infante produced the Special for Banco Popular 2010: Truibuto Al Gran Combo on CD & DVD which achieved platinum sales.

The project included the participation of El Gran Combo, Ismael Miranda, La India, José Alberto, Isaac Delgado, Michael Stuart, Domingo Quiñones, NG2, Luisito Carrión, Sammy García and El Sabor de Puerto Rico.

He was sharing the Fania All-Stars as musical director with maestro Johnny Pacheco in several concerts throughout Latin America and was involved in musical projects with the Mexican singer-songwriter Juan Gabriel.

In 2010, Isidro Infante and Iván Joy established the new company Artist System Inc. which is in collaboration with Diamond Music and has gained important positions in the market of digital production and promotion and also has a lot of experience in the creation and management of digital content.

Con India y La Cantante cubana, Laritza Bacallao
Con India y La Cantante cubana, Laritza Bacallao

The company is working with such artists as Isidro Infante, Lucecita Benítez “La Voz Nacional De Puerto Rico”, Lunna, Lourdes Robles, Conjunto Canayón, Сorporación Latina, Manolo Lezcano, Lou Briel, Jowell & Randy, Arcángel, Tego Calderón, Jadiel, Endo, Guelo Star, Kastrofobia, Los Metalicoz and many more.

Awards

5-time Grammy winner

47 Grammy nominations and several Billboard projects

Premios Lo Nuestro and Ace & Paoli Awards.

Also Read: Ezequiel Lino Frías Gómez was an excellent musician, pianist, arranger and composer.

Source and Collaboration: Marino de Jesus (1588) from Salsa History of the Dominican Republic

Salsa Warriors Radio. Playing the best Salsa on the Planet!!!

North America / USA / New York

Salsa Warriors Radio began its program in June 2014 as an ambitious and supportive project to enhance the most famous and danceable tropical genre in the world for more than three decades, Salsa Music. Among 15 disc jockeys friends, during a celebration, came the idea of this online station with live DJs that would play Salsa 24 hours a day, 365 days a year; just Salsa from yesterday, today and always.

Salsa Warriors Radio flyer
Salsa Warriors Radio flyer

So it was! This digital station currently has 14 DJs from two continents (America & Europe) and they perform their daily work with the most variable Salsa music, which differentiates it from the main FM commercial radio stations in New York and the rest of the planet.

The name “Salsa Warriors Radio” was chosen with great success by these 15 friends to identify those people willing to fight for the Salsa genre. Likewise, this corporation has three owners:

“DJ Boricua” Renan Morales, Andrés Padua and Harry Trinidad, elected by the 15 founding DJs and of which 9 continue with their radio programs on the digital station.

Owners of Salsa Warriors. Andrés Padua, Harry Trinidad and Renan Morales. From left to right.
Owners of Salsa Warriors. Andrés Padua, Harry Trinidad and Renan Morales. From left to right.

To be a Salsa Warriors’ DJ you must have experience, mastery with computers and a lot of Salsa music.

After overcoming the estimated listeners of 700 people per month in its beginnings to 194,000 listeners worldwide each month in their different shows after four years, Salsa Warriors Radio also bets on national Salseros events after 2 months of its official opening as a radio station alternative.

Salsa warriors in the Park
Salsa warriors in the Park

Since September 2014, Salsa Warriors have been sponsors of 25 Salsa musical events on the East Coast of the United States, such as: Empire City Casino in Yonkers, NY and two annual Salsa concerts in the summer at Flushing Meadow Park, Queens also in New York with massive attendance of professional dancers, amateurs and lovers of salsa in general.

Empire City Casino
Empire City Casino

In addition, they have had the support of great and renowned world-renowned artists who have attended these events, such as: Yolanda Rivera, Ismael Rivera Jr., Pedro Brull, Gilberto Colon Jr., Eddie Montalvo and Adalberto Santiago, among many others.

This station, broadcaster of the salsa culture, can also listen to it through the Roku system, accepting its channel “Salsa Warriors”. And if you are away from your PC you can listen to this digital alternative radio through the application for Smartphone with the same name.

Salsa event photo
Salsa event photo

Salsa Warriors Radio is committed to supporting both the Salsa masters with great experience and the new generation, the latter being the key to continue with the progress of this musical genre, said Renán Morales. Furthermore, Salsa Warriors radio maintains its plans to continue holding mass events, to maintain the digital station and bring orchestras from Puerto Rico or from other parts of the world to New York soon.

