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Professor MSc. Carlos Colmenárez and his “WRITTEN SALSA”

By: Professor MSc. Carlos Colmenárez (Venezuela)

Greetings, dear and consistent readers of Salsa Escrita, from this server, your longtime friend, Professor MSc. Carlos Colmenárez. It is a great satisfaction for me to be able to reach all of you through International Salsa Magazine, to whom I am very grateful for your trust and thus be able to make known the Venezuelan salsa talent and also from other countries, where Afro-Latin music continues and will continue to be projected and promoted with much professionalism in its prestigious pages.

Salsa Escrita, in charge of this server, your friend of always, professor MSc. Carlos Colmenárez
Professor MSc. Carlos Colmenárez (Venezuela)

In this issue of Salsa Escrita, we bring you four exponents of Afro-Caribbean music, born in Venezuela, who exalt the genre with great class and success, earning the respect and admiration of all its followers. So, ladies and gentlemen, we present to you in special reviews Hildemaro “El Sonero del Amor”, Mariana “La Sonera de Venezuela”, Édgar “Dolor” Quijada and Héctor “Malecón”. We hope you enjoy the written interaction between you and International Salsa Magazine.

Hildemaro “The Sonero of Love”

The Venezuelan singer-songwriter, born in Caripito, Monagas state, on November 10, 1957
Hildemaro The Sonero of Love

On this occasion we will mention a vocalist who has stood out for his excellent interpretive quality and professionalism during his long and successful career, both in Venezuela and abroad; we refer to José Hildemaro Hugas Amarista, better known as Hildemaro “El Sonero del Amor”.

The Venezuelan singer-songwriter, born in Caripito, Monagas state, on November 10, 1957, told us that his musical interests came from a very young age, participating in festivals in his home state and musical groups in that locality, until he was presented with the opportunity to go to Caracas in 1976 and join the orchestra “Los Satélites”; Then in 1979 he joined the “Orquesta Ideal”; later he worked with the “Súper Combo los Tropicales”, “Noche Caliente” and the “Orquesta de Porfi Jiménez”; and finally in 1985 he joined Renato Capriles’ orchestra “Los Melódicos”, which gave him the greatest and best experience.

The following year,” Hildemaro continued, “he decided to definitely make his way as a salsa performer, recording his first LP under the TH label, thanks to his music producer, José “El Flaco” Bermúdez, and since then he has remained in his project of a fruitful singing career.

In 1988 he recorded his album “Amanecí contigo”, propelling it into the international market, hitting his songs with great acceptance, both in Venezuela and abroad, showing his face in the country as a salsa performer before the world.

Peru was his first point of attack, as well as the United States, and with that goal he was always renewing his repertoire.

In 1989 he recorded the production “Sin Tabú”, winning a gold record and triumphing on stages in Panama, Mexico, Colombia and New York; In 1990 he recorded the acetate “Romántico y sensual”, with which he demonstrated once again that he has one of the best voices in Latin American and Caribbean salsa, qualities that were also captured in his 4th album entitled “Lo mejor de mi” in 1991, later in 1993 he released his 5th LP “Al natural”, two years later the long play “Lo que siento” in 1995 and in 1996 the album “La mejor salsa con Hildemaro”.

In 2002 and 2003, he burst again into the radio stations nationally and internationally with 2 singles: “Corazón loco” and “El celular”, with which he once again demonstrated his great vocal capacity.

Among his best known hits are: The first time, Hola, Amanecí contigo, Desde el fondo de mi corazón, Negra, Agua caliente, Sin tabú, Al natural, Apago la luz, Como nadie, Cabalgaremos, Lucero and many more.

At the present time it comes from succeeding in Peru, Colombia, Spain, Italy and Sweden. In Venezuela she works with her own orchestra “Caripito all Stars”.

Finally she told us “El Sonero del Amor” that she registered her foundation “Hildemaro Hugas”, a non-profit organization to help children, elderly and people who deserve it.

