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Latin Music

Christmas salsa albums to listen to this December

Christmas albums 

Christmas is one of the best times to celebrate with family and friends and a very important element of any celebration is music, especially in Latin countries and communities.   

Because we are in December, we thought it would be a great occasion to relive some of the most iconic salsa albums of all time with which our dear readers can enjoy this wonderful month at the rhythm of the most joyful Latin music from some of the best exponents of the genre.  

Asalto Navideño Vol. 1 

This album should never miss in a list of this type and it could not be in another way, since it is part of the incredible path traveled by the New York orchestra Willie Colón & Héctor Lavoe. The material is the group’s sixth studio album and was recorded during the first week of December 1970.  

Prior to this, the boom that was taking the orchestra in those years made Jerry Masucci and Johnny Pacheco suggest to the artists that they take advantage of the fame they had harvested so far to create an album dedicated to Christmas, which they both gladly accepted.  

It is then when they got hands on and invited the talented musician Yomo Toro to participate in the album. The artist was not well known by the fans, but he ended up occupying a very important place in the final result. 

Although at first, the material was focused on honoring Puerto Rico, but ended up embracing the Latin community living in the U.S., which had been the main responsible for the strengthening of salsa in the liking of the people and the profit received the Fania Records label. 

The album was recorded in the studios of Fania Records in New York and had a total of 12 songs dedicated to the most beautiful time of the year. Aires de Navidad” and ”La Murga” are among the most successful tracks of the album and the most listened to so far. 

album Asalto Navideño
Cover of the album ”Asalto Navideño Vol. 1”

Nuestra Música 

El Gran Combo de Puerto Rico never disappoints and certainly did not do it with its Christmas production ”Nuestra Música”, with which it seeks to pay tribute to this wonderful time and put everyone on dance in their homes during the Christmas holidays.   

The album was released in 1985, the year in which salsa was going through a very challenging time, since merengue was gaining a lot of momentum, displacing the aforementioned genre to some extent. However, this was no impediment for the orchestra to demonstrate, contrary to what many believed, that salsa was more alive than ever.   

The album’s release was surprising as well as exciting for the fans of El Gran Combo de Puerto Rico, which managed to rescue much of the holiday spirit that was lost and gave life to hits such as ”La Fiesta de Pilito”, ”Desenfunda”, ”Arbolito” and ”No Hay Cama Pa’ Tanta Gente”. 

album Nuestra Música
Cover of the album ”Nuestra Música”

Navidad Criolla 

Another great recor production that could not miss in this list is ‘‘Navidad Criolla’’ by La Sonora Ponceña. A very particular and different thing about this Christmas album is that, instead of using the typical Christmas aguinaldos, salsa dura is the predominant genre. However, the vocalists and musicians do their best to maintain the essence of Christmas at all times. 

The album was released in 1978 and includes the unmistakable voices of Luigi Texidor and Tito Gómez, who add an exciting and cheerful touch to the music with the power of their vocal cords. In addition to that, Adalberto Santiago and Yayo El Indio participated on backing vocals along with the talented musicians of the group.   

The album includes songs such as ”Aguinaldo Antillano”, ”De Noche Buena”, ”Canción de Navidad”, ”Vamonos Pa’l Campo”, among others.  

album Navidad Criolla
Cover of the album ”Navidad Criolla”

Felices Pascuas 

Ricardo Ray and Bobby Cruz delighted the public during the December holidays in 1971 with this extraordinary musical work with which they conquered the public one of those countless times they did it.  

Ricardo delighted the duo’s fans from the piano and musical arrangements, while Bobby was on voice and backing vocals. Both artists were accompanied by Miki Vimari on voice and backing vocals, Ismael Cocolia Rodríguez and Ismael Rivera on trumpet, Manolito Gonzales on bongos, José Hidalgo on conga, Charlie Cotto on timbales and Plito Huertas on bass.   