DJs Staff:

★   Andrés Padua ★   Harry Trinidad ★   Mario Chiclana
★   Esther Díaz & Jules Asencio ★   Carmen Cepeda ★   Roy López
★   Howard Turner & Evelyn Moro ★   Jaime Soler ★   Tito Massas
★   Jules Asencio ★   Monica Dobroiu ★   Fabian Rivera
★   Renan Morales “Dj Rey Boricua”

 

Renán Morales was born in New York of Puerto Rican parents. He is the founder and Salsa Warriors Radio’s owner. His Radio Show “Salsa Es Lo Que Hay” airs on Wednesdays at 7:00 pm and Thursdays at 8:00 pm. His specialty is Salsa Dura and he has already broadcast 325 live shows. As “DJ Boricua” has performed at: White Plains – NY, Nyack – NY and in Connecticut.

Salsa Event
Salsa Event

 “Para mí la Salsa es una música pegajosa que te habla del amor, sufrimientos, triunfos y cultura. Es un género que significa pueblo, orgullo y mucho sabor. La misión de Salsa Warriors es promover nuestra Salsa del pasado, presente y futuro para mantener el género en alto, al igual que la cultura de todos nosotros”. Renán Morales

For more information, visit www.salsawarriors.com or follow them on Facebook www.facebook.com/salsawarriors

Flyer Salsa Warriors Radio
Flyer Salsa Warriors Radio

To be promoted, write me to:  [email protected]  

Some events of Robby Ruiz and Bobby Valentin’s in USA

North America / USA

Robby Ruiz Launches his Bachata Single “In my feelings” 

The moment´s revelation of Tropical Music brings a theme that will vibrate the deepest emotions

Para ser ubicado en: South – South Atlantic – Florida- Miami

Robby Ruíz is the newest EQS Music´s young artist, and “In My Feelings” is his first song and marks his debut as a Bachata revelation singer. This single is an original cover track by Canadian singer, Drake. The theme of this song is about relationships and how the the main character of the story finds himself in a power struggle with his feelings. “In My Feelings” from Robby Ruíz is an amazing Bachata Remix.

Robby Ruiz
Robby Ruiz

Release Date: July 20th, 2018

Video: https://www.youtube.com/watch?v=py6x_Pa7HCY

 

Bobby Valentin’s new album “Mind of a master” is already here!

An Authentic Work of Art to Collect

To be located in: NORTHEAST – MIDDLE ATLANTIC – NEW YORK

Bobby Valentin
Bobby Valentin

The new Latin Jazz Album “Mind of a Master” by Bobby Valentin & The LJ’s is the current sensation of the Latin musical Market containing important collaborations of international renowned figures in 11 tracks. Since its release this recording has marked a precedent with hundreds of unloads in four months by the world fans that support it and you will be able also to be part of that, by downloading “MIND OF A MASTER” in all digital platforms!!!

Release Date: April 14th, 2018

Credits:
Bobby Valentin Arrangements & Bass
Eliut Cintron Trombone
Angie Machado Trumpet
Ángel Luis Torres Alto – Sax
Eduardo Zayas Piano
David Marcano Battery
Javier Oquendo Congas
Special Guests:  
Iván renta Tenor – Saxo
José Nelson Ramírez Hammond Organ
Orlando Santiago String Sets
Tracks:
1. De Nuevo a la Carga 7.El Cumbanchero
2. Latin Gravy 8.Mellow Funk
3.Orocoa 9. Endless Love
4.Smooth Ride 10.Freedom
5.Blast Off 11. God Bless the Child
6. Coco Seco  

 

“Thanks to all the media and the public for the support they have given me in my new Latin Jazz CD, Mind of a Master”. Bobby Valentin

 

Roberto Valentin, better known as Bobby Valentin, was born on June 9th, 1941 in Orocovis – Puerto Rico. His father taught him to play the guitar at a young age. When he was 11 years old, he participated in a local talent contest with a trio that he had formed. He played the guitar and sang for the trio and they won the first place prize. In 1963, Valentin joined Tito Rodriguez and traveled twice with Tito’s orchestra to Venezuela. He also made musical arrangements for Tito and at times for Charlie Palmieri, Joe Quijano, Willie Rosario, and Ray Barretto.

