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Search Results for: Willie Colon

Alfredo De La Fe, is responsible for transforming the violin for Latin Music

Latin America/ Colombia/ Cali

Alfredo de la Fe is a Cuban-American violinist based in New York, who also lives in Colombia.

He is responsible for transforming the violin into a sound much more suitable for Salsa and Latin music, as well as having manufactured and patented his own violin. De la Fe began studying the violin at the Amadeo Roldán Conservatory in Havana in 1962.

Two years later, he receives a scholarship to enter the Warsaw Conservatory, in Poland.

In 1965, he soloed compositions by Mendelssohn and Tchaikovsky with the Metropolitan Opera Orchestra at Carnegie Hall.

Alfredo De La Fe playing the violin
Alfredo De La Fe playing the violin

A scholarship at Juilliard opened new doors for him. De la Fe began his professional career, at the age of twelve, when he switched from classical music to Salsa, and accepted an invitation to join charanga legend José Fajardo’s Orchestra.

In 1972, he joined the Eddie Palmieri orchestra. He was a member of the group for a very short period, temporarily moving to San Francisco, where he met Santana. Returning to New York, De la Fe joined Típica ’73 in 1977. Two years later, he released his debut solo album, Alfredo.

In 1980, De la Fe signed with the Fania All-Stars, and produced thirty-two albums for Fania Records. His second solo album, Charanga ’80, was released in the same year.

In 1981, De la Fe became musical director of Tito Puente’s Latin Percussion Jazz Ensemble.

The following year, he confirmed his solo career, signing with Taboga, for whom he recorded the album Triunfo. He settled in Colombia in 1983, and signed with Philips; As a result of this, he released three albums: Made in Colombia, Dancing in the Tropics and Alfredo de la Fe Vallenato, at the end of the 80s.

In 1989, De la Fe signed with Discos Fuentes. Although he was one of the members of the Fania All-Stars for 1995, De la Fe continued his solo career.

He signed with Sony Music in 1997. Two years later, he toured with his own orchestra, appearing at festivals in Denmark, the Netherlands, France, Turkey, and Belgium, and reuniting with Eddie Palmieri and his orchestra for a European tour.

In 2002, after several years in Europe, Alfredo moved back to New York and visited the US with his New York band, led by pianist Israel Tanenbaum.

Alfredo De La Fe
Alfredo De La Fe

Other musicians including bassist Máximo Rodríguez, percussionists Tony Escapa and Johnny Pequeño Rivero, and autistic Andrea Brachfeld.

Discography Solo albums

  • 1979 : “Alfredo”
  • 1980 : “Alfredo de la Fe y la charanga 1980”
  • 1981 : “Para África con amor”
  • 1982 : “Triunfo”
  • 1984 : “Made in Colombia”
  • 1985 : “Alfredo de la Fe Vallenato”
  • 1990 : “Salsa”
  • 1990 : “Los violines de Alfredo de la Fe”
  • 1992: “Los violines de Alfredo de la Fe vol. 2: Sentir de Cuba”.
  • 1993 : “Con toda la salsa Alfredo de la Fe”
  • 1995 : “La salsa de los dioses”
  • 2000 : “Latitudes”
  • 2006 : “Alfredo de la Fe y Fruko (La Llave de Oro)”
Alfredo De La Fe - Photo
Alfredo De La Fe – Photo

Session Artist and Collaborations:

    • 1973 : “The Sun de música latina” por Eddie Palmieri & Amigos Con Lalo Rodríguez
    • 1976 : “De ti depende” por Héctor Lavoe
    • 1977 : “Selecciones clásicas” por José Fajardo
    • 1977 : “El Baquine de Angelitos Negros” por Willie Colón
    • 1978 : “Comedia” por Héctor Lavoe
    • 1979 : “Típica 73 en Cuba – Intercambio cultural” por Típica 73
  • 1979 : ” Necesito tú” por Sylvester
  • 1980 : “Charangueando con la Típica 73” por Típica 73
  • 1980 : “Señor Charanga” por José Fajardo
  • 1982 : “Encima Broadway” por Tito Puento
  • 1997 : “Bravo” por Fania Todo-Estrellas
  • 2001 : “Diferente” por José Alberto (El Canario)

 

Melao
Melao

Master Timbalero Luisito Quintero

North America / United States / New Jersey

Master Timbalero Luisito Quintero hails from Caracas, Venezuela.

Where his father, a respected percussionist in his own right, tutored and encouraged his son to become one of music’s best percussionists.

Luisito comes from a long line of outstanding musicians including his uncle, Carlos Nene Quintero and cousin Robert Quintero.