Among some of the best-known tracks of the album, we can mention ”Bomba en Navidad”, ”Mi Niñez”, ”Aguinaldo Navideño”, ”Kyrie Eleison”, ”Sinfonia To Cantata No, 29”, and so on. 

album Felices Pascuas
Cover of the album ”Felices Pascuas”

Read also: Legacy of the Cepeda family after eight generations 

“The Sun of Latin Music” the first Grammy Award for Salsa Eddie Palmieri’s historic album

It has been 49 years since “The Sun of Latin Music”, Eddie Palmieri’s historic album, which marked a fundamental milestone in the history of Latin music by becoming the first production to win a Grammy Award in the category of Best Latin Recording, awarded on February 28, 1976.

"The Sun of Latin Music" the first Grammy of Salsa Eddie Palmieri's historic album
“The Sun of Latin Music” the first Grammy of Salsa Eddie Palmieri’s historic album

Recorded in New York at Electric Lady Studios, the album was released by Coco Records on Wednesday, September 18, 1974.

The album featured vocals by Lalo Rodríguez, who was only 16 years old at the time.

It includes: ‘Nada De Ti’, ‘Deseo Salvaje’, ‘Una Rosa Española’, ‘Nunca Contigo’, ‘Un Día Bonito’, ‘Mi Cumbia’.

“The Sun of Latin Music” proved to the world that Latin music, especially Salsa, was an honorable art form and opened the doors for many other Latin artists to receive solid recognition for their talent and work.

Eddie Palmieri

The sun of Latin music

MP, 1990. MP-3109 CD

Recorded in 1975

The Sun of Latin Music was a controversial album. It was too far from the easy formula of the middle salsa boom – what César Miguel Rondón calls the “mtancerization of salsa”.

“Ahead of its time” was one of the comments; “a piece like Un día bonito, had to be mutilated” with a 6-minute piano intro just to be able to play it on the radio; a danzón (Una rosa española) with lyrics by the Beatles; a cumbia that is not very Colombian, despite the name (Mi cumbia) and the chorus that says “very Colombian…”.

Nevertheless, this album represents the strength of the spirit of salsa: the encounter between the harshness of the street and the majesty of the most sophisticated musical sound.

One of the best albums of Caribbean music ever released.

Palmieri was always in search of something new. The Sun Of Latin Music is the culmination of a phase that began with an earlier album, Sentido (1974).

This time he chose the Panamanian Vitín Paz for the trumpet solo, Barry Rogers for his trombone and an unusual tuba, which formed a kind of basso continuo, and besides Barry, José Rodrigues, who for a long time was, and despite his absence still is, his most emblematic trombonist.

Cover of issue 36 of Latin New York magazine (April 1976) where Eddie Palmieri appears.
Cover of issue 36 of Latin New York magazine (April 1976) where Eddie Palmieri appears.

Ronnie Cuber and Mario Rivera were chosen as the first saxophonists in a Palmieri orchestra.

For many it is Palmieri’s best album, the most experimental and universal. One that borders on academic music, but without forgetting the dancer.

With spices like the violin of Alfredo de la Fe, who contributes his creativity everywhere, the tuba, the penetrating power of the brass, the overwhelming percussion.

Thus, Una rosa española is a modern danzón that later becomes a montuno that revives the joyful Palmerian game with the dignified uproar of trumpets, saxophones and trombones.

A young man of only 17 years, Lalo Rodríguez, who years later would become the standard-bearer of what was called salsa erotica, was chosen as the singer. Another novelty: the timbre of his voice, with a very high register, and the way he faced the montuno, which did not correspond to his age, caused different reactions.

But the most amazing thing about this 1974 album is the 14:20-minute track Un día bonito, arranged by Barry Rogers, which would keep even the most trained dancers busy. But Palmieri wasn’t just thinking about leg sets or dance floors.

The piece begins with a long piano interlude, the same structure he used in the track Adoración from the album Sentido, which would mark a new musical phase in his career.

