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Search Results for: Charanga

Hansel and Raúl, The Charanga Legend duo

Hansel and Raúl, The Charanga Legend duo

Hansel and Raúl is a charismatic and transgressive Charanga duo of the line of romantic lyrics of the time. They positioned the Cuban “Charanga” rhythm on the top of global popularity, a danceable genre that they imposed on each stage they were invited to and which incorporated their unique Caribbean essence.

This particular duo with three decades of trajectory was born in Miami in 1984 after breaking from the orchestra “Charanga 76”, where they were co-founder members and their main vocalists. With this New York orchestra, born in Brooklyn, they won international recognition and their first Grammy for the album “Encore” in 1978.

Photo of Hansel and Raúl
Hansel and Raúl – The Charanga Legend duo

“Many of the artists who recorded with them during their stay in “Charanga 76” include the renowned pianist – for many years – by Héctor Lavoe, Gilbert Colón and the first Jewish-American flutist woman, Andrea Brachfeld.”

Very pleasant memories come to Hansel‘s mind during this interview, especially his first composition “Si no te encuentras tú” for Charanga 76, his voice took a turn and he showed nostalgia as well as pride in remembering it: “I don’t sit to write a song with a guitar or piano. The Inspiration comes to me alone, there is nothing personal”.

Each anecdote that he tells us is remembered as facts that have led to their musical maturity. Each fun fact has been defined as part of their career, such was the case of the great master, Israel “Cachao” López, who with all his musical wisdom and mastery of his instrument, the Double Bass, taught the rhythmic base to the orchestra. “The conguero and the timbalero even the güirero he taught them to play well. He was a teacher of all, including us who learned a lot from him. R.I.P, he was a glory of music”, Hansel said to us.

But that wasn’t all he told us about the legend of Cuban music, “Cachao”, who was the Double Bassist of the “Charanga 76” orchestra for 12 years, also he told us that every time they wen a tour the “Inventor of Mambo” had them buy a plane seat to his Double Bass, he sat it next to him and even put the belt on the string instrument, as is dictated by airline regulations.

The funniest thing would come later when the Double Bass received the same attention as each member of the orchestra. Amazing! The Double Bass also had its portion of food during each trip as each musician of the orchestra, and when the flight attendant brought it was when the offer was presented by each musician for that fabulous portion, although the end was always the same, the trumpeter won!

Hansel y Raúl - Photo
Hansel y Raúl concert
Photo in concert - Hansel and Raúl
Hansel and Raúl – Photo behind the scenes

Each experience with Charanga 76 made them evolve in music and although with this orchestra they made themselves renowned professionally, as a duo they flew the fence. They have received multiple musical awards, their sympathetic lyrics, and in some cases, satirical or burlesque have won the applause, admiration, and respect of colleagues in the music industry and the general public on three continents: America, Europe, and Asia.

“The Jersey Boys” was their first youth musical group with only 5 members and although the musical instruments they played were the basics of Rock, their rhythmic concept was Cuban music.

“María Teresa y Danilo” was one of the compositions that brought many satisfactions to this duo. Nowadays it’s still preferred by the fanatical public of the genre. Many debates and speculations were made about this song, but here we tell you the true story. “María Teresa y Danilo” dates its beginnings to the 80s when soap operas like “Dallas” were in fashion.

Hansel came up with the idea of diving and writing on this topic. He magically composed the lyric during the plane trip with San Francisco – Miami trajectory and the rest we already know, multiple copies sold, and hundreds of awards granted to them for the feeling that caused this popular theme.

Photo of Hansel and Raúl

Photo of Hansel and Raúl in their beginnings

After such overwhelming success as a duo, Hansel and Raúl decides to separate in 1988. What was the reason?

Everyone wanted to make another kind of music. Each one followed a different path, for his part, Hansel recorded five solo albums including metals, more trumpets and trombones, and in three of these albums, he included neither the violin nor the flute, assuming almost completely the end of the Charanga rhythm in his music. However, a short time later he realized that this Caribbean rhythm was what identified with his audience and two years later he joined Raúl again to continue their successful career.

