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Search Results for: record company

Hanny the Voice of Cuba for the world

Leosbel Jiménez Licea is Hanny the Voice of Cuba

Born on July 8, 1972, Havana Cuba in the Vedado neighborhood. For the love of the songs I used to listen to on the radio at home, the love for music was born, especially for the guitar. That’s why since I was 4 years old all my toys were musical instruments, a drum set, drums, harmonicas, triolas, until I had a little toy guitar with which I used to invent concerts on the balcony of my house, the neighbors would pass by and laugh when they saw me so small believing me to be a star.

Leosbel Jiménez Licea Born on July 8, 1972, Havana Cuba in the Vedado neighborhood By the passion to the songs that I listened at home on the radio was born the love for music especially for the guitar, so since 4 years old all my toys were musical instruments, a battery, drums, harmonicas, triolas until I had a toy guitar with which I invented concerts on the balcony of the house, the neighbors passed and laughed to see me so small believing me a star Translated with www.DeepL.com/Translator (free version)
Leosbel Jiménez Licea

Hanny the Voice of Cuba

9 years old, I begin to study the basics of the guitar in the house of culture of the neighborhood at the same time that I was practicing fencing, at the age of 11 I won the national infantile championship of fencing earning me a scholarship to the school of sport incision (Eide) in the city of Havana, school from where many glories of the Olympic and world-wide sport of Cuba have come out.

14 years for disenchantment with the sport life I decide to leave the sport and to concentrate only in the music, in a self-taught way of course, there I begin to write my first songs that were poems that I was musicalizing at the time that I was learning new chords.

At the age of 19 I already had some songs that were sometimes played on some programs of the radio station in the province on the Havana City Radio.

So I was trolling the streets meeting many street artists until one day, an Englishman David Butlle, known as Mr. Bongo, arrived in Cuba in search of an orchestra to produce a record in Britain, a few days before leaving Cuba wanted to buy several albums of Cuban music from the 50s and did not know how to speak Spanish, my friend who passed by helped him with the translation into English, thanked him and told him who he was, my friend told him about my music, then we recorded a demo of 11 songs of my authorship then took them to London.

Between August and September of 1996, I was flying to London to record my first CD titled (Athe Voice of Cuba) production of 11 themes of my authorship and a danzón of the composer Niurka Díaz and Daniel Rodriguez, recorded with British, Cuban, Venezuelan, Colombian musicians all settled in London, my first recording work came out two themes that were in the French movie “Place Vomdome”, with the famous actress Catherine Deneuve, a British novel called Coronation Street, I also use my music, novels and series from Argentina, one called the Lola from Colombia and Israel, my first cd enjoyed good reviews in the best known and respected media especially in the UK opening the doors to the Royal Albert Hall, jazz cafe in London, the most prestigious jazz festivals and world music generally from the UK, as well as taking my music to all Europe, Colombia, Peru, etc, making for the success of the album concerts in Norway, Spain, Turkey, and Finland.

So I was trolling the streets meeting many street artists until one day an Englishman David Butlle known as (Mr. Bongo) arrives in Cuba looking for an orchestra to produce an album for him in Britain
The Troubadour Leosbel Jimenez Licea

In 1998 I recorded my second album produced by my company (Hanro Records) and this time we recorded between the laboratory of electroacoustic music of Cuba and London with the participation of musicians from the Orchestra of Elio Reve, Paublito fg and Irakere, plus some British and Latin musicians based in London, at the same time conducted and directed a radio program in Spectrum radio called Cannonazo in England. Then came a period of just a few acoustic concerts to prepare all the new songs that we will start recording at the end of the quarantine. In 2019, I did 6 concerts in Finland, 5 Acoustic and one with a band in one of the most prestigious halls of Helsinki, I did 5 concerts in Ecuador and one concert in Cali Colombia, now we were preparing a group of concerts in Colombia, Chile and Peru everything is stopped until normality arrives, with 3 albums ready to start recording little by little.

