Search Results for: Tropical

The Fusion International Dance Competition is back in 2021

There are three (3) months until 2022 begins but we do not want to wait like many of our followers to see when the pending events will take place and in turn the opening of clubs, academies or places where we can hear music and dance; With the month of October already in full quarantine due to Covid-19, many people, including ourselves, adapt to the situation by complying with security measures and placing the vaccine to protect ourselves even more and with this it has been possible that many countries open their doors to carry out different social activities and in Mexico the Fusion Salsafest will be held live, not online as other events have been held due to the Covid-19 situation.

Fusión Salsafest started its first Salsa Bachata & Kizomba Congress on October 21, 2011 thanks to the effort led by Manolo Redondo together with his team and Fusión Dance Company, which is one of the most important companies in Mexico led by Tania Ortiz, to carry out one one of the most important salsa shows in the country showing the entire public the talent of each dancer in this fantastic competition and not only that, they also spread their teachings in the shows and workshops that they present to us every year.

After being inactive for a year (2020) to protect both they and their public from Covid-19, finally the organizers of the Fusion SalsaFest gave us the great news that after being locked up, without movement and without dancing, they end the wait by returning to us this October from 14 to 17, the festival taking place at the Courtyard by Marriott Ciudad de México Revolución, located at Av. Revolución 333, Tacubaya, Miguel Hidalgo, 11870 Mexico City, CDMX, Mexico.

Flyer de Fusion Internacional Dance Competition 2021 — Fusion International Dance Competition – Seminar

How tasty it must be to return to fun and perform the different shows, socials, workshops, among other activities that tropical musical events give and in this International Fusion Dance Competition Shows, Workshops will be held:

Salsa	Bachata
· Rodrigo y Asya · Karel Flores · Lorenita Andrade · Billy Fajardo · Katie Marlow · Ernesto y Maritza · Selene Tovar · Mauricio y Deny · Yasbek Cervantes · Dioney · Ivan Valdespino · Diego y Gaby · Milena y Oscar · Adrian Arellano · Uriel Piedra · Jorge Martinez · Leo y Mimi · Ray Gomez y Lu	· Fausto y Roxy · Danny Salsita y la Fábrica · Esteban y María · Gerardo y Madian · Karyna y Freddy · Odeth y Mike · Ivette Bogarin · Yarely Rosales · Karyna y Freddy · Luis Mujica · Tere y Diego
	D J ‘S
	· Muñeco Caliente · Mr. Swing · Oficial Salsero · Khriz · DJ Bot
Seminario	MC
· Seminario de Mambo Fusión · Rodrigo y Asya	· Armando Cervantes (No olvides su Mambito’s Salsa Social)

The cost of the tickets and to acquire it you can do it through the following link:

Night Pass: $ 1,099
Full Pass: $ 1,999
1 Seminar + Fullpass (Mambo Fusion): $ 2,499
Dancerpass: $ 1,899
Couples competition registration (Price per couple): $ 800
Group competition registration (Price per group member): $ 350
Soloist or Heats (Social Dance) competition registration (Price per couple or soloist): $ 500
Third party competition registration (Price per third): $ 1,050

You can stay at the Courtyard Marriot in the rooms for the 4 nights – (October 14 to 17)

Single or Double (Maximum 2 people): $ 1,750
Triple or Quadruple (Maximum 4 people): $ 1,900

If you want to have more information or want to see how the previous events were and want to know what they will promote this year 2021, click on the following media and social networks:

WebSite: fusionsalsafest
Facebook e Instagram: @ fusionsalsafest
Teléfono: +52 55 4522 4548
Correo: [email protected]

The Costa Rica Salsa Bachata and Kizomba Fest 2021 begins.

There are different musical rhythms throughout the world and as time passes new rhythms are born and in turn dances that show the elegance, grace, fun and communication between us, at present the kizomba is a musical genre that emerged in the decade of the 70 in Angola, a South African country with varied terrain (beaches, deserts and rivers), this great genre is described as an art, it is passion and beauty who dances it, that means that the couple who dance it shows their viewers their own music through its steps and close movements (it is a narrow or sensual dance) since its songs are more leisurely, romantic and soft, currently it is the fashionable dance.

