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Search Results for: record company

“Extravagante” is the ninth record production by Orquesta Mulenze

Edwin “Mulenze” Morales was born on 9 April.

Orquesta Mulenze came out in 1976 due to the motivation of Edwin Morales. At that time, he was a young rocker who decided to change his guitar for a bass and in turn become part of Orquesta Yambo, often accompanyng artists such as Hector Lavoe, Celia Cruz, Cheo Feliciano, Ismael Miranda among others arriving in Puerto Rico without an orchestra; then it was later identified and we would know as MULENZE.

The Orchestra began at a time when salsa was booming, and was fortunate to have musicians, composers and singers
The Mulenze orchestra was founded in 1976, motivated by Edwin Morales

The Orchestra was created in the era where salsa was booming and was fortunate to have musicians, composers and singers of great stature who are now recognized. These include Cano Estremera (R.I.P), (El albino de la Salsa) who would later join Bobby Valentín’s band as a vocalist; in the choir singer-songwriter Pedro Arroyo who has brought several of his compositions to Mulenze, in the piano Andy Guzmán and Eric Figueroa. The latter would be one of the influencers in the style which would be adopted by the orchestra, practicing a little sophisticated and revolutionary rhythm for the public that follows popular music.

Mulenze was one of the first orchestras to use synthesizers within salsa, working rhythmically out of the beat in which the clave pattern is set, giving some jazz variations to their music; it was an innovation that was not very accepted by the groups that were already established at that time, though later this would give respect and an its own identity to the orchestra with its brilliant arrangements.

The ninth record production “Extravagante”

In the voices of Pedro Brull and Rafy Andino, excellent album and Edwin "Mulenze" Morales as director of the group with a first-class team of musicians and arrangers surprises us with this release.
“Extravagante” is the ninth record production by Orquesta Mulenze

This ninth record production “Extravagante” is impossible to get since 1990 as the company under which it was released has ceased to exist and it is one of those many lost records.

In the voices of Pedro Brull and Rafy Andino, excellent album and Edwin “Mulenze” Morales as director of the group with a first-class team of musicians and arrangers surprises us with this release.

Orquesta Mulenze – Extravagante 1990.

Record label: Hitt Makers

Quédate: Written-By – Pedro Arroyo

Ese Loco De La Vida: Written-By – Juan Bautista

Es Al Amor Que Llega: Written-By – Jose Luis Perales*

No Hay Preguntas: Written-By – Jose Luis Perales*

Contra Viento Y Marea: Written-By – Gloria Gonzalez

Zumba Con Mi Rumba: Written-By – Poldo Castro

Mi Tremendo Caso: Written-By – Tite Curet Alonso

A Dormir Afuera: Written-By Fabio Espinoza, Joaquin Galan, Lucia Galan

Arrangers:

Eric Figueroa (2) (tracks: B3),

Julio Alvarado (tracks: A2, B1),

Luis Garcia (5) (tracks: B2),

Ricky Rodriguez (3) (tracks: A1, A3, A4, B4).

Talent:

Bongos, Cowbell – Charlie Sierra

Congas – Jimmy Garcia (3)

Choir – Alex Castro (3), Cheo Andújar

Guest Musician, Congas – Giovanni Hidalgo, Johnny Rivero

Guest Musician, Keyboards – Jose Pujales

Guest Musician], Maracas – Cusy Castillo

Guest Musician, Timbales – Chago Martinez

Guest Musician, Trombone – José Berrios

Guest Musician, Trumpet – Carlos Martinez (3), Mario Ortiz Jr.

