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Search Results for: jazz

How Birdland began operating and its role in Latin music

What is Birdland?

Birdland has been the place in which many of the most important New York’s stars of the show were born and has represented the beginning of many artistic careers that have achieved worldwide fame, so this spectacular venue deserves all the recognition and fame that it has accumulated over the years. 

This is a jazz club that began operations in December 1949 in Manhattan and was closed for a few years until its reopening in 1986. What happened was that a second location of the same name was opened in Manhattan and was not too far from the land on which the original club operated. Today, Birdland operates at the same facility as the headquarters of the famous local newspaper The New York Observer in the past. 

Stage at Birdland
Stage of the jazz club Birdland

Story about how the idea to create Birdland was born  

During the 1920s, there were a lot of musicians who had to move to New York City because it was there that the biggest jazz movement of the moment was being produced. It could be said that the birthplace of the most famous jazz styles of the last decades was the Big Apple and its surroundings. 

It was there where and when the musical career of Charlie Parker, affectionately known as Bird by most of his fans, emerged. Some time later, it would be this brilliant artist and talented saxophonist who would get one of the most popular jazz clubs in the city and the country in general named after him. This would be one of the many tributes received by Parker before and after his death in 1955. 

Once Birdland was opened in the late 1940s, the saxophonist began performing there on a regular basis along with many other music legends of the moment such as Dizzy Gillespie, Lester Young, Lennie Tristano, Maxie Kaminsky and many more. Although Birdland was named to honour Charlie, that did not keep the artist from having some friction with Oscar Goodstein, one of the founders of the venue, who said that Parker was constantly asking for too much money. As the story goes, this was the reason why the musician did not perform as many times as expected. 

On the facade of the club, a neon sign could read Birdland, Jazz Corner of the World, making it clear what its customers would find once they entered the facility. Once inside, there was space for approximately 500 visitors and a full orchestra to lighten the mood that night. Birdland included a very long bar, spacious tables, stands with a wide variety of products, folding chairs, among other things. At that time, customers only had to pay a $1.50 fee to enjoy everything that the nightclub had to offer.   

It went on to have so much prestige that it had among its visitors Marilyn Monroe, Frank Sinatra, Gary Cooper, among other personalities from the entertainment world. It has taken so much popularity in those years that composer George Shearing dedicated one of his greatest creations entitled Lullaby of Birdland to it, which was also inspired by Charlie Parker as well as the name of the place.  

Tommy Potter, Charlie Parker, Dizzy Gillespie and John Coltrane at Birdland
Tommy Potter, Charlie Parker, Dizzy Gillespie and John Coltrane performing at Birdland in 1951

The role of Birdland in Latin music 

Just as Birdland contributed to the emergence of important careers in the jazz music scene, it also did the same with a good number of Latin music singers who saw this corner of New York as an opportunity to make their art known to other audiences. One of them was world-famous bandleader, composer and musician Tito Puente, who performed at the venue on several occasions and improvised many sets with Dizzy Gillespie and Lionel Hampton. 

There is also the case of Tito Rodríguez, who made use of his great talent to record a spectacular live album entirely dedicated to Birdland and whose name was Live at Birdland. In addition, he featured incredible collaborations with great musicians such as Clark Terry, Al Conh, Zoot Sims, among others. 

Another of the great Latin music artists who came to perform at this venue was Cuban bandleader, arranger and trumpet player Chico O’Farrill. The artist played and recorded at the club on a wekly basis about the time he already had his own orchestra called Afrocuban Jazz Orchestra. Arturo O’Farrill, worthy son of his father, also performs regularly at Birdland with his orchestra The Afro Latin Jazz Ensemble. 

Announcement about Tito Puente's concert
Announcement of Tito Puente’s show at Birdland in 1999

“Extravagante” is the ninth record production by Orquesta Mulenze

Edwin “Mulenze” Morales was born on 9 April.

Orquesta Mulenze came out in 1976 due to the motivation of Edwin Morales. At that time, he was a young rocker who decided to change his guitar for a bass and in turn become part of Orquesta Yambo, often accompanyng artists such as Hector Lavoe, Celia Cruz, Cheo Feliciano, Ismael Miranda among others arriving in Puerto Rico without an orchestra; then it was later identified and we would know as MULENZE.