Hansel and Raúl has a total of 330 songs recorded and on December 31 this Charanga duo will have a performance in Los Angeles, CA and you may be lucky and they play your favorite single and if don’t you can ask for it. Classics such as “Soy”, “Se me nota”, “El ayer”, “María Teresa y Danilo”, “Kukucha kucha”, “Balancea mi corazón” (Yordano), “Ojos Verdes” (Alfredo Gutiérrez), among many others, will be present at this 1: 45min show.

Hansel and Raúl
Cover of Hansel and Raúl, Discography 33

Purchase your Tickets quickly before it´s sold out

https://www.facebook.com/events/crown-plaza-hotel-and-casino/new-years-eve-2020-the-great-gatsby-presents-hansel-raul/271515257093512/

We hope to see them there singing each of their hits and if you later travel to New York, don’t be surprised to see Hansel in that city because he and his family will be celebrating their daughter’s sweet sixteen, on the second day of January 2020.

Is Hansel a stage name?

Although some may consider that Hansel is a characteristic name of the children’s story “Hansel and Gretel”, this name comes from Germany and it’s of Jewish origin. Hansel Enrique is the name of this singer and songwriter “Charanguero” and he is named so to differentiate himself from Hansel Horacio (father). In Cuba, the tradition is maintained that every male child must bear the name of his grandfather; this is the reason for all his cousins are called Hansel.

 

More Details visiting:

http://www.HANSELYRAUL.com

Social Channel:

https://www.facebook.com/pg/HANSELYRAUL/

Gerardo Rosales is the creator and producer of Combo Mundial, Venezuela Masters and Charanga La Crisis

Gerardo Rosales was born in Caracas Venezuela on July 6, 1964. At the beginning of his musical career he was a percussionist for important figures of his country.

He has been living in Europe since 1992, and has taken up residence in Holland, a country that has served as a base for him to project his music around the world.

He has recorded 20 albums under his own name and more than 70 productions with other artists.

Gerardo Rosales’ specialty is creating musical projects in the styles of salsa and Latin jazz.

Gerardo Rosales is the creator and producer of El Combo Mundial, Venezuela Masters, Charanga La Crisis, Our Latin Groove, La Gran Charanga, Son del Sofá, Rítmico y Pianístico, Cachao Sounds and many more.

In his beginnings in his country Venezuela he performed with:  Orquesta Café, Orlando Poleo, José Rosario, Canelita, Soledad Bravo, Adrenalina Caribe, Ilan Chester, Cecilia Todd, Víctor Cuica, Alberto Naranjo, El Trabuco Venezolano, Joe Ruiz, Tabaco, Los Satélites, Nancy Ramos, Wilmer Lozano,Watussi, Trina Medina etc.

In Europe he has performed with: The Rosenberg Trio, Saskia Laroo, Hans Dulfer, Benjamin Herman, Peter Beets, Tango Extremo, Drums United, Nueva Manteca, New Cool Collective, Fra Fra Sound, Denisse Jannah, Laura Fygi, Izaline Calister, Metropole Orchestra, Holanda Big Band, Cubop City Big Band, Lilian Vieira, Rolf Sanchez, ChaChaChalina y Maite Hontelé etc.

Gerardo Rosales has accompanied on tours, recordings and performances in Europe artists such as Dee Dee Bridgewater, Benny Bailey, Paquito D Rivera, Bebo Valdés, Toots Thielemans, Jimmy Bosch, Juan Pablo Torres, Herman Olivera, Oscar D León, José Alberto El Canario “, Andy Montañéz, Meñique, Edy Martínez, Carlos” Patato “Valdés, Conexión Latina, Orlando Valle” Maraca “, Alfredo Rodríguez, Armando Peraza, Luisito Quintero, Ramón Valle, Larry Harlow, Adalberto Santiago, Frankie Vázquez, Oscar Hernandez, Africando, Chamaco Rivera, Luisito Carrion, Jorge Herrera, Edgar Dolor, Dorance Lorza, Luisito Rosario, Watussi, David Cada, and Tito Allen, etc.