Güiro – Ricardo Salgado

Leader, Bass, Producer, Directed By – Edwin Morales

Mixed By – Papo Sánchez (2)

Piano, Keyboards – Ricky Rodriguez (3)

Producer – Antonio Rodríguez

Technician – Andrés Reyes, George Kamarinos

Technician, Mixed By – Ricky Martínez

Timbales – Roberto Whatts

Trombone – Eliut Cintron, Rafy Torres

Trumpet – Angie Machado, Roberto Santiago (2)

Vocals – Pedro Brull, Rafy Andino

Vocals, Choir – Jose L. Ramos

Extravagante 1990

#SalsaIsCulture

Article of Interest: Mulenze The Orchestra of Eternal Youth

Sources: Julio Vázquez Productions

This is the start of PC Records in 2021

PC Records wants to start the year with everything

PC Records is a label that showed talent and potential during a year that was hard for everyone, where the world began to face a pandemic that has devastated many people. But precisely in this environment of confinement and taking care of ourselves, music has flourished, becoming company for many and even a way to release stress and seek happiness.

PC Records 2021
PC Records is an independent label.

During this year PC Records showed us a variety of styles from reggaeton, through bachata and merengue to salsa and jazz. The independent label wants to continue its good streak in 2021, publicizing more artists and musical proposals for the enjoyment of the Latin and American public, as expressed by Hamilton Caucayo, president of PC Records with 35 years of experience. Among which we find:

Luis Damon and his “Rompecabezas”

PC Records 2021
Luis Damon’s “Rompecabezas”

Luis Damon, a New Yorker with Puerto Rican blood in his veins, grew up in the Bronx and was surrounded by music from a very young age. His first production in Spanish came out in 1996 and from there it was only hits after hits. Nominated for Los Premios Lo Nuestro, Luis has managed to maintain a solid career. On this occasion he presents us “Rompecabezas” an urban Latin pop single written by Obie Bermudez, another Puerto Rican with the collaboration of Luis himself, the production was in charge of Julius Cesar.

OWY’s “La Iniciativa”

PC Records 2021
OWY’s “La Iniciativa”

Oswaldo Paternostro is better known as OWY and is one of PC Records’ new proposals for this year. OWY is a singer, songwriter and producer from Colombia, who has dedicated himself to the urban genre, reaching a great reception among young audiences. He was born and raised in Barranquilla under the protection of his grandparents, who have always supported him. Now he presents “La Iniciativa” with which he wants to continue conquering the Latin markets.

Homero Gallardo presents “GOD Love UFO”

PC Records 2021
Homero’s GOD Love UFO

The talented Jazz artist Homero Gallardo was PC Records’ bet to close 2020 and start 2021 strong. Homero was born and raised in Guayaquil, Ecuador and from a very young age he felt a passion for music, managing to perform with great artists from the southern region. He later moved to Miami to continue his music studies focusing on Jazz, but making himself known in the city’s music scene, which led him to be close to artists such as Thalía and Luis Fonsi.

Ayash wants to be “Como Tú”

PC Records 2021
Ayash’s single “Como Tú”

Ayash is another of PC Records’ new proposals, with her they want to bet on female talent, with a young woman who defines herself as powerful, with attitude and security, but who at the end of the day is still an incurable romantic and loves being in love. With her new single “Como Tú” the artist with Spanish origins but raised in Orange County, California shows Mediterranean fusion rhythms and a very personal story. Ayash is currently living in Miami where she bets on the warmth of the Spanish-speaking public.

These proposals are just the beginning of what we hope will be a great year for PC Records, with its talented artists and their hard work who continue to make their Latin origins proud.

If you want more information or more details about PC Records, visit the following pages:

WebSite: https://pcrecords.net/ 

 

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Marlow Rosado talks about his two new recordings and contribution to music

Marlow Rosado “The Dalí of music” as he is known, closes the year talking about his latest productions and what is coming this 2021.

Marlow Rosado, is a Puerto Rican pianist who has made his way into the salsa genre. A very versatile and creative artist, he has been one of the lucky Latinos to be a Latin Grammy winner. He is an arranger, composer and conductor, his style delves into fusions of Latin jazz and Afro-Cuban traditions. However, he does not hesitate to reinvent himself after each musical production, without losing the flavor that has become his personal hallmark. He leans for the aggressive but fresh and modern rhythm. In addition, he is recognized for his quality productions.