The Orchestra began at a time when salsa was booming, and was fortunate to have musicians, composers and singers
The Mulenze orchestra was founded in 1976, motivated by Edwin Morales

The Orchestra was created in the era where salsa was booming and was fortunate to have musicians, composers and singers of great stature who are now recognized. These include Cano Estremera (R.I.P), (El albino de la Salsa) who would later join Bobby Valentín’s band as a vocalist; in the choir singer-songwriter Pedro Arroyo who has brought several of his compositions to Mulenze, in the piano Andy Guzmán and Eric Figueroa. The latter would be one of the influencers in the style which would be adopted by the orchestra, practicing a little sophisticated and revolutionary rhythm for the public that follows popular music.

Mulenze was one of the first orchestras to use synthesizers within salsa, working rhythmically out of the beat in which the clave pattern is set, giving some jazz variations to their music; it was an innovation that was not very accepted by the groups that were already established at that time, though later this would give respect and an its own identity to the orchestra with its brilliant arrangements.

The ninth record production “Extravagante”

In the voices of Pedro Brull and Rafy Andino, excellent album and Edwin "Mulenze" Morales as director of the group with a first-class team of musicians and arrangers surprises us with this release.
“Extravagante” is the ninth record production by Orquesta Mulenze

This ninth record production “Extravagante” is impossible to get since 1990 as the company under which it was released has ceased to exist and it is one of those many lost records.

In the voices of Pedro Brull and Rafy Andino, excellent album and Edwin “Mulenze” Morales as director of the group with a first-class team of musicians and arrangers surprises us with this release.

Orquesta Mulenze – Extravagante 1990.

Record label: Hitt Makers

Quédate: Written-By – Pedro Arroyo

Ese Loco De La Vida: Written-By – Juan Bautista

Es Al Amor Que Llega: Written-By – Jose Luis Perales*

No Hay Preguntas: Written-By – Jose Luis Perales*

Contra Viento Y Marea: Written-By – Gloria Gonzalez

Zumba Con Mi Rumba: Written-By – Poldo Castro

Mi Tremendo Caso: Written-By – Tite Curet Alonso

A Dormir Afuera: Written-By Fabio Espinoza, Joaquin Galan, Lucia Galan

Arrangers:

Eric Figueroa (2) (tracks: B3),

Julio Alvarado (tracks: A2, B1),

Luis Garcia (5) (tracks: B2),

Ricky Rodriguez (3) (tracks: A1, A3, A4, B4).

Talent:

Bongos, Cowbell – Charlie Sierra

Congas – Jimmy Garcia (3)

Choir – Alex Castro (3), Cheo Andújar

Guest Musician, Congas – Giovanni Hidalgo, Johnny Rivero

Guest Musician, Keyboards – Jose Pujales

Guest Musician], Maracas – Cusy Castillo

Guest Musician, Timbales – Chago Martinez

Guest Musician, Trombone – José Berrios

Guest Musician, Trumpet – Carlos Martinez (3), Mario Ortiz Jr.

Güiro – Ricardo Salgado

Leader, Bass, Producer, Directed By – Edwin Morales

Mixed By – Papo Sánchez (2)

Piano, Keyboards – Ricky Rodriguez (3)

Producer – Antonio Rodríguez

Technician – Andrés Reyes, George Kamarinos

Technician, Mixed By – Ricky Martínez

Timbales – Roberto Whatts

Trombone – Eliut Cintron, Rafy Torres

Trumpet – Angie Machado, Roberto Santiago (2)

Vocals – Pedro Brull, Rafy Andino

Vocals, Choir – Jose L. Ramos

Extravagante 1990

#SalsaIsCulture

Article of Interest: Mulenze The Orchestra of Eternal Youth

Sources: Julio Vázquez Productions

Noticias con Sabor by Luis Medina

News about the live music scene in San Francisco

The Ruben Blades concert at Oakland’s Paramount Theatre on Saturday, November 20th was sensational!  The anticipation of the packed intergenerational crowd to his first visit In 18 years was at a high peak.  Blades wowed the audience with a stunning performance backed by bassist Roberto Delgado’s dynamic Big Band.  Ruben’s powerful voice was as crystal clear as when he started his career with Ray Barretto back in 1974.  His set list was a retrospective into his vast and deep repertoire that included his big hits, crowd favorites, esoteric song choices and selections from his Latin Grammy award winning album Salswing! The musicianship that accompanied Blades was top notch as Roberto Delgado’s crack band were tight, explosive and swinging!  The visuals projected on the huge screen above Ruben were imaginative displaying photo tributes to Hector Lavoe as well as to recently deceased Latin music giants and clever animation that was the backdrop for songs.  This was a triumphant return to the SF Bay Area for Blades who last played a concert here in 2003 at Roccapulco.  He performed for 2 hours and 40 minutes to the delight of the massive crowd.  What a show!!