He studied at the respected Orquesta Sinfonica de Venezuela (The Symphonic Orchestra of Venezuela) and his percussion technique soon garnered attention from his colleagues.

Master Timbalero Luisito Quintero
Master Timbalero Luisito Quintero – Photo

Luisito joined the popular music ensembles Grupo Guaco and Oscar D’Leon, where he enjoyed worldwide acclaim.

Luisito Quintero has worked and recorded with many of music’s legends including The Rolling Stones, Vanessa Williams, Paul Simon, Santana, Jack De Johnette, David Sanborn, George Benson, Joe Sample, Bill Cosby, the late Celia Cruz and Tito Puente, Cachao, Eddie Palmieri, Marc Anthony, Gloria Estefan, Richard Bona, Ravi Coltrane, Nathalie Cole, Diana Krall, Giovanni Hidalgo, Toshiko Akiyoshi, Spanish Harlem, Willie Colon and countless others.  One of his recent projects finds him as musical director for Louie Vega and the Elements of Life Band, as well as extensive work with Jack DeJohnette’s Latin Project.  He has also had the privilege to tour and record with the Tony & Grammy award winning Jazz artist, Dee Dee Bridgewater.

Quintero himself has earned more than thirteen Grammy certificate awards for his participation in numerous recordings.

Luisito Quintero has two solo projects under Vega Records/BBE, entitled “Percussion Maddness” and “Percussion Maddness Revisited”.

Timbalero - Luisito Quintero
Master Timbalero Luisito Quintero – Photo

Scheduled for release in the spring of 2013, his upcoming production entitled “3rd Element”, features guest artists Gato Barbieri, Oscar Hernandez, Doug Beavers, Richie Flores, Steve Khan, Reynaldo Jorge and his cousin Roberto Quintero.  Currently, Luisito is the touring & recording percussionist for the legendary jazz pianist Chick Corea and for Spanish Harlem.

Nicky Marrero is an innovator, timbalero and bongo player, living legend of our Afro-Latin and Caribbean music.

Nicolás Marrero Jr. “Nicky Marrero” was born in the Bronx, New York, on June 17, 1950, to a Puerto Rican father and mother (born in San Germán and Corozal, respectively).

He had formal studies in drums during his adolescence, but more could the sounds of Tito Puente and Willie Bobo, his major influences.

Nicky Marrero is an innovator, timbalero and bongo player, living legend of our Afro-Latin and Caribbean music.
Nicky Marrero is an innovator, timbalero and bongo player, living legend of our Afro-Latin and Caribbean music.

He debuted in music with a high school ensemble called Orquesta Caribe.

However, his first recording session was at the age of 15 with the original band of another teenager born in 1950: Willie Colón.

Curiously, at the time of these sessions, three pillars of the Alegre All-Stars, Charlie Palmieri, Louie Ramirez and Kako, were present in the studio, and young Nicky was invited to participate as a timbalero.

In 1968 he was recruited by Eddie Palmieri, who by then, as a consequence of internal problems, gradually disbanded his original orchestra: La Perfecta.

Nicky Marrero joins the orchestra shortly after recording the album “Champagne,” the album “Justicia” (1969), where, still under the powerful voice of Ismael Quintana, Nicky begins to explore his own sound (listen to his solo in the song “My Spiritual Indian”),

The decade of the 70’s opens for him with three important events: the classic album “Vámonos Pa’l Monte”, his participation with Patato in the album “Portrait Of Jennie” by Dizzy Gillespie and the beginning of his career as a percussion teacher, as a member of the faculty of the East Harlem Music School, the school of Johnny Colón, legendary pianist and one-time pioneer of boogaloo.

Ggilberto Santa Rosa y Nicky Marrero
Ggilberto Santa Rosa y Nicky Marrero

At this institution Nicky gives his first lessons to a 13 year old boy named Jimmy Delgado.

In 1972 Nicky is invited to participate in the Afro-American Music Festival. 1975 he joins the troupe of the Wonderful Jew, Larry Harlow, then he is part of the Revelation Orchestra, two years with the Novel Orchestra.

In fact, thanks to his internship with Harlow’s band, Nicky was already part of Fania Records’ staff of musicians, recording as timbalero, bongos player and even drummer (and one of his first assignments for that label as a studio musician was the album “Pa’ Bravo Yo” by Justo Betancourt, produced by Harlow himself in 1972).

In 1973 he was included in the Fania All-Stars, replacing Orestes Vilató.

