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Search Results for: rhythm

That’s how the Latin Grammys were

The 21st edition of the Latin Grammy

As expected, due to the global pandemic situation that hit us this year, the awarding of the 21st edition of the Latin Grammy was held online. In this way, neither the public nor the red carpet had participation this year. Some creatives recreated them in their homes and took the opportunity to take their respective photography.

The gala was held in the city of Miami with headquarters in other cities in Latin America. Several of the artists’ participations were also carried out under this modality.

The musical presentations were opened by the J Balvin show, one of the great favorites of the night. Who also broke a Guinness record for more nominations, surpassing the title obtained by Calle 13 in 2011. To receive his gramophone, he was dressed in black and then appeared in white. He interpreted the song “Rojo” and dedicated it to those who have had to fight against the COVID-19 virus. Balvin has recognized that this situation has affected him seriously and he has been immersed in depressive pictures.

“My heart is crying,” Balvin commented.

To the surprise of many, his heart actually turned the color of blood. His suit was dyed through some internal mechanism but leaving a large red stain on Balvin’s suit. Really, it seemed like his chest was bleeding incessantly.

J Balvin bled in the stage of the Latin Grammys

“Music humanizes us” was the theme of this year’s meeting. With the singer’s presentation, many were stunned and very sensitive. What did you think of his form of expression?
Natalia Jiménez paid tribute to Julio Iglesias, while the great Hector Lavoe also received recognition. Ricardo Montaner, Ivy Queen and Rauw Alejandro led the tribute.

Jesús Navarro, Ricardo Montaner, Victor Manuelle, Ivy Queen and Rauw Alejandro gave life to the song ‘El Cantante”’ in homage to Héctor Lavoe. Each of the interpreters, from their respective rhythms, created a perfect harmony and joined in a very emotional show. They quickly went viral and comments on social media grew by leaps and bounds. The spectators were pleased by a presentation that moved fibers.

Winners of the night

Natalia Lafourcade, Alejandro Sanz, René Residente, Mike Bahía, Ricky Martín, Caminlo, Rosalía, Bad Bunny, J Balvin, Ozuna, Carlos Vives, Grupo Niche, Eddy Herrera and Daniel Santacruz were the winners of the night. The winners’ social networks were filled with videos of celebration and appreciation. A different night but full of many emotions!

In the Mejor Canción Tropical category, singer-songwriter Carlos Vives shone with his song “Canción para Rubén Blades”, in which Blades participated as a composer. Vives was excited, he did not hesitate to thank Rubén Blades for his support.
“This award with Rubén, congratulations to all the nominees, all the participants, Kany a very big kiss, thank you Sony, thank my entire team, our producers, the artists, Andrés Leal, thank you,” he said in the middle of happiness.

In his social networks he also wanted to dedicate his award to La Academia, his country, his people, each of his followers, his wife and his entire production team. He was also shown celebrating from home, together with family and friends.

In the Mejor Álbum de Salsa category, Grupo Niche shone. Album 40 is a tribute to the group’s musical trajectory. It is the first Latin Grammy that Colombian salseros receive, after having been nominated twice, in 2001 and in 2016.

“We have won the @LatinGRAMMYs for best salsa album for ’40’ our most recent musical production. With great emotion we say to you: Salseros and Nichistas of the world, infinite Thanks! Long live Latin music, salsa, long live the teacher # JairoVarela and long live Colombia!”, They expressed on their Twitter account.

The winning album was recorded for almost a year in studios in Miami, Cali and Puerto Rico. They wanted to maintain the musical guidelines of Jairo Varela and thus remember his roots, without losing his essence.

As Mejor álbum de Merengue/Bachata we have two winners, two Dominicans. A historical event that both celebrate with great fury. Eddy Herrera and Daniel Santacruz were the lucky ones. They tied in one of the closest categories!

Two Dominican Winners
Both Dominicans won the Latin Grammy in the same category

Eddy Herrera has a long history in the genre, known as “El Galán del Merengue”. The followers of his career also celebrated this achievement, being the singer’s first Latin Grammy. “Eddy Herrera Ahora” contains some of his most recent songs.

“It is an immense joy that I also want to share with all my followers and lovers of my performances. Thank you for supporting me throughout these years where you have been faithful to my musical productions ”, he expressed.