Art for the Salswing Tour
Art for the Salswing Tour by Rubén Baldes

Speaking of big shows….Three time Grammy Award Winner Spanish Harlem Orchestra will play a special holiday dance/concert “Salsa Para El Bailador” on Saturday, December 11th, 8 pm at the Monterey Conference Center, 1 Portola Plaza in Monterey.   Yours truly, Luis Medina  will be your Master Of Ceremonies and DJ for the evening playing 100% Bailable in between the sets.  There are VIP seats and packages still available. There is also an auto caravan coming from San Francisco directly to the concert.  For more information on the concert, caravan and tickets, please visit www.montunoproductions.com or call 510-586-3215. 

I dropped by La Peña Cultural Center, 3105 Shattuck Avenue in Berkeley to catch the livestream of their couch concert starring Santana percussionist Karl Perazo live from their stage on Friday, Nov. 19th.  The web streamed concert was hosted by renowned Bay Area based flautist Miguelito Martinez (Candela) with an intro from La Peña’s Executive Director Natalia Neira Retamal. Perazo was in excellent form on congas, bongos and percussion leading a hot Latin Jazz descarga accompanied by Martinez, bassist Saul Sierra and pianist Julio De La Cruz.  This session was part of an on-going series that is coordinated by La Peña new creative staff Corey Raynor.  For more information, visit www.lapena.org. 

The Cigar Bar, 850 Montgomery in SF’s North Beach will be open to Salseros in December for part of December.  Their lineup includes Orquesta Timbalero Dec 4, Alberto Y La Differencia Dec. 5, Edgardo Cambon y Candela, Dec 10, Josh Jones Latin Jazz Ensemble Dec 11, Latin Rhythm Boys Dec 17 and the last night for Salsa this year will be featuring PMO all star vocalist/percussionist Braulio Barrera’s Somos El Son on Dec. 18.  Cigar Bar will reopen the Latin music nights in early January 2022.

The Seahorse is Sausalito will feature in their Sunday Salsa lineup the following acts: Julio Bravo & Salsabor Dec 5, Edgardo Cambon & Candela Dec. 12, Louie Romero & Mazacote Dec 19 and the Salsa Caliente All Stars with Karl Perazo (of Santana), Gary Flores and Carlitos Franco on Dec. 26.  The Seahorse will also be starting off their Salsa Saturdays with Rene Escovedo on Dec. 4th. For the rest of the Sat schedule, visit sausalitoseahorse.com.

Julio Bravo Y Su Orquesta Salsabor
Julio Bravo in one of his performances

More news

The Ramp, 855 Terry Francois in SF will continue Salsa under their weatherproof tent on Saturday afternoons beginning at 5 PM featuring Pepe Y Su Orquesta Dec. 4, trumpeter Julius Melendez All Stars Dec. 11, Eric Rangel and Orquesta America, Dec 18 and a special Thursday with Julio Bravo and Salsabor on Dec. 23rd

Space 550 at 550 Barneveld, SF has opened its doors again to Friday Salsa dancing featuring Somos El Son Dec 3, Orquesta Borinquen Dec. 10 and their last event for 2021 featuring N’Rumba on Dec. 17th.  The Friday Night happenings will resume on Friday, January 14, 2022 with Borinquen.  The Saturday nights have resumed with Bachata Takeover Saturdays featuring Bachata in the main room and the other rooms featuring Salsa and Bachata.

Kimbara 3380 19th Street at the site of the old big room of the former SF Bissap Baobab location is now featuring Suzy Q Wednesdays every 1st and 3rd Wednesdays of the month.  This night brought you by the Producers of I Heart Mambo and the SBK Congress feature Salsa Congress style DJ’s and live bands such as VibraSON on December 15th. 

Peninsula/South Bay’s long-running established Salsa Club Alberto’s, 736 West Dana St in Mountain View offers Salsa on Tuesday and Friday nights featuring dance lessons by Pantea with DJ and live entertainment.  Their weekly calendar includes Tango on Sunday, Bachata on Wednesdays and Rock En Español on Saturday nights….Cascal Restaurant  located nearby at 400 Castro Street, Mountain View offers live entertainment on Fridays through Sundays with great ambiance, tasty Spanish cuisine and the sounds of Edgardo Cambon and LaTiDo on December 3, 4 and 17th. 