Bobby was also the musical arranger for the Fania All Stars, and is featured in a live recording of the conglomerate’s song “Descarga Fania” (which he also wrote) playing a bass guitar solo. In 1975, He left Fania and founded his own record label “Bronco Records” and released the album “Va a la Carcel” Vol 1 and Vol 2, recorded “live” at “El Oso Blanco”, Puerto Rico’s oldest state penitentiary.

During the years Valentin has been featured in recordings (and occasional live performances) by Larry Harlow, Ismael Miranda, Roberto Roena, Cheo Feliciano and the always remembered, Celia Cruz.

For more information contact him through this social channel: https://www.facebook.com/Bobby-Valentin-660486604066057/ or visit him in his official webpage: http://broncorecordsinc.com/

 

Video: https://www.facebook.com/660486604066057/videos/1325583834222994/

 

Papo Lucca. The Giant of the South

Latin America / Puerto Rico

Papo Lucca born in Ponce, Puerto Rico on April 2, 1946, Enrique ‘Papo’ Lucca began playing the piano at age 11 with his father’s orchestra. Initially, La Ponceña played versions of tropical hits of the moment by bands like Cortijo y su Combo and La Sonora Matancera.

Papo Lucca. The Giant of the South
Papo Lucca. The Giant of the South

In the late 1960s, Papo became the orchestra’s musical director, beginning a profound transformation that would eventually establish la Ponceña as one of the most progressive groups in the history of Afro-Caribbean music. Papo’s orchestrations were bold, experimenting with elements of jazz, rock, and Brazilian music. Representing the authentic spirit of Puerto Rican salsa, his piano solos were velvety, displaying elegance, restraint, and infinite swing.

During the mid-’70s, La Ponceña began to enjoy unprecedented success with critics and the public. The band recorded for the Inca label, which eventually became part of the Fania empire. Papo was invited to arrange and play on sessions for the company’s biggest artists, including Johnny Pacheco, Celia Cruz and Cheo Feliciano. He also recorded and toured with the Fania All Stars.

This compilation pays tribute to the art of Papo Lucca through 14 classic songs recorded between 1967 and 1981. Although Lucca has recorded as a solo artist and also collaborated with a multitude of salsa stars, it is his work with La Ponceña that best expresses the clarity of his vision.

The music we make has to make people happy, as well as make them dance. That’s what it’s all about, says Lucca from her home in Puerto Rico. When the public can dance, no matter how complicated the music is. The first theme that this genre had was to divulge the things that happened in the different communities, as if it were a newspaper.

Our journey begins with two fiery songs from the beginnings of La Ponceña: “Hachero Pa’Un Palo” and “Fuego En El 23” are versions of songs by Cuban Arsenio Rodríguez. La Ponceña always had a soft spot for Puerto Rican folklore, but she also found inspiration in the golden age of Cuban music.

La Sonora Ponceña
La Sonora Ponceña

The precise moment in which La Ponceña becomes a mature orchestra in total control of its aesthetics can be found in the six songs from the Musical Conquest/Conquista Musical and El Gigante Del Sur albums. Launched on the market in 1976 and 1977 respectively, they represent the pinnacle of the salsa movement.

These songs combine a musical skill that approaches virtuosity with deep lyrics and a generous sense of humor. “Ñáñara Caí” is a hilarious narrative of pure magical realism, describing a world where everything is turned upside down (my favorite phrase: I saw a cow/Hit with Pacheco). Also included in Musical Conquest, “El Pío Pío” achieves the perfect cross between Afro-Cuban rhythm and contagious pop. This hit is a mandatory part of all La Ponceña concerts.

The opening theme of the El Gigante Del Sur album, “Boranda” seems to offer a salsa version of progressive rock. Its lyrics contain an important sociopolitical message, and the sophistication of its arrangement is a slap in the face for all those who believe that this music is only for dancing. “Soy Tan Feliz” combines bolero climates with an electric piano solo that recalls the psychedelic sound of jazz-rock from the ’70s. “Noche Como Boca ‘E Lobo” creates a tasty collision between salsa fever and Brazilian rhythms.

Lucca was not alone in his mission to reinvent the rules of Puerto Rican dance music. It was also benefited by the prowess of some of the best instrumentalists on the island. Furthermore, his instinct for choosing singers was always irreproachable.

