• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Alexandra Albán Manitas de Piedra baptized by Bobby Cruz

The percussionist christened by Bobby CruzStone Hand.

Alexandra Albán is the daughter of José Vicente Albán and María del Carmen Illera. She remembers the musical variety of her city of birth, Pasto. She admires the playing of Giovanni Hidalgo and Ray Barreto. He has recorded with José Aguirre’s group Kema, with flutist Néstor Torres, with Charlie Cardona, with Tony Sucar, with Bobby Cruz, with Alberto Barros in his Tribute to Colombian Salsa and recently recorded for Aymé Nuviola.

Born in the city of Pasto, Colombia, even as a little girl her musical talent started to show as she started her career as a trumpet player for different musical groups in her home city. Soon she was also singing and participation in national level competitions in which she obtained numerous awards.

The percussionist baptized by Bobby Cruz as Hands of Stone
Alexandra Albán Stone Hand

On the other hand, when she decided to travel to the city of Cali, she began her career as a percussionist, where she began to be part of different groups, thus strengthening her musical talent especially as a percussionist, Alexandra has had the opportunity to participate with artists such as Puerto Rican flutist Nestor Torres in his Latin jazz album which was nominated for a Grammy and Latin Grammy for best album in its genre, also participated in the song “Agua para beber” by Bobby Cruz.

In 2016 she was invited to be part of the jury at the salsa world cup in Cali, Colombia.

In 2018, Maestro Milton Salcedo invites her to record one of the songs (Sombrero de Yarey) of his album Swing 80, where she recorded all the percussion and was also nominated for a Latin Grammy.

In 2019 the master Mario Ortiz invites her to record in his production “50 Aniversario” in the theme (Budo) which was also nominated for the Latin Grammy, and the singer Albita Rodriguez also invites her to record in one of the themes of her album “Acústico” nominated for the Latin Grammy.

Some artists Alexandra has worked with. Maelo Ruiz , Tito Nieves , Jerry Rivera , Luisito Carrión , Ray Sepúlveda , Ray de la Paz, Henry Fiol, Orquesta Mulenze, Tito Gómez (R.I.P), Richie Ray and Bobby Cruz (special guest percussionist), Roberto Blades, Cano Estremera (R.I.P) among others.
The percussionist baptized by Bobby Cruz as Manitas Hands of Stone

In 2020 she was called by the renowned producer Motiff, to record a project of the Artist Arthur Hanlon, production called “Piano y Mujer” where she had the opportunity to record Percussion, Artist like Kany Gracia, Natalia Jimenez among other Artists, participated in Piano y Mujer.

Some artists Alexandra has worked with. Maelo Ruiz, Tito Nieves, Jerry Rivera, Luisito Carrión, Ray Sepúlveda, Ray de la Paz, Henry Fiol, Orquesta Mulenze, Tito Gómez (R.I.P), Richie Ray and Bobby Cruz (special guest percussionist), Roberto Blades, Cano Estremera (R.I.P) among others.

She has also had the opportunity to work and record with Alberto Barros’ tribute to Colombian salsa, a group that won 2 gold records for sales in Mexico.

Anecdote with Bobby Cruz and the nickname he gave you as Manitos de Piedra (Little Hands of Stone)

Since she was a child her beginnings in music were not long in coming, she began her career as a trumpet player in different groups in her hometown, she also ventured into singing where she was winner of national competitions, including the singing contest of the house of culture of Nariño, where she won first place.
Alexandra Albán Born in the city of Pasto, Colombia

The Manitos de piedra thing was when the master Bobby Cruz invited me to record a CD with a song called Agua para beber. Bobby Cruz wanted some quinto solos and wanted me to do them, he calls me, I record them, and my surprise when I listen to the final product and in the middle of the solo he tells me Alexandra Albán, Manitos de piedra, hahaha. That song hit in Puerto Rico and Miami. Once I went to a concert dedicated to Richie Ray and Bobby Cruz in Puerto Rico, and people asked me if I was the aforementioned Manitas de piedra. For them, that’s my identification.

 He admires the playing of Giovanni Hidalgo and Ray Barreto.
I am from Colombia

Research Sources

Diana Marie: Correspondent for International Salsa Magazine in Miami, Florida

International Salsa Magazine

https://www.soultonecymbals.com/artist/alexandra-alban

 

By: Diana Marie Correspondent International Salsa Magazine in Miami, Florida

 

Home

  • Author
  • Recent Posts
International Salsa Magazine presents
International Salsa Magazine presents
Introduce our correspondent at SalsaGoogle
We are the Latin music world network

If you would like to become a correspondent, please contact the coordinator for your area.
International Salsa Magazine presents
Latest posts by International Salsa Magazine presents (see all)
  • Julio Albino Y Su Secreto A Voces released ‘‘Pasaporte A Rumbero’’ - August 5, 2025
  • Trumpeter Davián Raúl Launches Solo Career with “Despierta Salsero” Album - July 31, 2025
  • Alain Pérez Triumphs in Puerto Rico with a Confident Stride - June 25, 2025

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.