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Search Results for: Tropical

September 22, 2022 marked the 48th anniversary of the Fania All-Stars concert in Zaire, Africa

Last Sunday, September 22, 1974 (On a day like today, Fania All-Stars made history by performing for the first time in Africa in front of 80 thousand spectators.

A magical night that included wonderful moments. This is their story.

In mid-1974, American boxing promoter Don King organized a fight in Kinshasa, Congo, for Muhammad Ali to regain the crown against the then heavyweight champion of the world, George Foreman, a bout that was called ‘The Rumble in the Jungle’.

Fania All-Stars en Zaire, África
Fania All-Stars en Zaire, África

Parallel to the boxing match, musician Hugh Masekela and renowned producer Stewart Levine scheduled a series of concerts at the 20 du Maipara stadium in Kinshasa (Zaire) as part of a 3-day festival (September 22-24, 1974) that would later become one of the most important musical events of the century in Africa, which the organizers called ‘Zaire 74’Unfortunately, an injury suffered by George Foreman while training forced the fight to be postponed for almost six weeks, but the music festival did take place.

La Pelea del Siglo
La Pelea del Siglo

The event was attended by 31 groups (17 local and 14 foreign) and featured artists such as James Brown, BB King, Bill Withers, Manu Dibango, Miriam Makeba, Fania All-Stars, among others.

The Fania musicians who traveled to Africa and performed at the festival were: Johnny Pacheco (flute), Larry Harlow (piano), Bass: Bobby Valentin (bass), Nicky Marrero (timbales), Ray Barretto (congas), Roberto Roena (bongos), Yomo Toro (Cuatro), Pupi Legarreta (Violin) Jorge Santana (Electric Guitar), Victor Paz, Kurt Ranno, Luis ‘Perico’ Ortiz (Trumpets), Lewis Kahn (Violin and Trombone), Ed Byrne (Trombone), and 6 singers: Celia Cruz, Ismael Miranda, Jose ‘Cheo’ Feliciano, Hector Lavoe, Santitos Colon, Ismael ‘Pat’ Quintana (vocals and backing vocals).

Concierto de la Fania All-Stars en Zaire, África
Concierto de la Fania All-Stars en Zaire, África

Everything was ready to return to the Big Apple, New York but a major misfortune forced Johnny Pacheco and company to stay.

Although it may seem incredible, musicians and singers had to stay 11 additional days due to a political and social problem in that country, unable to leave the hotel where they were staying. This is how Bobby Valentín tells it in an exclusive interview to Rafael Vega Curry, journalist of elnuevodia.com

“We couldn’t get out. (Jerry) Massucci had to pay an extra $18,000 because we would gather in the rooms to order food and empty the coolers (laughs). There was always someone who said “tomorrow we’ll play in my room”, says the well-known ‘King of Bass‘.

With the concert in Zaire, Fania All Stars had become the first tropical orchestra to set foot on African soil. The show, held at the Statu Hai stadium in Kinshasa, was attended by more than 80 thousand spectators.

Estadio Statu Hai de Kinshasa
Estadio Statu Hai de Kinshasa

It was part of the “Zaire 74” event held from September 22 to 24 of that year, and also featured R&B and Soul artists such as James Brown, Bill Withers and BB King.

In 1974, salsa was at its peak in New York. However, its top representatives were confined within four walls.

Celia y Jhonny en África
Celia y Jhonny en África

Among the musical geniuses were Johnny Pacheco, Ray Barretto and many others who made this orchestra the most important salsa orchestra in its history. Héctor Lavoe could not be missing in that directory.

Important Note:

The Democratic Republic of the Congo, also popularly known as D. R. Congo, Democratic Congo, Congo-Kinshasa or Eastern Congo, and called Zaire between the years 1971 and 1997, is one of the fifty-four countries that make up the African continent. Its capital and most populated city is Kinshasa.