It was more than experimental, it had some electro-acoustic music; no one had ever had the audacity to do that on a salsa album. Palmieri made the leap, he could do it, it sounded more like Stravinsky or Milhaud than Puente or Fania.

Suddenly, back in the piece, the orchestra bursts in, harder and heavier than ever, wishing the city of Los Angeles a beautiful day and San Francisco a “warm greeting,” and it is certain that Keruack and Borrough heard the call.

First Eddie Palmieri Grammy
First Eddie Palmieri Grammy

Then Eddie Palmieri was consecrated by the intellectuals and the educated and also by the Grammy.

Eddie Palmieri

The sun of Latin music

Produced by Harvey Averne

Eddie Palmieri: piano

Lalo Rodríguez: vocals

Vitín Paz: trumpet

Virgil Jones: trumpet

Barry Rogers: trombone, tenor tuba

José Rodrigues: trombone

Ronnie Cuber: Baritone Saxophone, Flute

Mario Rivera: Baritone Saxophone, Flute

Alfredo de la Fe: Violin

Eddie Guagua Rivera: Bass

Tommy Chuckie Lopez, Jr.: Bongo

Eladio Pérez: conga

Nicky Marrero: timbales, percussion

Peter Gordon: French Horn

Tony Price: Tuba

Jimmy Sabater: Chorus

Willie Torres: Chorus

Tommy López Sr.: conga

Tracks: Nada de ti; Deseo salvaje; Una rosa española; Nunca contigo; Un día bonito; Mi cumbia

Arrangements by René Hernández and Barry Rogers

One of the most valuable pieces in the exhibition “Rhythm and Power: Salsa in New York”, which will be presented until next November at the Museum of the City of the Big Apple, is the first Grammy in the history of Latin music, awarded in 1976 to Eddie Palmieri for his album “Sun of Latin Music”.

“The Sun of Latin Music”
“The Sun of Latin Music”

Sources:

Anapapaya

Salsero Radio

D j. Augusto Felibertt

Also Read: Salsa and its detractors “Caiga quien Caiga”

José Alberto “El Canario” and his orchestra enjoy a great international reputation in the Latin music scene.

His start in music was as a drummer, then as a bongo player, with some 48 years in Latin music and as a sonero, today in International Salsa Magazine through www.salsagoogle.com, José Alberto Justiniano Andújar, better known artistically as José Alberto El Canario, was born on December 22, 1958 in Villa Consuelo in Santo Domingo Dominican Republic.

José Alberto El Canario
José Alberto El Canario

El Canario began to have a passion for music from a very young age, first playing drums, bongo and timbales, at the age of 7 his mother Adalgisa, recognized dancer of the golden age of “Radio-Televisión Dominicana”, took him to live on the island of Puerto Rico, as a professional dancer she had to perform in important international theaters.

El Canario began to study in a military school in Las Antillas, then in 1970 he moved with his father to New York, where he began to sing with several orchestras, receiving international attention as the leader of the Típica 73 in October 1977, where he earned 25 dollars for each presentation and recognized it as his university in the life of art.

José Alberto credits his compadre Roberto Geronimo for his successful artistic career. Geronimo discovered him as an artist and managed him for many years. El Canario also sang merengue at the onset of his musical journey.

In 1983, José Alberto established his own band and gained fame as a major Latin star after his debut album Noches Calientes released in 1984.

Jose Alberto is a renowned singer who has recorded numerous chart-topping hits, including “Sueño Contigo”, “Hoy Quiero Confesar”, “Te Voy a Saciar de Mi”, “A Gozar”, “Es Tu Amor”, and “Quieres Ser Mi Amante”, among others, for his 1988 album Sueño Contigo and several others.

His inimitable voice and unmatched improvisational skills have earned him international acclaim. Jose Alberto has collaborated with several contemporary artists such as Johnny Rodriguez, Mario Rivera, Nicky Marrero, Oscar D’Leon, and Celia Cruz.

