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Vienna Bachata Congress
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Palais WertheimCanovagasse 1-5. 1010 Vienna DescriptionThe 4th edition of Vienna Bachata Congress offers workshops, shows and social dancing with national and international instructors, performers and dj’s. Cost: Full Pass from € 99 + € 1.99 Fee |
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Eden Urban Kiz Festival
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Hotel PinijaPetrčane V. ulica 1 a, 23231, Petrčane , Zadar, Croatia DescriptionCatch the last summer sun in a breath taking scenery of the Adriatic. We set the scene in an exquisite 4 star hotel that will cater to all your needs. We handpicked a selection of artists that will take you on an exotic journey to paradise. Cost: Full pass COUPLE € 195 |
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Prague Zouk Marathon Autumn Edition
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Na MarjanceBelohorska 35/262, Prague, Czech Republic, 169 00 DescriptionThe 9th edition of the first 100% Zouk social dance event in the world. Parties all day & night long. No shows and No workshops. Drinks & Dining: Food and Water all inclusive Cost: Full pass from € 118 |
Prague Salsa Marathon Autumn Edition
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• Na MarjánceBelohorska 262/35., Prague, Czech Republic, 169 00 •Vineyard GazeboHavlickovy sady 1369, Prague, Czech Republic, 120 00 DescriptionPrague Salsa Marathon Autumn Edition presents 3 days & 2 nights of Salsa workshops, shows and after parties. DJ Playing: Sergio, Cycy, Julian, Gaby & Karlos Cost: Full Pass from € 149 |
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Alpes Bachata Congress
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Impérial Palace HotelAllee de l’Impérial, Annecy, France, 74000 DescriptionOffers workshops, shows, parties & socials with national & international instructors, performers & dj’s: Cost: Full pass from € 120 |
The Wave Dance Festival
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Les Villages sous les Pins2747 Avenue de l’Océan, Leon, France, 40550DescriptionThe second edition of Wave Dance Festival offers 50 hours of workshops, national & international shows, socials, parties with local & international instructors, performers & dj’s playing: Ralph, Ibra, Neko, Timbahe, Lafuriosa, Jeff & SmachCost: Full Pass from € 80 |
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Kiz N You Non-Stop
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Espace Jean Jaurès Dance Studio3 Avenue De La Paix, Tomblaine, France, 54510 DescriptionThe 5th edition of Kiz N You Non-Stop offers workshops, parties, parties, after- parties & socials with national & international Kizomba instructors, performers & Dj’s. Cost: Full Pass from € 50 |
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Paris Salsa marathon2
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Le Boreas1 Port de Bercy, Paris, France, 75012 DescriptionOffering workshops, parties, and socials. Cost: Full Pass €145 |
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Festival Corazon Latino
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Rocher de Palmer Ballroom1, rue Aristide Briand, Cenon, France, 33150 DescriptionThe 10th edition of Festival Corazon Latino provides 2 days of Salsa, Bachata, Kizomba workshops, parties, shows and concerts with national/international performers and Djs. Cost: from € 109 |
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KAMBA Kizomba Festival 2023
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Théâtre Foirail105 Avenue du Général de Gaulle, Angers, France DescriptionPassion SBK is delighted to welcome you to Chemillé in Anjou for its first edition of Kamba Latino. A Salsa & Bachata Festival Cost: € 83 |
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Lambazouk Paris
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Studio Des Rigoles School Kim Kan46 Rue des Rigoles, Paris, France, 75020 DescriptionThe first edition of LambaZouk Paris offers 10hrs of programs on weekends + parties in Lambada and Brazilian Zouk Cost: From € 90 |
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Yo Vengo De Cuba
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KongresshalleGögginger Strase 10, Augsburg, Germany, 86159 DescriptionA Cuban Style Festival with the most popular teachers in Europe, two parties with shows, animation and 3 days of workshops (Afro Cuban, Casino Rueda, Reggaeton, Salsa) and the DJ El Gato Cost: Full Pass from € 100 |
Kizomba Days Cologne Weekender
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Tanzschule TanzraumSalierring 33, Cologne, Germany, 50677 DescriptionThe third edition of Kizomba Days Cologne Weekender offers more than 20 hours of workshops, 3 parties, 2 socials with national & international instructors, performers & dj’s. Kizomba, Semba, Tarraxinha Cost: COUPLE Passes € 205 |
