• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Latin America

Dj. Elvis Abello “El de la Salsa Dura en Caracas”

Since 2021, he has been vice-president of the Olimpiada Salsera Internacional de Venezuela Foundation.

He was born on July 3, 1982, in the city of Caracas, with only eight years old, and led by the hand of his father Carlos Abello, his uncles, Hector Diaz, Jhon Abello, Ali Abello, would discover his love for salsa, surrounded by acetates, parties, and stereo.

At the beginning of the 89’s, at his grandmother Crucita’s house, the whole family and friends would gather to share and dance a good salsa, his father would place a plastic box so that it could reach the turntables since at that time his father used vinyl.

Elvis, feeling attracted by the rhythm, already knew some singers, looked for the songs and musicalized those parties, being this way his debut in the world of salsa.

He was born on July 3, 1982, in the city of Caracas, with only eight years of age, and led by his father Carlos Abello, his uncles, Hector Diaz, Jhon Abello, Ali Abello, he would discover his love for salsa, surrounded by acetates, parties and music equipment.
Elvis Alberto Abello Guerrero (El de la Salsa Dura)

In 1996, as a teenager, he began his foray into the music scene in the company of his friend and compadre Jesus Manuel Diaz Mendez, the product of brotherhood and the interest that united them mutually for salsa decided to venture into the world DJ, formed a mini-teque called “Eskpe Display”, They formed a miniteca called “Eskpe Display”, making it known in several popular areas of the capital, especially in the “Paramoconi Park” located in San Bernardino, Caracas, where the popular matinees were held, with a mixed audience from the west of the city, this project would give them the recognition of the dancers and salsa fans in several parishes of Caracas, for several years.

ELVIS, dedicated several years of his life influenced by his family, in this case by his cousins; Ivan Guerrero and Julio Fernandez, to collect discography of his favorite artists, such as: Gilberto Santa Rosa, Ruben Blades, Lalo Rodriguez, Alex de Castro, Tito Allen, Luis Enrique, Hildemaro, Rey Ruiz, Roberto Roena, Cano Estremera, Domingo Quiñonez, Luisito Quintero, Orlando Poleo,Kenny Cruz, Pimi Cruz, Rafael de Jesus, Paquito Guzman, Tito Nieves, Celia Cruz, Oscar de León, Alfredo Naranjo, Marcial Isturiz, Pupy Santiago, Carlos de Castro, Yomar Caballo Mendez, Adalberto Santiago, Jhonny Colón, The Lebron Brothers, Natividad Martínez, Tommy Olivencia, Pete Conde, Sonora Ponceña, Orqueta Tokun, Orqueta O. S, Orqueta Pumaband, Orqueta Mulenze, Wichy Camacho, Pedro Brull, Dimensión Latino, among others. He was a faithful dancer at La Asunción, City Day, Rumbero, Status, Extremo Latino and a fan of the events organized by Betty Zapata together with Juan Carlos Ríos, such as La Noche del Bronx, Orquesta de Willie Rosario, Charanga 90, La Negramenta, Bobby Valentín, among others, always getting infected and betting on the salsa scene.

Thank you for being part of this project ? In this link you will find all the information: https://bailopinto.com/esta-salsa-me-gusta-dj-edition/ Guest Dj @elvisaag Best regards! Saul Delhom @bailopinto
Dj. Elvis Abello “Esta salsa me gusta – DJ’s Edition”.

During the stage of the beginning of the pandemic, a new boom was born for live broadcasts on Instagram Live and Facebook Live, being this an opportunity for Elvis Abello (El de la Salsa Dura) to work as a musicalize in the events of Salsa Dura, known in Venezuela as salsa guateque.

Hand in hand with great DJs such as; Manolo Mariño, Luis Flores, Ruben Arias, Jeferson Parra, Jesus Manuel Diaz, Dervy Palace, Zulay Millan, Susana Calderin, Augusto Felibertt, Edward Alberto, Francisco The Dj Latino, Alan Marriaga, Jaime Guanipa, Rey Salsamania, Edgar Mendoza, Carlos El Latino, Alfredo Lozada, Sol Graffe, Franklin Espinoza, Jheison Parra, Chachito Blanco, Junior Oriak, Kituku Sanchez, Roberth Hidalgo, Nery Jones, David Ferrer, Jesus Jaspe, Felix Valderrama, Andres Hernandez, Cesar Sonero, Jordan Moreno, each one of them, gives their best on stage so that the Salsera nights in Venezuela are of excellent quality.

