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Search Results for: music

Ángel “Cucco” Peña and a great legacy

Cucco Peña has donated his emblematic tuxedo to the Spanish Harlem Salsa Gallery Museum

By Johnny Cruz

News from NY City

Who is Cucco Peña

The emblematic tuxedo
Ángel “Cucco” Peña

On September 1, 1948, Angel ‘Cucco’ Peña was born, someone who from elementary school showed his interest in music and as the years passed, showed that there were little flashes of that brilliant talent he had. His talent and passion were aligned, so he always spent his life surrounded by music. Today he could be considered an icon of Latin music thanks to his achievements as an artist and thanks to everything he offered to the industry; he has managed to trace a career full of successes, one that today continues to inspire many people.

Peña’s talent led him to interact in many music-related activities, not only did he graduate from the Puerto Rico Music Conservatory, but also, after graduation, he joined the Pan-American Orchestra, starting with what would be a career full of reached goals. In the orchestra, he would familiarize himself with many different styles that would help him as a musician, since in the orchestra he played a wide variety of music, from bolero, blues and jazz, to pop and even rock.

Cucco Peña’s path

Cucco Peña is a great artist

Cucco left the band and began to trace his own path with everything he learned, he didn’t just become a music director, but a producer, composer, and arranger for many internationally famous artists such as: Ricky Martin, Chayanne, Ricardo Arjona, Olga Tañon, Gilberto Santa Rosa, Luis Fonsi, Franco de Vita and many other artists; despite each artist’s very different styles, Peña’s talent has allowed him to understand perfectly what all of them needed. In his own words, “it is important to see that music has three perspectives: the artist perspective, the company’s perspective, and my own.” Finding a perfect harmony between these three perspectives, Peña has participated in the creation of great themes.

Achievements

The North American has not only managed to collaborate with a large number of renowned artists, but has also achieved a lot of recognition for his work, he is a two times Grammy winner, the first is the Grammy for the best tropical album contra la corriente, Marc Anthony’s album (1999), the second is Latin Grammy for best musical production, this thanks to Olga Tañón’s album, Yo por ti. Grammy is not the only award he has won, he also received a total of 60 Cuspide awards and 40 Addy awards, plus 20 awards from the New York Theater Festival and an “Agüeybaná de Oro” for Director of the Year.

The awards are not everything, he has been both the director and the composer of the Central American games’ opening and closing ceremonies, and the composer of two movie soundtracks (“La Gran Fiesta” and “Nicolás y Los Demás”); Plus, he has produced more than 100 compositions, not to mention that he also worked as a producer for important figures in the industry, such as Lunna, Jerry Rivera, Chayanne, and many others.

Without a doubt, Ángel “Cucco” Peña is a very important figure for the industry, and after a long career dedicated to music, he has shown that his talent is worthy of being recognized.

The new piece of Spanish Harlem Salsa Museum

The invitation to tune in to the new Fm / Internet radio station on Live365.com: Salsagallery continues. Great music, artist interviews and much more.

At the Spanish Harlem Salsa Gallery Museum we are happy to affirm that New York City is preparing to resume its activities little by little. We hope to have more news soon and that we can return to normal soon.

The Museum is open free to the public. We wait for you!

Professor MSc. Carlos Colmenárez and his “WRITTEN SALSA”

By: Professor MSc. Carlos Colmenárez (Venezuela)

Greetings, dear and consistent readers of Salsa Escrita, from this server, your longtime friend, Professor MSc. Carlos Colmenárez. It is a great satisfaction for me to be able to reach all of you through International Salsa Magazine, to whom I am very grateful for your trust and thus be able to make known the Venezuelan salsa talent and also from other countries, where Afro-Latin music continues and will continue to be projected and promoted with much professionalism in its prestigious pages.

Salsa Escrita, in charge of this server, your friend of always, professor MSc. Carlos Colmenárez
Professor MSc. Carlos Colmenárez (Venezuela)

In this issue of Salsa Escrita, we bring you four exponents of Afro-Caribbean music, born in Venezuela, who exalt the genre with great class and success, earning the respect and admiration of all its followers. So, ladies and gentlemen, we present to you in special reviews Hildemaro “El Sonero del Amor”, Mariana “La Sonera de Venezuela”, Édgar “Dolor” Quijada and Héctor “Malecón”. We hope you enjoy the written interaction between you and International Salsa Magazine.