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Kizomba Festival Stuttgart
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Singing HallLindenschulstrasse 29, Stuttgart, Germany, 70327 DescriptionThe 10th edition of Kizomba Festival offers 4 days of Kizomba workshops, socials, parties & shows with national and international teachers, performers and dj’s playing: Lenhy, Iron Mams, Hazel Beats & Harry Cost: Full pass from € 99 |
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Festival Timba Paradies
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Congresshalle Convention CentreHafenstr.12, Saarbrucken, Germany, 66111 DescriptionThe 6th edition of Festival Timba Paradies offers 40 workshops, shows, 3 parties with national & international instructors, performers & Dj’s: Francois Timbalero, Yannick, Pastaguero Samir, Assane Kane & Herve Timbaleaks Cost: From € 99 |
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Zouk Festival Hannover
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Move & Style Dance AcademyVahrenwalderstr. 195 A, Hannover, Germany, 30165 DescriptionZouk Festival Hannover offers 3 days of workshops (Brazilian Zouk), 3 days of parties, with extra 4h of special masterclass training with BZCC official Jack & Jill. Cost: From € 120 |
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Dance Casa Festival
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Hungarian University of Sports ScienceBudapest, Alkotás u. 42-48, 1123 DescriptionWelcome to Dance Casa Festival A Ukrainian Festival that will take place in Budapest. See you all from 29th of September to 01st of October 2023 We are a well-established Ukrainian based festival and we are happy to announce our first Budapest edition. We are expecting all of you from September 29th to October 1st 2023 for an amazing experience where dancers from all over the world will join us to learn, teach, have some fun and share together our passion for dancing Afro Latin, Bachata, Kizomba, Salsa, Tarraxinha in one of the most beautiful cities in Europe. Cost: Fom € 150 |
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On 2 Salsa Congress
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Tower Genova Airport Hotel & Conference CenterVia Pionieri e Aviatori d’Italia, 44, Genova, Italy, 16154 DescriptionThe 11th edition of On 2 salsa Congress offers workshops and social dance parties in Salsa with world performers and instructors. Cost: From € 140 |
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Vilnius Bachata Festival
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Vilniaus Lenkų Kultūros NamaiNaugarduko gatvė 76, Vilnius, Lithuania, 03202 DescriptionThe 7th edition of Vilnius Bachata Festival offers 3 days and nights of workshops, shows and social dancing with national and international performers, instructors and dj’s playing: York, Husky & GAT Cost: From € 90 |
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Bindaas Bachata Amsterdam – Bachata Sensual & Fusion Event
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CanDance StudiosIsolatorweg 28, Amsterdam, Netherlands, 1014 AS DescriptionThe third edition of Bindaas Bachata Amsterdam offers 14 hours of workshops, parties on Saturday & Sunday + day socials on Sunday & 14 hours of Social dancing. Cost: Full Pass from € 75 |
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Zouk Porto Festival
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The View HotelAv. de Ramos Pinto 240, Vila Nova de Gaia, Portugal, 4400-261 DescriptionZouk Porto Festival offers workshops, shows, socials & parties with local & international instructors, performers & Dj’s playing: Carballo, Jano & Zouk OF on Bachata, Kizomba, Salsa, Semba, Brazilian Zouk Cost: From € 70 |
LIKE Lisbon’s International Kizomba Energy Festival
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Inatel Costa Caparica HotelAv. Afonso de Albuquerque, S. João de Caparica, Costa da Caparica, Portugal, 2825-450 DescriptionThe 12th edition of Lisbon International Kizomba Energy (LIKE) offers workshops and parties with lineup performers, teachers and dj’s. Cost: From € 95 |
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Bachata Takes Over Bucharest Dance Festival Autumn Special Edition
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Caro Hotel Bucharest164A Barbu Vacarescu Blvd, Bucharest, Romania, 020285 DescriptionBachata Takes Over Bucharest Dance Festival / B to B Dance Festival ALL STAR EDITION offers workshops, shows and parties with national and international instructors, performers and dj’s. Cost: From € 100 |
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Latino Afro Festival Varijanta Bachata Salsa Kizomba
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Dom OmladineMakedonska 22, Belgrade, Serbia and Montenegro DescriptionThis festival is a one in a lifetime experience with a perfect combination of partytime and workshop, where the best international stars in Cuban salsa, salsa crossbody, Tarraxinha, kizomba, Bachata meet in the beautiful city of Belgrade, Serbia. Cost: Full Pass from € 95 |