In the different congresses, events and / or festivals lively dances reign, with rhythm, grace and competitive, where there is a great interaction with the participants and spectators, especially in Latin America with the following musical genres Salsa, Bachata, El Mambo, Merengue and the Kizomba, where a great skill of conduction and communication is required between the dancers, alternating open dance steps (Pasos Libres) with complicated and fast movements of the feet.

There are a wide variety of congresses in all Latin American countries, which have taken place every year including the Covid19 quarantine through social networks such as Facebook live and Instagram live, but this time Costa Rica will be holding Costa Rica Bachata Salsa and Kizomba Fest 2021 from September 2 to 5 at the Hotel Radisson San Jose, Costa Rica.

It will be 4 days full of music from both DJs and live music, shows, competitions, pool parties, after parties and workshops, and everything is possible thanks to its sponsors Euroson Latino world Salsa Championship, Houston Salsa Congress, World Championship from Pasos Libres “La Negra Salsa”, Oaxaca Salsa Bachata Festival Nicaragua, Salsa Resort Punta’l, Pie World Championship, Palma Real Hotel & Casino and Sara Beauty Salon.

Flyers - Costa Rica Salsa Bachata and Kizomba Fest 2021 — Costa Rica Salsa Bachata and Kizomba Fest 2021 Flyers

In this great tropical festival we will have the following artists (dancers) already confirmed:

Oswaldo Corzo (Mexico) will participate for the first time in the Costa Rica Salsa Bachata and Kizomba Fest, offering and giving him a lot of bachata on those days.
Style Company By Henry Urias (El Salvador)
Rincón Salsero Puntarenas (Costa Rica), known for being a school specialized in Salsa, Bachata, Kizomba and popular dances in Costa Rica, not to mention that they are experts as companies that offer shows and competitions, so their presence will be very interesting and dynamic. . @ Rincon-Salsero-Puntarenas
Alexander Gómez (Panama), who will teach us Panamanian Kizomba and contemporary rhythms, you can learn more through his Facebook page @danceholicpanama or Instagram @alex_holic.
Dicky Colon (Puerto Rico), known for being a Puerto Rican dancer and instructor who has participated in different international events, teaching salsa, afro, rumba and other musical genres, you can learn more through Instagram @ dickycolon
There will be the Dancer, Choreographer and teacher Jessica Quiles (Puerto Rico) @jessicaquilesll
Dancers of Papa Tambor Los Santana (Costa Rica), where we will be ready to enjoy the “Bomba” @ Danzarines-de-Papa-Tambor
Director and choreographer of Latin sphere # 2 # 3, dj, salsa and bachata dancer, Bachateros factory Danny Salsita (Colombia) @ danny.salsita
The dancers of Héctor and Mariana (Mexico).

The background music that they will have at the festival will be performed thanks to the participation of the following DJs:

Dj Azúcar Morena (Mexico), @djazucarmorena
Dj Mac (Mexico)

For more information, consult the following links:

Facebook: @COSTARICASBKF
Correo: [email protected]
Teléfono: +506 8822 6120

Larry Harlow ¨El Judío Maravilloso¨ Salsa Legend

He is a traditional and important figure in Latin music.

Pianist, Multi-Instrumentalist, Arranger, Composer, Producer and Musical Director Lawrence Ira Khan “Larry Harlow el Judío Maravilloso” was born on March 20, 1939, in Brooklyn, New York, USA.

He traveled to Cuba in the ’50s, at which time he established his residence and began to study Afro-Cuban music. After gaining experience, he returned to New York to develop his own style and created his group “The Harlow Orchestra”.

Later, he participated in “The Fania All Stars”. During his years with Fania, Harlow recorded 35 albums as the leader of his own orchestra and another 20 as a member of Fania.

Harlow ha participado activamente en giras internacionales y en las principales ciudades de Estados Unidos. Actualmente, además de tocar con su banda, Harlow graba y dirige videos para artistas líderes en Estados Unidos y Europa. — Larry Harlow, creator and innovator of salsa.

He also produced more than 200 recordings for other artists, created and composed the first salsa opera, “Hommy”, which he orchestrated, directed and performed in New York and Puerto Rico.

Harlow stays active on international tours as well as in the main cities of the United States. In the present day, in addition to playing with his band, Harlow records and directs videos for standout artists from the United States and Europe.