Marlow Rosado talks about his two new recordings
Marlow is a Grammy winner.

“Before the issue of the pandemic, I had released an album … ‘Feminomanía’ a project where the voices are female. The musical production was at its peak, the pandemic arrived and everything came to a standstill, “said the Puerto Rican established in Miami city.

The project concentrated the diversity of different singers of the genre, among them: Carolina La O, Michelle Brava, Brenda K Starr and Aymee Nuviola. In addition, it has 13 songs and the musical participation of Marlow.

Rosado, was one of those artists who took advantage of the global pandemic to the fullest and decided not to lock themselves in apathy. During 2020, he performed two songs that marked his year. They are completely different but were made with the same love and dedication: one of salsa and another of Latin jazz.

Faced with the paralysis of activities worldwide, Marlow opted to enter the recording studio and give life to new productions.

“I went into the studio to produce another album and I started working on two at the same time. From the beginning, he had spoken with singer Frankie Negrón to do a salsa production. The album is called ‘Los colores de la salsa’ in allusion to our surnames Rosado and Negrón. Frankie recently moved to Miami, which made recording easy”, said Rosado.

The artist served as the composer of all the songs, as well as the musical arrangements.

“In the production ‘Los colores de la salsa’ there is a song called ‘Boricuas en Nueva York’ that has that Christmas air and we wanted to release it now to create an energy around those two albums that are coming in February” he added.

“Boricuas en Nueva York” with Frankie Negrón, was distributed under the JN Music Group label. The song has a Puerto Rican salsa rhythm, along with the voices of both singers who emigrated from Puerto Rico to the United States. Rosado was very pleased to work together with Negrón and to give this suitable theme for Christmas.

Marlow Rosado talks about his two new recordings
Marlow Rosado and Frankie Negron.

“Orun” is the following record production, made within the Latin jazz genre and very different from “Los Colores de la Salsa”. With this job he fulfilled a dream he had always had.

“I had always wanted to make a Latin jazz record. I’m a good jazz player and a fan of Edddie Palmieri. I love the career he has made linking salsa and latin jazz at the same time. I made the two albums, I presented them in JN Music Group, they liked them and they quickly told me we want to release them. Both will go on the market in February 2021 ”, said the artist.

The album featured the collaboration of Cuban-born pianist Chucho Valdés and saxophonist Ed Calle. For some, betting on new releases amid the global pandemic was a challenge. However, Rosado took it with good energy and believes that it is not impossible to give them the boost he wants.

“Who knows what happens. Sometimes you make an album at the best times and under the best circumstances and nothing happens. I am positive. I did these two projects in difficult times and look, I got them signed for me. So far I have managed to make the records and have the production company put them out… things that maybe under regular circumstances would not have achieved. We are going to think that this pandemic has come with the happiness that I have been able to make these two albums and that they are going to continue with the push they have been doing so far “, said the musician

Marlow has worked with the best of the industry. He created a song for Yolandita Monge (“Sentimiento Borinqueño”), he has participated in productions by Alejandra Guzmán, Ricky Martin, El Gran Combo, Elvis Crespo, the Puerto Rican Power orchestra, among others. He has also worked with Celia Cruz, Selena, Ricardo Montaner, Olga Tañón, and many more.

Marlow Rosado’s Biography

Marlow Rosado was born and raised in Cataño, in the central area of ​​San Juan in Puerto Rico. Later, he moved to the state of Florida, where he trained in the musical field. He studied up to a master’s degree in jazz.

Rosado is very dear to the children who have known him. In fact, he taught in elementary schools, sharing his passion for music with new generations. His first big break came from being able to work alongside Desmond Child, an American producer and songwriter who has been associated with renowned bands like Aerosmith, Bon Jovi and Kiss. A big leap in his career!

He is the typical Latino who loves his country, and grew up surrounded by his origins. Salsa accompanied him throughout his life. Before he was 10 years old, he was given an electronic organ and it was at that moment that everything changed for him.

He has won two Grammys, an achievement that fills him with great pride.

