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From 1940 to 1957, he was in charge of the arrangements, rehearsals, repertoire, hiring of the vocalists and that very particular sound, so imitated but never equaled that the “Dean of the Conjuntos” possessed.

All that sonority is due to this pianist, composer and arranger born in Matanzas, Cuba, on June 2, 1903.

Severino Ramos Betancourt was born on June 1, 1903 in Matanzas, Cuba. He was a composer, pianist, orchestrator and arranger, one of the great Cuban musicians, he worked as pianist and arranger in the Conjunto Sonora Matancera, later he founded the Sonora Cubana.

Since he was a child, music, musicians and instruments were his passion. In his family, grandparents and uncles, had to do with the bungas of Matanzas (a bunga was a small group that included piano, violin, clarinet and flute). As a child he met Cheo Jiménez and Eduardo Betancourt, trombonist of Miguel Failde’s orchestra.

Later he went to Havana where he worked successively as a tailor’s assistant, insurance collector, doorman in a cabaret, traveling salesman, substitute musician in theaters, radio stations, and a thousand other occupations that appeared along the way before becoming a professional musician, during that time he received lessons from Felix Covarrubias.

Sonora Matancera

Severino Ramos joined the famous Conjunto Sonora Matancera in 1942, as a pianist, after unsuccessful attempts to occupy positions in the Sexteto Mikito (later Conjunto Casino), replacing Enrique Rodriguez, and in other Havana groups.

Severino’s character does not go with the style of intense and nocturnal work of the group, presentations in radio stations, dances (preference of Rogelio Martínez its director), contracts in La Tropical, Cabaret Tropicana, regional Centers: Asturian Center, Galician Center and trips to provinces; so he decides at the request of the director of the Sonora to look for another pianist for the group and he stays to make the arrangements, rehearsals, preparation of repertoire, etc…, From that moment on, the star of the Conjunto Sonora Matancera really began to shine in the firmament of popular acceptance.

He became, in keeping with his calm character, an orchestra man performing all these tasks and some others, such as visiting radio stations, theaters and other places to obtain contracts for the group.

The fruits contributed by Severino Ramos between 1940 and 1957 are of extraordinary value, perhaps what makes his work more visible are his arrangements and the preparation of the regular and guest singers that accompanied the Sonora such as: Bienvenido Granda, Daniel Santos, Myrta Silva, Celia Cruz, Leo Marini, Bobby Capó, Nelson Pinedo, Estanislao Laíto Sureda, Carlos Argentino and Celio González, among others.

After the Sonora Matancera

The last days of Severino Ramos in favor of Cuban Music were as musical director of Radio Progreso since 1957, when he left the Sonora, simultaneously with the prolific and very important work at the head of the many record labels he created.

After 1959, in that first decade, 1960, many record labels emerged in Havana, plus those that came from before and he multiplied himself making arrangements, forming momentary groups, forming groups to accompany Orlando Contreras, Blanca Rosa Gil, Orlando Vallejo, Ñico Membiela, many more. He formed the Sonora de Severino Ramos and helped create the Conjunto Caney.

The following is a small sample of songs that were arranged by Severino Ramos for the Sonora Matancera:

El Tíbiri Tábara with Daniel Santos

Qué corto es el amor, with Mirtha Silva

Burundanga, Yerbero Moderno, Tu Voz, Luna sobre Matanzas, with Celia Cruz

Who will be? With Nelson Pinedo

Yo no soy guapo with Vicentico Valdes

Sujetate la lengua, with Bienvenido Granda

Aunque me cueste la vida, on the 19th, El negrito del Batey with Alberto Beltrán

El gallo, la gallina y el caballo with Manuel Licea

Piel Canela with Bobby Capó

Maringá, with Leo Marini

Who will it be? With Nelson Pinedo

Las Muchachas, with Carlos Argentino

Translated with www.DeepL.com/Translator (free version)

Severino Ramos died in Havana on November 2, 1969.

 

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Peraza (May 30, 1924-April 14, 2014) was a Cuban Latin jazz percussionist.

Thanks to his collaborations with guitarist Carlos Santana, jazz pianist George Shearing and vibraphonist Cal Tjader between 1950 and 1990, he is internationally recognized as one of the most important figures in the field of Latin percussion.

Known primarily as a conguero and bongocero, Peraza is also a skilled dancer and composer. He has appeared on recordings by Pérez Prado, Machito, George Shearing, Charlie Parker, Tito Puente, Cal Tjader and Carlos Santana. Performances with Santana, Shearing and Tjader brought him international fame.

He was inducted into the Smithsonian Institute and had three “Armando Peraza Days” from the city of San Francisco.

One of the most important and respected figures in the world of percussion.

He is a legendary master on both congas and bongoes, whose unorthodox style and story are an inspiration to countless young musicians.

He began his artistic career in the early 1940s, played with singer Alberto Ruiz’s Kuvabana ensemble where he played the bongo and moved to San Francisco in 1949.

At the New York World’s Fair he played congas in an African pavilion with a Nigerian.

This African arrives and says to me: “Man, what part of Africa are you from? I told him, I am from Cuba. He said: “Don’t tell me” He later worked with the orchestras of Paulina Álvarez and Dámaso Pérez Prado, and the Bolero group.

In 1947 he moved to Mexico, where he joined with Mongo Santamaría the ensemble Clave de Oro, and in 1948 they both traveled to New York as percussionists accompanying the dance couple Pablito y Lilón.

At the end of that year, Peraza joined Slim Gaillard’s jazz combo with which he traveled throughout the United States. After arriving in New York in 1949, Armando became a sought-after musician, especially in the contemporary Bebop and Latin Jazz scenes.