Between October 27, 1971 and May 17, 1997, the African country currently known as the Democratic Republic of the Congo was known as the Republic of Zaire (in French, République du Zaïre).

The name Zaire was given to it during the rule of Mobutu Sese Seko, who ruled it with an iron fist during a long dictatorship, and from whom emanated the political system and the characteristic ideology of the State.

The instability and rebellions that plagued the Congo until 1965 culminated in the seizure of power by Lieutenant General Mobutu Sese Seko, then Commander-in-Chief of the Congolese Army.

Mobutu proclaimed himself president for five years and in 1970 consolidated his power by being elected president without opposition.

In 1971 the new name of the State was adopted, with the official proclamation of the denomination: Republic of Zaire. This name and the new national symbols would remain until 1997, when at the end of the First Congo War Mobutu was overthrown and fled the country.

Upon assuming the presidency of the country the guerrilla leader Laurent-Désiré Kabila proclaimed the Democratic Republic of Congo, recovering its own name.

Sources:

Bobby Valentín

Salserisimo Peru

https://es.wikipedia.org/wiki/Zaire

You can read: Fania All Stars

EFG London Jazz Festival

Commemorates 30 Years With A Display Of International Latin Jazz Artists

The first seasons of the EFG London Jazz Festival took place in May
The first seasons of the EFG London Jazz Festival took place in May

EFG London Jazz Festival celebrates its 30th birthday with the innovation and musical freedom that has always characterized the London Jazz scene.

This festival, the largest and in constant transition in North London, opens its space from Friday, November 11th to Sunday, November 20th to present a program of live and digital presentations with world-class artists, emerging talents, collaborations specials, avant-garde sounds, and the latest music for a massive audience that has established the EFG London Jazz Festival https://efglondonjazzfestival.org.uk/ as one of the main international Jazz events in Europe.

This emblematic event in the United Kingdom has three outstanding aspects that have characterized it over the years, they are Character, Impulse, and Wealth. The Character is evidenced in each edition with the contribution of special collaborations, discoveries, and exclusive commissions. The second aspect of this festival is the Impulse, being this event the highlight of the Jazz calendar in the capital. Finally, the third aspect is the Wealth that can be easily found in a club or concert hall packed with spectators to enjoy 300 live shows in more than 70 places attracting around 100,000 people daily.

In this 2022 edition, the star lineup is represented by nine international Latin Jazz artists such as Fiona Ross (Friday, November 11th), Katriona Taylor Quintet presenting “La Reina de la Bossa Nova” (Saturday, November 12th), Yuri Hernández (Sunday, November 13th), Colectiva (Thursday, November 17th), Mexico’s Woman of the Year for Arts and Culture, Migdalia Van Der Hoven (Thursday, November 17th), the Jazz/Latin group led by Steve Rubie from the 606 Club, Samara (Friday, November 18th), Trombonist Laura Impallomeni (Saturday, November 19th), Osvaldo Chacón (Sunday, November 20th) and Chucho Valdés (Sunday, November 20th).

L I V E   B A N D S

Fiona Ross

 “Voices celebrate the power, connection, and expression of song, beauty, and aptitude…”

At fourteen she lied about her age to play weekend Jazz clubs in London. Photo: Alexander Barnes-Ross
At fourteen she lied about her age to play weekend Jazz clubs in London. Photo: Alexander Barnes-Ross

Vocalist, pianist, songwriter, and producer, Fiona Ross, has become known for having an authentic contemporary Jazz sound obtained by mixing the fast rhythm of Latin Jazz, a brief flirtation with vintage Jazz, a bit of Neo Soul, and a touch of melancholy ballads.

Multi-award-winning Jazz artist, editor-in-chief, journalist, and founder of the award-winning organization Women in Jazz Media Fiona Ross was Director of the British Academy of New Music in London for nearly a decade, where she was responsible for the formation of Ed Sheeran, Rita Ora, among many others. Fiona’s date will be on November 11th at 8:30 PM at the London Polish Jazz Café Posk (238-246 Kings St. W6 0RF), and the ticket is £15.