The Dominican did not hide his happiness and dedicated himself to thanking those who have supported him during so many years of journey.

“I am extremely grateful to the entire production team, as well as my fans, who are always the impetus to keep going. To achieve this magnificent product, we had, as in other opportunities, the dedication of one hundred percent of our great team, who gave themselves with the charisma, vocation and professionalism of always, an essential symbol of our artistic productions ”, said Eddy Herrera.

For his part, Daniel Santacruz will fondly remember the day that “Larimar” made him the recipient of his first Academy Award. After several nominations, his long-awaited moment finally arrived. In fact, his brother Manny Cruz was also among the nominees.

Even though he was born in the United States, he is of Dominican descent and grew up on its streets. He learned about its culture, its influences and is very proud of its roots.
“Grateful to God, to the Recording Academy and to all those responsible for participating in this important production that represents the sacrifice of many years of career and effort,” expressed the artist.

Santacruz was also part of the singers who entertained the meeting. He appeared from Boca Chica, Dominican Republic to the rhythm of “Larimar”, the promotional song for his album.
The young Dominican posted a video on his Instagram account where he is very happy. He thanked his family, wife, mother and his brother Manny Cruz. To its engineers, musicians, fans and manager. As well as his country, the people who listen and dance bachata, merengue and all his followers. Long live the Dominican Republic!

The event was one of total innovation and, surely, it will become a starting point for other awards. Of course, the dedication and effort on the part of the organization cannot be denied; as well as the artists involved, all left their hearts on stage and showed that better times are to come. So be it!

The Legends: Tribute to Billo’s

North America / United States

Tribute to Billo’s. How was made?

Legends was conceived between April and September and it is already a reality! The album that is making people of all ages dance.

The record label JN Music Group is recognized for enhancing the work of Latinos in the United States. The company has 37 years of experience in the market and is chaired by Juan Hidalgo and Nelson Estévez, producers of Latin music in its different genres. Both have set themselves the goal of promoting other genres because “not everything is reggaeton”.

Adrián Frometa, grandson of the remembered Luis María Frometa “Billo’s”, is the new Director of the orchestra and was in charge of the negotiations around the album.

Great tropical artists participated in the tribute to Billo’s
Artists like Milly Quezada, Karina and Oscar D’León participated in the Billo’s album

“Los Legendarios” was conceived as a nice reminder of the musical career of maestro Luis Frometa. The proposal was born in these months of quarantine and the invited artists did not hesitate to participate. Different exponents of tropical music came together to enhance the work of the Dominican artist.

“For us as a record label it is an honor to make this tribute album that maestro Billos deserved it for a long time, the artists we have contacted are excited to participate in what we are sure will be the end of the year album”, commented Nelson Estévez owner by JN Music Group.

The project aroused great interest from fans around the world; and from now on it is considered the “album of the year”. A few days after its premiere, the views on YouTube have exceeded ten thousand visits. “Sigan bailando”, performed by Milly Quezada, reached forty thousand views.

Established artists such as Tito Rojas, Oscar D ’León, Wilfrido Vargas, Carlos Vives, Milly Quezada, Eddy Herrera, Karina, Alex Bueno, Charile Aponte, Sergio Vargas and Don Fulano; they were in charge of giving life to the remembered songs.

A closing of the year that arrives in style, under the musical production of Remil Cobi Renna and Victor Pabon.

“Tres Perlas”, performed by Carlos Vives, “De qué me sirve el cielo” by Karina, “El Brujo” by Don Fulano, “Por encima de todo” by Óscar D ‘León, “Sigan bailando” by Milly Quezada and “ Caminito De Guarenas” by Alex Bueno, are some of the video clips that are already on the different digital platforms. The cover is accompanied by an illustration by Luis Frometa and the interpreters.

The initiative took place during the long days of the global pandemic, where many artists and producers took the opportunity to exploit their creativity, generating new materials; and pleasantly surprising the fans. The album was recorded between Miami, New York, Colombia, the Dominican Republic and Puerto Rico.