Larry Harlow, a salsa composer.

The Latin music iconic pianist’s career in 10 recordings that marked an era and the history.

Heavy Smokin’ (1966)

Impresionado con la forma de tocar de la orquesta, Masucci se acercó a su líder, un joven pianista de origen judío llamado Larry Harlow, y le ofreció un contrato discográfico. Harlow sería el primer artista firmado con el nuevo sello Fania Records. Grabado con el cantante cubano Felo Brito, este primer LP incluye "La juventud", además de "Chez José", un homenaje al conjunto donde todo comenzó. — Heavy Smokin (1966)

In 1964, future salsa impresario Jerry Masucci went to the Chez José club to go dancing with his girlfriend in Manhattan. Impressed with the orchestra playing, Masucci approached its leader, a young pianist of Jewish origin named Larry Harlow, and offered him a record contract. Harlow would be the first artist signed by the newly-opened label of Fania Records. Recorded with Cuban singer Felo Brito, this first LP includes “La juventud”, as well as “Chez José”, which was a tribute to the club where it all started.

Presenta a Ismael Miranda (1969)

Aunque sus personalidades son completamente distintas, Harlow y Miranda graban una serie de LP explosivos con ritmos afrocubanos. Esta es su segunda colaboración y presenta algunas canciones de boogaloo, que estaba de moda en el momento. El bajista es Bobby Valentin, quien aporta tres temas, entre ellos el swing letal de "La Contraria". — Presenta a Ismael Miranda (1969)

In the late 1960s, Harlow found the singer who would bring his group to the aristocracy of salsa: a young Puerto Rican boy named Ismael Miranda. Although their personalities are completely different, Harlow and Miranda record a series of explosive LPs with Afro-Cuban rhythms. This is their second collaboration and features some boogaloo songs, which was the fashion of the moment. The bassist is Bobby Valentin, who contributes three songs, including the lethal swing of “La Contraria”.

Abran Paso! (1971)

Su sonido de trombón y trompeta alcanza un paroxismo de sabor en Abran paso !, anclado en tan maravillosas composiciones de Ismael Miranda como "Abandonada fue", "Donde llevas el son" y "Dolor y amor". El cantante aporta su sensibilidad puertorriqueña, mientras que las orquestaciones de Harlow se nutren de la tradición del son cubano. Una combinación de electrizante éxito artístico y comercial. — Abran paso! (1971)

While collaborating with the legendary Fania All Stars as a keyboard player, Harlow feverishly records, taking advantage of the explosion of salsa as a cultural phenomenon. His trombone and trumpet sound reaches a paroxysm of flavor on Abran paso!, anchored in such wonderful compositions made by Ismael Miranda as “Abandonada fue”, “Donde llevas el son” and “Dolor y amor”. The singer brings his Puerto Rican sensibility, while the orchestrations of Harlow are nurtured in the tradition of Cuban son. An combination of electrifying artistic and commercial success.

Homenaje a Arsenio Rodríguez (1971)

Junto a Miranda, compuso la canción "Arsenio", una salsa fuerte con sabor cubano y un clima de melancolía desgarradora. El resto del LP, que fue grabado en una sesión de ocho horas, está dedicado al repertorio de Rodríguez, con versiones extraordinarias de "Tumba y bongo", "No me llores" y "El terror", entre otros. Indispensable. — Tribute to Arsenio Rodríguez (1971)

When Arsenio Rodriguez (musical genius, blind, and pioneer of Cuban son passed away in Los Angeles in December 1970) Harlow quickly decided to record an LP dedicated to his work. Along with Miranda, he wrote the song “Arsenio”, a strong salsa with Cuban flavour and a climate of heartbreaking melancholy. The rest of the LP, which was recorded in an eight-hour session, is dedicated to Rodríguez’s repertoire, with extraordinary versions of “Tumba y bongo”, “No me llores” and “El terror”, among others. Indispensable.