In 1998 I record my second album produced by my company (Hanro Records) and this time we recorded between the laboratory of electroacoustic music in Cuba and London with the participation of musicians from the Orchestra of Elio Reve, Paublito fg and Irakere
Hanny the Voice of Cuba for the world

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Greeicy premiere “Los Consejos”

Greeicy premieres her new single “Los Consejos” and is nominated for the 2020 youth awards

This time we have the Colombian actress, singer and dancer Greeicy Rendón who has moved into the world of current music; Since she was little, she was interested in acting and music, so with the help of her parents, she began to take acting classes, piano, flute, guitar and singing.

On August 3, 2017, she made her debut as a solo singer with the release of her first single, «Brindemos» and subsequently, in the company of other artists or alone, they developed various musical themes; currently the charismatic and talented Colombian singer and songwriter, Greecy premieres “Los Consejos” the second preview of her new album.

"LOS CONSEJOS" the second advance of his new record material
New single “Los Consejo”

“Los Consejos” is a ballad with a fresh proposal that incorporates urban pop tones with a sweet melody and powerful lyrics that fuse nostalgia and disappointment “Duele quererte y tú tan lejos, tenía la fé de que íbamos a llegar a viejos, me hago la fuerte, pero es complejo, si la tristeza se me nota en el espejo”

The song was written by Greeicy, Andres Torres, Mauricio Rengifo, Keityn, Rudeboyz, Lexuzbeatz, Bullnene, Flybot, and Juan Camilo Vargas Vasquez.

“Los Consejos” is accompanied by a music video, directed by Greeicy and Dario F. Burbano and produced by Mike Bahía, where Greeicy is seen longing for that love that could one day be, while he is seen alone on a swing, transmitting that pain we feel when love escapes from our hands, without really knowing why.

Greecy photo
Greecy photo on an estate

This new song follows in the footsteps of the premiere of “Los Besos” and its version on piano, a song that was initially released in April this year. “Los Besos” already has more than 60 million combined reproductions and its video more than 40 million views and is currently in Spotify’s Top 200 and Top 50 Viral lists in 9 countries, and also in the Top 100 of Apple Music Latino in 11 countries.

“Greeicy Rendón delights with his version of ‘Los besos’ on piano” – RCN Radio

“In this new romantic and fresh version, the charismatic and cheerful personality of Greeicy continues to be reflected, who today is positioned as one of the most important Latin pop artists of the moment.” – 40

Since entering the music scene, Greeicy has become one of the most prominent female figures within the genre, projecting sensuality, sparkle and style. For this reason, she has established herself as one of the most influential female artists, reaching 4.1 million subscribers and almost 2 billion views on her YouTube channel.

The nominees for Youth Awards 2020 were announced through social networks and in the voice of the most important artists of the moment, where the Colombian artist Greeicy achieves a nomination.

The awards given by the leading Hispanic network in the United States Univision, which year after year recognize the best of music, confirm Greeicy’s nomination in the Hottest Core category with their single “Aguardiente”.

The award ceremony will take place live at 8P / 7C on August 13 from Miami, Florida, in compliance with strict public health and safety measures.

Votes are already available at www.premiosjuventud.com/vota until next July 21.

The “Caballero de la salsa” delights us with his new album

North America / United States

The story of an artist

Gilberto Santa Rosa, known as “El Caballero de la salsa”, was born in 1962 in Puerto Rico.

The singer has excelled at performing romantic ballads, boleros, and salsa. His first steps in music were at a very young age. Before reaching adolescence he was already forming youth groups within the tropical genre. For about two years, he was part of the band La Grande, from the hand of greats of the genre.

Colegas is the new album of Gilberto Santa Rosa
Gilberto Santa Rosa has a new album

Elías Lopés, famous Puerto Rican trumpet player, became his teacher and tutor. At the age of 14 he traveled to New York to take his first steps in the musical field and his father entrusted him to Lopés. Santa Rosa is very pleased to have received his teachings.

“The greatest legacy for me was discipline, knowledge of the work you are doing and the challenges; He gave me musical challenges that developed the talent I had at that time, “said the salsa singer.

Gilberto participated in the “Homenaje a Eddie Palmieri” with the Puerto Rico All Star, a great opportunity for his career that was on the rise. In addition, he was in the ranks of the Willie Rosario orchestra.