“Tres Perlas” was very famous in 1971. In this case, Carlos Vives was in charge of bringing it to life. It is the beginning of a job well thought out and done with the heart. It has an animated audiovisual work where Vives and the remembered Frometa are observed. There are also three ladies, symbolizing “Santa Marta, Barranquilla and Cartagena”, present in the song.

Remembering the golden age

The singer is remembered for his great successes, as well as his great love for Colombia and Venezuela.

Luis María Frometa was the founder of Billo’s Caracas Boys and, for years, he remained at the helm. Starting in the 1960s, they became more famous in Colombia. He took part in family gatherings and renowned events.

Even Pablo Escobar himself, a remembered drug trafficker from that country, wanted to have him in some of his celebrations. In fact, he came up to thank her himself after he sang for his mother’s birthday. However, his children claim that he was not aware of who the hiring was for and if he had known, he would not have wanted to make an appearance.

The Billo’s also had the opportunity to appear at the Bogotá Modelo Prison, after Carlos Orjuela, Frometa’s friend, was confined in one of his cells. The singer did not hesitate to visit his friend. However, he did not allow it. He looked for excuses to prevent me from visiting that place. This was not an impediment for Frometa who ended up showing up at the facilities. For him, they too had the right to enjoy his music. Those who accompanied him affirmed that the energy was incredible and everyone enjoyed the presentation.

The group had great talents such as: Memo Morales, Cheo García, Felipe Pirela, Manolo Monterrey, José Luis Rodríguez, Rafa Galindo, Víctor Pérez and Nelson Henríquez.

Luis María Frometa Pereira, was born in the capital of the Dominican Republic, on November 15, 1915. He got his nickname for a phrase he used very frequently, he called any route that came his way Billo. He started in music from a very young age. Represented the Santo Domingo Symphony and the Firefighters Orchestra Band. So he walked through some small bands, until he reached his first big break. Venezuela was one of the first countries to receive him with open arms and where he was presented for the first time under the name “Billo’s’ happy boys ”´; ignoring the demand of Rafael Leonidas Trujillo, dictator who led his country.

Even when the band disintegrated, Frometa remained in Venezuela. Going through difficulties, economic downturns and a disease that took him away from the stage. However, he returned in style and was consolidated in the memory of those who enjoyed his songs. The contracts did not stop arriving and thus were the beginnings of a band that celebrates 80 years of musical trajectory.

A tribute to history

This is why this 2020 will be a celebration for the issues that moved masses and passed from generation to generation. “Legends” consists of twelve songs and ten originals by the group.

The idea is that Billo’s remains in the hearts of his fans. After 80 years since its creation and some 100 productions are still valid. His repertoire has always been the most varied; It ranges from boleros, guarachas, porros and Dominican merengue. Also, of Caribbean music.

Milly Quezada, a Dominican merenguera with a Colombian heart, was one of the special guests. In charge of interpreting “Sigan Bailando” and was very enthusiastic.

“What I consider to be one of the most contagious and joyful tropical songs that best defines the happy and fun spirit of Latin Americans and especially of us, the Caribbean, who carry the rhythm in our blood. Definitely, the greatest and most important contribution of the Billo’s Caracas Boys was the presentation, diffusion and positioning of the Dominican merengue, which he transmitted with such musical and literary quality, as well as other Caribbean genres that belong to all of us, ” said Quezada.

Carlos Vives also premiered his album song: “Tres Perlas”. He confessed himself a fan of the teacher Fometa and, for this, he is very excited.

“If there is a legendary orchestra, it is Billo’s. I want them to enjoy it, to mourn it, because I know that many will do it, and that the youth discover a great figure in music that is not only from Dominicans, Venezuelans and Colombians, but from all of America ”, said the artist through from your Twitter account. “Participating in this album is as if I had won a prize, I don’t know what, but I feel like a prize,” said Vives.

Legendarios is now available on different digital platforms under The Orchard Music label (on behalf of J&N Records, LLC). Do not miss it!

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Tips for dancing salsa with style and elegance

Dance tips for salsa

Elegance and good taste are very personal aspects for each of us, since we all perceive the world in a very different way. We can have some rather general ideas of what to be regarded as elegant and what not, but we are never going to agree on everything. This can be applied very well any aspect of life, but today we are going to focus on music. 