Hommy A Latin Opera (1973)

Inspirado en la ópera rock Tommy del grupo inglés The Who, grabó Hommy, con la participación de Cheo Feliciano y Pete "El Conde" Rodríguez, entre otros. Harlow le pidió a Celia Cruz, que estaba desatendida por la industria de la música en ese momento, que cantara "Gracia Divina", que resucitó su carrera. — Hommy A Latin Opera (1973)

In the early 70s, Ismael Miranda decided to leave the orchestra of Harlow and pursue a solo career, which would cause animosity between them for a long time. Harlow began developing ambitious projects. Inspired by the rock opera Tommy by the English group The Who, he recorded Hommy, with the participation of Cheo Feliciano and Pete “El Conde” Rodríguez, among others. Harlow asked Celia Cruz, who was neglected by the music industry at that time, to sing “Gracia Divina”, which resurrected her career.

Salsa (1974)

Bajo el sencillo título Salsa, rinde homenaje a las raíces cubanas de la música tropical, combinando el sonido del trombón y la trompeta con dos violines que evocan la estética charanga de grupos como la Orquesta Aragón. Con "La cartera", una versión de una canción de Arsenio Rodríguez, Harlow logró su mayor éxito. Gracias a los cantantes Adalberto Santiago y Junior González surgió el sobrenombre de "El Judío Maravilloso" — Salsa (1974)

Harlow recorded one of his most significant albums in just two days. Under the simple title Salsa, it paid tribute to the Cuban roots of tropical music, combining the trombone and trumpet sound with two violins that evoke the aesthetics charanga made by groups like Orquesta Aragón. With “La cartera”, a cover version of a song by Arsenio Rodriguez, Harlow achieved his biggest hit. Thanks to singers Adalberto Santiago and Junior González, the nickname “El Judío Maravilloso” came about.

El Judío Maravilloso (1975)

Este LP del año 1975 sigue explotando un sonido épico con marcada influencia cubana. El tema de apertura, "El dolorcito de mi china", de Arsenio Rodríguez, tiene una duración de 10 minutos e incluye un solo de piano lleno de virtuosismo y expresividad. El auge de la carrera del tecladista no mostró signos de desvanecimiento, como lo demuestran sus versiones de "Buenavista guaguancó" y "El negrito ñéngere", así como el instrumental psicodélico "Latin Roots", compuesto por el propio Harlow. — El judío Maravilloso (1975)

Harlow continued to record prodigious albums, now with Junior Gonzalez as lead vocalist. This LP of the year 1975 continues to exploit an epic sound with a amarked Cuban influence. The opening track, “El dolorcito de mi china”, by Arsenio Rodriguez, lasts 10 minutes and includes a piano solo full of virtuosity and expressiveness. The peak of keyboard player’s carrer showed no signs of fading, as demonstrated by his versions of “Buenavista guaguancó” and “El negrito ñéngere”, as well as the psychedelic instrumental “Latin Roots”, composed by Harlow himself.

La Raza Latina (1977)

Harlow participó de esta tendencia con un musical, A Salsa Suite, que describe la evolución del género tropical desde África hasta el Caribe, pasando por Nueva York de los años 50 y 60 y culminando con una canción dedicada al futuro. Harlow contrató a Rubén Blades para que fuera su vocalista, aunque este no es su mejor momento. Un disco fallido y breve, pero fascinante en su ambición conceptual. — La Raza Latina (1977)

At the end of the 70s, salsa is fertile ground for grandiloquent experiments of a symphonic character. Harlow participated in this trend with a musical, A Salsa Suite, which describes the evolution of the tropical genre from Africa to the Caribbean, passing through New York of the 50s and 60s and culminating in a song dedicated to the future. Harlow hired Rubén Blades to be his vocalist, although this is not his prime. A failed and brief album, but fascinating in its conceptual ambition.

Larry Harlow presents Latin Fever (1978)

A fines de la década de 1990, cuando el interés por la salsa clásica había ido en aumento, formó la banda Latin Legends con el conguero Ray Barretto y el cantante Adalberto Santiago. Este primer disco cuenta con la participación de Pete "El Conde" Rodríguez (unos años antes de su muerte) e Ismael Miranda. El sonido es cálido y orgánico, enfatizando el conocimiento musical de estos veteranos. Según Harlow, era su banda favorita para tocar en vivo. — Banda de leyendas latinas de Larry Harlow (1998)

Harlow always showed the eclectic trends of a cosmopolitan musician. In 1970, for example, he recorded a rock record in the style of Chicago band with the group Ambergris. In 1978, he produced this fascinating LP by Latin Fever, a group consisting of 14 female singers and instrumentalists. These include percussionist Susan Hadjopoulos, who would become famous with English Joe Jackson, and the singer Ada Chabrier, who also collaborated with Ray Barretto and Willie Colón. A rarity that is worth discovering.