By 2020, with God’s favor, he returns to the United States, where he is acclaimed by romantic dancers, just like in Peru, his second homeland. Hildemaro’s social networks are: Instagram @sonerodelamor, Facebook: José Hildemaro Hugas, phone: +58 412 2934606 and +58 416 0580079 for bookings.

Edgar “Dolor” Quijada

Édgar José Quijada, from January 23, Caracas. The man of "Pain", a name given to him by his brothers
Edgar “Dolor” Quijada

Sonero from A to Z, it’s that simple. Not everyone can be graded that way and not everyone has the privilege of being so. It is a title that must be achieved “on the go”, working very hard day and night. The “Masters” in sounding were Benny Moré and Ismael Rivera, to name the most significant.

In this regard, we must mention other vocalists of the stature of Cheo Feliciano, Gilberto Santa Rosa, Pete “El Conde” Rodriguez, Chamaco Ramirez and others of renown who took the baton; in the courtyard, Oscar D’Leon, Orlando Watussi, Mariana Guevara, Marcial Isturiz, Charlie Guzman, Ronald Gomez, among others, each with his own style and particularity. The one we will talk about today, has already occupied that place for years, I am referring to Edgar José Quijada, from January 23rd, Caracas. The man of “Pain”, an appellation given to him by his brothers.

In all his life he has not stopped singing and that comes from his mother. The trajectory of Édgar “Dolor” Quijada, born on March 21, 1954, dates from more than 40 years ago, since he began with the Yacambú Orchestra and later he was called to accompany national and international singers and to integrate orchestras such as: Década, Federico y su Combo, Los Incorregibles, Repicao, Soledad Bravo, Naty y su Orquesta, Guajeo, Cheo Feliciano, Celia Cruz, Johnny Pacheco, Pete “El Conde” Rodríguez, Adalberto Santiago, Ismael Miranda, Ismael Rivera, Larry Harlow, Héctor Lavoe and Justo Betancourt.

Since the founding of Cheo Navarro’s Orquesta Bailatino 23 years ago, he has been one of its performers along with Rónald Gómez and Francisco Rojas. His hits include: Mi vecina, Tengo la piel cansada de la tarde, A donde está Margot, Loco en la vía and many more. He is also the vocalist of El Guajeo de Alfredo Naranjo, Orquesta Tributo, Los 12 Apóstoles; as well as his solo performances in shows at the national and international level.

Finally, Edgar “Dolor” Quijada told us that he is currently based in Bogota, Colombia, with new musical projects. Social networks: Instagram @edgardolor; Facebook: Édgar Quijada, telephone for bookings: +57 301 6593904.

Hector “Malecon”

Héctor Luis Montes González, artistically known as “Héctor Malecón”, born on April 3, 1988
Hector “Malecon”
of Barquisimeto

In Barquisimeto, a city known as the “Musical Capital of Venezuela”, there are musicians and vocalists of extraordinary quality, and on this occasion we will mention the singer, sonero and composer, Héctor Luis Montes González, known artistically as “Héctor Malecón”, born on April 3, 1988 and since his childhood he has lived in the El Malecón neighborhood of our twilight city; His musical beginnings were inspired by the composition of songs and by the mythical-religious influence, they motivated him to write and to interpret his first single titled “A la Reina”, in honor to María Lionza.

In April 2012, he decided to gather a group of young musicians from his neighborhood and formed a salsa group, calling it “Orquesta Malecón”, thus beginning his successful career with musical director César Salas and arranger Rubén Levy.

Some songs from their first recording production and authorship are A la Reina, Acepto mi error, Flor de mayo, Qué es lo que te pasa, Mejor plato, Castillo de arena y el Despojo; which you can enjoy on Youtube.

Likewise, he has shared the stage with the Lebrón Brothers, the Dimensión Latina, Bailatino, Orquesta La Salsa Mayor, Grupo Mango, Porfi Baloa y sus Adolescentes, Mariana La Sonera, Édgar “Dolor” Quijada, Hildemaro, Rónald Gómez, among others.

In 2016, he obtains the 1st place in the contest “Dile no a la Payola” of the PDVSA La Estancia Salsa Festival in Caracas and is later applauded by the Caracas salsa sovereign in the Diego Ibarra Square and El Poliedro.