First steps

In 1986, he got his first opportunity as a soloist. Combo Records allowed him to record four albums; giving it a further boost in the salsa genre. Good Vibrations (1986), Keeping Cool! (1987), De Amor y Salsa (1988) and Salsa en Movimiento (1989) were his first record works.

In 1990, he had the opportunity to change record labels. On this occasion, CBS today is known worldwide as Sony Discos. Company with which he has recorded approximately 24 albums and continues to this day.

Sony Discos trusted him and saw him succeed through the years. Punto de vista, the first production made with the label, received a gold and platinum record. The Man and His Music was quite a special production. It was held in 1995 and reflected a presentation held at Carnegie Hall in New York.

Acting is another of the roles that he has developed with great skill. In 1990, he participated in “La pareja dispareja” with Rafo Muñiz and Luis Vigoreaux, Jr.

In the 2000s he was in other theatrical pieces. He starred in the revival of “La verdadera historia de Pedro Navaja”, a musical that demanded a lot from him on a professional level; and with Cuban comedian Alexis Valdés in the play “Atrácame más”.

“Returning to the theater, this time to comedy, fills me with great enthusiasm and even more so to be able to share the stage with one of the greats of comedy in the United States and Latin America. The truth is that “Atrácame más” takes me out of my comfort zone which is music and challenges me professionally. I’m really enjoying this story and I hope people enjoy it a lot more ”, commented Gilberto Santa Rosa, about “Atrácame más”.

Gilberto Santa Rosa is one of the artists who broke paradigms in the United States and in the rest of the world. From the beginning, the Latin public did not hesitate to follow his career and, of course, attend his meetings. He also had the opportunity to travel to Japan.

He presented himself as a worthy representative of his country and surprised the audience by performing “De cara al viento” in Japanese. A feat that surprised critics due to the difficulty of the language. In addition, it was his beginning in the international market, until today he is acclaimed incessantly.

Gilberto had great acceptance and a box office record in his presentations at the First President Festival in the Dominican Republic, the Lincoln Center in New York with Andy Montañez; at the Anayansi Theater in Panama and at the Universal Studios Amphitheater in Hollywood with Olga Tañón.

The accompaniment by the Symphony Orchestra ended up catapulting him among his followers. They considered it an unprecedented presentation and brimming with talent. It was presented under this format in the United States and broke box office records at the Teresa Carreño Theater in Caracas, Venezuela.

Expresión, 1999

It was one of his most popular albums. The album marked the singer’s career as it was nominated for a Latin Grammy Award, for Best Salsa Album, in its first installment. “Que alguien me diga”, original Omar Alfanno, Panamanian composer positioned him for several weeks on the Billboard. The production featured 13 songs with a total of 55 minutes in length.

The album had great renown in the Central American market, giving it a gold record for sales. In addition, he was chosen by the National Foundation for Popular Culture among the most outstanding of the year 1999.

Gilberto, continued to count successes and praise the work of the greats in the industry. He made several tributes such as the concert “Viva Rodríguez” in tribute to Tito Rodríguez; Tribute that the Orquesta Estrellas de la Fania, to Don Tite Curet Alonso and La Guarachera, Celia Cruz, in New York.

40 … y contando, it was released in 2019. It was a live album, with which he commemorated his 40-year career. The idea was born from his concert at the Coliseo José Miguel Agrelot in San Juan, Puerto Rico. 40… y contando it ranked second in sales of Tropical Albums in the United States and first in sales in Puerto Rico.

The Puerto Rican celebrated his 2020 birthday with the launch of a new collectible album.

Colegas, 2020

Gilberto Santa Rosa - New album cover
The album cover was designed for the Venezuelan artist Gilberto Santa Rosa

In this work, he had sixteen collaborations, bringing together “colegas” known to the audience. The first single is “La Familia”, a duet with the singer Tito Nieves, a Puerto Rican recognized within the genre as well as: Tito Rojas, Luisito Carrion, Pirulo, Nino Segarra, Choco Orta, Jose Alberto “El Canario”, Isaac Delgado and Juan Jose Hernandez.