Armando built a reputation for impressively fast and complex hand technique, experimental techniques and great talent for entertaining. He flourished in progressive atmospheres that combined jazz with Afro-Cuban styles and was at the center of a new expression called “Cubop”.

He has played on more than 100 albums and is the composer of more than 40 songs. Some of these works include collaborations with Mongo Santamaria, George Shearing, Cal Tjader and Carlos Santana.

Settled in San Francisco, California, in the early 1950s, Peraza began working with pianist George Shearing’s quintet, where he demonstrated his mastery as a player of the tumbadora and bongo; also in this period he recorded several albums of Cuban folk music with Mongo Santamaria.

In the 60’s he joined the quintet of vibraphonist Cal Tjader, with whom he remained for several years and with whom he popularized Chano Pozo’s Guachi guaro. In the 1970s, he joined Mongo Santamaría’s orchestra, with which he participated in the Montreaux Jazz Festival in Switzerland.

Later he worked with Carlos Santana’s rock band, in which he remained for 17 years, until his retirement from artistic life in the 90s.

He possessed a great capacity to obtain the most unusual sounds of the bongo and the tumbadora, and distinguished himself for his extraordinary solos on both instruments.

He died on April 14, 2014 in California, United States, as a result of pneumonia.

 

Fuente: https://kripkit.com/armando-peraza/

The Oldest Latino Festival In India Returns With More Salsa Immersion

Latin Festival Madras started in 2014 and is the only one of its style in Chennai

The largest and oldest ten-day Latin gathering in Chennai (India) will bring the Maestro Jimmy Bosch “El Trombonista Criollo” and one of the best timbaleros in Europe today, Joaquín Arteaga live at the five-star hotel, Vivanta Chennai It Expressway located at 309, Old Mahabalipuram Road, Shollinganallur Chennai, Tamil Nadu, India 600119.

In this ninth edition of the festival, you will also find carefully designed Salsa, Bachata, and Kizomba workshops, special training camps with instructors with more than a decade of teaching experience at festivals around the world, performances by national and international dancers (Korea, Japan, Malaysia, Canada, Vietnam, China, and Russia) acclaimed worldwide, also social dancing in the company of the seven best DJs from Asia, pool party, theme parties, surfing, buffet lunches, and dinners with a luxury stay that characterizes this event as the only one of its kind in Madras, currently known as the Chennai city, capital of the Tamil Nadu state.

Friday, September 2^nd will be the opening of the Latin Festival Madras https://www.latinfestivalmadras.in/ at Surf Turf beach, where you can dance all day long with delicious local food, and if you prefer a little more excitement you can surf in the Bay of Bengal with your fellow dancers. But, if you don’t know this sports discipline, don’t worry because there will be instructors on-site to perform this water sport with the correct technique.

7 DJs will participate in this Latin event from Malaysia, Japan, Canada, Thailand, and India.

On Saturday, September 3^rd, and Sunday, September 4^th, all the activities (workshops, camps, shows, and parties) will take place at the Taj Vivanta hotel, a five-star venue to have a luxurious, memorable, and family experience.

Two of the peculiarities of this Festival are the parties before to the Latin event (August 29^th – September 1^st) and the getaway after the closing of the festival (September 5^th – September 6^th). The event’s organizers have planned to visit Pondicherry through Mahabalipuram for two days, the latter place a UNESCO World Heritage Site.

In Pondicherry they will be able to taste the typical dishes, dance, and do a guided exploration of the ruins and historical sites of the town.

On the second day, you will explore the old Franco-Tamil city. During the day they will visit the old Auroville community located 10 km from Pondicherry and during the night they will dance at the pool party at Anandha Inn Convention Center and Suites. And on Wednesday, September 7^th, will be the big farewell to Chennai.

But, before leaving the city of Chennai, we must talk about the live music that will be present at this Latin event in India. The greatest exponents of the Trombone and the Timbal will say here, the maestro Jimmy Bosch and the creator of the hard Salsa orchestra Tromboranga, Joaquín Arteaga.

The objective of this festival is to provide a memorable experience and exposure to the educational value for future talents, artists, and instructors.

Jimmy Bosch is an exceptional Latin Music Trombonist acclaimed in more than 70 countries and has 11 Grammy Awards and more than 100 recordings in the Salsa and Latin Jazz genres. “El Trombonista Criollo” has worked with the FANIA All-stars, Eddie Palmieri, Ruben Blades, Ray Barretto, Machito, Cachao, and more. He has participated in Salsa conventions and Latin and Jazz music festivals around the world, as well as performed in clubs in Asia, Europe, America, and Oceania.

On the other hand, the second artist to perform on this special evening is the Leader, Director, and Timbalero of the Tromboranga salsa orchestra, Joaquín Arteaga. This Venezuelan timbalero based in Barcelona (Spain) has been part of the Gerardo Rosales Orchestra (2004) and has toured Europe accompanying international artists such as Andy Montañez, Andrés Cepeda, Jhon Lozano, Venezuelan Masters Orchestra, and Bloque 53, among many others.

Since 2009 he has been a sponsor of the prestigious Latin Percussion LP brand. Joaquín has produced and recorded nine albums for Tromboranga and has toured extensively throughout Latin America, North America, Europe, Australia, and Asia. This Venezuelan composer has also organized and taught salsa percussion workshops in Spain, Japan, Australia, Colombia, the USA, France, the UK, Morocco, Lebanon, Thailand, and South Africa, among many other countries.

The Full Passes for the event are USD 140 (travel to Pondicherry and Mahabalipuram is not included). The online sale ends on August 31^st, and the prices of the passes increase every two months.