For several years, salsa was seen as a low-level and often vulgar musical rhythm, dancing it in certain circles of society was not well received by a number of people. Fortunately, all that has changed radically in the last decades. What is even more, this Latin genre has earned so much prestige that it is now present in those same social circles that rejected it before. However, dancing salsa with a lot of class is not as easy as it is believed. 

If it is true that this type of music is no longer perceived as vulgar, there are certain aspects to take into account when dancing it with great style and subtlety. 

Tips for dancing salsa with style and elegance 

One of the most important details to be in mind is good coordination between the members of the couple and the memory of an elephant that allow those involved to learn all the steps in the best way possible. Additional to that, one has to adapt to certain rules so that everything turns out as planned during the dance. 

Learn the most basic you need to dance salsa 

Dancing salsa with elegance and style
Two young people dancing salsa

First thing that should be taken into account is the learning the most basic things and their execution in the best way possible. One of the best-known characteristics of salsa is that it consists of three basic steps of a short sequence that are danced in a 4/4 beat. After having mastered this structure, dancers are trained to add more complexity to their movements. 

Hear and understand the rhythm and the time 

If you want to dance salsa with style, you have to understand music and rhythms as much as possible. The rhythms, the times and speed are the aspects that help dancers to coordinate their movements in the right way. If there is some ne interested in learning to dance salsa that feels that he is completely lost, he can start listening to salsa a lot more often. This will help him immensely to better understand this music and the rhythms that make it up. 

What you have to do during learning ballroom dances 

Dance tips for salsa
Young couple dancing salsa

If there is something that should never be missing in salsa is the partner dance, which makes this musical genre a much more pleasant experience for the two members of the dance couple. If they both want to dance as well as possible, they must understand each other’s movements to perfection. In the same way, both the man and his partner must perfectly understand each other’s speed and movements in order to anticipate them. In this sense, the members of the dance will be able to achieve a good harmony, which is an essential detail to achieve success in this sensual dance. 

After future dancers have followed these tips, they will be trained to demonstrate their dancing skills on the dance floor. 

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Everything you need to know about tarraxa

Tarraxa in Europe

It is amazing the number of African genres that have gained strength at this time. This can be seen in this in the huge amount of events that include these rhythms in Europe, which speaks of an important evolution in the musical ear of those who often did not listen to these styles. 

One of those many rhythms is tarraxa, which has begun to play a leading role in dance classes taught in the Old Continent. These classes have managed to gather a large public and very interested in learning to dance genres different from those that they tend to listen to. 

What is tarraxa? 

tarraxa and traditional kizomba
interracial couple dancing tarraxa

Many people define tarraxa as a very modern way of dancing kizomba, in which the corporal expressions and the rapport between the members of the couple are the two most important details in the dance. This dance is full of sensuality and feelings, something that is not seen very often in more traditional versions of kizomba. 

One of the major complications of traditional kizomba is the excessive softness and slowness of many of its rhythms, so the dancers simply do not know how to proceed sometimes. This is also the reason why many would find this African genre a bit boring and choose to look for other styles that are a little more cheerful and lively. Here is where other slightly more intense modalities come to life, such as tarraxa or batida. 

When listening to songs based on this dance, it is possible to realize that the rhythm is very marked, allowing the dancers to have more flow and security in their movements. This and other new versions of kizomba derived from the need to try something different, modern and much more intense. Not everyone tastes calm and tranquility in the same way! 

Expension of tarraxa through Europe and other latitudes 

Tarraxa in the Old Continent
Couple dancing tarraxa closely

As already mentioned, tarraxa is closely related to kizomba, while many have dared to say that the first is nothing more than a more modern version of the second. Well, kizomba originates in Angola with the mixture of a rhythm known as semba with another one called kilipanda. If we have already said that tarraxa was born as a consequence of the modernization of kizomba, that means that we can conclude that tarraxa is also of Angolan origin. This makes its voyage around the world even more interesting. 

After kizomba arrived in Europe through Portugal and other countries, this well-known genre has been intermingled with other more local rhythms as a consequence of the adaptation of the rhythms to the ears of its new audience. This resulted in the creation of new variants such as tarraxa, passada, saida, ventoinha, and so on. 