The Records of Gerardo Rosales:

2016 Gerardo Rosales “Salsa Vintage” (Download – CD – LP)

2014 Gerardo Rosales “Son Del Sofa” (Single) ITunes

2013 Gerardo Rosales “Síguelo” (CD).

2011 Gerardo Rosales “Chano Pozo’s Music” (CD).

2011 Gerardo Rosales “30 Aniversario” (CD).

2010 Cachao Sounds “La Descarga Continúa” (CD).

2010 Gerardo Rosales “Buscando Chamba” (CD).

2009 Venezuelan Masters Orchestra “Toros y Salsa” (CD).

2008 Gerardo Rosales “Salsa Mundial” (CD).

2007 Our Latin Groove “Bringin’ it All On Back” (CD).

2005 Gerardo Rosales “Mongomanía” (CD).

2005 Charanga La Crisis “Salsa Antigua” (CD).

2004 Gerardo Rosales “Tribute to Fania” (CD).

2001 Gerardo Rosales “La Salsa es mi Vida” (CD).

2001 Gerardo Rosales & Edy Martínez “Rítmico y Pianístico” (CD).

1999 Gerardo Rosales “El Venezolano” (CD).

1998 Gerardo Rosales “Señor Tambó” (CD).

1996 Gerardo Rosales “Venezuela Sonora” (CD).

1992 Gerardo Rosales “Salsa Pa’lante de Venezuela” (CD).

1991 Gerardo Rosales “Salsa Pa’Lante de Venezuela” (33 RPM Vinyl).

Algunos discos grabados por Gerardo Rosales con otros Artista:

Orquesta Cafe “Criollisima” 1987 (Fama) Venezuela ( Salsa )

Joe Ruiz – Javier Plaza – Jose Torres – Gerardo Rosales

Bebo Valdes “Rides Again” 1994 ( Messidor) Germany ( Latin Jazz )

Paquito D Rivera – Patato Valdes – Amadito Valdes – Gerardo Rosales

Conexion Latina – “La Conexion” 1996 (Enja) Germany ( Salsa )

Rudi Fuesers – Leslie Lopez- Anthony Martinez – Nicky Marrero – Gerardo Rosales

David Rohschild “Looking Up” 1997 (Via) The Netherlands ( Salsa )

Adalberto Santiago – Banjamin Herman – Gerardo Rosales

Leslie Lopez “Bomba Moderna” 1999 (Buitenkunst) The Netherlands (Latin Jazz)

Ramon Valle – Joe Rivera – Nils Fischer – Gerardo Rosales

The Rosemberg Trio “Suenos Gitanos” 2001 (Polydor) The Netherlands ( Latin )

Toots Thielemans – Leonardo Amuedo – Gerardo Rosales

Ronal Snijders “Bijlmerjazz 2004 (Independent) The Netherlands (Jazz)

Randal Corsen – Jesse van Ruller – Gerardo Rosales

Cubop City Big Band “Arsenio 2004 (Tam Tam) 2004 The Netherlands (Cuban)

Lucas van Merwijjk – Edy Martinez – Nelson Gonzalez – Gerardo Rosales

Drums United “World of Rhythm” 2006 (Tam Tam) 2004 The Netherlands (World Music)

Lucas van Merwijk – Nils Fischer – Aly N ‘ Diaye Rose – Gerardo Rosales

Samba Salad – Metropol Orkest “Live Vredenburg” 2006 The Netherlands (World Music)

Herman Link – Dick Bakker – Maurice Luttikhuis – Rita Iny – Gerardo Rosales

Aquilez Baez “ La Patilla” 2007 (Cacao) Venezuela (Latin Jazz)

Anat Cochen – Huascar Barradas – Diego Alvarez – Gerardo Rosales

Maria Catharina “Obsecion” 2010 (Independent) The Netherlands (Jazz)

Adinda Meertins – Thomas Bottcher – Marc Bischoff – Gerardo Rosales

Masalsa “Resurreccion” 2012 (Independent) The Netherlands (Salsa)

Soeshiel Sharma – Ray de La Paz – Marcos Bermudez – Gerardo Rosales

Izaline Calister “Kandela” 2012 (Coast to Coast) The Netherlands (Latin)