Marrero received an invitation from Pacheco to make his debut with them at Yankee Stadium in August of that year. Ironically, despite the events that separated Vilató from the stellar orchestra, he remained part of Fania’s studio staff. In fact, Vilató and Marrero crossed paths on countless sessions for various artists on the label between 1973 and 1980, in most cases with Marrero on timbales and Vilató serving as bongos player.

His multiple sessions for Fania (Ismael Miranda, Ismael Quintana, Héctor Lavoe’s first solo album (“La Voz”), Justo Betancourt and others), he also participates in “Sun Of Latin Music,” Eddie Palmieri’s classic par excellence and the first album to win a Grammy in the then debut category of “Best Latin Album.”

Roberto Roena y Nicky Marrero
Roberto Roena y Nicky Marrero

He is also invited to participate in the first of several rock sessions, this one specifically as an all-around percussionist for the group Electric Flag: “The Band Kept Playing”.

He travels with Fania to the African continent, later Jerry Masucci gets a potentially lucrative contract for the Fania All-Stars with Columbia Records, for recording purposes the orchestra is reduced to a sextet: Pacheco, Barretto, Nicky, Roberto Roena, Bobby Valentin and debuting with the orchestra, Papo Lucca.

This is how Nicky, without being a band leader, not only became a star member of the Fania All-Stars, but also an “exclusive artist” of the Fania label. And as such, he appears on several albums that are not necessarily Latin and travels with Fania to Europe (the first of several subsequent visits) and Japan. Together with Harlow, Vilató on bongo, Eddie “Guagua” Rivera on bass, Frankie Rodríguez on congas, Harry Viggiano on guitar and Pablito Rosario on percussion, he recorded an album of downloads for the Japanese market under the curious group name of Belmonte (“Olé”). [This album is very difficult to obtain.

1977 he joins Tipica’73, an orchestra which he joins shortly after the release of the previous album: “Rumba Caliente,” ironically replacing Vilató once again. The album in question, for which Nicky alternated between his timbales set and the drums proper, is “The Two Sides Of Tipica’73,” the band’s most progressive album.

Nicky introduces drum toms to his rhythm kit (the only drum component Nicky overlooks in his regular timpani set is the hi-hats).

Nicky even recorded his first drum solo on the song “Yo Bailo De Todo” on that album. By this time, production at the Fania label and its subsidiaries was exhausting and the salsa boom in New York was in full swing.

Exhausting tours with the Fania All-Stars, he travels with Tipica’73 to Havana, Cuba, the first time in 20 years of economic blockade and open political friction that a New York Latin orchestra performs in the home of son, Nicky’s visit with La Tipica and Orestes Vilató’s own visit the following year, replacing him with the Fania All-Stars, helped to restore the timbal and bongo to the importance they should never have lost in Cuba.

Nicky Marrero Leyenda Fania
Nicky Marrero Leyenda Fania

To this day, Nicky remains healthy and active in music.

Also Read: The legendary singer Guadalupe Victoria Yolí Raymond “La Lupe”

Argenis Carruyo is known in the music scene as “El Volcán de América” (The Volcano of America) due to the power of his voice

Carruyo He was born in Maracaibo on August 22, 1953 at the Chiquinquira Hospital in Maracaibo, located in the same sector where he grew up.

Argenis Carruyo he had the good fortune of being a neighbor of Los Blanco, who 12 years after his birth hired him as an instrument picker, an experience that served to awaken in him the love for music, a feeling that was nurtured when he discovered in him an unmistakable talent to make singing his life support.

“The Volcano of America” because the power of his voice makes the senses of those who have the opportunity to listen to him rumble; so sings Argenis Carruyo, from Zulia, who from a very young age began to demonstrate the vocal quality that characterizes him.

Argenis Carruyo is known in the music scene as "El Volcán de América" (The Volcano of America) due to the power of his voice
Argenis Carruyo is known in the music scene as “El Volcán de América” (The Volcano of America) due to the power of his voice

He has stood out as an interpreter of the gaita zuliana and during the 1970s and 1980s belonged to the Dimensión Latina.

The 80’s was a very busy decade for this multifaceted character; he sang with Orlando y su Combo, and did a duet with Ender Carruyo in the orchestra “Los Hermanos Carruyo” and then again with the Super Combo Los Tropicales, until 1985 when he decided to found his own group called “Argenis Carruyo y su Orquesta”.

He began his musical career with the youth group Los Larkings. Later, he was part of Los Juglares and Los Casinos.

In 1973, he joined the ranks of Súper Combo Los Tropicales and in 1977 he was recruited by Dimensión Latina, with whom he sang until 1981. Later he joined the group Los Melódicos.