El Canario began to have a passion for music at a very young age, first playing drums, bongo drums and timbales.
El Canario began to have a passion for music at a very young age, first playing drums, bongo drums and timbales.

José Alberto “El Canario” has earned multiple gold and platinum records due to his high number of album sales.

He has achieved success not only in the United States and Europe but also throughout Latin America, including his native Dominican Republic, Puerto Rico, Peru, Venezuela, Panama, Colombia, Ecuador, and Costa Rica.

The nickname “El Canario” was bestowed upon him by a New York disc jockey who christened him so in a disco due to his improvisational skills; “Canta canario” was the catchphrase he would belt out through the control microphone.

José Alberto ‘El Canario’ and his Orchestra have gained immense international recognition in the Latin music industry.

His musical prowess and captivating voice make his live shows some of the most thrilling performances.

El Canario, winner of the “Congo de oro” in 2005 – an award given to the best musical groups presented at the Festival de Orquestas del Carnaval de Barranquilla – and of three Latin Grammys in 2013, 2015 and 2018, is one of the undisputed artists of Latin music with a career spanning some 48 years.

Arturo Sandoval, Oscar D' Leon y El Canario
Arturo Sandoval, Oscar D’ Leon y El Canario

Throughout his career, José Alberto El Canario has gained international recognition for his unique voice and style, but also, according to his biographies, for his improvisations on stage.

José Alberto El Canario y su Orquesta enjoys great international renown in the Latin music scene.
José Alberto El Canario y su Orquesta enjoys great international renown in the Latin music scene.

Also Read: Jimmie Morales a conguero for the history of Afro-Caribbean music

José Hildemaro Hugas Amarista “El Sonero del Amor” from Venezuela to the world

José Hildemaro Hugas Amarista, better known artistically as “Hildemaro, El Sonero Del Amor”, was born on November 10, 1957 in Caripito, a city in the eastern Venezuelan state of Monagas.

He is a Venezuelan singer-songwriter whose interest in music began at a very young age, participating in various children’s programs on the radio station in his hometown and in Maturin, the capital of the state of Monagas.

In 1970 he won the first “Festival De La Canción Inédita” held in Caripito.

Then he moved to Carúpano, where he began to sing with different musical groups of that city, such as “Los Bravos” and “Soles De Media Noche”.

"El Sonero del Amor" from Venezuela
“El Sonero del Amor” from Venezuela

Later he was called by the “Combo Melorítmico” of Maturín, where he stayed for a year. He always wanted to sing in the capital.

In 1976 his dream came true when he was called to be a part of the Front Train Orchestra “Los Satélites”, for seven (7) months, the proposed goals began to be different and began to work to achieve them. In 1979 he joined the “Orquesta Ideal”, with which the song “Contigo Besos Salvajes” was played all over the country and was successively imposed among the first places.

In 1981 he joined the “Supercombo Los Tropicales” of Maracaibo, then the “Noche Caliente” orchestra and later the “Porfi Jimenez” orchestra.

In 1985 he joined the orchestra of Renato Capriles: “Los Melódicos”, which gave him the greatest and best experience, given the popularity, prestige and discipline imposed by its director.

In 1986, as a soloist, he recorded his first LP of tropical music under the name “El Jr. de la música tropical” for the record label “Sur Americana del Disco”, , with the name “El Jr. de la música tropical.”

In December 1987 he received a wonderful offer from the record label “Top Hit (T.H.. ) and in 1988 he records his first LP, as a “sensual salsero” for Venezuela, titled “Amanecí Contigo” under the pen of José “El Flaco” Bermúdez, who is also the creator of the style that pushes him towards the international market, where all his songs hit with great acceptance and have his greatest impact in Peru (his second home as he usually calls it), starting his successful career as “Hildemaro, El Sonero Del Amor”.