Singer Edgardo Cambon
Uruguayan bandleader, percussionist, and singer Edgardo Cambon

Producer Adrian Goddard’s Jaffe Events continues to keep busy into the holidays.  They will celebrate with a Fiesta Navideña on Saturday, Dec. 11 from 3 to 7 pm. Featuring an afternoon of Salsa, Timba, Bachata, Reggaeton and more by DJ’s including Walt Digz, Tony O and Pablo at the Mars Bar, 798 Brannan SF.  Jaffe Events is also presenting Feliz Año Nuevo 2022 on New Years Eve with DJ’s spinning Reggaeton, Salsa, Latin Hits, Cumbia and more at the BEI Hotel, 50 Eighth Street in San Francisco.

On New Year’s Eve, the renowned Salsa orchestra Grupo Gale from Colombia will headline at the Hyatt Regency in Burlingame.  The event will also feature DJ Tony O, DJ Bosco and DJ Franklin.  The event will also feature International music in their second room. For more information, go to eventbrite.com, ticketsparaticom or call 415-424-8809.

The Marriott in San Mateo will feature 6 rooms featuring live music by Julio Bravo and Salsabor, Amor Do Samba with Brazilian Drummers, Orquesta N’Rumba, Orq Revelation and 10 DJ’s playing hits, Reggaeton, Bachata and Salsa.  Free beer offered from 8 to 11 pm. For ticket info, visit www.marriottliveparty.com.

There will be a New Years Eve Descarga 2021 featuring Salsa, Bachata and Kizomba music at 1824 Hillsdale Avenue in San Jose.  This bash will feature a tribute to the legendary all-star timbalero Louie Romero who will be performing with Orquesta Salson, Dance performance by John and Liz of Salsamania Dance Company,, DJ music will feature WorldSalsaRadio DJ’s El De La Clave SF and DJ Boricua, dancer Kathy Reyes will be hosting the bachata room and more!  For tickets, go to eventbrite.com

Be sure to check out my radio programs “Con Sabor” every Saturday evening 9 to 11 pm on KPFA 94.1 FM/kpfa.org and “Sabiduria Con Tumbao” every Wednesday evening 5 to 7 PM PST on WorldSalsaRadio.com.

Until next time, Ciao 4 now!!!

Louie Romero Y Su Grupo Mazacote
Bandleader and timbalero Luie Romero while performing

This is the report last month: NOTICIAS CON SABOR- SAN FRANCISCO BAY AREA/NORTHERN CALIFORNIA

BY LUIS MEDINA, PRODUCER AND HOST OF CON SABOR ON KPFA 94.1 FM AND SABIDURIA CON TUMBAO ON WORLD SALSA RADIO.COM

Gumby Navedo he was born on December 22nd in Vega Baja, Puerto Rico

Our Miami Correspondent for International Salsa Magazine Diana Marie has the honor and privilege to introduce us to an extraordinary Puerto Rican musician based in Miami, who from a very early age has been in the music scene, we are referring to Gumby Navedo.

Jesus M. Navedo Marrero, best known in the artistic musical field as GUMBY Navedo. He was born on December 22nd in Vega Baja, Puerto Rico.

Since he was a child, music was always present in his home as family and friends got together with musical instruments and formed a party in seconds. The first major influence on Gumby’s artistic career was his grandfather, Moises.

A renowned "Tresista" who infused joy by playing and singing for everyone. Gumby, who as a child was always surrounded by great musicians and performers, preferred to share and learn from them.
Jesus M. Navedo Marrero, better known in the artistic music scene as Gumby Navedo

A well-known “Tresista” who infused joy by playing and singing for everyone. Gumby, who as a child was always surrounded by great musicians and performers, preferred to learn their music and unique rhythms.

At age 5, his cousin Carlos Morales, taught him the blows of the tumbler. Gumby fell in love with all the sounds of the percussion instruments and from there he began his musical career.

Being a teenager it was common to see Gumby playing the percussion of recognized local orchestras and accompanying exceptional musicians in the island.

The beginning of his musical education, was taught to him by the great music teacher Roberto Soler. Under the leadership of maestro Soler, Gumby participated in the middle school band and the municipal band.