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DyD Be Unlike
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Vértice Sevilla Aljarafe HotelAv. República Argentina, 1, Bormujos, Seville, Spain, 41930 DescriptionDyD Be Unlike offers Bachata workshops, shows, parties, socials with national & international instructors, performers & dj’s. Cost: Full Pass from € 80 |
Pirineos Salsa Festival
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Albergue – Hostel PirenariumAv. Del Ejército, 27, 22609, Sabiñanigo (Huesca), Spain DescriptionDear friends Pirenaicosalseros, we return with our Pirineos Salsa Festival 6 Edition, bustle, party, learning in a unique setting of the Pyrenees Oscense, a singular Event, outdoors, this year we return with everything, tents, floors, Shows, Orchestra, artists of national and international renown, an Event with about 50 training workshops, Djs specialized in each rhythm, animations, etc. Cost: Full pass € 80 |
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Karga Kizomba Festival
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Hotel Evenia Olympic ParkCarrer Sra. de Rossell, s/n, Girona, Spain, 17310 DescriptionThe 8th edition of Karga Kizomba Festival offers workshops of Kizomba, Semba, Kuduro, Afrohouse, shows and parties with international and national performers, instructors and dj’s. Cost: Full Pass from € 60 |
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Madrid Zouk Bachata Congress
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Eurostars Madrid Foro HotelRonda de Europa, 1, Madrid, Spain, 28760 DescriptionThe 5th edition of Madrid Zouk Bachata Congress provides workshops, shows and parties with national and international performers, instructors and dj’s. Cost: Full Pass € 145 |
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On1 Salsa Festival
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Hotel Isla de la GarenaC. Galileo Galilei, 18, Madrid, Spain, 28806 DescriptionOn1 Salsa Festival offers workshops, shows, socials, parties with national & international instructors, performers: Adrián & Anita, Terry & Cecile, Fernando & Ayelén, Talía & Pocho & dj’s playing: Cumbanchero, Pulpo, Rebo & Ya Cost: From € 40 |
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Kyiv Sense to Dance Festival
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Mercure Kyiv Congress HotelVadyma Hetmana St, 6, Kiev, Ukraine, 02000 DescriptionKyiv Sensual Festival offers 50 workshops, 80 hours of parties & beyond compare partners, 2 grand show programs & live concerts, 4 parties with national and international instructors, performers and dj’s of Bachata, Kizomba, Salsa, Brazilian Zouk Cost: Full Pass: from € 60 |
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Bachata King Festival
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Kipriotis Village ResortOdyssea Elyt, Kos , Greece, 853 00 DescriptionThe 4th edition of Bachata King Festival offers 50 hours of workshops, more than 20 shows, Bachata competition with 40 national and international artists. Cost from € 69 |
Search Results for: salsa
North America Directory – September 2023
CANADA
Tempo Latino: Creating Connections Through Music
An Interview with Eric, Founder of Europe’s Premier Latin Music Festival
On the last week-end of July, a festival celebrates Latin and Afro-Cuban music and brings thousands of music lovers to a small town in France. Eric, the festival’s creator, shares its origins, inspirations, and evolution.
Since its inception in 1994, the Tempo Latino festival has welcomed incredible artists to this small town in the Southwest of France.
Creating a Musical Oasis in Vic-Fezensac
Having lived across France, Eric settled in Vic-Fezensac, where he felt the need to create something beyond work. His passion for Latin and Afro-Cuban music led him to start Tempo Latino, aiming to provide what he missed – concerts of these genres.
A Journey of Music and Discovery
Eric’s radio inspiration and his love for vibrant rhythms ignited the idea for a music festival. He yearned to introduce others to the music he cherished, giving birth to Tempo Latino in 1994. The inaugural edition featured Fatal Mambo and Mambomania, attracting 2,800 attendees. Now the festival attracts over 10,000 people.
Eric’s selection process for artists is fueled by genuine connections, resulting in a diverse lineup that weaves different styles into a harmonious experience. His curation creates unique narratives each night. Pairing artists with contrasting energies, like Lila Downs and Cimafunk, creates a captivating tapestry that reflects the festival’s essence. Eric’s journey involves tireless pursuit and strong artist relationships. From Bernard Lavilliers to Excelencia, his commitment to music’s magic and meaningful collaborations remains steadfast.
