Search Results for: dance
The Latin sensation in Zurich. Salsa Passion
Europe / Spain
Salsa passion is known as one of the best Salsa Dance School in Zurich to build your foundation. More than 15 years of teaching experiences. See why it’s rated as one of the best in tow.

Salsa, Kizomba, Bachata, Cha Cha Cha, Lady Styling, Rhythm and dance Technique. Salsa dance Courses and Workshops for Beginner to Advanced levels. As a student you would benefit from Winny’s and diverse dance and music background. From leading to following technique, from rhythm to musicality, Spin, Body control, styling and footwork technique.
Good teaching strategies can be borrowed, but a good teaching heart is unique and cannot be replicated. Whether you want to become an excellent dancer, for fun or just for social reason, we love to help you to achieve your goal and teach with our hearts and passions.
Director of Salsa Passion – Winny. She is one of the best female instructor in Switzerland that can both lead and follow equally well in all Latin Styles such as Salsa Cubana, Cross Body Style, Mambo on2, Salsa Puerto Rican, New York On2, L.A style on1, Son and Cha Cha Cha.

Whether you are completely new to the art, or experienced dancer, we have the patient, the knowledge, the experience to bring you further.
Dancing is about social and fun, but while you are investing your time and money to learn, why not learn it properly.
They’ve developed a “step by step” method that is fun and efficient for everyone to learn. We teach the “know how”. You will learn the vocabulary and the techniques of how to put them together, so you can become creative in a long run, and not just coping or try to memories a program.
“For us, teaching is not just a job, is an opportunity to give, and we love it!” Salsa with a smile, Salsa with passion!
What do we teach
Rhythm
How to dance into the rhythm with the style that you have choose to learn.
Music and Interpretation
We teach our classes with live percussion. We also have special training CD to help you to develop your skill.
Coordination, body movement and Posture

We love to show you how to look good while dancing, not just walking around and making steps. They have warm up and exercise at each course, to help you to perfect your coordination and body movement.
Partner Work – turn patterns and combination for all levels
Any figure or combination without technique is no different then it’s like just making a bunch of movements. We will show you how to makes each figure leadable, what makes a combination easy to follow or the opposite. We taught each figure with leading and follow technique, and how you can become a “smooth dancers”. Read our tricks and tips.
Footwork
Steps and combination to help you develop your dancing technique with balance, speed, and “shine” on the dance floor.

Turning /Spinning technique
How to keep your balance when turn, how to gain speed and avoid getting dizzy. We have exercise to develop your turning technique at each of our course, plus tricks and tips how to turn during Partner Work.
Información de contacto:
- Email address: [email protected]
- Telephone: +41-76-5173138
- Location: 4th Floor, Militärstr 84. 8004 ZH
Salsa y Sentimiento Academy
Latin America / Argentina / San clemente del Tuyú
Salsa y Sentimiento is renowned as the first dance academy in the Partido de la Costa. Founded in April 2012 by its current director, Mr. Gerardo Osvaldo Russo, the academy offers a wide range of classes for both adults and children.
The curriculum includes Salsa, Bachata, Reggaeton, Pop Dance, Contemporary, “Ritmos” (various rhythms), Tango, and Introduction to Dance. Beyond daily classes, the academy is a vibrant community hub that organizes parties, festivals, conventions, and events. These activities bring together Salsa and Bachata enthusiasts from across the country and around the world, making it a premier destination for international visitors every year.