Beginnings that gave him the foundation to his musical career as an interpreter and musician in different genres such as salsa, boleros, bomba y plena, jazz and all kinds of Caribbean music.

During his amazing  musical career, Gumby has played as the lead percussionist and the choir to many well renowned artists recognized internationally like Rolando La Serie, Olga Guillot, Celia Cruz, Israel Kantor, Carlos Oliva, Willy Chirino, Roberto Torres, Tito Allen, La Palabra, Conjunto Universal, Lefty Perez, Nino Segarra, Orquesta Exodo, Luis Enrique, Marco Antonio Muñiz, Alberto Beltran, Roberto Torres, Eddie Santiago, David Pabon, Mario Ortiz jr., Lalo Rodriguez, Yolanda Rivera, Cheo Feliciano, Ismael Miranda, Cachao ,Patato Valdes, Henry Fiol, Ángel Canales , Chamaco Rivera, Meñique, Adalberto Santiago, Hansel y Raul, Piro Mantilla, Cuco Valoy, Nestor Torres, Típica Tropical, Roberto Ledesma, Billy Ocean, Gipsy Kings amongst many more. Thanks to his renowned musical talent, Gumby has shared international stages in countries such as Mexico, Venezuela, Colombia, Cuba, Martinique, Aruba, Curacao, Canada, Ecuador, Uruguay, Argentina, Brazil, Peru, Central America, England, France, Spain, Holland, Belgium, Switzerland, Germany, Turkey, Israel, Armenia, Kenya, and Senegal among many others.

Since he was a child, music was always present in his home as family and friends would gather with musical instruments and form a party in seconds.
Gumby Navedo. He was born on December 22 in Vega Baja, Puerto Rico.

Gumby, continues to share his musical talent in many local and international venues accompanied by renowned musicians well known around the world for their music and talent. “Gumby” can be found in several tourist places in Miami, Fort Lauderdale and West Palm Beach.

Facebook: Gumby Navedo

For hiring, interviews, parties of all kinds and / or activities please: email [email protected] or call: 786-715-4692    

Article of Interest: David Lucca “My music is guaranteed to please dancers”

What effects does music have on our brain?

Undeniably, music plays a very important role in the life of every human being, even if he/she is not dedicated to it in a professional manner. This is because this set of sounds has very specific effects on the brain that might surprise those who deny how influential it can be at various levels. 

Since we were just kids, we are fully exposed to all kinds of musical genres, some of which can help us develop our mental and brain capacities which, as an effect, can lead to a better memory, a higher concentration and much more attention to the activities we do. At the same time, our mathematical, language and conflict resolution skills. 

The ear is an extremely powerful stimulation tool for our brain, which has made it to be taken into account as one of the many ways in which certain physical and mental suffering can be treated. In the specific case of music, we must remember that not all musical genres serve to achieve the same goals, so we should evaluate each of them individually. 

Music is important to our brain
Brain and music

What effect does salsa have on the brain? 

Salsa

In the case of salsa, we can say that the brain will receive a very special cocktail of adrenaline and dopamine, which will bring as a consequence the activation and relaxation of certain areas of the brain at the same time. It might seem counterintuitive, but it is really not. Given that salsa is a genre that invites to body movement, the effects are numerous, such as the stress relief, the increase in cardio-vascular capacity and a tremendous improvement in the coordination and balance. 

What is happening with salsa can perfectly happen with other dance rhythms such as bachata, merengue, kizomba and many others. There are many physical trainers and coaches who use these genres to relax their clients after having used other sounds of greater impact.   

Jazz 

One of the biggest benefits brought by jazz on the brain is total relaxation of the body and the mind in those moments when we can be full of stress or anguish. Many used to think that this genre induced sadness in those who listen to it, but it there is evidence that the opposite can happen.   

In fact, it has been proven that jazz can have the same calming effect as a cigarette in a smoker. The same can happen with blues, which is very similar to jazz, so its effects on the brain are similar.

Classical Music 

A lot has been said and studied about the effects that classical music can have in certain areas of the brain. There are also many myths about it, such as becoming more intelligent when we listen to it, which has already been proven to be completely false. What is true is that it can help us develop our ideas in a better way and learn in a more optimal way. In fact, it has been proven that several symphonies put the brain in a state of alert that can be highly conducive to learning in many cases. 

Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart, world-famous composer of the Classical period

More information here: Frequency 432 Hertz and what experts say on this issue

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.