The arrangements are attributed to Ocana Sordi, (El Guateque De Chombo), James Hernandez (La Fonda De Bienvenido), Jose Madera (Bailadores), Rene Gonzalez (Estoy como nunca), Dino Nugent (Apaga la luz), Ricky Gonzalez (Vamos A Bailar El Son, Eque Tumba), Manolito Rodriguez (Medley Boleros), Marty Sheller (Ban Ban Quere, Caminalo), Ramon Sanchez (Que se sepa), Javier Fernández (Masacote, Tremendo Coco), Louis García (Por la Calle Del Medio , Isidro Infante (El Mejor Sonero, Mario Ague, Sonerito),

Singing with Tito Nieves was a pleasure for him because they share a friendship relationship:

“Tito and I have a friendship that transcends the stage and the day to day. He is my dear brother. His sense of humor is incredible. With him everything is very easy. In fact, it only took 45 minutes for us to have the song ready”, said the salsa singer.

Santa Rosa wanted this album to be a very special tribute to his companions of so many years. He looked for the numbers to fit in some way with the relationship with each colleague.

The 58-year-old singer is a winner of a Grammy and five Latin Grammys. He is in his best moment and it appeared that “Colegas” could have a continuation.

“These things excite me and motivate me to do a second part, because other “colegas” were left out,” he said.

Will it be the beginning of your new musical project? We’ll see!

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“Orquesta Bomplenea” with ISM

Meet the ” Orquesta Bomplenea “

Let’s start this month of November presenting a musical group that emerged in the year two thousand ( 2000 ), created with the sole purpose and intention of taking Puerto Rican culture to the top, it is nothing less than the “Orquesta Bomplenea”, who will be with us thanks to Mrs. Jimena Verano León from the company “Verano Producciones Latinoamérica” from Bogotá, Colombia; so that the public and fans of International Salsa Magazine can meet this great Latin music orchestra.

Mr. Gary Vera is the founder and member of the “ Orquesta Bomplenea ”, who has been an outstanding musician in the musical genre of Salsa, Merengue and Latin Jazz for about thirty-five (35) years, the past twenty (20) years in the genre of the Bomba (which is the first indigenous music of Puerto Rico, created in the sugar estates by slaves more than four hundred (400) years ago, where African slaves were brought to Puerto Rico by the Spanish and French in the year one thousand six hundred (1600)) and Plena (it is the native music of Puerto Rico, which has the history of miscegenation in the aforementioned country “the Puerto Rican culture”, its birth is located at the beginning of the twentieth century “XX ”). He has also traveled to Europe, the US (United States), and the Caribbean representing our music and culture.

Bomplenea Orquest
Bomplenea members

They knew that the “Plena” together with the “Bomba”, the “Trova Jíbara” and the “Danza” make up the four pillars of indigenous Puerto Rican music. The purpose of the “Orquesta Bomplenea” is always to maintain the culture of its island (Puerto Rico), of the greatest possible interest to Puerto Ricans inside and outside of Puerto Rico.

Trying to reach the hearts of everyone with flavor around the world all tastes. With this assignment in mind, they have adopted a different style of playing the “Plena” (Puerto Rican popular dance and song that is characterized by its musical simplicity and the repetition of its phrases, especially the choirs).

The lyrics and the aggressiveness of the piano together with the combination of the vocal tone (timbre) give a salsa touch to our Plena, but without forgetting the most essential purpose of the composition, which is to transmit to its audience the “Bomba” and the “Plenas ” .

At the beginning of January 2000, Gary Vera organized the musical group Bomplenéa and made his first recording entitled “Ritmo Caliente”. The CD includes eight (8) musical themes. La Mulata, which is a mix of (Bomba – Sicá – Plenas), Jazz A La Bomplenéa is the alloy of (Plena – Latin Jazz), and María Rumbón, La Carta, El Meneíto, Ritmo Caliente, Remembering Papá, and Bells De Christmas (Plenas).

They recently started a new proposal that includes Salsa, Bomba and full songs. Some themes are: El Pan (Bomba), Mi Parranda (Christmas Sauce) and Déjate Amar (Sauce).