Gerardo Osvaldo Russo
Mr. Gerardo Osvaldo Russo was born on July 3, 1984, and resides in the coastal town of San Clemente del Tuyú, Argentina. His passion for Latin music began in 2005 when he first started dancing and listening to Salsa. This spark soon grew into a lifelong dedication to various Caribbean rhythms.
In 2009, he pursued a professional certification in Caribbean Rhythms at “SAOCO” Studio, one of the top training facilities in Argentina. To complete his studies, Gerardo demonstrated immense commitment by traveling 300 kilometers (approx. 185 miles) every week. It was during this time that he made the pivotal decision to dedicate his life to teaching and developing the ambitious dance projects he had envisioned for the future.
“He mentions that the city where he lived offered no way to get trained since there were few resources, and he couldn’t manage to carry out everything he had in mind. Additionally, his motivation was to grow personally as an instructor and dancer, allowing him to share all the knowledge he was acquiring with the people attending his classes. In 2008, he began teaching—initially as a hobby for a year and a half—until he made the decision to work 100% in his profession. Consequently, today he has his own dance studio called ‘Academia Salsa y Sentimiento,’ which opened in 2012 and where he currently serves as coordinator and instructor. He is also in charge of organizing the ‘San Clemente Salsa Congress,’ which he has done for about 3 years, and he organizes annual Salsa, Bachata, and other Caribbean rhythm parties for his institution; these include seminars and training sessions with high-quality, experienced instructors.”
The reason behind the opening of the “Salsa y Sentimiento Academy” was essentially a need among the people, not only in their own city but also in neighboring towns within the Partido de la Costa—the region where San Clemente del Tuyú is located. This provided them the opportunity to learn how to dance, express themselves, and find a place of freedom and belonging, while also meeting people and socializing. Consequently, it is known for being the first registered dance academy in the entire region, with the founder feeling very proud of both the team and himself.
In short, they mention that their goal has always been for people to feel identified with the activities they perform, finding a place where they can learn and have fun while recharging their energy. Students joining the academy can do so without any prior experience or knowledge of the rhythm they wish to practice. For this year, 2017, they plan to launch their official website to provide more information beyond their Facebook account. At the academy, students can start from scratch, but those who already have experience are also welcome since there are several different levels.
We work with people from 3 years old and up. The greatest goal achieved was creating an International Salsa Congress, where they aimed to take their students to compete. In 2016, they were able to do so with the reggaeton group led by teacher “Maximiliano Laplaca,” reaching the finals of one of the most important competitions in Argentina and South America, called the “Argentine Aerobics and Dance Tournament” (TAAD).
This year, along with other businesses in the city, they are working to provide benefits to their students. The goal is not only for them to have the chance to learn and have fun, but also to access discounts and benefits at shops in San Clemente. There is also a project for the coming years to train teachers who graduate from our Academy.
At the end, Gerardo Russo gives us a message for both current students and future apprentices: “My message as a teacher, but primarily as a human being, is for you not to stop chasing your dreams. As long as you work hard with responsibility, passion, and respect, things can be achieved. I also want to tell anyone who wants to come to the Salsa y Sentimiento Academy that they will find a place not only to learn to dance and train, but also a supportive group of people. It is a place where you can freely express yourself and bring out everything you have inside. Both adults and children are united by our passion for dance. We are teachers who love what we do and wish to pass it on to new generations. We are always open to hearing from anyone with new ideas to build a better SALSA Y SENTIMIENTO ACADEMY every year”.
For this year, 2017, the schedule for the various rhythms mentioned above has been available since January and February, so that everyone is informed before joining.
This magnificent Academy is located at 21st Street No. 139, between 24th and 1st Streets in San Clemente del Tuyú, Argentina
Don Perignon and La Puertorriqueña Release Classique et Savoureux
Timbalero, director, and music producer Pedro Luis Morales Cortijo, better known as “Don Perignon,” presents the 14th musical production from the “dancer’s orchestra” titled Classique et Savoureux. The leader of La Puertorriqueña features three guest vocalists on the album: Venezuelan musician and sonero Marcial Istúriz; Josué Rosado, one of the most iconic voices from La Puertorriqueña’s history; and “El Niño de Trastalleres,” Andy Montañez. With this record, Don Perignon reinforces his commitment to producing “flavorful” salsa with the dancer in mind.
In September 2025, Don Perignon and Andy Montañez reunited in the recording studio to reinvent “La Bikina.” The digital single fused the signature sound of Don Perignon’s La Puertorriqueña with the seasoned expertise of Andy Montañez. This alliance revives a nostalgic duo—the “dancing timbal” and the “singing compressor” that dates back to 1981. At that time, “Perín” took the reins as Andy’s musical director at the invitation of the legendary vocalist following his departure from Dimensión Latina. From that eight-year partnership, Andy Montañez still treasures Don Perignon’s participation in the 1988 recording of El Eterno Enamorado (TH-Rodven), where the latter not only played the timbales but also served as the album’s musical director. Regarding this, Andy says: “I remember him with great affection and appreciate his discipline in directing that recording, especially because every track became a hit.”

As promised in earlier press releases, that single was the prelude to Classique et Savoureux, where “La Bikina” is featured as the third track. Don Perignon released the song arranged by pianist and composer Domingo García 60 years after its original composition. The song, originally titled “The Beginning,” was penned by Mexican songwriter Rubén Fuentes Gasson.
Tracklist and Credits
The tracklist for Classique et Savoureux is as follows:
- “Ella Sigue Bailando”: Composed and performed by Joe González; arranged by Andy Guzmán.
- “Hay Que Quererlas”: Composed and performed by José Karlo Ribot; arranged by Roberto Pérez.
- “Pura Imagen”: A classic piece by Adalberto Álvarez, vocalized by Joe González; arranged by Juan C. Cardona.
- “Ayer Te Vi”: Written by Rubén Rada, featuring the vocals of Henry Santiago; arranged by Ramón Sánchez.
- “No Se Equivocan”: Written and performed by José Karlo Ribot; arranged by Carlos “Cuto” Soto.
- “Yo Soy Guaracha”: Written by Ángel Santos, performed by Marcial Istúriz; arranged by Carlos García.
- A Medley of Boleros: Featuring “Necesito Llamar Su Atención” (Roberto and Erasmo Carlo) and “Mírame Más” (Julio Gutiérrez), performed by Henry Santiago and Joe González; arranged by Juan C. Cardona with a flute solo by Roberto Calderón.
- “Será Mejor”: The closing track, written by Héctor Olmo and arranged by Juan C. Cardona, featuring vocalist Josué Rosado.
The Musicians
Leading his musical generation on the timbales and as director, Don Perignon was backed by the musicians of La Puertorriqueña and several guest artists. On the congas, Antonio “Coqui” Marrero, Jean Carlos Camuñas, and the late William “Kachiro” Thompson ensured the time and clave remained rhythmically precise. On the bongos, you can hear the distinctive touch of one of the original members of La Puertorriqueña, Miguel Aponte. On bass, the unmistakable Efraín Hernández interacts with Juan Rivera on piano. Other pianists on the recording include Luis Marín, Leni Prieto, and Ricky Rodríguez. The production is rounded out by the backing vocals of the incomparable Henry Santiago, Juan Bautista, and Joe González. The trumpet section featured Ángel and Richie Segarra along with Jesús Alonso; Sammy Vélez on baritone sax; and the trombones were handled by Juan C. Cardona, Gamalier González, César Javier Ayala, and Carlos “Cuto” Soto.

