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We bring you the 5 best Salsa clubs and events so you don’t miss any opportunity to continue dancing in the city of lights

Every year is a unique opportunity to make Salsa resound throughout the city of freedom and lights. Here, several prestigious places monthly immerse attendees in a Latin atmosphere. It is why in this August edition, we will take you on a journey into Latin American culture with a dream destination of Salsera fun in Paris.

La Pachanga

La Pachanga derives its name from the Cuban rhythm of the 60s

The Bar/Restaurant/Club La Pachanga https://www.lapachanga.fr/ is a place of reference for Salsa lovers, and is located near the Eiffel Tower at 8, rue Vandamme 75014. This club is designed in a cozy and Caribbean style. At the bar, you can enjoy various types of cocktails, Mojitos, Caipirinha, or Cuba Libre as well as a Latin American menu at the restaurant.

At the Pachanga, you can attend classes for beginner and intermediate levels with different instructors who will make you live two hours of Salsa Cubana and Salsa Puertorriqueña dance from Tuesday to Thursday from 7:30 PM to 9:30 PM continuing with social dancing and DJ set until 2 AM. On Saturdays, there are also two-hour Salsa lessons at the same time, and La Pachanga closes its doors on this day at 5 AM. The cost of entry is 12 euros.

Le Balajo

You must present a Vaccination Certificate and an identity document to access the club.

Le Balajo nightclub https://www.balajo.fr/ open since 1936 brings Salsa and Bachata classes every Tuesday from 7:30 PM to 2 AM for beginners and intermediate-level dancers. Amateur Salsa lessons start at 7:30 PM, while Intermediate Salsa lessons begin at 8:30 PM, followed by a Latin party hosted by DJ Karim until 2 AM.

The fees to attend this weekly event of joy and good humor are €8 and include non-alcoholic drinks and €12 if the beverage is alcoholic, but if you want to enjoy the bar and its atmosphere, the entrance fee is €5. The address is 9 Rue de Lappe, 75011 Paris, France.

Cubana Café

It is a restaurant, bar, and smokehouse for cigar enthusiasts with a quiet atmosphere in the evening.

The Cubana Café Bar/Restaurant https://www.cubanacafe.com/ is a cozy, exotic place with a 100% Cuban atmosphere. Every weekend they organize Latin Nights until dawn. Starting on Fridays and Saturdays with a DJ set from 9 PM to 5 AM and ending on Sundays from 12:30 PM to 3 AM, if you consume one of the three traditional Cuban dishes with a cocktail with or without alcohol, you will only pay €17.90. Cubana Café opened its doors 22 years ago and is located at 47 Rue vavin in the 6th district. Decoration made in Cuba, warm colors, Salsa, and a dynamic atmosphere at night await you at Cubana Café.

Pachamama

The decoration is influenced by the regions of South America with glamorous and bohemian touches that converge.

Pachamama Parisian Restaurant/ Bar/ Nightclub https://www.pachamama-paris.com/index.php/en/home-alt-2/ is located at 46-48 rue du Faubourg Saint Antoine, 75012, Paris, in a historic building from the 19th century designed by Gustave Eiffel in the neo-vintage colonial style. It has three levels inspired by the myths and sacred symbols of the pre-Columbian peoples influenced by the Latin traditions of the New World. It is open from Thursday to Saturday from 8 PM to 5 AM, with resident DJs on stage lighting up the dance floor (Lower Floor) with harmonious mixes between Latin Music, Soul, Pop, and Deep House.

La Terrasse Latino

Around 1,000 lovers from the Latin American continent enjoy gathering at the Terrasse every Friday in the summer.

The largest open-air Latino gathering in Paris continues on the terrace of Cabaret Sauvage this summer in August. La Terrasse Latino https://www.cabaretsauvage.com/work/la-terrasse-latino-du-cabaret-sauvage-3  located at Parc de la Villette 59 Boulevard Macdonald, 75019 will offer Salsa Caleña lessons every Friday with instructor Francy Barahona de Calisabor (8:45 PM – 9:30 PM). It will also have Latin American cuisine, and DJ El Dany, DJ Nybra, DJ Barbas and DJ Capitán Cumbia will be present until 5 AM. Admission is free from 8 PM to 10 PM and after that it will cost €15 per box office.