Larry Harlow’s Latin Legends Band (1998)

Harlow continued to record high-quality LPs in the 1980s. In the late 1990s, when the interest in classic salsa had been increasing, he formed the band Latin Legends with conguero Ray Barretto and singer Adalberto Santiago. This first album includes the participation of Pete “El Conde” Rodríguez (a few years before his death) and Ismael Miranda. The sound is warm and organic, emphasizing the musical knowledge of these veterans. According to Harlow, it was his favorite band to play live.

The Jewish Salsa Pianist, Innovative and Irreverent

This day 20 / 8 /2021 and after 32 days hospitalized “El Judío Maravilloso” Larry dies in New York at 12:30 a.m. from complications as a kidney patient that weakened his already weary heart.

Words of his wife Maria Del Carmen Harlow-Kahn

“Mi Amore, you are already free to play your music in the celestial orchestra. Thank you for the honor of accompanying you and loving you till the end of your life.

You will live forever in my heart and in the hearts of all who love your music and your huge legacy, fly high my Wonderful Jew and rest in peace.”

Sources:

Ernesto Lechner de AAPR

Artículo de interés: La voz de Markolino Dimond y su irreverente piano en Funk / Soul & Funk-Disco “The Alexander Review

The role of La Cita Bar in the Californian nightlife

Let’s go to La Cita!

La Cita Bar is one of those places whose atmosphere does not leave anyone indifferent does not pass under the table in the California nightlife, which already has many choices of all kinds for anyone who wants to spend an unforgettable evening in good company. However, La Cita Bar has a special charm that any visitor to Los Angeles should try just once during his trip.

When reviewing pictures of areas inside the bar, it is simple to see that it is a very colorful and spacious place with all kinds of lights, but it is always small for the sheer number of people who constantly visit it to see if what they have been told about this nightclub is true or if this is just gossip. It is just that the bar’s reputation speaks for itself and how! If what is sought is the best energy from the hand of good music and excellent drinks, without any doubt, this is the best choice.

This is La Cita Bar — Facade of La Cita Bar

When we review, in detail, the schedule of which this place is composed, we almost immediately realize that the owners and publicists are extremely disciplined with the weekly planning that they will offer to future clients every night. Depending on the day of the week, those interested can attend according to the activities that most appeal to them and might sound fun.

Schedule and themed nights

Every day, the interior of the premises operates from 10 am to 9 pm. Monday through Friday, the terrace is open from 4 pm to 9 pm. On Fridays, the venue offers the Angry Hour, which is entirely dedicated to hardcore punk rock and bands playing this peculiar genre. On Saturdays, there is an afternoon delight, which is animated by musicians Calixto and Jimmy James.

Of course, there may be days when there are cumbia, salsa, merengue and bolero themed nights accompanied by the talent of invited artists, who will be in charge of adding music to the atmosphere. Considering that there is not s specific day for these themed nights, La Cita Bar’s social networks will be the ones to announce events planned in the future and the artists involved, mainly its official Facebook.

The interior of the bar — The interior of La Cita Bar

When we look though the wide catalogue of artists who have endowed this bar with their appreciated presence, we can note that its team truly takes pains to get the best and to offer it to its distinguished clientele. Among those, we can mention Spaguetti Cumbia, Reyna Tropical, DJ Ricky Guapo, DJ Pump Police, DJ Paw and many others.

With respect to the opinions issued by many of the customers through certain platforms, the best features of the place are its energy and music, but they are not the only thing drawing in the crowd that always comes here. The cheapness of most of the drinks offered is also a very strong point in favor of the club, as this gives anyone the option of having a good time between drinks regardless of their economic situation.

Even some who no longer frequent the place due to the remoteness or moving to another city remember with nostalgia the fun they had there and the excellent attention offered by the La Cita Bar team.

Link to its official website: lacitabar.com

ISM interviews Héctor Cuevas and his Son Borojol Orchestra.