Hildemaro “The Sonero of Love”

The Venezuelan singer-songwriter, born in Caripito, Monagas state, on November 10, 1957
Hildemaro The Sonero of Love

On this occasion we will mention a vocalist who has stood out for his excellent interpretive quality and professionalism during his long and successful career, both in Venezuela and abroad; we refer to José Hildemaro Hugas Amarista, better known as Hildemaro “El Sonero del Amor”.

The Venezuelan singer-songwriter, born in Caripito, Monagas state, on November 10, 1957, told us that his musical interests came from a very young age, participating in festivals in his home state and musical groups in that locality, until he was presented with the opportunity to go to Caracas in 1976 and join the orchestra “Los Satélites”; Then in 1979 he joined the “Orquesta Ideal”; later he worked with the “Súper Combo los Tropicales”, “Noche Caliente” and the “Orquesta de Porfi Jiménez”; and finally in 1985 he joined Renato Capriles’ orchestra “Los Melódicos”, which gave him the greatest and best experience.

The following year,” Hildemaro continued, “he decided to definitely make his way as a salsa performer, recording his first LP under the TH label, thanks to his music producer, José “El Flaco” Bermúdez, and since then he has remained in his project of a fruitful singing career.

In 1988 he recorded his album “Amanecí contigo”, propelling it into the international market, hitting his songs with great acceptance, both in Venezuela and abroad, showing his face in the country as a salsa performer before the world.

Peru was his first point of attack, as well as the United States, and with that goal he was always renewing his repertoire.

In 1989 he recorded the production “Sin Tabú”, winning a gold record and triumphing on stages in Panama, Mexico, Colombia and New York; In 1990 he recorded the acetate “Romántico y sensual”, with which he demonstrated once again that he has one of the best voices in Latin American and Caribbean salsa, qualities that were also captured in his 4th album entitled “Lo mejor de mi” in 1991, later in 1993 he released his 5th LP “Al natural”, two years later the long play “Lo que siento” in 1995 and in 1996 the album “La mejor salsa con Hildemaro”.

In 2002 and 2003, he burst again into the radio stations nationally and internationally with 2 singles: “Corazón loco” and “El celular”, with which he once again demonstrated his great vocal capacity.

Among his best known hits are: The first time, Hola, Amanecí contigo, Desde el fondo de mi corazón, Negra, Agua caliente, Sin tabú, Al natural, Apago la luz, Como nadie, Cabalgaremos, Lucero and many more.

At the present time it comes from succeeding in Peru, Colombia, Spain, Italy and Sweden. In Venezuela she works with her own orchestra “Caripito all Stars”.

Finally she told us “El Sonero del Amor” that she registered her foundation “Hildemaro Hugas”, a non-profit organization to help children, elderly and people who deserve it.

By 2020, with God’s favor, he returns to the United States, where he is acclaimed by romantic dancers, just like in Peru, his second homeland. Hildemaro’s social networks are: Instagram @sonerodelamor, Facebook: José Hildemaro Hugas, phone: +58 412 2934606 and +58 416 0580079 for bookings.

Edgar “Dolor” Quijada

Édgar José Quijada, from January 23, Caracas. The man of "Pain", a name given to him by his brothers
Edgar “Dolor” Quijada

Sonero from A to Z, it’s that simple. Not everyone can be graded that way and not everyone has the privilege of being so. It is a title that must be achieved “on the go”, working very hard day and night. The “Masters” in sounding were Benny Moré and Ismael Rivera, to name the most significant.

In this regard, we must mention other vocalists of the stature of Cheo Feliciano, Gilberto Santa Rosa, Pete “El Conde” Rodriguez, Chamaco Ramirez and others of renown who took the baton; in the courtyard, Oscar D’Leon, Orlando Watussi, Mariana Guevara, Marcial Isturiz, Charlie Guzman, Ronald Gomez, among others, each with his own style and particularity. The one we will talk about today, has already occupied that place for years, I am referring to Edgar José Quijada, from January 23rd, Caracas. The man of “Pain”, an appellation given to him by his brothers.