Paris Salsa Weekend 

Paris Salsa Weekend is organized by passionate DJs and followed by a large Salsera community.

The capital of France is a dream destination for Salsa dancers. Here, magic happens, that’s why in this edition, we bring you three regular Salsa parties in a row that will take place during Paris Salsa Weekend 2022, https://www.lesalsaclub.com/psw from September 9th to September 11th. So, don’t miss the opportunity to attend because they are rarely held.

Sal’Sounds 70’S Party in Paris. You will hear Salsa only on Vinyl by DJ Mulato on Friday, September 9th from 9 PM to 2 AM. The address is Salle Colonne, 94 Bd Auguste Blanqui, 75013, Paris, and admission is €13. Party strictly on vinyl is the sound that dictates the law!

LeSalsa’Club Party. You will dance at the biggest monthly Salsa social party on September 10th from 3 PM to 8 PM. You can meet national and international instructors specializing in On1 and On2 styles here. LeSalsa’Club will take place in the 13th arrondissement, at the Maison des Associations de Solidarité (MAS), 10-18 rue des Terres-au-Cure, 75013 Paris. The cost of admission is €13.

Sunday Night – O’Sulli Sauce. The Paris Salsa Weekend culminates with the party on the night of Sunday, September 12th at O’Sullivans By The Mill located at 92 Bd de Clichy from 9 PM to 2 AM, and the ticket will have the same value as the previous ones.

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The Lombardy Metropolis will continue impregnated with Latin American Culture until August

Milano Latin Festival opens its doors at 5:30 PM, and concerts start at 9:30 PM

The most important annual festival of the summer in northern Italy dedicated to celebrating Latin American culture will continue bringing Salsera fun to the 190,000 visitors of the Foro Mediolanum in the town of Assago located in ASSAGO Viale Milano Fiori parking Metropolitan 20100 Assago, Lombardy, Italy.

Milano Latin Festival founded almost a decade ago (2013), maintains the format of its beginnings with concerts by artists with a trajectory in tropical genres, urban rhythms, and traditional music, tasting of Latin American cuisine, art exhibition, and sale of crafts with a wide variety of Natural ethnic products for health and nutrition with organic and fair trade. Likewise, you can find the Salone Delle Nazioni (Nations Hall), especially for Diplomatic Missions of Latin America, organizations, and institutions.

This reopening that began on June 9^th and will end on August 16^th puts the magnifying glass on the public that loves Latin dances, residents, tourists, experts, connoisseurs, or simply curious about Latin rhythms after two years of cessation due to the Covid-19 pandemic.

This edition has featured presentations by artists from the Tropical genre such as Marc Anthony (June 10^th), Frank Reyes (June 11^th), and Habana D’ Primera (June 12^th).

The Van Van derives their name from the jargon of the cane collectors to say Come on, Come on.

This month brings Prince Royce (July 1^st) and continues with the presentation in a single evening of Maelo Ruíz, Alex Magan, and David Pabón with Salsenato Vol. 2 (July 2^nd). Oscar D’ León (July 14^th), Tony Vega (July 23^rd), Tony Succar (July 30^th), and ends on August 7^th with the performance of the most prolific group in Cuba, Los Van Van.

This prolific Cuban orchestra is still in force with its peculiar sound. “Their texts are considered by many to be true chronicles of Cuban society. They have an extensive recording career with more than 40 albums, many of them nominated and awarded. They obtained a Grammy (2000) with the production “Permiso que llegó Van Van” and were nominated with the album “Fantasia”, a tribute to Juan Formell in 2017”. Fragment extracted from the Milano Latin Festival website. https://www.milanolatinfestival.it/

For the Salone Delle Nazioni program, there will be a rich calendar of cultural events on the occasion of paying tribute to the various countries with the celebration of their national holidays. This tribute begins with the Day dedicated to the second generation: A challenge for everyone! (July 1^st). During this celebration, there will be reflections and testimonies of the “New Italians” with themes inspired by the encyclicals of Pope Francisco, Laudato Si, and Fratelli Tutti. In the same way, this tribute to each country will continue with Los Kunas de Panamá (July 4^th), the national day of the Bolivarian Republic of Venezuela (July 5^th), and then there will be the pictographic exhibition of the Environment in tribute to the Holy Father Pope Francis from July 6^th to 8^th. The celebration of the national days of Argentina, Peru, Colombia, Cuba, El Salvador, and Bolivia will continue.