Dominican Republic where the traditional music is merengue expands to diverse musical rhythms such as bachata, rap, salsa, among others, and this time we had the opportunity to present 2 great musicians (both cousins) called Héctor and Cuso Cuevas , who have joined their talents and experiences in music to found the Orchestra who baptized it “Son Borojol” in March 2015, which is characterized by being a different and very tropical band, its name derives from a tribute to that popular sector because there the genre of son has always been danced.

Héctor Cuevas, was born in the Dominican Republic and lived a season in the USA, from the age of 13 and 14 he began his musical life with Johnny Ventura learning and working in the USA with respect to music, he was also in Caracas, Venezuela, Miami where He was musician for Hansel and Raul in the 80s.

In the “Son Borojol” Orchestra he is integrating a musical group that has several members from other countries apart from Dominicans and he mentions that the vast majority are Venezuelans, among them Cesar Augusto Anuel better known as Albondiga, a great trombonist, arranger, composer and musical director of the Latin dimension. He said he was very happy with the coupling of the members of the orchestra, who at each party give their best, showing their talents to please the dancing public.

The orchestra is composed of experienced musicians who have the peculiarity of having 3 violins (which are from the symphony), trumpeters and other instruments which manage to make a difference in quality and sound, when playing either Cumbia, Merengue, Son , Guaracha, Charanga, Traditional Salsa (La sonora matacera style, jhonny pacheco, Roberto faz)

He comments that once they had a contract with a Latin music label, where Hector wanted it to be pure salsa but they wanted a compilation of different Latin rhythms (merengue, salsa among others) but the most important thing is that the music was from Son Borojol and not from other artists, for a time they were counting on the support of maestro Sony Ovalle (who passed away on December 13, 2020).

The experience that Son Borojol has, in addition to its members, is added the great career he has had in various orchestras with his cousin and renowned bassist Cuso Cuevas (he also died in 2020), who worked with Félix del Rosario, Joseito Mateo, Jhonny Ventura, Santa Cecilia among others. For his part, Héctor Cuevas, played with the orchestras of Hansel and Raul, Jhonny Pacheco, Primitivo Santos and others in the United States.

With this project, the Son Borojol Orchestra has the objective that the public can enjoy different musical genres such as cumbia, danzones, salsa, boleros, Latin jazz and of course the son, a rhythm that every day continues to penetrate more and more in taste. popular of young people; since normally the more adult people who dance are montuno, habanero, bolero and son.

But apart from this particular objective, they have the following as their main idea:

“Our goal is to conclude some songs in the portfolio and prepare to travel to the United States, where they already want to get to know the orchestra, but for that we continue to rehearse hard, because we want to stay for many years to make our people happy every weekend and at private parties. How we are doing it ”, he expressed.

Héctor Cuevas, who is currently the musical director, once commented… “In those trips that I took to the Dominican Republic, I always had the idea of forming an orchestra of my own, since I have the experience because I had The Boston Latin Band, I met with my cousin Cuso Cuevas and we invited other proven musicians and today Son Borojol, it is a reality that continues to rise every day and our presentations speak for themselves, because we try every day to improve in quality, sound and interpretation ”.

Although he currently conducts the orchestra alone, he continues on in honor of his cousin Cuso Cuevas; During the Covid 19 pandemic, they took advantage of this time when all the events were canceled and the closure to record their new musical themes so that when the events opened they were ready for everything that came to them in the future; At least now in 2021 they began to open clubs and other venues, mobilizing dynamic activity in the country, of course with a much shorter work period than before or opening much earlier to take advantage of the regulatory time given by the government ( flexible quarantine)

Hector and Cuso Cuevas - Charanson — Photo of directors Hector and Cuso Cuevas

Currently they have many television offers and live events on the beaches of the country, and when everything is normalized with the pandemic, make their musical tour that was planned in 2020 to different countries of the world And as the penultimate stop in the USA and finally in the Dominican Republic .

A message to his viewers in this interview was the following: “That they take care of themselves, that they always have friends in their hearts and many blessings, and if they have a goal to follow that they do not deviate and always continue forward … nothing stops me and I keep moving forward and that’s what makes you feel good and reach that goal and don’t look back … ”

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