Currently, Héctor Luis, becomes known with his project “Héctor Malecón” and from his own inspiration is promoted with his song “Quieres volver”, through @hectormalecon.

Finally, he declares that he was temporarily based in the city of El Callao, Peru, demonstrating his talent and affinity as lead vocalist of the orchestra “Son D’ Kalibre”, performing group songs and great salsa hits, under the direction of Rubén Medina and integrated by Venezuelan and Peruvian musicians.

At present, already in Barquisimeto, Venezuela, he has planned to structure his new orchestra, with new themes of his own inspiration, to put all salsa lovers to dance. His social networks are: Instagram @hectormalecon; Facebook: Héctor Malecón, for bookings by phone +58 412 7720290.

Mariana “La Sonera de Venezuela”

One of the most emblematic characters of Venezuelan salsa is Janett Guevara García, artistically known as Mariana "La Sonera de Venezuela" Born in Caracas and currently resides in La Guaira
Mariana “The Sonera of Venezuela”

One of the most emblematic characters of Venezuelan salsa is Janett Guevara García, known artistically as Mariana “La Sonera de Venezuela”; she was born in Caracas and currently lives in La Guaira. Since she was a child she showed her taste for music; activity that has been her eternal passion and has led her to make 12 record productions.

Mariana started with Naty Martínez’s Orchestra and has been supported by the Fania Stars, José Alberto “El Canario”, the Gran Combo of Puerto Rico and her great friend Oscar D’León, who has advised and helped her so that, throughout her career, the responsibility of being the sonera of Venezuela falls on her.

Mariana has had the opportunity to alternate with groups of the stature of the Orquesta de La Luz, Grupo Niche, Guayacán, El Canario, Gran Combo de Puerto Rico and la Sonora Ponceña. Among her songs are: Frases hechas and Eres más fuerte que yo.

It is worth mentioning that, among the numerous recognitions received, he was awarded directly from Miami and presented in Caracas by Richard Roman and Nohemy Chavez, the “Salsa Superior” prize, which among those who have it, are Luigi Texidor, Roberto Roena, La Dimensión Latina and Rubén Blades, among other salsa figures. The sonera is worthy of this plaque thanks to God and her public who have supported her during her 30 year artistic career.

The “Sonera” is part of the orchestra “Rumberos del Callejón”, “Los 12 Apóstoles” and also has its own group. Incidentally, she was honored in the city of Barquisimeto in 2018 with the unveiling of a mural in her honor on Oscar D’Leon Boulevard.

She will soon be making musical tours throughout the country and abroad. Among his latest works, he recorded the song “Mulata guerrera”, by Puerto Rican composer Eduardo Zayas, included in the production “Entre Titanes”, which featured the participation of figures such as Marcial Istúriz, Rodrigo Mendoza, Édgar “Dolor” Quijada, Efrén Avellaneda, Noel Machado, Choco Orta, Yomar Méndez “Caballo”, Leo Pacheco Jr.

For hiring Mariana “La Sonera de Venezuela”, you can do it by: +58 414 2921521 y +58 416 0580079. Her social networks are: Instagram @sonsonera1, Facebook: Mariana La Soner

Profesor MSc. Carlos Colmenárez

Armando Manzanero “The King of Romanticism” left us this morning

Master Armando Manzanero said goodbye to us due to covid-19 complications

The morning of December 28, Mexico and the rest of Latin America woke up to the sad news of the death of another of its great artists: Maestro Armando Manzanero. A few days ago it was announced that the singer-songwriter had tested positive for covid-19, the virus that has the world paralyzed and on edge, he was hospitalized on December 17 for complications associated with it.

Despite informing that Armando was improving at respiratory level after being intubated, it was reported that he would remain under observation for some kidney problems. This morning the Society of Authors and Composers of Mexico, of which he was the president, announced his death due to a heart attack associated with his complications.