So, July is the best month to vacation in Milan thanks to the most complete Festival that celebrates Latin American culture with more than five honored countries, concerts by internationally renowned artists, dance schools with great instructors, performances by folk groups and DJs, exhibitions photo booths, ethnic restaurants, and a street food area, musical plazas, cocktail bars, and a concert area. Milano Latin Festival is the largest three-month event celebrating Latin American culture in Italy.

Diobar

Av. del Marquès de l’Argentera, 27, 08003 +34 656 62 11 45 Barcelona, España

Havanna

Hauptstraße 30, 10827 Berlin, +49 30 78899655 Germany

La Bodeguita del Medio

Kaprova 19, 110 00 Staré Město, +420 224 813 922 Praha, Chequia

La Macumba Music Latino bar

Štefánikova 230, 150 00 Praha 5-Anděl, +420 776 795 166 Czechia

Ronnie Scott’s Jazz Club

47 Frith St, London W1D 4HT, +44 20 7439 0747 United Kingdom

Salsa Carlos

Yegi’a Kapayim St 10, +972 54-573-7173 Tel Aviv-Yafo, Israel

Baby’Oh Elche

Carrer Sabadell, 16, 03203 Elx, +34 633 77 80 90 Alicante, Spain

Havana Music Club

Yigal Alon St 126, +972 3-562-3456 Tel Aviv-Yafo, Israel

Hideaway

2 Empire Mews Stanthorpe Road, Streatham, Londres SW16 2BF +44 20 8835 7070 United Kingdom

Kona Kai

515 Fulham Rd., London SW6 1HD, +44 20 7385 9991 United Kingdom

Mi Barrio

Mojito Club

Carrer del Rosselló, 217, 08008 +34 654 20 10 06 Barcelona, Spain

El Sabor Cubano

Carrer de Marià Cubí, 4, 08006 +34 674 98 88 63 Barcelona, Spain

Salsa! Soho

96 Charing Cross Rd, London WC2H 0JG, +44 20 7379 3277 United Kingdom

Salsa Temple

Victoria Embankment, Temple, London WC2R 2PH, +44 20 7395 3690 United Kingdom

 

Peraza (May 30, 1924-April 14, 2014) was a Cuban Latin jazz percussionist.

Thanks to his collaborations with guitarist Carlos Santana, jazz pianist George Shearing and vibraphonist Cal Tjader between 1950 and 1990, he is internationally recognized as one of the most important figures in the field of Latin percussion.

Known primarily as a conguero and bongocero, Peraza is also a skilled dancer and composer. He has appeared on recordings by Pérez Prado, Machito, George Shearing, Charlie Parker, Tito Puente, Cal Tjader and Carlos Santana. Performances with Santana, Shearing and Tjader brought him international fame.

He was inducted into the Smithsonian Institute and had three “Armando Peraza Days” from the city of San Francisco.

One of the most important and respected figures in the world of percussion.

He is a legendary master on both congas and bongoes, whose unorthodox style and story are an inspiration to countless young musicians.

He began his artistic career in the early 1940s, played with singer Alberto Ruiz’s Kuvabana ensemble where he played the bongo and moved to San Francisco in 1949.

At the New York World’s Fair he played congas in an African pavilion with a Nigerian.

This African arrives and says to me: “Man, what part of Africa are you from? I told him, I am from Cuba. He said: “Don’t tell me” He later worked with the orchestras of Paulina Álvarez and Dámaso Pérez Prado, and the Bolero group.

In 1947 he moved to Mexico, where he joined with Mongo Santamaría the ensemble Clave de Oro, and in 1948 they both traveled to New York as percussionists accompanying the dance couple Pablito y Lilón.