Since the year 2021, he is vice president of the Olimpiada Salsera Internacional de Venezuela Foundation, this foundation works to project the different DJs and Musicalizadores existing in the whole world, through digital platforms, such is the case of Instagram and Facebook, in the same way the foundation delivers donations in order to help those most in need.

Since October 26th of this year, Saul Delhom and bailopinto.com publishing house, has invited Elvis Abello and several DJs to participate in the digital project called, “Esta Salsa me Gusta- DJ^s Edition”. The book contains a selection of songs associated with tastes, stories, and anecdotes told by each of the interviewees. It is worth mentioning and taking advantage of the essence of this book that talks about the melody as an anchor in certain moments of life; Elvis recalls moments lived with his daughter Madeleine Abello with the song “Al Pasar Los Años” by the Mulenze Orchestra, and his son Samuel Abello, with the song “Y Vuelvo a Fallar” by the same orchestra.

DJ Elvis Abello, for his professionalism, creativity, and charisma, has led him to be recognized as “El De la Salsa Dura”, in various clubs and discotheques in the capital.  At the present time, Resident DJ of Café Latino, in the city of Caracas and Director of EA Productions; taking the best Salsa events throughout Venezuela.

Facebook: Dj. Elvis Abello

Article of Interest: Saúl Delhom “Esta Salsa me gusta” one of the things I like the most is to learn, create and share

Preparence is close to the Panama Jazz Festival 2022.

From January 10 to 15, the Panama Jazz Festival 2022 will be held, this being this 19th edition, which will take place both virtual and face-to-face activities, so that the Biosafety regulations of the Ministry of Health will be met (“No cloth” masks and gel), where they are informed that to enter all events they will be asked for the card and QR code 100% vaccinated with a minimum of 14 days and 12-year-olds must present a negative Covid test 24 hours before.

It will be held at the City of Knowledge Athenaeum, where every day except for Wednesday (12) from 7 pm at the National Theater there will be a Gala night with Danilo Pérez and Kurt Elling, however the other days will be presented:

  • Monday (10): Panamá Connections and Mayra Hurley.
  • Tuesday (11): Borderlands Trio e Idania Douman.
  • Thursday (13): Global Messengers and Pz533-Global Jazz Womxn.
  • Friday (14): Antonio Hart and Solinka.

This year the festival of this edition will be dedicated to Frank Anderson born in Panama, Bocas del Toro on January 24, 1929, in Panama he met and played with many Cuban musicians; In New York, he played piano and directed several recordings by Vicentico Valdés and worked with other artists such as Marcelino Guerra, Polito Galíndez, Arsenio Rodríguez, Andrés Andino and Yomo Toro, Israel López “Cachao”, Clark Terry, and in 1950 he founded his own big band, the musicians were members of the Duke Ellington and Count Basie orchestras. In the 1970s he became musical director and accompanist for many Broadway plays such as Purlie, Don’t Bother Me I Can’t Cope, A Raisin in the Sun, Eubie !, The Wiz, and Guys and Dolls. He also recorded on the discs of those works.

In 2009 he was recognized by the New York State Senate for his musical contributions, particularly his role as organist in various Brooklyn churches and his most recent recording is Ochosi Blues (2015) by Benjamin Lapidus and Kari-B3 where he is accompanying with the organ. in its unique style and unmatched flavor that combines Caribbean music, jazz and more in a very personal way. Anderson currently maintains his residence in Brooklyn.

The International Artists to participate are:

  1. Kurt Elling Dúo with Danilo Pérez “Secrets are the Best Stories”:
    Renowned for his unique combination of robust swing and poetic acumen, two-time GRAMMY winner Kurt Elling secures his place among the world’s leading jazz vocalists. The New York Times proclaimed him the “most prominent male vocalist of our time.” Over a 25-year touring and recording career, he has won 3 Prix du Jazz Vocal, 2 German Echo Awards, 2 Dutch Edison Awards and been nominated for a GRAMMY Award fifteen times. He has had a 14-year career at the top of DownBeat’s Critics and Readers polls, and has won twelve Jazz Journalist awards for “Male Vocalist of the Year.”Elling’s voice is instantly recognizable, embracing listeners with her warm, rich baritone and navigating the four-octave range as a virtuoso improviser and compelling storyteller. The Guardian has named him “some kind of superpowered Sinatra” and “one of the great jazz vocalists of all time.”
  2. Kris Davis and Bordeerlands Trio with Eric McPherson, Stephan Crump:In Borderlands Trio, the collective efforts of bassist Stephan Crump, pianist Kris Davis, and drummer Eric McPherson have luck on your side. In less than a year their chemistry is unusually deep. The title of their album Asteroidea is the Latin term for starfish, a creature capable of regenerating parts of itself, in turn related to the trio’s ability to constantly develop new landscapes. The word starfish evokes notions of both the ocean and outer space. “Gravity, magnetism, constellations, nature. With this band, we are always expanding and contracting, recontextualizing what surrounds us and heading towards the instantly inevitable. ” Crump comments.Asteroidea is a treatise on immediacy and a deep dive into the spectrum of responses to any gesture. Its rhythms are always transforming, its drama has wacky moments, and its creators are just getting started.
  3. Antonio Hart:He studied jazz at Berklee College of Music in Boston with Bill Pierce, Andy McGhee and Joe Viola. Of his friendships in Berklee, Roy Hargrove stands out, with whom he spends three years traveling the world and recording the first three Hargrove albums. During these years on the road, Hart completed a master’s degree at Queens College where he learned from teachers Donald Byrd and Jimmy Heath, who also produced the artist’s second recording ‘Don’t You Know I Care’.With his 1997 release, Impulse Records’ ‘Here I Stand’, he earned a Grammy nomination for ‘Best Jazz Instrumental Soloist’ and additionally participated in more than 100 guest recordings. Since its inception, Hart has recorded eight CDs as a leader. The latest JLP Jazz Legacy productions, ‘Blessings’.The artist balances his time as a full professor at Aaron Copland School of Music, Queens College, with touring with his bands, The Dave Holland Big Band and The Dizzy Gillespie Big Band.
  4. El Berklee Global Jazz Institute (BGJI):It is a musical performance program designed to foster creativity and musical mastery across various musical disciplines, with pianist and composer Danilo Pérez as its founder and artistic director.The BGJI provides a comprehensive contemporary music environment where students have the opportunity to explore their creativity to the highest level possible, advance the power of music as a tool for the betterment of society, and connect musical creative thinking with the environment. natural.
  5. Global Messengers:Directed by Panamanian pianist and composer Danilo Pérez, Global Messengers draws its unique spirit from the culture and experiences of its members, who come from Palestine, the United States, Greece, Jordan and Panama, with varied musical traditions and instrumentation to match. They are committed to the ancient practice of building community through rhythmically rich and melodically exciting music.* Danilo Pérez piano
    * Farayi Malek voice
    * Vasilis Kostas laouto
    * Layth Sidiq violin
    * Naseem Alatrash cello
    * Tareq Rantisi percussion
  6. The New England Conservatory (NEC):It was founded in 1867, being the oldest independent music school in the United States. Since its opening it has played an important role in the musical life of Boston and the world. Its mission is to provide a more rigorous education at the level of musicians of all ages and parts of the world. Additionally, we have teachers who encourage individual excellence in a welcoming community.NEC works for music to have an important place in people’s lives and for rigorous education and excellent recognition. Beyond the study of music, NEC teachers help explore the historical and social frameworks that support our musical traditions.
  7. PS-533:It is the number of a class called “Musical Performance and Social Activism” for the Berklee Global Jazz Institute Master’s Program at Berklee College of Music. The PS refers to the department of “Performance” and 533 refers to an upper level class open only to graduate students. Patricia Zarate, a teacher of this class, organized this group in 2022 to present the Global Jazz Womxn (women and dissidents) that stand out as alumni and of the program. The letter “S” was changed to “Z” to reflect the change from a school environment to a professional environment led by Zarate.

The National Artists to participate are:

  1. Solinka: better known as Solange Arias, she was a public servant in the 1950s, working as a secretary in the Ministry of Education of Panama, has a beautiful voice and is very attractive, so a Cuban agent convinced her to be a singer of professional sauce. In those years, men dominated the salsa genre, which is why Solange was not successful at first. It was in Peru that she became a sensation as a salsa presenter, so much so that one journalist wrote that her performance was as brilliant as an “Inca sun,” a nickname she adopted as her stage name, changing the c to a k. Later he found success in his native country and signed a contract with a record company, traveled a lot and won the first prize at the Valparaíso international song festival.
  2. Idania Dowman: She has a privileged and unmistakable voice that has transcended throughout her 27-year career. Daughter of the renowned Panamanian calypsonian Lord Byron. She publicly began in the Church where she was director of the Archdiocesan Choir of Panama and was part of Jazz Effects of Panama with Reginal Boyce. Today he has two groups of his own: The Emotions and Cache. He shared projects with Billy Herron, as he believes in the generational sharing of culture. He has represented Panama in Peru, Barbados, Trinidad and Tobago, Costa Rica, Colombia, the United States and Dubai. She was recognized by receiving a Doctorate in Art from the United Graduate College and Seminary International (United States) for her career in ART, MUSIC AND CULTURE; by the National University of Panama in 2012 and 2014, and awarded the Golden Star Awards of the distinguished VIP Diplomática magazine of Peru in 2019.She is recognized for her virtuosity in each of her presentations, for maintaining her Afro jazz essence and being a defender of Panamanian culture.

    She is recognized for her virtuosity in each of her presentations, for maintaining her Afro jazz essence and being a defender of Panamanian culture.

  3. Panama Connections: Group made up of professors and scholarship students from the Danilo Pérez Foundation, under the premise of “community and sharing”, Panama Connections explores the creative possibilities between Jazz and its links with Pan-African and Caribbean folklore, from its compositions originals, arrangements and adaptations are focused on this fusion.
  4. Mayra Hurley: Singer, film and television actress, and broadcaster. The Panamanian singer-songwriter is inspired by her multicultural roots that are expressed in all her artistic expressions, from funk, salsa, to rock n’roll, each show is a live experience with Caribbean flavor. In his more than 10 years of experience in musical theater, he has worked under the artistic direction of Bruce Quinn and Edwin Cedeño and has participated in works such as Jesus Christ Superstar (2005), Cabaret (2006), A Chorus Line (2008), Peras en el huerto (2006-2012), Little Shop of Horrors (2010), en la guerra y el amor todo se vale (2011) and Hairspray (2013).He made his film debut in the acclaimed film Historias del canal (2014), presented in the official IFF Panama selection and at international film festivals in Spain, the United States, Costa Rica, Mexico, Canada and Jamaica. In 2019 he participated in the Panamanian film Escribiendo el General by Oscar Faarup and in 2021 he won the Panama positive award in the category Positive Artist.

Buy your tickets through https://panamajazzfestival.com/ or if you want to have other information, follow the following accounts:

  • WebSite: https://panamajazzfestival.com/
  • Facebook: @PanamaJazzFesti
  • Instagram: @PanamaJazzFestival
  • Twitter: @PanamaJazzFesti
  • Correo: [email protected]
  • Telefono: +507 317-1466

Venezuela – Guinness Record the largest orchestra in the world

On November 13, 2021, there was a dynamic event in Caracas, Venezuela where 12,000 Venezuelan musicians (from 12 to 70 years old) performed in the courtyard of honor of the Caracas military academy, where they performed Tchaikovsky’s Slavic March conducted by The 34-year-old maestro Andrés Ascanio was such a shocking and glorious event that Saturday the 20th received the Guinness record for “The largest orchestra in the world” … “I can confirm that this attempt has been successful, congratulations, Guinness World Record as the largest orchestra, you are officially amazing, “said the official in charge of giving the verdict on a screen during a ceremony at the headquarters of” El Sistema “, as it is commonly known.

The ambassador of the Russian Federation in Venezuela, Sergey Mélik-Bagdarárov, expressed his greatest appreciation for this achievement: “For me as the Ambassador of Russia it is a great honor to attend this historical event, which previously belonged to Russia and now is its victory. , we share his victory ”.

This time the ensemble of Petare, with the theme Amalia, by Francisco Armando Agen uirre, under the direction of Andrés David Ascanio, made a show of its musical interpretation.
Also, the Simón Bolívar Symphony Orchestra performed Danzón number 2, by Arturo Márquez, also under the direction of Andrés David Ascanio.
In addition, there was a performance by the Alma Llanera Orchestra, which was present with La Fuga con pajarillo, by Aldemaro Romero.

The brand was reached by the System of Children’s and Youth Orchestras of Venezuela, a state program founded in 1975 by the late teacher of teachers José Antonio Abreu that has given thousands of children of popular classes access to music education, by displacing Russia that He had imposed it in 2019 with more than 8,000 musicians.
“It is a feat, not only for the System, but for the country,” said Eduardo Méndez, director of this program made up of one million members throughout the country, to applause.