Yuri Hernández + DJ Flecha

 “…Celebrating unity with the power of music.”

Many describe her album Loco Soñador as “a wild and sensual masterpiece.”
Many describe her album Loco Soñador as “a wild and sensual masterpiece.”

This multifaceted 10-day event brings to its lineup the established singer within the Latin music industry for the last two decades, Yuri Hernández. The establishment that will host it will be Juju’s Bar & Stage (Ely’s Yard, 15 Hanbury St, London E1 6QR) on Sunday, November 13th from 6 PM, and the cost of the ticket doesn’t exceed £9.

Hernández is one of the most sought-after musicians in northern Spain and is introduced to the UK Latin Jazz scene through Loco Soñador, his second studio album released in 2020. Joining this musical genius will be DJ Flecha (Joel Verdecia) with his supporting act promoting Cuban music. This veteran DJ (25 years of career) has been nominated three times as Best Latin Tropical DJ in a European country for his technique and originality when mixing.

Colectiva & Osvaldo Chacón

“Beyond the margins, some of the most innovative artists at the forefront of Jazz are pushing its limits and expanding the definition of the genre while drawing influences from a wide range of other languages.”

Osvaldo Chacón and his band have played at the Royal Festival Hall, among many others.
Osvaldo Chacón and his band have played at the Royal Festival Hall, among many others.

This Afro-Latin and Jazz music band, Colectiva, reflects on themes of sisterhood and female empowerment. They are rooted in the sounds of Africa, Latin America, and the diaspora, creating a genre that the group has dubbed Jazz Tropicaliente (Hot/Tropical/Jazz). Their debut single is Under The, written in collaboration with pianist María Grapsa and released in April 2021. This track received great support from global radio stations and famous DJs in the music industry.

Colectiva will be presented on November 17th at 8:30 PM at the London Kings Place-Hall Two-(90 York Way, N1 9AG), and tickets have a permanent price of £15.

On the other hand, Osvaldo Chacón’s band is the leading Timba orchestra in the UK and has been nominated multiple times for the prestigious LUKAS awards. Osvaldo Chacón, composer, producer, and singer-songwriter, has shared the stage with great Salsa figures such as Adalberto Santiago, Azuquita, Tito Allen (Fania All Stars), Salsaceltica, Eddie Palmieri, as well as the greatest world-famous stars such as Celia Cruz, Oscar D’León, Rubén Blades, and Alberto “El Canario”. Supporting Osvaldo Chacón will be DJ Javier La Rosa mixing Salsa, Cuban Timba, Reggaeton, Latin Hip-Hop, and R&B. Sunday, November 20th is the date when you can enjoy these presentations. Time: 8 PM. Venue: Juju’s Bar & Stage. Ticket: £10.

Chucho Valdés

 “The Icons are the living legends of Jazz and the leading heroes of the genre who paved the way and continue to create, inspiring artists, and audiences alike.

Valdés, with his valuable contribution, has given direction to Afro-Cuban Jazz
Valdés, with his valuable contribution, has given direction to Afro-Cuban Jazz

The EFG London Jazz Festival brings the Cuban pianist, composer, and arranger Chucho Valdés, who celebrates his 80th birthday with his extraordinary work La Creación with the Yoruban Orchestra and Hilario Durán & John Beasley.

The winner of six Grammy Awards and three Latin Grammy Awards is the most influential figure in Afro-Cuban Jazz of the 20th and 21st centuries. In an extensive career spanning six decades, Valdés has pushed the boundaries of new expressions in Afro-Cuban music. His influence and inspiration in the genre are immeasurable to the point that his work sets the standard by which new generations are governed and drives their careers. To see Chucho Valdés head to the London Southbank Center (Royal Festival Hall, Belvedere Road SE1 8XX) at 7:30 PM. and tickets range from £30 – £45.