At the end of that year, Peraza joined Slim Gaillard’s jazz combo with which he traveled throughout the United States. After arriving in New York in 1949, Armando became a sought-after musician, especially in the contemporary Bebop and Latin Jazz scenes.

Armando built a reputation for impressively fast and complex hand technique, experimental techniques and great talent for entertaining. He flourished in progressive atmospheres that combined jazz with Afro-Cuban styles and was at the center of a new expression called “Cubop”.

He has played on more than 100 albums and is the composer of more than 40 songs. Some of these works include collaborations with Mongo Santamaria, George Shearing, Cal Tjader and Carlos Santana.

Settled in San Francisco, California, in the early 1950s, Peraza began working with pianist George Shearing’s quintet, where he demonstrated his mastery as a player of the tumbadora and bongo; also in this period he recorded several albums of Cuban folk music with Mongo Santamaria.

In the 60’s he joined the quintet of vibraphonist Cal Tjader, with whom he remained for several years and with whom he popularized Chano Pozo’s Guachi guaro. In the 1970s, he joined Mongo Santamaría’s orchestra, with which he participated in the Montreaux Jazz Festival in Switzerland.

Later he worked with Carlos Santana’s rock band, in which he remained for 17 years, until his retirement from artistic life in the 90s.

He possessed a great capacity to obtain the most unusual sounds of the bongo and the tumbadora, and distinguished himself for his extraordinary solos on both instruments.

He died on April 14, 2014 in California, United States, as a result of pneumonia.

 

Fuente: https://kripkit.com/armando-peraza/

Joseito was a consecrated Dominican merenguero who began his career in the 1930’s, better known as “El rey del merengue, El diablo Mateo”.

As a child he learned to sing and dance. He sang at the “Fiestas de la cruz” and at wakes, since at that time the deceased were prayed to with songs.

Mateo began his career as a singer during the 30’s, a period in which he was gaining the public’s favor.

Some time later he was requested by the record label “SEECO” to join the cast that in Havana would record with the Sonora Matancera.

Those were the years of the Trujillo Era in which Dominicans required an exit permit to travel abroad.

At first, this document was denied to Joseito.

As a consequence, in Havana, once the record was contracted and the pieces that would be part of it had been selected, including “El negrito del batey”, Joseito’s place was taken by the Dominican singer Alberto Beltrán, who was known since then by the Cuban public as “El negrito del batey”, instead of his true inspirer.

He was born on April 6, 1920 in Santo Domingo (Dominican Republic).

In one of his later trips, he decided to stay in Cuba to sing in CMQ, together with Celia Cruz and La Sonora Matancera, a very popular group at that time.

After the assassination of Rafael Trujillo on May 30, 1961 and the end of his dictatorship, Joseito decided to try his luck in Puerto Rico.

In 1962, Joseíto participated as vocalist in the first tour of the “Gran Combo” to Panama, to promote the album ‘El Gran Combo con Joseíto Mateo’.

There he met the young singers Pellín Rodríguez and Andy Montañez, who ended up replacing him in the Puerto Rican group.

“El Gran Combo was very good to me, I adapted to sing plena, bomba, guaracha, boleros, but then I had to return to Santo Domingo to clear my name.

They were falling behind all those who were with Trujillo, and in the Republic they said I was a spy and was on the run”.

 

Mateo’s professional work has spanned more than 70 years and constitutes an important reference of the Dominican musical culture.

He was nourished by the roots of merengue and became a singular exponent of it. His innovative style was characterized by a stage participation enriched by his particular way of dancing and singing.

Some of his best known songs are Madame Chuchí, Dame la visa, La cotorra de Rosa and La patrulla, among others. Joseito is known as “El Rey del Merengue” (The King of Merengue).

On November 11, 2010, Mateo was recognized at the 11th Latin Grammy Awards with the Latin Recording Academy’s Musical Excellence Award for his contributions to Latin music.

He retired in 2001, close to his 82nd birthday and after recording 50 “elepes”.

Joseíto Mateo passed away on June 1, 2018 at the age of 98, due to leukemia. He spent his last days in the Hospital de las Fuerzas Armadas.

Source:

https://www.buscabiografias.com/biografia/verDetalle/8662/Joseito%20Mateo