For Venezuela this is a great triumph, since you have several Guinness awards, including natural beauties such as Angel Falls, the highest waterfall in the world, or the so-called “Catatumbo Lightning”, the site with the highest number of electrical storms. of the planet. There is also the highest cable car in the world, the largest arepa and ham bread, typical Venezuelan foods, and even the five crowns in the Miss World are a record in this country. “El Sistema”, which has been replicated by dozens of countries, is the cradle of emblems such as Gustavo Dudamel, the musical director of the Paris Opera and the Los Angeles Philharmonic, who sent his congratulations through a video posted on social networks .

At the ceremony for the unveiling of the certificate of this new record, there was the Minister of Communication and Information, Freddy Ñáñez, who excitedly indicated that “music is the purest expression of the soul, it is capable of saying everything, of giving everything, thus You will know how difficult it is for me to try to speak in this temple where there are almost all the words, but it is not a speech that I come to give you today, it is something simpler, I come to sing the only word that is not left in any place, the a word that without having the 7 musical notes is also capable of producing symphonies in the soul of human beings ”.

Salsa Escrita, the Salsa Column of Barquisimeto presents Cheo Valenzuela

Cheo Valenzuela, “El Sonero de la Dulzura”

We are pleased to have as a special guest in our salsa column, one of the vocalists possessing a unique, admirable, and respected quality of interpretation, which has stood out in our country and abroad, bringing his flavor and swing with great professionalism and hierarchy. We are talking about Cheo Valenzuela, “El Sonero de la Dulzura”, born in Cantaura, Anzoátegui state, on January 24th.

At the age of 7, he moved with his family to the city of Caracas, settling in one of the most popular parishes: La Pastora. Welcome Cheo to Salsa Escrita, “La Columna Salsera de Barquisimeto” and International Salsa Magazine, www.SalsaGoogle.com.

Thank you, friend and professor, Carlos Colmenárez, for giving me the opportunity to be present in this tribune of our Afro-Caribbean music, which serves us to make known our talents and musical projects and thus be able to interact with its assiduous readers in Venezuela and around the world.

Salsa Escrita, la Columna Salsera de Barquisimeto presenta a Cheo Valenzuela
Cheo Valenzuela, “El Sonero de la Dulzura”

Cheo, to begin with, we would like you to tell us how were your beginnings in music? Carlos, at the age of 14 I began my career as a salsa performer and with time I was called to join quite renowned orchestras.

Such as Cheo? I belonged to the Latin Dimension, then Oscar D’León called me and I was at his side with his orchestra; later I joined “Nuestra Orquesta la Salsa Mayor”; later I was called by “La Sonora Antillana”; then I joined the groups: Rumbero Menor, Venezuelan Master Orchestra, Orquesta Los Latinos, among others. Nowadays I have my own salsa orchestra “Cheo Valenzuela y su Orquesta” and also my own bolero group, called “Cheo Valenzuela y su Ensamble”.

Excellent Cheo, we really admire your work, which has been persevering and over the years, continues to rise steadily, with national and international projection. Yes, Carlos, let me tell you, apart from thank you for inviting me to your salsa column, that I launched myself into the market as a soloist some time ago and I currently have two musical productions, the first one entitled “Cheo Valenzuela and his Orchestra is you”.

Cheo Valenzuela
At the age of 7, he moved with his family to the city of Caracas.

This CD is made up of traditional salsa, romantic salsa, bolero, son, and ballads. Dear salsa lovers and consistent readers, let me tell you that Cheo, every time he gets on stage, shows off all his musical talent with total stage control, since he is a sonero, backed by multiple experiences acquired in his presentations, both in Venezuela and in the different countries he has visited.

Cheo, what can you tell us about your current musical situation? Professor Carlos, at present I am presenting for the consideration of all music lovers the new promotional theme that is part of my second musical production, which is called “Salsa Buena”, a theme of my authorship, with musical arrangements by the Venezuelan pianist, trombonist and singer Mauricio Silva, which we hope will be to the complete satisfaction of all of you. Of course, it will be a success, my friend Cheo, because your productions always carry an indisputable quality seal. By the way, what are your digital platforms and contacts? You can get me as Cheo Valenzuela in all social networks, you can also do it by email: [email protected] and Valenzuela [email protected] and for bookings by phone +58 424 1044822 and +58 416 6388420.

At the end of the interview, let me say that it was an honor to have you in Salsa Escrita “La Columna Salsera de Barquisimeto” and wishing you continue to succeed inside and outside our country so that we all enjoy Cheo Valenzuela “El Sonero de la Dulzura”.