Along with Chucho will be the cellist, vocalist, composer, and niece Ana Carla Maza. Within her discography is the album La Flor (2020) which incorporates Latin rhythms, Pop melodies and Jazz harmonies along with classical techniques. Bahía (June 26, 2022) is her most recent production inspired by Cuban Son, Samba, Bossa Nova, Tango, Jazz, and Chanson with a rich mix of classical cello and voice.

Duo: Yiyo Sarante and Fefita La Grande In Concert

The perfect union of Salsa and Typical Merengue in a night to remember

An evening full of emotions will be lived next Saturday, November 12th at the Masal Deluxe facilities (Küchgarten 21 Küchgarten 21 21073 Hamburg, Germany) with the presentations of the exponent of Salsa Yiyo Sarante and Merenguera Fefita La Grande starting at 9 PM to 5 AM accompanied by DJ Cesar (Hamburg), DJ Miguelin Beatz (Berlin), and DJ Sonrisa (Frankfurt) mixing the best of tropical music. Tickets range from €60 (General) to €120 (Platinum VIP).

Yiyo Sarante debuted as a solo artist in 2010
Yiyo Sarante debuted as a solo artist in 2010

Eduardo Sarante whose artistic pseudonym is “Yiyo Sarante” exponent of hits like Pirata, Maldita Primavera, Tierra Mala, Nos engañó a los dos and Tres semanas, was born in Baní “La Capital del Sur”, the most important city in the province of Peravia in the Dominican Republic.

He comes from a musical family, the seventh son of nine brothers, five musicians and singers. In 1999 Yiyo performed in Bávaro (Punta Cana, Dominican Republic), and four years later he was a member of the Oro Duro orchestra led by his brother Julián Sarante.

In 2011 Yiyo obtained international recognition thanks to the support obtained from radio stations in the state of Florida and the East Coast of the United States for the single Maldita Primavera from his EP titled Single launched in 2103.

During that same year, Sarante made his first tour outside his native country, taking him to step on the different stages of some Caribbean countries such as the Virgin Islands, Aruba, and Saint Martin.

Yiyo Sarante’s discography https://www.facebook.com/yiyosarante extends from his albums Lo Nuevo de Yiyo Sarante (EP-2013), La Voz de la Salsa (2015), La Voz de la Salsa. Vol 2 (2019), Clásicos (2019) to his most recent singles released this year Quiero Perderme Contigo, Llorarás, Eres Pasado, Demonio, and Prohíbeme Verte.

Fefita La Grande is also known as La Vieja Fefa and La Mayimba
Fefita La Grande is also known as La Vieja Fefa and La Mayimba

On the other hand, the singer, composer, and extraordinaire accordionist, Fefita La Grande (Manuela Josefa Cabrera Taveras) during the last four decades has been an icon of the Dominican Merengue Típico.

This representative of the main musical genre of the Dominican Republic was born on September 18th, 1944, in the municipality of San José de Ocoa. Her father was Eliseo “Seito” Cabrera, an accordionist and owner of a musical instrument repair shop.

Her incursion into the artistic world at a professional level was in 1976 with her first LP Si quiere venir que venga, obtaining great acceptance by the public due to the incorporation of the Saxophone, Congas, and Electric Bass in her melodies when until now there had only been groups of Merengue with traditional instruments: Accordion, Güiro, and Tamboril.

With this new variant of Merengue and with a musical environment dominated by men, Fefita became the first woman to transcend borders and travel to Europe to present this new and authentic style of the Caribbean, in addition to taking her performance to different countries of Latin America thus defining the path for the new generations of Dominican women dedicated to music.

Throughout her artistic career, the performer of La Chiflera (1999), has received various distinctions and has played at Yankee Stadium (New York) with Romeo Santos, and her popularity has led her to participate in major film productions in her country native as Nueba Yol 3: Bajo la nueva ley (1997), Perico Ripiao (2003), and Ponchao (2013) among others.