The specific case of tarraxa is not very different from that of other musical styles from Africa. It has simply undergone modifications of all kinds to the point at which it resulted in what is now. Nowadays, it is one of the most present genres in events held in Europe and other parts of the world. 

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San Clemente Salsa Congress

Salsa San Clemente 2020 Congress online starts today:

The month of December 2020 has already begun, a very difficult year for everyone worldwide due to the covid-19 pandemic that hit us all at the end of 2019 and others in 2020; despite the fact that our lifestyle has changed at all levels (social, economic and political); However, this did not stop our activities but with more caution when doing them, including the use of the Internet to do work at home in most jobs.

Already adapting and looking for a way to try to make these quarantine times more pleasant and not monotonous of routine life at home, many events have been carried out with great success online since people enjoy recreational activities and there is nothing better than an event especially if it is musical that one can attend without putting oneself in danger of being infected.

Among the events that will be held in December 2020, one will be held in Argentina, from December four (4) to eight (8), the San Clemente Salsa Congress 2020 Online, where the Workshops will be held every day, music live, shows, presentation of live DJs, interaction with the public and raffles.

San Clemente Salsa Congress 2020 Online
San Clemente Salsa Congress – Artists

Its name derives from the Argentine seaside resort and tourist city of La Costa in the province of Buenos Aires, called San Clemente del Tuyú, which is located on the northern coast of the Argentine Sea. Its organizer is Mr. Gerardo Osvaldo Russo who was born on July 3, 1984 who lives in the beautiful city of San Clemente del Tuyu, who in turn is the director of the Salsa y Sentimiento Academy and has extensive experience in the tropical musical genre already performed by the Caribbean Rhythms faculty in the “SAOCO” study.

It would be this year the seventh (7th) International Congress of Salsa, Bachata and Caribbean Rhythms and in turn known as the most important congress of the Atlantic Coast, Argentina, only this time due to the Covid-19 pandemic situation it will be held Online for the safety of your guests

The schedule of activities would be as follows:

  • Friday 4: the presentation of the congress will be held, live music with Cuban singer Elena Guarner and DJ Charlie Ayestaran, shows and talks will be held with the subscribed guests.
  • Saturday 5:
    • 14:00 hrs: musicality with Mauro Álvarez
    • 15:00 hrs: Rumba / Guaguanco with Adriel and Malena.
    • 16:00 hrs: Mambo in two / free steps with Martin Ayrala.
    • 17:00 hrs: Musical Interpretation with Carlos Aragón and Gustavo Pinat.
    • At night there will be live music with Mariano Ávila (Argentine singer), then choreographic shows, talks, raffles and DJ Caramelo will be playing.
  • Sunday 6:
    • 15:00 hrs: Bachata / shines and figures with Paula Urquiza and Gabriel Zamora.
    • 16:00 hrs: Cha cha cha / free steps with Sole Martino and Diego Castro.
    • 17:00 hrs: Salsa on 1 / Shines and figures with Carine Moraes and Rafael Barros.
    • At night there will be live music with Aye Soto, Argentine bachata singer, then choreographic shows, talks, raffles and DJ John Moon will be playing.
  • Monday 7:
    • 14:00 hrs: Timba with Tati Barbosa and Dani Escobar.
    • 15:00 hrs: Salsa On 2 with the Timbaleros
    • 16:00 hrs: Latin Training with Gabriela Mancini
    • 17:00 hrs: Dominican Bachata with Leticia Beltran and Gabriel Salgado.
    • At night there will be live music with the Chasumadre Orchestra, talks, shows, choreography and raffles.
  • Tuesday 8:
    • 15:00 hrs: Casino wheel with Adrian Doblas.
    • 16:00 hrs: Bachata / shines and figures with Mauricio and Natalia
    • 17:00 hrs: Timba with Celina and Lucho.

Subscription is 100% free and live a healthy and safe adventure inside your home, just by having your computer and internet access, do not miss this great opportunity.

For more information:

WebSite para subscribirte:

Facebook: https://www.facebook.com/San-Clemente-Salsa-Congress-1384904591761235

Instagram: @ sanclementesalsacongress

Correo: [email protected]

Teléfono: +54 2252 40-8486 (Whatsapp) / +54 9 11 6838-6589

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.