Yumarya – Vernon Chatlein – Larc Alban Lotz – Gerardo Rosales

Africando “Viva Africando” 2013 (Sterms Music) France (Salsa)

Boncana Maiga – Oscar Hernandez – Doug Beavers – Luisito Quintero – Gerardo Rosales

Mezcolanza “Headbanger” 2015 (O.A.P Records) The Netherlands (Jazz)

Peter Wenk – Chistof May – David Barker – Mick Paauwe – Gerardo Rosales

Tango Extremo “ Havana” 2015 (JWA) The Netherlands (Latin)

Ben van den Dungen – Rob van Kreeveld – Tanya Schaap – Gerardo Rosales

Orquesta La Potente “ Potente “ 2018 (Independent) Colombia (Salsa)

Coco Ramirez – Guarnizo – Gerardo Rosales

Barry Hay & JB Meijers (Universal Music Group) 2019 The Netherlands ( Pop)

Barry Hay – JB Meijers – Gerardo Rosales

Estrella Acosta “Noche Cubana” 2020 (Independent) ( Cuban) Grammy Nominated

Carlitos Irarragorri – Pedro Luis Pardo – Gerardo Rosales

ChaChaChalina “Mira Antes de Saltar” 2021 (Independent) (Salsa)

Chalina Smit – Dani Brands – Gerardo Rosales

Actuaciones realizadas por Gerardo Rosales en diversos lugares del mundo:

Concerts & Events of Gerardo Rosales:

Poliedro de Caracas: Caracas – Venezuela

Centro Cultural BOD: Caracas – Venezuela

Feria de Cali: Cali -Colombia

North Sea Jazz: Rotterdam – The Netherlands

Toros y Salsa: Dax – France

SOBS: New York – USA

Club Babalu: New York – USA

Expo Sevilla 1992 : Sevilla – España

Festival Latinoamericando: Milano-Italia

Accessible Art Festival: Turquia – Mersin

Bimhuis: Amsterdam – The Netherlands

Melkweg: Amsterdam – The Netherlands

Concertgebouw: Amsterdam – The Netherlands

Paradiso: Amsterdam – The Netherlands

Oosterpoort: Groningen – The Netherlands

Glastonbury Festival: Glastonbury – England

Tabarka Jazz Festival: Tunesia

Music Haal: Berlin – Germany

Las Leyendas Vivas de la Salsa: Medellin – Colombia

Exit Festival: Serbia

La Topa Tolondra: Cali – Colombia

Punto Bare: Cali – Colombia

Cafe Libro: Bogota – Colombia

Bird: Rotterdam – The Netherlands

De Doelen: Rotterdam – The Netherlands

Paard van Troje: Den Haag – The Netherlands

Amazonico:Emiratos Arabes-Dubai

Home

Cache Live Music puts Miami to dance to traditional Latin music

Roland Cache graced this edition with his presence to tell us about his beginnings, the subsequent creation of his band Cache Live Music, and his current career. The American of Cuban descent honors his roots with the music he and his collaborators play to delight their fans at any event they are hired, indicating the pride he feels in representing his parents’ country and how passionate he is about his craft.

Roland shared many interesting details about his musical life, and we are more than happy to share them with our readers in the following lines.

Roland Cache playing
Roland Cache playing drums live at an event

Roland’s musical beginnings as a teenager

As a child, Roland lived in Elizabeth, New Jersey, where some high school friends convinced him to play drums with them. Their favorite genre was the rock of the day, which was the 1960s. A few years later, specifically in 1973, another friend took him to a salsa concert at Madison Square Garden, and he liked what he heard so much that he became more involved in Latin music and left American music aside. 

Seeing great artists such as Tito Puente, Ray Barretto, and other artists of Puerto Rican descent, he learned to play timbales, tumbadora, and bongos, which allows him to play a combination of conga, timbales, and clave at the same time. 

Orchestras prior to Cache Live Music

Before creating his own band, Roland was part of other projects that were training him for what was to come in his career later. One of them was a band from New Jersey, whose members formed La Charanga Casino, which became very popular in that city.

Some time later, Roland could not play for a while, so he has been throwing himself into selling cars and other area businesses. Then, in 1998, he returned to music and created an American band that played rock and jazz with a touch of Latin music.