A Melodic Journey Unfolds
The festival’s theme guides its trajectory, from Africa’s heart to New York’s energy. Lavilliers’ Paris and the Caribbean’s vibrancy unite through music, creating a diverse yet cohesive experience.
In a digital era, Tempo Latino reminds us of music’s power to unite. Eric’s dedication and knack for blending genres into harmonious narratives continue to resonate.
Tempo Latino: 28 Years of Latin Rhythms, Community, and Artistry
The charm of Vic-Fezensac, a small town in France, transforms every year as over fifty thousand people gather for the renowned Tempo Latino Festival. In an exclusive interview, Eric, the festival’s creator, discusses the intricacies of managing such an event in a local community and the relationship it shares with the town.
Local Community and Involvement
Eric sheds light on the local engagement, emphasizing that while not everyone participates, the festival is supported by some local partners. What brings him contentment is the transformation he witnesses each year as the town welcomes an eclectic crowd of festival-goers. The festival’s vibrant audience, composed of diverse backgrounds, gives life to the town’s streets and squares in ways that were once unimaginable.
Eric reminisces about the support he received from the former mayor, Jean Arnaud, whose open-mindedness and appreciation for the festival’s diverse attendees left a mark. Jean Arnaud’s encouragement and acknowledgment of the festival’s contribution to cultural diversity added an emotional connection between the festival and the town.
Fostering Relationships with Artists
Eric’s dedication to music and fostering connections with artists has been at the heart of the festival’s growth. He shares anecdotes about musicians like Oscar D’Léon and Celia Cruz, who have left an indelible mark on the festival’s history. These relationships, he emphasizes, are more than business; they’re rooted in mutual respect and genuine affection.
Overcoming Challenges
Throughout its 28 editions, the festival has faced numerous challenges, both financial and logistical. Eric reflects on early deficits, weather-related disruptions, and organizational intricacies. Each year’s success has hinged on meeting these challenges head-on, often pushing the festival to its limits.
The Ever-Evolving Vision
Eric’s vision for the festival’s future remains unwavering – bringing together people from diverse backgrounds through music. He acknowledges the changing landscape of music and dance styles, highlighting the importance of maintaining a balance between cultural integrity and evolving tastes.
Looking Ahead
With the 30th edition approaching, Eric envisions continued growth while staying true to the festival’s roots. He expresses his desire to bring acclaimed artists like La India and Carlos Santana to the stage, continuing the legacy of diverse and passionate musical experiences.
In the grand tapestry of the Tempo Latino Festival, Eric’s passion, dedication, and genuine relationships have woven together a cultural masterpiece. The festival remains a beacon of unity, showcasing the power of music to transcend boundaries and create shared experiences. As the festival moves towards its next milestone, it stands as a testament to Eric’s unwavering commitment and the enduring magic of Latin and Afro-Cuban rhythms.
Mark your calendar and plan your trip for the 2024 Tempo Latino on the last weekend of July 25 to 28, 2024.
Visit for more information 
[Read more…] about Tempo Latino: Creating Connections Through Music
Humberto Ramírez
Latin America/ Puerto Rico / San Juan
Humberto Ramírez one of the most innovative musicians on the Island of Enchantment Puerto Rico
Recognized as one of the most innovative musicians of his generation, Humberto Ramírez grew up in a home where the music of Miles Davis, Thelonious Monk, John Coltrane, Lee Morgan, Tito Puente, Tito Rodríguez, Cal Tjader and Machito was heard.
His father, who is a saxophonist and conductor, was the one who inspired him to play the flugelhorn at age 11.
By the age of 14, Humberto was performing professionally with his father’s orchestra and at the same time taking orchestration courses with bassist Inocencio “Chencho” Rivera.
At the age of 18, after graduating from the Escuela Libre de Música de San Juan, his interest in composing and arranging music motivated him to enroll at Berklee College of Music in Boston, Massachusetts where he obtained his bachelor’s degree in music, then studied composition and orchestration for film and television at the Dick Grove School of Music in Los Angeles, California.
In 1985, and for a period of four years, Humberto worked with the Willie Rosario orchestra, one of the most popular bands in Puerto Rico.
In 1989 he became the musical director of Tony Vega.