With his 86 years, the maestro always remained active, contributing a lot to the history of Latin music and his native Mexico. Nobody would have thought that we will not only say goodbye to 2020 but also to the great musician, his ashes will be delivered to his family during this Monday, which will be transferred to his born city Mérida, where at the beginning of the month he had inaugurated the Casa Manzanero museum where the best milestones of his career of more than 60 years are exhibited.

Armando Manzanero was one of the greatest
The master Armando Manzanero.

The incredible long career of Armando Manzanero

Armando Manzanero passed away at the age of 86, leaving a legacy of golden years on stage with his favorite instrument: the piano, demonstrating the great talent that exists in Latin America. In 1950 he composed what would be his first tune “Never in the world”, this was only the beginning of his great career.

There are more than 400 songs that the maestro composed, which are divided between those used for his own discography and those that many artists have had the honor of singing, among which we can name: Elvis Presley, Andrea Bocelli, Angélica María, Luis Fonsi, Belinda, Joan Sebastian, La Arrolladora Banda El Limón, Roberto Carlos, Andrés Calamaro, Ana Torroja, Ana Gabriel, Daniela Romo, Laura Pausini, Cristian Castro, Alejandro Fernández, Lucero, Paulina Rubio, Ricardo Montaner, Miguel Bosé, Rocío Dúrcal, Raphael, David Bisbal, Pedro Fernández, José José, Luis Miguel, Vicente Fernández and many more.

Armando Manzanero died last December
The King of Romanticism is no longer with us.

Not only did he participate in songwriting for albums and artists, but he also participated in the composition of many songs for movies and soap operas. Among all his great awards are several Grammys including the Award for Musical Excellence for his great contributions to music.

The Recording Academy posted on its Twitter account: “Armando Manzanero, recipient of the Award for Musical Excellence and winner of the Latin GRAMMY, as well as a great friend of the Academy, has left us. We celebrate his life and work. Irreparable loss for the world of Latin music. We accompany the Manzanero family in their deep pain.”

We must remember that the maestro was honored this year in many ways, the most memorable were those made at the Billboard Latin Music Awards and the Latin Grammy, no one thought that they would be the last tributes in life for Mr. Manzanero. During this week more posthumous tributes, and many words from different Latin artists are expected.

Rest in peace Armando Manzanero, may heaven be filled with his romantic words and great tunes!

 

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ISM: Meet Jorge Celedón

This life of Jorge Celedón is the anthem of quarantine worldwide

Did you know that Vallenato is among the most listened to genres in Colombia? It is an autochthonous musical genre of the Caribbean Region of Colombia, mainly from its coasts with its origin in the old province of Padilla; is a very characteristic genre of traditional vallenato is that it can be played with only three “3” instruments that do not require any amplification: two percussion instruments (the box and the guacharaca), which set the rhythm, and the diatonic accordion ( of European origin) with which the melody is interpreted; However, there are songs that are composed or performed with other instruments such as: the guitar, the flute, the bagpipe, the chromatic accordion and the harmonica, and it must also be emphasized that commercial vallenato is common not only the incorporation of the instruments previously mentioned, but also the use of electric bass and other percussion, such as congas and timpani.

Among the artists who transmit their musical themes to their public, in this genre we have Jorge Celedón, who is a vallenato artist, who with his music and charisma has represented Colombians; when he arrived with his symphonic parrandón to all homes last Sunday with his historic concert in the arena of Monterrey, Mexico; being the first and only artist of the genre that has appeared on this stage, obtaining great acceptance by his followers who find in his songs a voice of encouragement in this quarantine due to the Covid-19 that hit worldwide.

His recognized hit “ESTA VIDA” is in the top five “5” of the most listened to vallenatos on YouTube. It is a commemorative song that has become the quarantine anthem of the world.

“When you record a song you don’t know how far it can go … At this moment this song has become the encouragement for many people, as the teacher #FacundoCabral said” .. “By the grace of the Lord, my song walks alone, it reaches my brothers when it has to arrive, my song has no problems, I believe in eternity. “This message was published by Celedón on his social networks after being performed by the choir of the Cervantes library in Shanghai, China.