Roland Cache and the rest of the band
Roland Cache and the rest of Cache Live Music

Creation of Cache Live Music 

Eventually, he left the American band and founded a Latin band called Cache Live Music with a group of musicians, some of whom remain alongside Roland to this day. He met most of them through another musician friend who introduced them so he was knowing other artists who joined his project.

Cache Live Music was officially started in 1999, and according to its founder, the hardest thing about keeping a band like this together for so long was the search of opportunities in clubs and other kinds of places. However, Roland says that his experience as a salesman and negotiator has helped him a lot in winning contracts and the best conditions for him and his bandmates.

Current status of Cache Live Music

Today, the core of the band consists are three of its members: the guitarist, the bassist, and Roland, who is a multi-instrumentalist. More recently, Cache included a flutist, a trombonist, and sometimes a singer. This is how, depending on the requirements for a particular event, the group’s leader decides which members and instruments to include for every occasion in order to offer something different.

Cache at an Amazon event
Cache Live Music at an Amazon corporate event

Regarding the repertoire, they only perform covers, but they ensure that each and every song has their personal touch so that they resemble as little as possible to the original versions.

Anyone who wants to hire Cache Live Music can do so through its profile on The Bash by making a deposit and sending a contract to agree on the conditions of the event. However, it is important to note that they are already booked for December and January with corporate parties and weddings, for which we wish them every possible success because they already have the talent.

Tomas Pedro Regalado and Roland
Former Mayor of Miami Tomas Pedro Regalado and Roland Cache

Read also: The Williamsburg Salsa Orchestra: electrifying fusion and salsa flavored with indie rock

Venezuela violinist and former musician in El Sistema Ali Bello has many interesting things to say

Venezuelan musician Alí Bello has become one of the best Latin music violinists in New York, so we could not miss the opportunity to talk to him and learn as much as we could about his fascinating story. The young man has given his best to become a true icon of Latin Jazz in his current city of residence, so do not miss this great conversation.

Ali playing the violin
Venezuelan musician Ali Bello playing the violin live

Alí’s beginnings in the world of music thanks to El Sistema

From a young age, Alí became interested in music, which led him to join the National System of Youth and Children’s Orchestras and Choirs of Venezuela, where he studied classical music as an extracurricular activity. This in order for Alí and his classmates to be busy in any activity until their parents came to pick them up after work.

This was when an orchestra or school of music was formed clase to his father’s work, so Bello was enrolled in these classes from 2 to 5 p.m. after school. So it went for him since he was in kindergarten, and he learned to play the xylophone and the recorder. When the boy was seven years old, the school orchestra located in La Rinconada, Caracas, was officially created, but due to how small Ali was, the only instrument the school could assign him according to his size was the violin, which he keeps playing diligently to this day.

After many years of being part of the National Youth Orchestra, he got ahead with his musical career and decided to go to the United States to continue his university studies and train as a professional musician.

Other instruments besides the violin

In addition to the violin, Alí also plays a lot of percussion, since he considers it very important. He thinks every folk and Latin musician must handle percussion as efficient as possible and each of its rhythms in order to internalize the style they want to play on any instrument.

“Percussion and singing have always fascinated me, so I try to devote myself to both even a little bit, but it is undeniable that the violin has always been my main instrument. I’ve tried to focus all styles and everything I work on towards the violin to turn it into the main element,” the musician added on this subject.

Ali and Gustavo
Ali Bello, his son and maestro Gustavo Dudamel

How the opportunity to study in the United States came about

Initially, Alí was supported by his violin teacher Margaret Pardee, who taught at the Juilliard School and went to Venezuela to give master classes. It was Pardee who encouraged Alí to continue his education in New York, which he finally achieved thanks to the Gran Mariscal de Ayacucho scholarship fund and the Simón Bolívar Musical Foundation.

This is how the Venezuelan artist obtained his bachelor’s degree, master’s degree, and PHD.

At college, he met Johnny Almendra, thanks to whom he discovered genres other than classical music, in which he was not only the performer of melodies but could also create his own music. He then discovered styles of Venezuelan and Latin music that inspired him to explore more varied rhythms different from what he had known before.