His admirable ability as a producer and arranger led him to make important collaborations with great figures in music.
In 1999 he took over the musical direction of merengue and tropical music star Olga Tañón.
His work as a producer, arranger, composer and director for tropical music artists such as Willie Colón, Gilberto Santa Rosa, Marc Anthony, India, Domingo Quiñones, Lourdes Robles, Rubén Blades, Brenda K. Starr, Tito Nieves, Víctor Manuelle and others , has established him as one of the busiest arrangers and producers in the industry.
He has also had the responsibility of directing the concerts of important exponents of reggaeton such as Daddy Yankee, Tito El Bambino and Zion, which undeniably demonstrates his broad musical mastery in various genres.
His great dream was always to develop a career in Jazz. In 1992, Humberto Ramírez debuted as group leader in his first production for the Tropijazz label entitled “Jazz Project”.
Since then he has shared the stage with important jazz musicians such as Freddie Hubbard, Justo Almario, Alex Acuña, Chick Corea, McCoy Tyner, Gonzalo Rubalcaba, Tito Puente, Hilton Ruiz, Michel Camilo, Herbie Hancock, Eddie Gómez, Michael Brecker, Paquito D ‘Rivera, Chucho Valdés, Ray Santos, Gato Barbieri, Terence Blanchard and Herb Alpert, with whom he recorded the album “Passion Dance”.
His music has received rave reviews from prestigious publications such as Down Beat, Jazz Times, Jazziz, Latin Beat, CD Review, Hispanic Magazine, New York Daily News, The Plain Dealer, Miami Herald, The Boston Globe, and Austin Chronicle.
From the launch of his first record proposal, Humberto Ramírez has established himself as the most important exponent and promoter of Jazz in Puerto Rico.
He has recorded 26 albums in which he has experimented with all kinds of formats: duets, trios, quartets, quintets, sextets, octets and “Big Bands”.
His collaborations with the group Rumbantela and with the queen of filin, Lucy Fabery have received great praise from specialized critics. In 2005 he founded his own record label, Nilpo Music and last year he began to present his own Jazz festival: Puerto Rico Jazz Jam, marking a new stage in his musical career.
This year 2011 celebrates its 20 years cultivating the difficult expression of Jazz, a career that began with its debut as a leader in the first edition of the Puerto Rico Heineken Jazz Fest in June 1991. This year 2016 celebrates its 25 years.
Humberto Ramírez has received 4 Grammy Award nominations as a producer. His first nomination was for the album “Nueva Cosecha” by Willie Rosario in 1985, then for “Hecho en Puerto Rico” by Willie Colón in 1993, “Tony Vega” in 1996 and “Olga Viva, Viva Olga” by Olga Tañón, which earned him the Grammy Award in 2000.
In 2013 he was nominated for a Latin Grammy for his album Sentimentales with Lucy Fabery.
Among the awards he has received are 6 Platinum records, 12 Gold records, 4 “Visionary Awards” and six “Tu Música” awards. He has received tributes from Ohio State Representative Dennis J. Kucinich and from the Senate of Puerto Rico.
In 1997 he had the honor of entertaining the inauguration of the President of the United States, Bill Clinton in Washington, D.C. In October 2009 he was invited to play at the White House for President Barack Obama.
After having received several awards and nominations, as well as having recorded his own record successes, Humberto Ramírez shows that his creative explosion is still in its infancy.
https://www.humbertoramirez.com/#home-section
https://www.facebook.com/Humberto-Ram%C3%ADrez-Jazz-Project-110525453672/
José Madera Niño & his 3rd his World
Latin América / Venezuela / Caracas
José Madera Niño “The records and the radio were my first teachers”
Soon he will premiere his second production entitled Matices, with the promotional song Canta Sonero.
A creator, a great human being, this is José Madera Niño, this Colombian-Venezuelan musician, self-taught, percussionist, composer and plastic artist; who after participating in different groups decides to form his own Orchestra, José Madera Niño & 3er Mundo, assures that his passion for music began when he was very young, following the example of his father, uncle and his older brothers, defines his songs as “simple and diaphanous”. He confesses that our salsa genre, “needs to feed on new things, unpublished songs, in short, proposals, and that the music lover is the one who decides if it is good or not”; As the chorus of one of their songs says, let them be the ones to speak and express their emotions.