During the 1980s he had an intense artistic activity in which he sang with Orlando y su Combo, duetted with Ender Carruyo in the orchestra Los Hermanos Carruyo, worked again with the Súper Combo Los Tropicales and, in 1985, formed his own group: Argenis Carruyo y su Orquesta.

Argenis Carruyo and his Orchestra
Argenis Carruyo and his Orchestra

Sabor a Gaita:

Apart from his work with rhythms such as guaracha and salsa, Carruyo has also performed the gaita zuliana.

The Volcano of America has not only stood out among the great interpreters of the Caribbean for playing rhythms such as the guaracha, he has also honored his land by making famous great gaita compositions.

During his time in the genre he worked with groups such as El Número Uno, Rincón Morales, Guaco, Los Morillo and Gaiteros de Pillopo.

He owes part of his fame to the gaita, because the Zulian melody accompanied him on stages and still accompanies him in his veins as it does to anyone who appreciates being a worthy Maracaibero.

During his artistic life he has received numerous recognitions, as well as the publication of a book with his biography.

In 1975 he won the Festival de Cantantes y Compositores Zulianos and has received the Mara de Oro (1993, 1994, 1995) and Gran Cacique de Oro awards as best singer, the Gran Aguila de Venezuela as best singer and dance orchestra (1995, 1996, 1997, 1998, 1999, 2001), and the Catatumbo de Oro as best popular singer (1993) among others.

"The Volcano of America"
“The Volcano of America”

His orchestra received the Orden Ciudad de Maracaibo in its first class as best dance group.

He has performed in the most important nightclubs in Maracaibo, the country and abroad, alternating with the most recognized figures of the song, which is why he is considered one of the most genuine interpreters of tropical Caribbean genres in the Zulian region, such as salsa, guaracha, cumbia, merengue and bolero.

With a prolific career of more than twenty-five years that has served to demonstrate his talents as a vocalist and his own characteristic style, which gives him his most authentic identity.

Argenis Carruyo, with pride from Maracaibo, proclaims that he owes to Zulia the success and fortune that always accompanied him since he discovered the enormous talent he carried in his blood, his homeland became his main fan, to Maracaibo he owes his life and to its inhabitants the affection and the memory that will always keep him alive through his songs.

For 2023 Argenis was specially invited to participate in the excellent group Quintero’s Salsa Project – Tributo A La Dimension Latina directed by New York based percussionists Luisito Quintero and Robert Quintero.

Luisito Quintero grew up in the Latin and African percussion tradition. His father is as percussive as his uncle Carlos Nene Quintero and cousin Roberto Quintero. He became a member of the Venezuelan Symphony Orchestra, but soon joined ensembles such as Grupo Guaco and El Trabuco Venezolano and toured with Oscar D’León.

He then moved to New York, where he met Latin jazz musicians like Willie Colon, Eddie Palmieri, Tito Puente and Celia Cruz worked. He then turned to the fusion of jazz, funk, salsa and African music and played with George Benson, Herbie Hancock, Ravi Coltrane and Toshiko Akiyoshi, but also with pop musicians such as Gloria Estefan and Marc Anthony. Louie Vega produced his first album with him.

Quintero’s Salsa Project – Tribute To The Latin Dimension

Tracks: Ya Tu Lo Véras; Sin Tu Cariño; Cara de Guabina; Sigue Tu Camino; Irimo; Dulce Cantar; De Quintero a Dimensión; Ahi Nama; Te Conocí; Parampampam; Arroz Con Manteca; Frutas del Caney.

Musicians: Argenis Carruyo; Jimmy Bosch; Marcial Istúriz; Roberto Quintero, Luisito Quintero.

Record labels in which Argenis Carruyo has participated.

Top-Hit (TH), Maracaibo Record’s, Argenis Carruyo, Discos VRZ, SonoVen Records, L. G. Record’s C. A; iMusician | EDGARSARMIENTO, Palacio, among others.

Argenis Carruyo y Dj. Augusto Felibertt
Argenis Carruyo y Dj. Augusto Felibertt

Sources:

La Buena Musica: Argenis Carruyo

La Salsa es mi vida: Quintero´s Salsa Project – Tributo A La Dimension Latina

Also Read: Víctor Porfirio Baloa Díaz, more commonly known as Porfi Baloa

Humberto Ramírez

Latin America/ Puerto Rico / San Juan

Humberto Ramírez one of the most innovative musicians on the Island of Enchantment Puerto Rico

Recognized as one of the most innovative musicians of his generation, Humberto Ramírez grew up in a home where the music of Miles Davis, Thelonious Monk, John Coltrane, Lee Morgan, Tito Puente, Tito Rodríguez, Cal Tjader and Machito was heard.