He played regularly with Johnny Almendra and his modern charanga group Los Jovenes del Barrio for a time and subsequently played for La Típica Novel and other orchestras. As Alí gained experience in the world of charanga and Latin music in general, he started having opportunities to learn and explore other genres such as Brazilian music, Afro-Cuban music, Latin jazz, and many more. 

Collaborations with major artists in the industry

All this hard-won ground gave Alí the opportunity and the honor to collaborate with great artists in the industry such as Tito Puente, Eddie Palmieri, Johnny Pacheco, Rudy Calzado, Pedro Cortés, José Fajardo senior, Pupi Legarreta, and many more. All these figures helped him not only to have a better understanding of the Afro-Cuban style and tradition, but also of the influence of New York on music.

Ali and Pupy
Maestro Pupy Legarreta and Ali Bello

Thanks to this knowledge base, he had the courage to release a record album, La Charanga Syndicate, in which, as the name suggests, he uses charanga and all the influences coming from the musicians he has known and continues to know. For this reason, he feels he now has something to say and bring to the style. 

Another important thing for his career was his participation in Jay-Z’s concert to celebrate the anniversary of the release of his first album. The rapper wanted to mark the occasion by playing with a symphony orchestra, so hired many musicians of all kinds to make a great show at Radio City Music Hall in New York. Fortunately for Ali, he was well-known in the music scene at the time, so he was contacted to participate in the event.

In that sense, the violinist is very happy to be in New York, as the world’s greatest artists always take this city into account for their concerts, which gives musicians like him the opportunity to have access to these great figures in the industry.

Ali as an arranger

In addition to being a percussionist and violinist, Ali has also ventured into musical arrangements quite successfully thanks to all the academic training he had received up until then. However, as he became a more experienced professional, he began to notice that his own ideas and thoughts came to life in his work. So, having the theory in his head, he could take those ideas he had had and develop them within the rhythmic and stylistic elements which are willing to use on each occasion.

In addition to that, the artist also works on production and mixing a bit to achieve the necessary sound. He even has his own studio where he plays for his own productions and other artists’ records as a freelancer.

Ali and Juan
Ali Bello and Juan Carlos Formell from Los Van Van in Poland

Read also: Omar Ledezma Jr. shares with us the new from his project with Azesu

Eduardo Tancredi is a renowned Uruguayan pianist and composer specializing in Latin Jazz

Eduardo was a distinguished student at Berklee College of Music in Boston.

Eduardo was an outstanding student at the Berklee College of Music in Boston.
Eduardo was an outstanding student at the Berklee College of Music in Boston.

Musical Style: His music fuses a wide variety of Afro-Latin rhythms (such as Uruguayan candombe, Brazilian samba, Cuban son, Peruvian landó, and Venezuelan joropo) with the harmonies and melodies of modern jazz.

Accolades: He has recorded several CDs with his own compositions and has received awards for his outstanding performance in the Latin jazz scene. His album “Ongoing Dreams” was chosen as the best album in its category in 2002 by “The Boston Globe.”

Teaching Experience: During his time in the United States, he was a piano and harmony professor at Berklee College of Music. Since 2003, he has resided in Barcelona and teaches at ESMUC (Escola Superior de Música de Catalunya).

Collaborations: He has collaborated with numerous musical groups as a pianist and is a significant figure in the jazz scene in Spain.

Eduardo Tancredi is a prominent figure in Latin Jazz, known for his ability to integrate diverse Latin American rhythmic influences with the harmonic sophistication of modern jazz.

 

Latin accents took some time to establish themselves in jazz music. Very few composers ventured into that genre in the early decades of the last century, to the point that their timid attempts were considered exotic and trivial.

Initially, one recalls passages from William C. Handy’s “St. Louis Blues,” some Scott Joplin ragtimes, Jelly Roll Morton’s references to the “Spanish tinge,” or, shortly after, the themes performed by Duke Ellington’s orchestra.

Eduardo Tancredi
Eduardo Tancredi

It was in the 1940s that the Latin touch gained relevance. Cuban Mario Bauzá, who had played trumpet in Chick Webb’s and Cab Calloway’s orchestras, propelled the success of Machito’s band and convinced Dizzy Gillespie to hire conga player Chano Pozo.