His first record production De amor, desamor y rumba, contains 8 songs, of which 6 are his own, with the participation of leading Venezuelan musicians; in this work he presents us with an innovative style, where he sings to love, to spite and invites us to dance to the rhythm of the conga that is in fashion. In each composition, everyday life is reflected, the adventures and misadventures that music lovers make their own, a work made of guava trees and poetic joys.
Soon he will launch his second record production with a very striking name; Nuances, something that in his words “makes him very happy”, where there is no doubt, his gift as an artist will be present and a motley of musicians with a great career who will put the final touch on his new production.
How did you start in music?
“I remember that at the age of seven, I was drawing a lot, on paper, on the walls and on whatever came my way. My older brothers already showed an interest in music, so instruments began to arrive at the house. While I drew they practiced and when they went to school I took possession of a drum and a radio, I tried to accompany all the rhythms I heard on the stations”.
Was your training professional or are you a self-taught musician?
“Autodidact. I entered the school of plastic arts, to study drawing and painting, at the age of fourteen. There I saw nine subjects, also I started at the high school where I saw nine more subjects, so there was no space to study music. I listened to a lot, yes. Records and the radio were my first teachers”.
Tell us about your experience with Orlando Poleo?
“In a self-taught way, almost without realizing it, I began to play with different groups and orchestras, I was already in trouble, so on the fly, I decided to take theory and solfeggio classes at the headquarters of the Musical Association. On a Caracas night I was playing with La Orquesta Ideal and there I met Williams Hernández -Percussionist and manufacturer of Latin percussion instruments-. It was he who recommended that I attend the workshop in Sarria where the teacher Orlando Poleo taught. The experience there at the beginning was a bit traumatic because although I already had time playing congas, I didn’t have the ideal technique. I had to get rid of what I learned on my own and put new ways into practice. It was not easy but I am very grateful to have passed through the school of Grand Master Poleo”.
Where does your musical vein and passion for painting come from?
“My father was a bolero singer back in his native Colombia, my uncle was a guitarist. That’s where the taste for music comes from.”
What motivated you to make your first production, in a market so Competitive and often poorly supported by the media?
“I was motivated by a passion for music and by that need to contribute at least one point of view, a way of doing things. For example, I think that this genre that we love, called Salsa, needs to feed on new things, unpublished songs, in short, proposals and that it is the music lover who decides if it is good or not”.
What is the reason for the name of the group; 3rd world?
“That’s where we are, that’s where we come from. This is how they classified the countries of our region and we assumed them without complexes or pride. I think it’s just a title that doesn’t detract from our ability to do great things. Baptizing the band with that name was an act of rebellion, it shows a little that despite many limitations we are capable of making quality music”.
Why the name De Amor, Desamor y Rumba?
“There were many hours of recording, then editing, then came the art of the album and when we were already finalizing details, a doubt assailed me, I thought: Isn’t the selection going to be very rockolera? I started to review the production and I realized that it was balanced. We sing to spiteful love and I think it’s very danceable. From there the title was born: “Of love, lack of love and rumba”.
What inspired you to write 6 songs of your first production?
“The need to do unpublished things, on the other hand I didn’t know so many composers who wanted to risk their songs in a novel production. The language of my songs is simple and diaphanous”.
Which of the themes do you identify with, and why?
I like them all.
How would you define the 3rd world style and how do you get there?
“It’s just Salsa, without a “surname”, as it was before. It’s not erotic Salsa or hard Salsa or Nothing Salsa… Just dance music”.
Any relationship with the percussionist José Madera -the one from Tito Puente-?
“Only immense admiration for his work and the fact that like him I play percussion and have the same first and last name.”
Have you ever been interested in another musical style?
“I listen to almost everything and in my career I have had the opportunity to play other popular music rhythms such as merengue, cumbia, vallenato.”
An artist you admire?
“There are many whom I admire, it would be unfair to name just one.”
What inspires you to write a song about love or heartbreak?
“Both, in addition to the simple, everyday things.”
Define yourself in one sentence?
Creator
How does the soul see through painting or music?
The soul sees and manifests itself in the purest and most honest way through art. Call it painting, music or another related manifestation.
Tell us about your 2nd production, who participates in it?
This is something that makes me very happy because we are giving the last brushstrokes, soon, very soon my dear friends will know about this work. There are many guests.
Why nuances?
Precisely because of the variety of its guests.