His father, who is a saxophonist and conductor, was the one who inspired him to play the flugelhorn at age 11.

By the age of 14, Humberto was performing professionally with his father’s orchestra and at the same time taking orchestration courses with bassist Inocencio “Chencho” Rivera.

Humberto Ramírez
Humberto Ramírez

At the age of 18, after graduating from the Escuela Libre de Música de San Juan, his interest in composing and arranging music motivated him to enroll at Berklee College of Music in Boston, Massachusetts where he obtained his bachelor’s degree in music, then studied composition and orchestration for film and television at the Dick Grove School of Music in Los Angeles, California.

In 1985, and for a period of four years, Humberto worked with the Willie Rosario orchestra, one of the most popular bands in Puerto Rico.

In 1989 he became the musical director of Tony Vega.

His admirable ability as a producer and arranger led him to make important collaborations with great figures in music.

In 1999 he took over the musical direction of merengue and tropical music star Olga Tañón.

His work as a producer, arranger, composer and director for tropical music artists such as Willie Colón, Gilberto Santa Rosa, Marc Anthony, India, Domingo Quiñones, Lourdes Robles, Rubén Blades, Brenda K. Starr, Tito Nieves, Víctor Manuelle and others , has established him as one of the busiest arrangers and producers in the industry.

He has also had the responsibility of directing the concerts of important exponents of reggaeton such as Daddy Yankee, Tito El Bambino and Zion, which undeniably demonstrates his broad musical mastery in various genres.

His great dream was always to develop a career in Jazz. In 1992, Humberto Ramírez debuted as group leader in his first production for the Tropijazz label entitled “Jazz Project”.

Since then he has shared the stage with important jazz musicians such as Freddie Hubbard, Justo Almario, Alex Acuña, Chick Corea, McCoy Tyner, Gonzalo Rubalcaba, Tito Puente, Hilton Ruiz, Michel Camilo, Herbie Hancock, Eddie Gómez, Michael Brecker, Paquito D ‘Rivera, Chucho Valdés, Ray Santos, Gato Barbieri, Terence Blanchard and Herb Alpert, with whom he recorded the album “Passion Dance”.

His music has received rave reviews from prestigious publications such as Down Beat, Jazz Times, Jazziz, Latin Beat, CD Review, Hispanic Magazine, New York Daily News, The Plain Dealer, Miami Herald, The Boston Globe, and Austin Chronicle.

From the launch of his first record proposal, Humberto Ramírez has established himself as the most important exponent and promoter of Jazz in Puerto Rico.

He has recorded 26 albums in which he has experimented with all kinds of formats: duets, trios, quartets, quintets, sextets, octets and “Big Bands”.

His collaborations with the group Rumbantela and with the queen of filin, Lucy Fabery have received great praise from specialized critics. In 2005 he founded his own record label, Nilpo Music and last year he began to present his own Jazz festival: Puerto Rico Jazz Jam, marking a new stage in his musical career.

This year 2011 celebrates its 20 years cultivating the difficult expression of Jazz, a career that began with its debut as a leader in the first edition of the Puerto Rico Heineken Jazz Fest in June 1991. This year 2016 celebrates its 25 years.

Humberto Ramírez has received 4 Grammy Award nominations as a producer. His first nomination was for the album “Nueva Cosecha” by Willie Rosario in 1985, then for “Hecho en Puerto Rico” by Willie Colón in 1993, “Tony Vega” in 1996 and “Olga Viva, Viva Olga” by Olga Tañón, which earned him the Grammy Award in 2000.

In 2013 he was nominated for a Latin Grammy for his album Sentimentales with Lucy Fabery.

Among the awards he has received are 6 Platinum records, 12 Gold records, 4 “Visionary Awards” and six “Tu Música” awards. He has received tributes from Ohio State Representative Dennis J. Kucinich and from the Senate of Puerto Rico.

In 1997 he had the honor of entertaining the inauguration of the President of the United States, Bill Clinton in Washington, D.C. In October 2009 he was invited to play at the White House for President Barack Obama.

After having received several awards and nominations, as well as having recorded his own record successes, Humberto Ramírez shows that his creative explosion is still in its infancy.

https://www.humbertoramirez.com/#home-section

https://www.facebook.com/Humberto-Ram%C3%ADrez-Jazz-Project-110525453672/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.