Afro-Cuban influence became powerful in the following decades through sones, charangas, rumba, mambo, and salsa. Names like Chico O’Farrill, Tito Puente, Mongo Santamaría, Ray Barretto, and Chucho Valdés became highly regarded, and their works inspired a legion of jazz musicians.

Eduardo Tancredi es un reconocido pianista y compositor uruguayo, especializado en Jazz Latino
Eduardo Tancredi es un reconocido pianista y compositor uruguayo, especializado en Jazz Latino

Latin jazz today has a strong presence in popular music, and Uruguayan Eduardo “Edú” Tancredi is a brilliant exponent of that style. He was an outstanding student at Berklee College of Music in Boston, where he won awards such as the Quincy Jones Award and the Outstanding Latin Act Award.

After his acclaimed “Ongoing Dreams” from 2002, this CD, “Venimos Tumbando,” recorded in 2007, now arrives with ten formidable compositions and his own arrangements. His background in Latin American folklore plus his jazz studies have achieved a splendid confluence that is enjoyed from beginning to end on this album.

His versatility as a composer is evident in candombes (“La mama vieja” and “Montevideo”), a baião (“Baialona”), a chorinho (“El germen”), a zamba (“Zamba del aire”), and the obvious references to Afro-Caribbean rhythms that unite their exciting cadences with jazz elements. Edú’s works are incisive, stimulating, possess an overflowing swing, and it’s easy to imagine the musicians’ pleasure during their performance.

The arrangements contrast the different orchestral sections, highlighting their diverse sound textures, suggestive harmonizations, and enhancing the dynamics and fiery percussion instruments. Three saxophones, piano, guitar, bass, and drums alternate with ten other guest musicians (vocals, sax, harmonica, two basses, two drum sets, and three percussionists), generating a sonic turbine that captivates the listener from the first note.

This doesn’t mean that all tracks propose an overwhelming rhythm. There are passages of beautiful lyricism, as in the two versions sung by Ana Finger, or the pleasant harmonica of Antonio Serrano, or the director’s piano in “Como un blues.”

The soloists perform at a high level, with special mention of Miguel Zenón’s alto sax, an improviser of fresh ideas, clean musicality, and great inspiration and fervor. The interventions of guitarist Alejandro Luzardo, trumpeter Matthew Simon, tenor saxophonist Eladio Reinón, and baritone saxophonist Xavi Figuerola are also noteworthy.

“Venimos Tumbando” confirms Tancredi’s talent as a composer and pianist and his skill as an orchestra conductor. Abilities he generously demonstrated during his acclaimed performance at the Teatro Solís last December. Thomas Werner

Edu Tancredi & Bandon 33 – Venimos Tumbando (2007)

Tracks:

  1. El Subibaja
  2. Hocus Pocus
  3. Montevideo
  4. El Germen
  5. La Mama Vieja
  6. Baialona
  7. Mapa Del Mundo
  8. Venimos Tumbando
  9. Como Un Blues
  10. Zamba Del Aire

Musicians: Edu Tancredi (Piano) Ana Finger (Vocals) Antonio Serrano (Harmonica) Mathew Simón (Trumpet) Pere Grau (Soprano sax, alto sax) Miguel Zenón (Alto sax) Eladio Reinón (Tenor sax) Juajo Arrom (Trombone) Xavi Figuerola (Baritone sax) Alejandro Luzardo (Guitar) Matías Migues, Paco Weht, Javier Gómez (Double Bass) Santiago Blanco, Salvador Toscano (Drums) Carlos Reyes “Compota”, Alejandro Luzardo, Santiago Blanco, Alexis Liden, Sandro Lustosa, Salvador Toscano (Percussion)

Edu Tancredi & Bandon 33 - Venimos Tumbando (2007)
Edu Tancredi & Bandon 33 – Venimos Tumbando (2007)

Information By:

Ostia Latin Jazz

DJ, Augusto Felibertt

Also Read: Arturo “Chico” O’Farrill. “The Architect of Afro-Cuban Jazz”

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