In 2017, she made the single La Pimienta Es La Que Pica in collaboration with Milly Quezada and Maridalia Hernández, obtaining great support from her followers.

Fefita La Grande https://www.facebook.com/viejafefard has recorded more than 200 songs and her repertoire of greatest hits includes Vamo’ a hablar inglés, O te menea o te apea. Her latest production is La Ciudad Corazón launched in 2021.

Severino Ramos, the true architect behind the legendary group “Sonora Matancera”

From 1940 to 1957, he was in charge of the arrangements, rehearsals, repertoire, hiring of the vocalists and that very particular sound, so imitated but never equaled that the “Dean of the Conjuntos” possessed.

All that sonority is due to this pianist, composer and arranger born in Matanzas, Cuba, on June 2, 1903.

Severino Ramos Betancourt was born on June 1, 1903 in Matanzas, Cuba. He was a composer, pianist, orchestrator and arranger, one of the great Cuban musicians, he worked as pianist and arranger in the Conjunto Sonora Matancera, later he founded the Sonora Cubana.

Since he was a child, music, musicians and instruments were his passion. In his family, grandparents and uncles, had to do with the bungas of Matanzas (a bunga was a small group that included piano, violin, clarinet and flute). As a child he met Cheo Jiménez and Eduardo Betancourt, trombonist of Miguel Failde’s orchestra.

Later he went to Havana where he worked successively as a tailor’s assistant, insurance collector, doorman in a cabaret, traveling salesman, substitute musician in theaters, radio stations, and a thousand other occupations that appeared along the way before becoming a professional musician, during that time he received lessons from Felix Covarrubias.

Sonora Matancera

Severino Ramos joined the famous Conjunto Sonora Matancera in 1942, as a pianist, after unsuccessful attempts to occupy positions in the Sexteto Mikito (later Conjunto Casino), replacing Enrique Rodriguez, and in other Havana groups.

Severino’s character does not go with the style of intense and nocturnal work of the group, presentations in radio stations, dances (preference of Rogelio Martínez its director), contracts in La Tropical, Cabaret Tropicana, regional Centers: Asturian Center, Galician Center and trips to provinces; so he decides at the request of the director of the Sonora to look for another pianist for the group and he stays to make the arrangements, rehearsals, preparation of repertoire, etc…, From that moment on, the star of the Conjunto Sonora Matancera really began to shine in the firmament of popular acceptance.

He became, in keeping with his calm character, an orchestra man performing all these tasks and some others, such as visiting radio stations, theaters and other places to obtain contracts for the group.

The fruits contributed by Severino Ramos between 1940 and 1957 are of extraordinary value, perhaps what makes his work more visible are his arrangements and the preparation of the regular and guest singers that accompanied the Sonora such as: Bienvenido Granda, Daniel Santos, Myrta Silva, Celia Cruz, Leo Marini, Bobby Capó, Nelson Pinedo, Estanislao Laíto Sureda, Carlos Argentino and Celio González, among others.

After the Sonora Matancera

The last days of Severino Ramos in favor of Cuban Music were as musical director of Radio Progreso since 1957, when he left the Sonora, simultaneously with the prolific and very important work at the head of the many record labels he created.

After 1959, in that first decade, 1960, many record labels emerged in Havana, plus those that came from before and he multiplied himself making arrangements, forming momentary groups, forming groups to accompany Orlando Contreras, Blanca Rosa Gil, Orlando Vallejo, Ñico Membiela, many more. He formed the Sonora de Severino Ramos and helped create the Conjunto Caney.