In all his life he has not stopped singing and that comes from his mother. The trajectory of Édgar “Dolor” Quijada, born on March 21, 1954, dates from more than 40 years ago, since he began with the Yacambú Orchestra and later he was called to accompany national and international singers and to integrate orchestras such as: Década, Federico y su Combo, Los Incorregibles, Repicao, Soledad Bravo, Naty y su Orquesta, Guajeo, Cheo Feliciano, Celia Cruz, Johnny Pacheco, Pete “El Conde” Rodríguez, Adalberto Santiago, Ismael Miranda, Ismael Rivera, Larry Harlow, Héctor Lavoe and Justo Betancourt.

Since the founding of Cheo Navarro’s Orquesta Bailatino 23 years ago, he has been one of its performers along with Rónald Gómez and Francisco Rojas. His hits include: Mi vecina, Tengo la piel cansada de la tarde, A donde está Margot, Loco en la vía and many more. He is also the vocalist of El Guajeo de Alfredo Naranjo, Orquesta Tributo, Los 12 Apóstoles; as well as his solo performances in shows at the national and international level.

Finally, Edgar “Dolor” Quijada told us that he is currently based in Bogota, Colombia, with new musical projects. Social networks: Instagram @edgardolor; Facebook: Édgar Quijada, telephone for bookings: +57 301 6593904.

Hector “Malecon”

Héctor Luis Montes González, artistically known as “Héctor Malecón”, born on April 3, 1988
Hector “Malecon”
of Barquisimeto

In Barquisimeto, a city known as the “Musical Capital of Venezuela”, there are musicians and vocalists of extraordinary quality, and on this occasion we will mention the singer, sonero and composer, Héctor Luis Montes González, known artistically as “Héctor Malecón”, born on April 3, 1988 and since his childhood he has lived in the El Malecón neighborhood of our twilight city; His musical beginnings were inspired by the composition of songs and by the mythical-religious influence, they motivated him to write and to interpret his first single titled “A la Reina”, in honor to María Lionza.

In April 2012, he decided to gather a group of young musicians from his neighborhood and formed a salsa group, calling it “Orquesta Malecón”, thus beginning his successful career with musical director César Salas and arranger Rubén Levy.

Some songs from their first recording production and authorship are A la Reina, Acepto mi error, Flor de mayo, Qué es lo que te pasa, Mejor plato, Castillo de arena y el Despojo; which you can enjoy on Youtube.

Likewise, he has shared the stage with the Lebrón Brothers, the Dimensión Latina, Bailatino, Orquesta La Salsa Mayor, Grupo Mango, Porfi Baloa y sus Adolescentes, Mariana La Sonera, Édgar “Dolor” Quijada, Hildemaro, Rónald Gómez, among others.

In 2016, he obtains the 1st place in the contest “Dile no a la Payola” of the PDVSA La Estancia Salsa Festival in Caracas and is later applauded by the Caracas salsa sovereign in the Diego Ibarra Square and El Poliedro.

Currently, Héctor Luis, becomes known with his project “Héctor Malecón” and from his own inspiration is promoted with his song “Quieres volver”, through @hectormalecon.

Finally, he declares that he was temporarily based in the city of El Callao, Peru, demonstrating his talent and affinity as lead vocalist of the orchestra “Son D’ Kalibre”, performing group songs and great salsa hits, under the direction of Rubén Medina and integrated by Venezuelan and Peruvian musicians.

At present, already in Barquisimeto, Venezuela, he has planned to structure his new orchestra, with new themes of his own inspiration, to put all salsa lovers to dance. His social networks are: Instagram @hectormalecon; Facebook: Héctor Malecón, for bookings by phone +58 412 7720290.

Mariana “La Sonera de Venezuela”

One of the most emblematic characters of Venezuelan salsa is Janett Guevara García, artistically known as Mariana "La Sonera de Venezuela" Born in Caracas and currently resides in La Guaira
Mariana “The Sonera of Venezuela”

One of the most emblematic characters of Venezuelan salsa is Janett Guevara García, known artistically as Mariana “La Sonera de Venezuela”; she was born in Caracas and currently lives in La Guaira. Since she was a child she showed her taste for music; activity that has been her eternal passion and has led her to make 12 record productions.

Mariana started with Naty Martínez’s Orchestra and has been supported by the Fania Stars, José Alberto “El Canario”, the Gran Combo of Puerto Rico and her great friend Oscar D’León, who has advised and helped her so that, throughout her career, the responsibility of being the sonera of Venezuela falls on her.