Marlow Rosado talks about his two new recordings
Marlow and one of his Grammys.

“The Grammys are my before and after in my career. They have given me the right to say: Look, I am right. I have always had my mind outside of what is commercial, making the music that I want to do. The Grammys have given me the right to know that I was right… where my music is going”, he said.

In 2009, together with his orchestra La Riqueña, he recorded his first album known as “Salsalsa”. For Marlow, the team he had was of another level: “The best musicians.” Then, in 2012 came “Retro”, along with his first Grammy Award; “Salsanimal” in 2014; “Harlow Marlow, volume 1” in 2016; and “Feminomanía”.

Harlow Marlow, Vol. 1 mixed elegant style with modern elements and salsa brava. The album was a tribute to his friend Harlow.

“I have a very special respect and affection for Larry Harlow. I have known him for many years. I have worked with him many times. When he came to Miami to play, I put the orchestra together for him. I have an unforgettable memory when I played the Hommy Opera at Lincoln Center. Larry conducted and I played the piano. For me it was an honor. One of the best gifts I have ever received was from him. He gave me the piano that looks like a guitar and I keep it in my studio with great pride. The connection with him is something special ”.

Marlow Rosado talks about his two new recordings
“The Dalí of music” as he is known.

Salsa is its flag and it will continue to innovate within it. Marlow’s career continues to climb. A pianist who has been called “The Dalí of music” because his hands become brushes when he plays the piano, just like the painter’s canvases. Marlow leaves his mark and will continue to give something to talk about. We have no doubts about it!

 

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Where the idea of the name of the Fania Record label came from

October 2020

Jerry Masucci and Johnny Pacheco

 

Genaro Masucci, known as Jerry Masucci and Juan Azarías Pacheco Kiniping, known as Johnny Pacheco
Jerry Masucci and Johnny Pacheco

Where the idea of Genaro Masucci, known as Jerry Masucci ((Brooklyn, New York, Oct. 7, 1934 -Argentina Dec. 21, 1997)) and Juan Azarías Pacheco Kiniping, known as Johnny Pacheco ((Santiago, Dominican Republic, Mar. 25, 1935)) to give the title to the record label “Fania” arose.

The name was taken from the old Cuban son: “Fania”, which was successfully performed by the Conjunto Estrellas de Chocolate and composed by Reinaldo Bolaños.

The lyrics present a syncretism between the Spanish and African languages.

 

Chocolate Stars Set
Chocolate Stars Set

Members of the Conjunto Estrellas De Chocolate.

Theme: Fania

Author: Reinaldo Bolaños

Voice: Filiberto Hernández Fuentes

Voice: Chinese Lion Lahera Wilson

Voice: Agustín Cabrera .

Three: Andrés “Nino Rivera” Echevarría

Bass guitar: Sergio De Cuba

Bongos: “Pichi”

Piano: David Palomares

Trumpet: Armando “El Gorilla” Albertini

Felix “Chocolate” Alfonso was not afraid to put together and lead an ensemble in the style of Arsenio and Chappottín in 1959. The ensemble format was part of the medium in which he swam like a fish in water.

He knew the best montuneros musicians and called them together. The good ensembles still retained the favor of part of the public.

Jesús Gorís, the architect of the Puchito label, didn’t think twice about it and recorded them right away.

Victrolas in bars and bodegas all over the island began to spread the son montuno macho of Las Estrellas de Chocolate.

But the 1960s in Cuba were too strong, diverse and creative, and the good work of Chocolate with its stars had to deal with a scene that was too competitive for a novel ensemble.

As often happens, it took several years for the Chocolate Stars to finally shine as stars and be on everyone’s lips.

was recorded in the voice of Pedro Juan Rodríguez Ferrer "Pete" El Conde Rodríguez
“My New Tumbao Cañonazo”

Fania, although composed by Reinaldo Bolaños for Conjunto Estrellas de Chocolate, was recorded on the voice of Pedro Juan Rodríguez Ferrer “Pete” El Conde Rodríguez (Ponce, Puerto Rico, Jan. 31, 1933 – Dec. 2, 2000); who along with Pacheco’s group recorded the company’s first album entitled “Mi Nuevo Tumbao. Cañonazo”, with a majority of Cuban songs, like most of the albums recorded by Pacheco and many of those recorded by that label.