The following is a small sample of songs that were arranged by Severino Ramos for the Sonora Matancera:

El Tíbiri Tábara with Daniel Santos

Qué corto es el amor, with Mirtha Silva

Burundanga, Yerbero Moderno, Tu Voz, Luna sobre Matanzas, with Celia Cruz

Who will be? With Nelson Pinedo

Yo no soy guapo with Vicentico Valdes

Sujetate la lengua, with Bienvenido Granda

Aunque me cueste la vida, on the 19th, El negrito del Batey with Alberto Beltrán

El gallo, la gallina y el caballo with Manuel Licea

Piel Canela with Bobby Capó

Maringá, with Leo Marini

Who will it be? With Nelson Pinedo

Las Muchachas, with Carlos Argentino

Translated with www.DeepL.com/Translator (free version)

Severino Ramos died in Havana on November 2, 1969.

 

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Milano Latin Festival Will Have Great Salsa Stars

The Lombardy Metropolis will continue impregnated with Latin American Culture until August

Milano Latin Festival opens its doors at 5:30 PM, and concerts start at 9:30 PM

The most important annual festival of the summer in northern Italy dedicated to celebrating Latin American culture will continue bringing Salsera fun to the 190,000 visitors of the Foro Mediolanum in the town of Assago located in ASSAGO Viale Milano Fiori parking Metropolitan 20100 Assago, Lombardy, Italy.

Milano Latin Festival founded almost a decade ago (2013), maintains the format of its beginnings with concerts by artists with a trajectory in tropical genres, urban rhythms, and traditional music, tasting of Latin American cuisine, art exhibition, and sale of crafts with a wide variety of Natural ethnic products for health and nutrition with organic and fair trade. Likewise, you can find the Salone Delle Nazioni (Nations Hall), especially for Diplomatic Missions of Latin America, organizations, and institutions.

This reopening that began on June 9th and will end on August 16th puts the magnifying glass on the public that loves Latin dances, residents, tourists, experts, connoisseurs, or simply curious about Latin rhythms after two years of cessation due to the Covid-19 pandemic.

This edition has featured presentations by artists from the Tropical genre such as Marc Anthony (June 10th), Frank Reyes (June 11th), and Habana D’ Primera (June 12th).

The Van Van derives their name from the jargon of the cane collectors to say Come on, Come on.

This month brings Prince Royce (July 1st) and continues with the presentation in a single evening of Maelo Ruíz, Alex Magan, and David Pabón with Salsenato Vol. 2 (July 2nd). Oscar D’ León (July 14th), Tony Vega (July 23rd), Tony Succar (July 30th), and ends on August 7th with the performance of the most prolific group in Cuba, Los Van Van.

This prolific Cuban orchestra is still in force with its peculiar sound. “Their texts are considered by many to be true chronicles of Cuban society. They have an extensive recording career with more than 40 albums, many of them nominated and awarded. They obtained a Grammy (2000) with the production “Permiso que llegó Van Van” and were nominated with the album “Fantasia”, a tribute to Juan Formell in 2017”. Fragment extracted from the Milano Latin Festival website. https://www.milanolatinfestival.it/

For the Salone Delle Nazioni program, there will be a rich calendar of cultural events on the occasion of paying tribute to the various countries with the celebration of their national holidays. This tribute begins with the Day dedicated to the second generation: A challenge for everyone! (July 1st). During this celebration, there will be reflections and testimonies of the “New Italians” with themes inspired by the encyclicals of Pope Francisco, Laudato Si, and Fratelli Tutti. In the same way, this tribute to each country will continue with Los Kunas de Panamá (July 4th), the national day of the Bolivarian Republic of Venezuela (July 5th), and then there will be the pictographic exhibition of the Environment in tribute to the Holy Father Pope Francis from July 6th to 8th. The celebration of the national days of Argentina, Peru, Colombia, Cuba, El Salvador, and Bolivia will continue.

So, July is the best month to vacation in Milan thanks to the most complete Festival that celebrates Latin American culture with more than five honored countries, concerts by internationally renowned artists, dance schools with great instructors, performances by folk groups and DJs, exhibitions photo booths, ethnic restaurants, and a street food area, musical plazas, cocktail bars, and a concert area. Milano Latin Festival is the largest three-month event celebrating Latin American culture in Italy.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.