The interpretation in the Mandarin and Spanish languages ​​of the Choir of the Cervantes library in Shanghai, is one of the many versions made of this musical theme called “ESTA VIDA” in different languages ​​and countries. Currently this song has more than six “6” million views on YouTube and is in the top five “5” of the most listened to vallenatos, offering a message of hope and faith, and more in these difficult times for all its followers.

Jorge Celedón is preparing to release soon, new news about his most recent production “Sigo Cantando Al Amor” The Song “ESTA VIDA” is available on all digital platforms so that you can listen to it either alone or in company and enjoy a carefree or fun moment.

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Jimmie Morales a conguero for the history of Afro-Caribbean music

Jimmie Morales was born in Bridgeport, Connecticut to Puerto Rican parents

Jimmie Morales was born in Bridgeport, Connecticut to Puerto Rican parents.

He spent his early childhood listening to American popular music on the radio, and it wasn’t until 1967, when his family moved to Puerto Rico, that he became fascinated with Caribbean music, especially the salsa genre.

Jimmie’s first foray into music was with the guitar, but his father gave him a bell and, later, a conga drum that would become his main artistic fascination.

He learned of his interest by listening to Cuban, Puerto Rican and New York salsa records; also to congueros such as Milton Cardona, Eddie Montalvo, Patato Valdés, Cándido Camero, Mongo Santamaría, Johnny Rodríguez and his favorite: the late Ray Barretto.

In a very short time, he found himself making inroads with local bands, and sharing his talent with the renowned singer Tito Allen.

Jimmie Morales' memoirs Mr. Slap
Jimmie Morales Mr. Slap

Jimmie Morales and his experience with Willie Rosario

In 1978, Jimmie joined the popular rhythmic band of maestro Willie Rosario, and for eight years obtained what he considers his best formal training in the music industry.

Concurrently, he began an impressive career as a top-level studio musician, achieving outstanding participation in performances by the most important artists of the salsa genre, including Marc Anthony, Gilberto Santa Rosa, Roberto Roena, Oscar D’León, Lalo Rodríguez, Eddie Santiago and Frankie Ruiz, with whom he collaborated on each and every one of his solo recordings.

The sound of this great percussionist, his impeccable rhythm and his solid accompaniment defined him and have placed him convincingly as one of the most influential congueros of the last 30 years.

As if that were not enough, this talented conguero enjoys the genuine respect and appreciation of the Puerto Rican people and salsa connoisseurs worldwide
Jimmie has also accompanied great artists such as Willie Colón, Ismael Miranda, Tito Nieves, Juan Luis Guerra, Grupo Niche and Jerry Rivera

Trajectory with Gilberto Santa Rosa

In 1986, he joined a young Gilberto Santa Rosa, who had left Mr. Willie Rosario’s band to become the most prolific salsa singer in the last 25 years.

Since then he has traveled throughout the Americas, Europe, Japan, Taiwan and South America offering percussion workshops and accompanying different artists in a consistent and successful career as a percussionist. Jimmie Morales has also accompanied great artists such as Willie Colón, Ismael Miranda, Tito Nieves, Juan Luis Guerra, Grupo Niche and Jerry Rivera, among others.

He is currently promoting his line of congas sponsored by the Remo Company. As if that were not enough, this talented conguero enjoys the genuine respect and appreciation of the Puerto Rican and Latin American people. His humility, his affable treatment and his charisma, together with his musical virtuosity, make him worthy of an indisputable place in the history of salsa.

In 1986, he joined a young Gilberto Santa Rosa, who had left Mr. Willie Rosario's band to become the most prolific salsa singer in the last 25 years.
Jimmie Morales is currently promoting his conga line sponsored by the Remo Company

Since then, he has traveled throughout the American continent, Europe, Japan, Taiwan and South America offering percussion workshops and accompanying different artists in a consistent and successful career as a percussionist.

Jimmie has also accompanied great artists such as Willie Colón, Ismael Miranda, Tito Nieves, Juan Luis Guerra, Grupo Niche and Jerry Rivera, among others. He is currently promoting his line of congas sponsored by the Remo Company.