In 1964 Jhonny Pacheco and Jerry Massucci founded Fania Records and created the international and renowned Fania All Stars.

Pete was the first singer that Fania had, and on his shoulders was the responsibility of taking that project forward.

In the first Fania album Cañonazo (1964) Pete interpreted the theme Fania, composition of Reinaldo Bolanos and with which the band was inaugurated.

It is 1964 and the history of Latin music is about to change.

The Dominican flutist Johnny Pacheco, one of the most popular Latin artists in New York, has parked his flute, changed his orchestra and recorded an album, “Mi Nuevo Tumbao…Cañonazo”.

It’s a curious recording, although it doesn’t seem special.

It sounds like a somewhat modernized Sonora Matancera. But it has been released under a new label, Fania Records, which he has just founded in partnership with New York lawyer Jerry Masucci.

And what was only meant to be a start to relaunch and boost Pacheco’s career is out of the hands of both of them and becomes a phenomenon.

Fania All Stars

Additional information:

The name of one of the most important record labels in Latin America and the world All comes from a song by Cuban Reinaldo Bolaños called Fanía, which refers to a story about a woman whose name was Epifanía and her mentally challenged son.

The story goes that in the middle of a fight between the two, she threw flour (funche as it is called in the Caribbean) in her son’s face and he responded “Fania Funché”.

Bolaños liked the story very much, as did the founders of the record company Jerry Masuci and Jhonny Pacheco, who decided to name their music company after her and include the song in the first album produced.

With the passage of time, they stopped pronouncing the tilde on the “i” and started calling it Fania, without an accent.

Research sources:

Thomas Muriel (Puerto Rico)

www.gladyspalmera.com

 

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Latin Music Revolution in United States: Record labels that bet on producing Latino Artists

North America / United States

Record labels that bet on the first Latin singers in the United States

Currently, visiting a nightclub in the US and listening to a bachata or merengue song is totally normal. The assistants, regardless of their nationality, will end up dancing and chanting the melodies. However, a few years ago it was not this way. Find out which labels made this a reality.

Latin music came to the United States around 1930 thanks to the bolero. Its growth continued to rise within its borders passing through salsa, chachachá and merengue; until genres such as bachata and Latin jazz became popular in order to position themselves as they are today. To a large extent, social networks have contributed to the projection of today’s artists. For the most part, they create strategies that increase their reach by improving their sales and reproductions. In 2019, on the Billboard Hot 100 chart, which measures the most popular songs in the United States, there were more Latin songs than ever. A true historical record!

Record Labels in Latin Music
Record Labels of Latin Music

These data were revealed by Leila Cobo, Billboard’s vice president for the Latin market.

In 2018, Latin music rose to the fifth place with the highest demand in the United States, according to the music statistics firm BuzzAngle, in charge of rankings for Rolling Stone magazine.

For many, it is a cause for astonishment and they cannot imagine what the previous story is. The first Latin singers had to go a long way, being rejected in some opportunities but, finally, achieving success on American soil. There is a long list of characters who paved the way for other Latin musicians such as: Héctor Lavoe, Celia Cruz, Rubén Blades, among others.

Another curious fact worthy of consideration corresponds to the companies that were behind these releases: the record companies. Those record labels that dared to try a foreigner with a proposal in a language other than the United States; They trusted and believed in his talent. Part of this musical revolution, it is thanks to them and their directors.

Record labels that bet on the first Latin singers in the United States

Fania Records

In 1964 this project was born in New York City. It was founded by the American businessman, producer and promoter, Jerry Masucci and the Dominican musician Johnny Pacheco.