Mariana has had the opportunity to alternate with groups of the stature of the Orquesta de La Luz, Grupo Niche, Guayacán, El Canario, Gran Combo de Puerto Rico and la Sonora Ponceña. Among her songs are: Frases hechas and Eres más fuerte que yo.

It is worth mentioning that, among the numerous recognitions received, he was awarded directly from Miami and presented in Caracas by Richard Roman and Nohemy Chavez, the “Salsa Superior” prize, which among those who have it, are Luigi Texidor, Roberto Roena, La Dimensión Latina and Rubén Blades, among other salsa figures. The sonera is worthy of this plaque thanks to God and her public who have supported her during her 30 year artistic career.

The “Sonera” is part of the orchestra “Rumberos del Callejón”, “Los 12 Apóstoles” and also has its own group. Incidentally, she was honored in the city of Barquisimeto in 2018 with the unveiling of a mural in her honor on Oscar D’Leon Boulevard.

She will soon be making musical tours throughout the country and abroad. Among his latest works, he recorded the song “Mulata guerrera”, by Puerto Rican composer Eduardo Zayas, included in the production “Entre Titanes”, which featured the participation of figures such as Marcial Istúriz, Rodrigo Mendoza, Édgar “Dolor” Quijada, Efrén Avellaneda, Noel Machado, Choco Orta, Yomar Méndez “Caballo”, Leo Pacheco Jr.

For hiring Mariana “La Sonera de Venezuela”, you can do it by: +58 414 2921521 y +58 416 0580079. Her social networks are: Instagram @sonsonera1, Facebook: Mariana La Soner

Profesor MSc. Carlos Colmenárez

Yolanda Rivera The Lady of Salsa and the Sonera of Ponce

By: Diana Marie

Yolanda Rivera La Sonera of Ponce

Yolanda Rivera was born in Ponce, Puerto Rico on June 30, 1951, she admits to listening to Cuban music since the age of 8.

Her hometown of Ponce saw the Cuban singer Celeste Mendoza’s event that triggered in the young Yolanda her desire to sing.

Naturally, with an exceptional voice, she says she never took singing lessons. In her family everyone sang, without making it a profession.

Yolanda Rivera had the opportunity to meet Quique Lucca-founder of the Ponceña who decided to recruit
in the 90’s she integrated for 3 years the Rubby Haddock Orchestra

She began her singing career in New York in 1969 as a member of Willie Rosario’s choir. Returning to Puerto Rico in 1975, she has joined the group Roberto y su Changó.

His real professional debut with the orchestra can be considered as the Terrífica. With this formation, in 1976 he recorded 33 tours: “sabor a pueblo” (int 908), where he sang the hit “mi corazón es para ti” and “Guaguancó No. 3” boleros “para que sufras” and “esta demás” on the same album “Pichie” Pérez is responsible for other pieces.

Unfortunately the episode was very brief due to disagreements within the group.

Naturally, with an exceptional voice, she says she never took singing lessons. In her family everyone sang, without making it a profession
Yolanda Rivera The Lady of Salsa

After a few months of unemployment, he had the opportunity to meet Quique Lucca-founder of the Ponceña who decided to recruit.

With them he recorded “Borinquen”, his favorite song. He stayed from 1977 to 1984, the time to record some albums and browse the scenes around the world, albums with this prestigious formation are:

“The Giant of the South” (Inca-1977-1054)

“Exploring” (inca-1978-1060);

“The orchestra of my land” (1978-inca-1064);

Compilation “Energized” (1979-1072-Inca)

“New heights (1980-inca-1074)

“Unchained force” (1980-inca-1077)

“Night Raider (1981-inca-1079)

“Determinación” (1982-inca-1080)

“Squeezing” (1983-inca-1089)

Yolanda Rivera was born in Ponce, Puerto Rico on June 30, 1951
Yolanda Rivera La Sonera of Ponce

Parallel to her career, Yolanda had to take care of her family, she will stay in Florida for five years, but not stop completely with the song, indeed it is a record with the noble strength of ensemble led by Gabino Pampini.

The return home was more difficult to revive the trade. only in the 90s she integrated for 3 years the Rubby Haddock orchestra where several records, since then she has worked regularly with Luigi Texidor .