As if that were not enough, this talented conguero enjoys the genuine respect and appreciation of the Puerto Rican people and of salsa connoisseurs worldwide. His humility, his affable treatment and his charisma, together with his musical virtuosity, make him worthy of an indisputable place in the history of salsa.

A conguero for history Jimmie Morales’ memoirs

“Mr. Slap”       

Bella Martínez (Author)

That originality of Willie Rosario must have influenced Jimmie's impeccable style.
Jimmie paid for the luck that accompanied him at that crucial moment with an immense dose of vocation.

When all the congueros were imitating the king of the hard hands, Ray Barreto, Jimmie manages without intending to be the one chosen by the master Willie Rosario to accompany with the conga the tuning that Rosario had already established.

That Willie Rosario originality must have influenced Jimmie’s impeccable style.

Let’s not forget that when all timbaleros were imitating maestro Tito Puente, that irreverent coameño – maestro of maestros Willie Rosario knew how to be original.

Jimmie repaid the fate that accompanied him at that crucial moment with an immense dose of vocation.

And that stroke of luck in the leather didn’t manage to erase the humility of his being.

I invite you to read what I have managed to compile about Jimmie Morales, whom, with your authorization, I show in this work that pretends to be a summary of the life and work of this incredible musician.

Here you will also see that in spite of his perennial shy smile, his hands of stone do not give a break nor allow tropical music to ignore his monumental influence.

Jimmie, the human being who communicates through the leather of his conga, presents us with the musical strength he continues to share with the world. I am deeply grateful for the introspection and candor of his testimony.

I recognize that I am fortunate that Jimmie has agreed to give me part of his voice and to perpetuate this story. I insist that it was a sin not to share this legacy before, but now it was Mister Slap who beat the drum.

 

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The Legends: Tribute to Billo’s

North America / United States

Tribute to Billo’s. How was made?

Legends was conceived between April and September and it is already a reality! The album that is making people of all ages dance.

The record label JN Music Group is recognized for enhancing the work of Latinos in the United States. The company has 37 years of experience in the market and is chaired by Juan Hidalgo and Nelson Estévez, producers of Latin music in its different genres. Both have set themselves the goal of promoting other genres because “not everything is reggaeton”.

Adrián Frometa, grandson of the remembered Luis María Frometa “Billo’s”, is the new Director of the orchestra and was in charge of the negotiations around the album.

Great tropical artists participated in the tribute to Billo’s
Artists like Milly Quezada, Karina and Oscar D’León participated in the Billo’s album

“Los Legendarios” was conceived as a nice reminder of the musical career of maestro Luis Frometa. The proposal was born in these months of quarantine and the invited artists did not hesitate to participate. Different exponents of tropical music came together to enhance the work of the Dominican artist.

“For us as a record label it is an honor to make this tribute album that maestro Billos deserved it for a long time, the artists we have contacted are excited to participate in what we are sure will be the end of the year album”, commented Nelson Estévez owner by JN Music Group.

The project aroused great interest from fans around the world; and from now on it is considered the “album of the year”. A few days after its premiere, the views on YouTube have exceeded ten thousand visits. “Sigan bailando”, performed by Milly Quezada, reached forty thousand views.

Established artists such as Tito Rojas, Oscar D ’León, Wilfrido Vargas, Carlos Vives, Milly Quezada, Eddy Herrera, Karina, Alex Bueno, Charile Aponte, Sergio Vargas and Don Fulano; they were in charge of giving life to the remembered songs.

A closing of the year that arrives in style, under the musical production of Remil Cobi Renna and Victor Pabon.

“Tres Perlas”, performed by Carlos Vives, “De qué me sirve el cielo” by Karina, “El Brujo” by Don Fulano, “Por encima de todo” by Óscar D ‘León, “Sigan bailando” by Milly Quezada and “ Caminito De Guarenas” by Alex Bueno, are some of the video clips that are already on the different digital platforms. The cover is accompanied by an illustration by Luis Frometa and the interpreters.

The initiative took place during the long days of the global pandemic, where many artists and producers took the opportunity to exploit their creativity, generating new materials; and pleasantly surprising the fans. The album was recorded between Miami, New York, Colombia, the Dominican Republic and Puerto Rico.