Pacheco is one of the most influential figures in Caribbean and Latin music. He is a composer, director, arranger; he specializes in Cuban and Caribbean music such as salsa. This singer also had to go step by step within the US market, train in its streets and go after recognition. In 1960 Pacheco y su Charanga was created, a band that reached more than 100,000 copies on its first album. Alegre Records was the label they signed with. His fame led him to visit countless countries. His experience in the industry made his wish he could help others. After creating Fania Records, he was recognized for promoting the careers of many young artists.

The name of Fania Records was taken from a Cuban song by Reinaldo Bolaño. In part, their great popularity was due to their promotion of salsa. The label supported the greats of the show such as: Rubén Blandes, Willie Colón, Tito Puente, Bobby Valentin, Ray Barretto and Héctor Lavoe, among others.

Alegre Records

It was founded in 1956 by Al Santiago, the owner of a record store in the Bronx. It specialized in products born in the 1950s.

Alegre Records represented, for the most part, Latin music singers. In addition, opening its doors to greats such as Tito Puentes, Johnny Pacheco, founder of Fania Records, Eddie Palmieri. In 1975 it was acquired by Fania Records.

Capitol Records (EMI Latin)

It is an American record company that opened its doors in 1942. Its founders were Johnny Mercer and Buddy DeSyIva, American singers. Today it is owned by Universal Music Group, one of the world’s leading record labels. In most cases, it focused on genres typical of its borders. However, they gave their support to the American with Mexican roots, Selena and the Dominican Juan Luis Guerra.

Discos CBS International

CBS Record Label
Record Label of Latin Music

At first it was located in Coral Globes and then it was transferred to the city of Miami. Discos CBS supported bands like Miami Sound Machine, in which the renowned singer and songwriter Emilio Estefan participated. In 1991, it was acquired by Sony. It is one of the best known for being part of the CBS television network (Columbia Broadcasting System, Inc). It was founded in 1962 by Harvey Schein. Discos CBS is active despite the number of years since its inception. He is dedicated to different genres, without neglecting music in Spanish.

Warner Music Latina (WEA Latina)

Warner Music Latina
The world of Latin Music Record Labels

It is a label belonging to Warner Music Group, one of the world powers in the field. Warner Music Latina emerged in 1987 and focused on Latin productions, giving the opportunity to artists such as the Puerto Rican, Olga Tañón. It was the label that gave her her first opportunity as a solo artist with the album Sola (1992), making her a Platinum Record recipient. At present, it has branches in different countries of the world. It has production and publication of music, recorded music and services for artists.

RMM Records

It was an independent record company that operated in New York City until the late 1990s. It focused on salsa, merengue, and Latin jazz productions. He worked with artists such as Marc Anthony, Tito Puente, Cheo Feliciano, Tito Nieves, Celia Cruz, Óscar D´León, among others. RMM Records went bankrupt due to legal problems with artists and a millionaire lawsuit filed by singer Glenn Monroig. In 2001 Universal Music acquired the RMM records catalog. A lot of

Over the years, the American music industry was increasingly influenced by songs in Spanish. Those who do not speak the language have commented that they are attracted to the catchy rhythm and do not hesitate to dance them non-stop. The US public has become less skeptical of Latin rhythms. Recording industry experts say it is due to the rhythms and their proximity to the songs in English.

The creation of platforms such as YouTube and the appearance of streaming platforms has given greater openness to the market. More and more Latinos are succeeding in the US and record companies are deciding to finance their projects.

Merlin, a specialized agency, has been in charge of bringing together different independent record companies and managing the collection of income derived from streaming platforms. Half of the record labels associated with Merlin are American. On the other hand, the number of clicks and visits obtained by Latin songs on video platforms such as YouTube and Vevo are increasing, especially in the case of audiences in the US The number of new immigrants and young people must also be considered. Born to Latino or Latin American parents.

The market continues to bet on Latin music. In fact, in the United States there are a large number of stations focused on this type of music. Users can request the songs of their choice and enjoy them at any time of the day.

What will be the next step for songs in Spanish within the United States?

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.