From time to time she attended the anniversaries of the Ponceña:

Sonora Ponceña 30th anniversary golden age (inca 1992);

Sonora Ponceña 45th anniversary live: history and we continue to make, (bmg / ariola 81 167) 2000 (only appears on cd).

But she never returned because Ponceña Papo Lucca the beloved joins Luigi Texidor in his career as a soloist in the interpretation of the orchestra’s old hit.

She also participated in the album “Ray Barretto 50th Anniversary Live” where she sings “Nadie se salva de la Rumba” with Adalberto Santiago for the year 2001, a song included in the production Tremendo Trio with Celia Cruz, Ray Barretto and with Adalberto Santiago, for the year 1983 distributed by Fania Record.

"Nobody is saved from the Rumba" with Adalberto Santiago for the year 2001
“Ray Barretto 50th Anniversary Live”

 

In February 2009, in Puerto Rico, Yolanda received the “Salsa Awards”, in recognition of her musical career.

That same year she participated once again in another event in La Ponceña, this time in the 55th anniversary of the Ponce giants.

The most recent musical production of the Dama de Ponce is a single titled “Yo no tengo marido” recorded in 2012.

The most recent musical production of the Dama de Ponce is a single titled "Yo no tengo esposo" recorded in 2012
Congratulations to the Lady of Salsa Yolanda Rivera

Congratulations to the Lady of Salsa Yolanda Rivera

 

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Anthony Cruz Was one of the most emblematic interpreters of romantic Salsa

North America / United Stated / New Yersey

Was one of the most emblematic interpreters of romantic salsa. Anthony Cruz was born in New Jersey, United States, on January 5, 1965 to Puerto Rican parents and died the night of Friday, May 18, 2018, of a cardiac arrest, after several days in the hospital.

At an early age she demonstrated her talent as a singer by winning a contest for vocalists in New York, at the young age of five. There, she also stood out by singing with various youth salsa groups of the time and by 1992 she launched herself as a solo artist.

Before Anthony Cruz became a soloist for the Musical Productions label, he was trained by musical institutions that made him worthy of this great opportunity. He was part of the Pedro Conga International Orchestra, chorus singer in the productions of Roberto Lugo, Pedro Arroyo, Nino Segarra; and lead singer of the late Mario Ortíz.

Born in New Jersey, United States, January 5, 1965 to Puerto Rican parents
Anthony Cruz was one of the most emblematic interpreters of romantic salsa.

His first production under Musical Productions, which are the executives of J&N Records, was entitled “Algo Nuevo”, which highlighted the songs “No le temas a él”, with which he reached high levels of popularity that led him to obtain a Gold Record and successful personal presentations throughout the world. It was followed by songs like “Si Sabieras”, “Tu Traición”, “Nunca te Fallé” and “La llave de tu Apartamento”.

In his second production entitled “Para ti”, the songs “Dile a El”, “Atracción Fatal”, “A Que Saben tus Besos” and “Me Gusta”, among others, stood out.

he also stood out singing with various youth salsa groups of the time and by 1992 he launched himself
Their first production under Musical Productions, which are the executives of J&N Records, was entitled “Algo Nuevo” – Anthony Cruz

 

Their productions have included songs by great composers such as Alicia Baroni, Mimi Ibarra, Lolita de la Colina, Gerardo Garcia and arrangers of the stature of Ramón Sánchez and Rafael “Bodo” Torres, among others.

In addition to his success in Puerto Rico, his music has reached international countries such as Venezuela, Panama, Colombia, Peru, Costa Rica, Ecuador, the United States and the Dominican Republic.

  Death of Anthony Cruz

Anthony Cruz died on the night of Friday, May 18, 2018, from a cardiac arrest, after several days in the hospital. His sister Mary Cruz posted a message on social networks announcing the death. The message read: “It is with great sorrow in my heart that I inform you that my beloved brother Anthony Cruz resides in the arms of our Lord. We will be grateful if you keep him in your prayers”.

After his death, the singer Gilberto Santa Rosa wrote in his Facebook account: “Rest the friend and great singer Anthony Cruz! Fly high brother and may your music remain in the hearts of your colleagues, friends and admirers, rest in peace”. While Andy Montañez wrote that with the departure of the interpreter of ‘Morena linda’ “a great one left”.