Dejate Amar new music - Bomplenea
Bomplenea Orquest

Members: Gary Vera – composition, drummer, congas, Güícharo and direction; José Cheo Arce – arrangement; Luis Discípulo Cuevas, Jan Meléndez – vocals; Carlene Vera and Jan Meléndez – backing vocals; Omar Maldonado – piano; Carlene Vera – flute; Tito Degracia – timbal and bongo; Coamito Martínez – trumpet; Toñito Vásquez – Trombone; Efraín Hernández – bass; Juan Rivera – piano; Celso José Clemente – percussion and minor percussion, recording director, timpani, tambourine; Rafael “Bodo” Torres – piano; Papo Clemente – congas; Cándido Reyes – güícharo; Luis Jungo Ortiz – bass and arrangements; Orlando Ortiz – members; Danny Fuentes – Trombone; Carlos Torres – bass; José Rodríguez – Trumpet; Doel González – vocals

For more information contact you through:

Facebook @ Bomplenea

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Orlando José Castillo: The Venezuelan sonero graduated in New York

Orlando José Castillo “Siempre Pa’lante”

He (Orlando José Castillo) is catalogued as one of the most important soneros that Venezuela has given to the world and considered a living legend of Afro-Caribbean music for his extensive, successful and extraordinary career during many years; for “International Salsa Magazine”, it is a great honor to have as a special guest on this occasion Orlando José Castillo “Watussi”, born in Marín, Yaracuy state, on March 23, 1949, who, since he was a child, moved with his parents to live in the parish of La Pastora in the city of Caracas.

Welcome Master Watussi and we hope that all salsa lovers through International Salsa Magazine, www.salsamundi.com, will know part of his life.

Thanks to all the staff for giving me the opportunity to read your magazine, which is already observed in Latin America, USA and Europe.

Orlando José Castillo "Watussi" The Venezuelan Sonero graduated in New York
Orlando José Castillo “Watussi”

And well, I am currently living in the city of Milan, Italy and let me tell you that I have beautiful and unforgettable memories of Barquisimeto, so for me it is a pleasure and an honor at the same time, to be sharing with all those people and my country.

To begin with, Maestro Watussi, which were the first groups and orchestras you were part of? Let me tell you that I started with Los Satélites, Federico y su Combo Latino, Porfi Jiménez, Príncipe y su Sexteto and that was super important, since they were the Venezuelan orchestras with which I began to form my career, especially with Los Satélites, Porfi, Federico; I sincerely owe the present of my life to all of them and that is why I do not want to leave them out of the picture.

"Watussi" The Venezuelan Sonero graduated in New York
Orlando José Castillo “Watussi”

Very good teacher, we would like to talk about your career in Puerto Rico and in the United States, with the various groups with which you were part.

Well, I tell you that I left Venezuela in 1979 definitely because I traveled for the first time in 1971, musically speaking, and it was my first international tour to the island of Santo Domingo with Los Satélites and then we returned in 72 and in 1974 we were the first Venezuelan orchestra to set foot on American soil in New York City.

NY being on the most important stage in the world at that time as it was Madison Square Garden and the importance of imposing a hit of musical salsa in the Big Apple, with a song I recorded called “Traicionera”, by the master Carlos Guerra and recorded with “Los Satélites”, after that experience I was founder of the “Renovación”, from there I went to be part of “Federico y su Combo Latino”; Then I worked with Rafael Cortijo and his Combo in Puerto Rico in 1977.

Later, in 1979, I went to the island of Borinquén, Cortijo was already traveling to New York and because I could not accompany him, I was lucky enough to be asked by the maestro Bobby Valentín to be part of his band. I stayed with him for three months and at one point I went to New York, The strike of Puerto Rican musicians, as many Dominican musicians were entering the island, led to Bobby being criticized for having a Venezuelan singer instead of a Puerto Rican one.

Later, in New York, I joined Cortijo and Kako Bastar again, who was another teacher in my career and with him I learned to know that great city and at that time almost all the singers of the orquestas bravas, were beginning to do their own work as soloists and I began to work with Joe Cuba and his Sextet, Eddie Palmieri, Larry Harlow, La Típica 73, until I arrived at the “Conjunto Libre”, I was there for about a year and a half, I recorded with them “El changó de María”.