Some of the vocalists of la Ponceña that appear here are Tito Gómez, who would later find fame with the Grupo Niche de Colombia; the inimitable Luigi Texidor, who gave a sense of placidity to all the songs he performed; and Yolanda Rivera, who added variety to the band’s sound with her unique timbre.

One of Rivera’s happiest moments is included here: Coming from 1980’s Unchained Force, Johnny Ortiz’s “Borinquen” is a soulful anthem to Puerto Rico, blessed with a sinuous melody and subtle instrumental arrangement–one of Rivera’s happiest moments. transcendental within the Ponceña canon.

The golden days of salsa are a distant memory in the new millennium, but Papo Lucca hasn’t stopped shining. Perhaps precisely because he continues to record new music, he refuses to idealize the past when I ask him what his favorite album with “La Ponceña.”

The last one, the most recent, he explained in his characteristically introverted tone. All the albums are very important in the career of the orchestra. They all fulfilled their mission at the time, which was to reaffirm the previous one. That’s the way to maintain a pool after 50 years.

Papo Lucca
Papo Lucca

The teacher was a little more direct when I asked him about his favorite concert of all time.

It was my first concert with the Fania All Stars at Madison Square Garden, back in 1974, he said. All the stars of the Fania were still alive. A few years later we played in front of 47,000 people in Cali. My knees always shake before I go on stage, but this time they shook a little more.

Anacaona Orchestra

Latin America / Cuba / Havana

Anacaona Orchestra. Women of Cuba Since 1932

Genesis Founded in 1932

Anacaona Orchestra founded on February 19, 1932 by Concepción Castro Zaldarriaga and her sisters, being then the first female sextet of Son Cubano and in 1934 expanded to the Jazz Band and Charanga Típica format, projecting itself to the world from the famous ¨Aires Libres of the Saratoga Hotel. ¨ in the Havana Prado.

Anacaona Orchestra
Anacaona Orchestra

Between the 1940s and 1960s, these talented women toured throughout North to South America, the Caribbean and France.

In Mexico, one of the countries most visited by the orchestra at this stage, its images and sounds were recorded in some film of Mexican Cinema, such as: ¨the night is ours¨, ¨I do not deny my past¨ and ¨Women of theater¨ in which they alternated with film and music artists from that country. Also at that same time they recorded with the RCA Víctor label.

Anacaona Orchestra photo
Anacaona Orchestra photo

The Aguirres

The sisters Giorgia and Dora Aguirre, with a solid musical background, specializing in Double Bass and Saxophone, recently graduated from the ¨Amadeo Roldan¨ Music Conservatory, joined the Anacaona Orchestra with its original founders in 1983, under the direction Alicia Castro, with whom they learned the most genuine genres of Cuban popular music, the rigor and discipline in this profession.

Anacaona Orchestra
Anacaona Orchestra

3rd Generation

 

After the retirement of the Castro sisters in December 1987, she assumed the direction of the Georgia Aguirre Orchestra, who, together with her sister and other young women who had also graduated from music schools, continued the work begun by the founders, consolidating a style that combines tradition with modernity, to preserve and enhance the history of Anacaona.

Anacaona Orchestra
Anacaona Orchestra

Tours

Internationally, they have traveled to more than 30 countries in Europe, Asia, Africa, America and the Caribbean, performing at important festivals and multiple stages, among which the most outstanding are:

Anacaona Orchestra
Anacaona Orchestra

The tour of 34 countries in the People’s Republic of China; his participation in the play ¨El Burgués Tropical¨ under the direction of Gerome Sabarì, inspired by Moliere’s classic, El Bourgeois Gentleman”; the tour made through some cities in the United States in which they also had a very emotional meeting with Graciela Pérez, singer and founder of Anacaona and the show “Sabor de la Habana” that opened the season of Cuban shows at the Cabaret Del Gran Casino Monte Carlo of the Principality of Monaco,

In addition to other important jazz and summer festivals in Spain, Germany, Belgium, Sweden, Holland, Canada, Jamaica, Aruba, Curacao, French Guiana, Guadeloupe, Martinique, Saint Lucia, Peru, Honduras, Venezuela and Mexico, among others.

Anacaona Orchestra flyer
Anacaona Orchestra flyer
  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 8
  • Page 9
  • Page 10
  • Page 11
  • Page 12
  • Interim pages omitted …
  • Page 46
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.