A thousand thanks, Professor Carlos Colmenárez, for your unconditional friendship and for giving me a space in your column through International Salsa Magazine, also predicting successes in bulk and that you continue to support us in order to make our productions and presentations known, very soon in the name of God. Bendiciones Carlos and counts with the friendship of Cheo Valenzuela “Con Dulzura” and a lot of salsa…!

Remember not to leave your house…! Until next time and let’s keep on saucing!

Article of Interest: Eliel Rivero, “The Shaman of the Trombone”

The Argentina Tango Salón Festival 2022 returns in January.

In Argentina, Buenos Aires will have a very interesting and attractive start to the year (2022) with the Argentina Tango Salón Festival, an event that takes place every year and is highly anticipated by tango dancers both nationally and internationally, organized by Roberto Zuccarino and Magdalena Valdez which will take place both in “La Viruta” located in Armenia 1366 Palermo, as well as in “La Milonguita” located in Armenia 1353 Palermo, where the professional dancers to teach us will be in these predetermined places in the schedule that we will present soon.

Argentina Tango Salon Festival 2022 Flyer
Argentina Tango Salón Festival 2022 with dancers Christian Marquez and Virginia Gomez

The Argentina Tango Salón Festival 2022 will be held from January 13 to 17, where the following tango dancers and / or instructors will be participating:

  • Christian Marquez and Virginia Gomez
  • Juan Malizia and Manuela Rossi
  • Roberto Zuccarino and Virginia Pandolfi
  • Dante Sanchez e Ines Muzzopappa
  • Carlitos Espinoza and Agustina Piaggio
  • Fernando Carrasco and Jimena Hoeffner
  • Daniel Nacucchio and Cristina Sosa
  • Sebastian Jimenez and Magdalena Valdez
  • Facundo Piñero and Vanesa Villalba
  • Javier Rodriguez and Moira Castellano

The cost of the classes is presented as follows:

  • 1 Class: $25000
  • 3 Classes: $6000
  • 6 Classes: $11.000
  • 9 Classes: $16.000
  • 12 Classes: $20.000
  • 15 Classes: $25.000
The previous Argentina Tango Salón Festival
The Tango Dancers who participated in the Argentina Tango Salón Festival 2020 (live)

During these 5 days of instruction and tango, we were presented with the schedule of activities will be distributed as follows:

  • On Thursday (13): Starting at 1:00 p.m. they will be giving classes with Carlos Espinoza and Agustina Piaggio at (“La Viruta” located in Armenia 1366 Palerm) and Juan Malizia and Manuela Rossi will also be at (“La Milonguita” located in Armenia 1353 Palermo), both until 17:15 hrs.
  • On Friday (14): Starting at 1:00 p.m. they will be giving classes with Roberto Zuccarino and Virginia Pandolfi in (“La Viruta” located in Armenia 1366 Palerm) and they will be in Fernando Carrasco and Jimena Hoeffner in (“La Milonguita” located in Armenia 1353 Palermo), both until 17:15 hrs.
  • On Saturday (15): Starting at 1:00 p.m. they will be giving classes with Facundo Piñero and Vanesa Villalba in (“La Viruta” located in Armenia 1366 Palerm) and they will be with Javier Rodriguez and Moira Castellano in (“La Milonguita” located in Armenia 1353 Palermo), both until 17:15 hrs.
  • On Sunday (16): Starting at 1:00 p.m. they will be giving classes with Sebastian Jimenez and Magdalena Valdez in (“La Viruta” located in Armenia 1366 Palerm) together with Daniel Nacucchio and Cristina Sosa in (“La Milonguita” located in Armenia 1353 Palermo), both until 5:15 p.m.
  • On Monday (17): Starting at 1:00 p.m. they will be giving classes with Christian Marquez and Virginia Gomez in (“La Viruta” located in Armenia 1366 Palerm) together with Dante Sanchez and Ines Muzzopappa in (“La Milonguita” located in Armenia 1353 Palermo), both until 5:15 p.m.
Argentina Tango Salón Festival 2022
Schedule of activities for the Argentina Tango Salón Festival 2022

If you want more details about the event, buy your tickets or send a personalized message, you can contact them and obtain more information through:

  • WebSite:
  • Facebook: @Argentina-Tango-Salon-Festival
  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 71
  • Page 72
  • Page 73
  • Page 74
  • Page 75
  • Interim pages omitted …
  • Page 85
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.