After I had signed with the Fania label, which was a mistake I made, because Cortijo and Kako were telling me not to do it, since I had Fania in my brain, I rushed and was with them for a year practically inactive in the discography and that cost me not to have recorded the last album with Rafael Cortijo and others.

I recorded with Fania “Mi rumba y yo” and told them to leave me alone, they let me go and I joined the orchestra of “Bobby Rodríguez y su Compañía” for three years, I recorded a very good album, including the songs “María Cristina”, “El Pintor”, “Homenaje a Cortijo”.

In fact Carlos, then I continued with Palmieri in 1987, when I had already recorded the album “Las Calaveras” with José Mangual Jr. and there I began my career as a soloist.

Later on I set up my orchestra in New York, but unfortunately work began to decline due to the closure of venues such as El Corso, Casablanca, Copacabana, El Palladium and that brought as a consequence much less work, but thank God, in 1988 I had the opportunity to go to Paris, invited by my compadre Alfredo Cutuflá, in the place of Cheo Feliciano, to do the dance of December 31st at the New Morning.

Excellent, master Watussi, and it must have been a great commitment to replace Cheo at that time, tell us about this experience. Yes, I was fortunate to take his place because he did not travel at that time without his orchestra and Alfredito Cutuflá told me to get Cheo, I had his telephone number, I gave it to him and he told me that if Cheo did not go, I would go, and well it was a tremendous success with Cutuflá and that opened the doors for me in Europe and specifically in Italy, where my friend Carlos Ugueto was based, who brought salsa to that country.

Orlando José Castillo "Watussi"
Orlando José Castillo “Watussi”

Ugueto played the first album of this genre on his radio program, in his club and after he found out that I was in France, he sent for me and facilitated a tour in Milan in 1990, since in 1989 I was in Panama, singing to my compadre’s daughter Roberto “Mano ‘e Piedra” Durán, his 15 year old party, together with Camilo Azuquita, exactly on December 16, 1989,

but on December 19 the invasion of Panama began and I had to stay there until January 5 and well Carlos, I go to Europe and start my tour in Holland, then London, where I did a show with the master Tito Puente, on December 30, 1990, there I was 2 months in the old continent; I returned to New York, where I was residing, and in 1991 I returned to Europe and that’s when I stayed here for good with my family in Milan.

Orlando José Castillo, when you come to Venezuela, we imagine you will feel very well because you are visiting your homeland?

Of course I do, professor, when I go to my country I recharge my batteries, because there is no place like Venezuela, no matter what happens and I tell you honestly, I hope one day to be able to be in Barquisimeto with you, especially to personally show my appreciation for this gesture of having given my name to that “Peña Salsera Orlando Watussi”, in the middle of 2019, being the first time in Venezuela, to give me an honor of that size; especially my thanks to Dany Castillo and my family there, precursors of that idea, and to all the musicians of the musical capital to whom I send a cordial greeting.

Master Watussi, I am remembering that you were integrating the “Clan of Salsa” here in our city, do you remember that too?

Obviously, my friend Carlos, I was there with one of the bravest singers that Venezuela has given, my little brother Willy Rodriguez, who unfortunately is no longer with us.

Willy “El Guaro”, took care of me in his house for a few days, until I got my house in Barquisimeto; I am going to take advantage of this interview professor, to thank the family of Aldemar Barrera, the family of Honorio, tremendous bass player, Coromoto, who was the engine of that movement; greetings equally to Egidio and to all those panas.

Carlos, I want to greet especially the people of the Orquesta Malecón, I hope that one day we can meet on a stage and make a little effort, or perhaps in the Peña itself.

Orlando José Castillo, what can you tell us about Maestro Baquedano? Santiago Baquedano is one of the best musicians Venezuela has ever given and with him I worked on Margarita Island for a few months and from there I went to “La Salsa Mayor” and then I went to Puerto Rico, but I feel proud to have shared with so many valuable people from my country in my 50 year artistic career.

And let me tell you Carlos, just to finish, I reiterate my congratulations and good wishes for you to continue always with the work you do with this salsa column and your radio program, which aims to support and encourage musical talent in salsa.

Thank you Carlos and God bless you, take care all of you in my country and don’t leave the house! Cool…!.

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.