“Tres Perlas” was very famous in 1971. In this case, Carlos Vives was in charge of bringing it to life. It is the beginning of a job well thought out and done with the heart. It has an animated audiovisual work where Vives and the remembered Frometa are observed. There are also three ladies, symbolizing “Santa Marta, Barranquilla and Cartagena”, present in the song.

Remembering the golden age

The singer is remembered for his great successes, as well as his great love for Colombia and Venezuela.

Luis María Frometa was the founder of Billo’s Caracas Boys and, for years, he remained at the helm. Starting in the 1960s, they became more famous in Colombia. He took part in family gatherings and renowned events.

Even Pablo Escobar himself, a remembered drug trafficker from that country, wanted to have him in some of his celebrations. In fact, he came up to thank her himself after he sang for his mother’s birthday. However, his children claim that he was not aware of who the hiring was for and if he had known, he would not have wanted to make an appearance.

The Billo’s also had the opportunity to appear at the Bogotá Modelo Prison, after Carlos Orjuela, Frometa’s friend, was confined in one of his cells. The singer did not hesitate to visit his friend. However, he did not allow it. He looked for excuses to prevent me from visiting that place. This was not an impediment for Frometa who ended up showing up at the facilities. For him, they too had the right to enjoy his music. Those who accompanied him affirmed that the energy was incredible and everyone enjoyed the presentation.

The group had great talents such as: Memo Morales, Cheo García, Felipe Pirela, Manolo Monterrey, José Luis Rodríguez, Rafa Galindo, Víctor Pérez and Nelson Henríquez.

Luis María Frometa Pereira, was born in the capital of the Dominican Republic, on November 15, 1915. He got his nickname for a phrase he used very frequently, he called any route that came his way Billo. He started in music from a very young age. Represented the Santo Domingo Symphony and the Firefighters Orchestra Band. So he walked through some small bands, until he reached his first big break. Venezuela was one of the first countries to receive him with open arms and where he was presented for the first time under the name “Billo’s’ happy boys ”´; ignoring the demand of Rafael Leonidas Trujillo, dictator who led his country.

Even when the band disintegrated, Frometa remained in Venezuela. Going through difficulties, economic downturns and a disease that took him away from the stage. However, he returned in style and was consolidated in the memory of those who enjoyed his songs. The contracts did not stop arriving and thus were the beginnings of a band that celebrates 80 years of musical trajectory.

A tribute to history

This is why this 2020 will be a celebration for the issues that moved masses and passed from generation to generation. “Legends” consists of twelve songs and ten originals by the group.

The idea is that Billo’s remains in the hearts of his fans. After 80 years since its creation and some 100 productions are still valid. His repertoire has always been the most varied; It ranges from boleros, guarachas, porros and Dominican merengue. Also, of Caribbean music.

Milly Quezada, a Dominican merenguera with a Colombian heart, was one of the special guests. In charge of interpreting “Sigan Bailando” and was very enthusiastic.

“What I consider to be one of the most contagious and joyful tropical songs that best defines the happy and fun spirit of Latin Americans and especially of us, the Caribbean, who carry the rhythm in our blood. Definitely, the greatest and most important contribution of the Billo’s Caracas Boys was the presentation, diffusion and positioning of the Dominican merengue, which he transmitted with such musical and literary quality, as well as other Caribbean genres that belong to all of us, ” said Quezada.

Carlos Vives also premiered his album song: “Tres Perlas”. He confessed himself a fan of the teacher Fometa and, for this, he is very excited.

“If there is a legendary orchestra, it is Billo’s. I want them to enjoy it, to mourn it, because I know that many will do it, and that the youth discover a great figure in music that is not only from Dominicans, Venezuelans and Colombians, but from all of America ”, said the artist through from your Twitter account. “Participating in this album is as if I had won a prize, I don’t know what, but I feel like a prize,” said Vives.

Legendarios is now available on different digital platforms under The Orchard Music label (on behalf of J&N Records, LLC). Do not miss it!

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.