The album was recorded at the studios of Rolando Alejandro and Angelito Segarra, with mastering by Wiso Rivera.
This release “reaffirms Don Perignon’s commitment to the evolution of salsa in the digital age” without neglecting physical formats, as the album is available on CD and LP to ensure the music is accessible to everyone.
With the title Classique et Savoureux, Don Perignon honors more than four decades of using his stage name inspired by the French champagne Dom Pérignon. He expresses gratitude for the longevity of a concept that began without a clear goal but was built on heavy discipline and the firm purpose of making music for the dancer. In an interview, the bandleader stated that his musical project “is already a classic, thanks to the dancers who have appreciated and supported its sabrosura (flavor).”
10th Annual Salsa Festival in Cuba: A Milestone Between Stage Lights and the Shadow of Crisis
The event founded by Maykel Blanco celebrates a decade of history amidst blackouts and inflation that make access difficult for the local public.
Havana. What began in 2016 as a personal dream for musician Maykel Blanco has evolved into Cuba’s most significant cultural tourism event for the genre.
As the Salsa Festival reaches its 10th edition, it has succeeded in uniting top-tier orchestras under a single project, fostering an organic exchange between local dancers and international visitors who travel specifically for the occasion.

However, the announcement of this year’s celebration scheduled for February 26 to March 1 at Club 500 comes at a time of extreme fragility for the country.
While the government promotes the festival as a showcase of “credibility and growth,” the Cuban population is grappling with a profound economic crisis characterized by daily blackouts, shortages of basic goods, and a steady decline in quality of life.
Tributes and a Star-Studded Lineup
This special edition will pay tribute to the 70th anniversary of Elito Revé y su Charangón, an iconic institution of popular dance music. Organizers announced in a press conference that the event will feature a strong international presence, including foreign dance instructors and DJs.
Starting Friday, February 27, four high-caliber orchestras will perform each night. Among the confirmed headliners are:
- Los Van Van
- Alexander Abreu y Havana D’Primera
- Adalberto Álvarez y su Son
- Alain Pérez
- Willy García (Special guest from Colombia, former vocalist of Grupo Niche).

The Economic Barrier to Entry
Despite its cultural relevance, ticket prices have sparked debate. Presale tickets at Cine Yara were set at 800 Cuban Pesos (CUP), a price that will rise to 1,000 CUP per night at the venue.
In a context of stagnant wages and runaway inflation, these figures are out of reach for many everyday Cubans, highlighting the gap between official propaganda and daily reality.
Main Concert Schedule
| Date | Featured Artists |
| Thursday, Feb 26 | Opening Gala: Issac Delgado, Los Muñequitos de Matanzas, and Eduardo Sandoval. |
| Friday, Feb 27 | Los Van Van, Manolito Simonet y su Trabuco, Papucho y Manana Club. |
| Saturday, Feb 28 | Maykel Blanco y su Salsa Mayor, Adalberto Álvarez y su Son, Alain Pérez, and Willy García. |
| Sunday, March 1 | Alexander Abreu y Havana D’Primera, Haila Mompié, and Elito Revé y su Charangón. |

Beyond the Music: An Immersive Experience
The festival—driven by MB Producciones, ARTEX, and the Paradiso Agency—is not limited to evening performances (which begin at 9:00 p.m.). The agenda also includes:
- Dance Workshops: Classes in Casino (Cuban salsa), Rumba, Son, and the popular “Reparto” genre, taught by prestigious instructors.
- Pool Parties: Meet-and-greets with national and international DJs at the Memories Miramar Hotel.
- Academic Forums: Lectures on the evolution of popular music and the legacy of figures like Elio Revé Matos.

Once again, the Salsa Festival presents itself as a musical oasis on an island mired in uncertainty, leaving open the question of whether art can truly build bridges in the midst of such a structural crisis.
Also Read: Compay Segundo The Eternal Patriarch of Cuban Son













































