The singer Mimi Barra, declared on social networks: “My God, I can’t believe it, it can’t be…. unfortunately Anthony Cruz, my friend, with whom I made a duet with a song of my authorship ‘No puede ser’ and the interpreter of several songs I wrote as ‘Morena linda’, ‘Nunca te falleda’, ‘Dile a él’, ‘A qué saben tus besos’, etc… he left. I feel very sad, a friend of mine, one of the greats, left. Rest in peace Anthony Cruz, your voice will stay with us; and today I repeat with much sadness: it cannot be”.

Anthony Cruz
Anthony Cruz and his wife Mayra Gomez
Source: https://www.buenamusica.com/

 

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José Madera Timbal de Machito and his Afro-Cubans, Tito Puente, Mambo Legends Orchestra and Fania Record Co.

The musician, arranger and composer who has yet to find the time to record and write music for some of the most influential bands in existence.

José Madera, Timbal of Machito and his Afro-Cubans, Tito Puente & Fania All-Stars
osé Madera, born on September 30th

One might think that working for Tito Puente’s famous band can keep a percussionist busy enough.

But musician, arranger and composer Jose Madera had found time to record and write music for some of the most influential bands in the world.

Before joining Tito Puente over 35 years ago, Madera played for four years with the famous Machito Orchestra and recorded with many R&B artists (including James Brown, Diana Ross, David Sanborn and Aztec Two – Step).

Jose musical director of Mambo Legends Orchestra

As an arranger for Fania Records, he participated in several commercial hits, and over the years has composed music for Fania All-Stars, Larry Harlow, Johnny Pacheco, Willie Colón and Celia Cruz.

As an arranger for Fania Records, he participated in several commercial hits, and over the years has composed music for Fania All-Stars, Larry Harlow, Johnny Pacheco, Willie Colón and Celia Cruz.
Jose musical director of Mambo Legends Orchestra

Despite having recorded some 75 albums in 20 years, as well as numerous radio jingles and movie soundtracks, Madera still had time for his other career: for 15 years he worked as a teacher and director at a privately funded performing arts high school in New York City.

Jose has written many arrangements for countless commercial Latino artists and has also recorded or worked with many of them.

Some of them include: Larry Harlow, Johnny Pacheco, Chico O’Farill, the Lincoln Center Afro-Cuban Jazz Orchestra, Celia Cruz, Tito Rodriguez, Fania All-Stars, Willie Colon, Joe Farrell, Machito, Graciela, Mario Bauzá, Willie Rosario, Earl Klughand, Eddie Palmieri, to name a few. Jose also worked and recorded with many pop, R&B and jazz artists.

Some of them include Diana Ross, James Brown, Dizzy Gillespie, Paquito D’Rivera, George Benson and Lionel Hampton, among others.

Jose has participated in over 250 recordings. He has worked on several television show soundtracks, including The Simpsons, and several film soundtracks, including The Mambo Kings Play Songs of Love, where he was the musical arranger and conductor for the Tito Puente film segment.

Jose also taught the art of playing Latin percussion instruments at BOYS HARBOR in New York City for 28 years.

Jose has done and continues to do musical clinics around the country at various schools.

He was the musical director of the Latin Giants of Jazz from 2001 to 2009.

Jose continues his musical direction with Mambo Legends Orchestra, a band composed of former members of the Tito Puente Orchestra, which is dedicated to the execution of new and creative Latin and Latin Jazz concepts, as well as some of the music of Machito, Tito Rodriguez and Tito Puente.

He was the musical director of the Latin Giants of Jazz from 2001 to 2009.
José has participated in more than 250 recordings

 

Jose has personally recreated and re-arranged much of the music that the bands performed during the heyday of the mambo at the Palladium Ballroom in New York City, which many critics consider to be the “Greatest and Most Innovative Era” in the history of Latin music.

Madera’s father, Jose “Pin” Madera, a saxophonist, was one of the original members of the Machito Afrocubans.

The young Jose was influenced by Machito’s drummer (“the best Latin Big Band drummer I’ve ever heard”). He was later influenced by José Mangual and Tito Puente himself.

Madera's father, Jose "Pin" Madera, saxophonist, was one of the original members of the Machito Afrocubans
José Madera was influenced by José Mangual Padre and Tito Puente himself

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.