José Hildemaro Hugas Amarista "El Sonero del Amor" from Venezuela to the World
José Hildemaro Hugas Amarista “El Sonero del Amor” from Venezuela to the World

In 1989 he recorded his second LP entitled “Sin Tabú”, which went gold a few weeks after its release, and this album took him back to Peru, where he is considered one of the main idols of Salsa Sensual. Panama, Mexico, Colombia, Ecuador, Argentina, Chile, Dominican Republic, Puerto Rico, Costa Rica, United States, Europe (Spain, Italy, France, Holland, Switzerland, among others), Asia (Japan), among many other countries, have joined his successful career.

In 1990 he recorded his third album called “Romantic and Sensual”, consolidating himself as one of the best voices of Latin American and Caribbean Salsa, qualities that were also reflected in his fourth production entitled “Lo Mejor De Mí” in 1991.

In 1993 he recorded his fifth album under the name “Al Natural”.

In 1994 he was invited to participate in the recording of the album “Con Ganas” by the Cuban Issac Delgado, where he performed a duet of a song composed by José L. Cortes called “Que Pasa Loco”, which quickly became an international success and took him to other latitudes.

In 1995 he released his sixth production with the title “Lo Que Siento”. One year later he signed a contract with the Mexican label “Balboa Records”, where he recorded the album “La Mejor Salsa Con Hildemaro”.

"El Sonero del Amor" from Venezuela and Viti Ruiz
“El Sonero del Amor” from Venezuela and Viti Ruiz

In 1999, he was invited by the Venezuelan group “Melody Gaita”, along with other artists, to record a tribute song to his friend and colleague Oscar D’ León.

In 2001, “Orquesta La Constelación” decided to record an album with several artists, in which he participated with two (2) songs (Peruvian waltzes), “Cuando Llora Mi Guitarra”, in duet with Andy Montañez, and “Jamás Impedirás”, which allowed him to sound nationally and internationally.

In 2002, he is called by another Venezuelan group “Pajarito Vola Show”, along with other artists, this time to participate in a well-deserved tribute to Betulio Medina. In 2002 and 2003 he burst in the national and international radio stations with two (2) singles “Corazón Loco” and “El Celular”.

In 2016, he begins to sound again in the radio stations with the song “Que Voy a Hacer Sin su Amor”.

In addition to his talent to sing Salsa Romántica, he is recognized for his interpretation of the Bolero. And on stage he has shared the stage with artists of the stature of: Oscar De León, Tito Rojas, Tito Gómez, Paquito Guzmán, Andy Montañez, Maelo Ruiz, Viti Ruiz, Gilberto Santa Rosa, David Pavón, Ismael Miranda, El Gran Combo de Puerto Rico, Tony Vega, Nino Segarra, José Alberto “El Canario”, among many others.

"El Sonero del Amor" from Venezuela and El Canario
“El Sonero del Amor” from Venezuela and El Canario

Among his many facets is his love for sports, especially volleyball, which he has practiced since he was very young. He is an honorary member of the FUCUFOCA Foundation, which has been responsible for the organization of the Festival de la Canción Inédita de Caripito for fifty-one (51) years. Faithful collaborator of the Friends of Palencia Foundation and sponsor of several institutions.

Through his foundation HH Productions, he has carried out social actions such as Collaboration in the construction of the Virgen del Rosario Church in Caripito;

Donations of medicines and food to the needy, assistance to sports teams with equipment and clothing, organization of charity concerts and support of the “Amigos de la Palencia” Foundation.

Through his foundation HH Productions, he has carried out social actions such as Collaboration in the construction of the church “Virgen del Rosario” in Caripito;

Donations of medicine and food to people in need, help to sports teams with equipment and clothing; Realization of benefit concerts and concerts of popular attraction in collaboration with the end of year festivities of his hometown.

He has always given value to new talents, helping them in their first steps with his advice and teachings, such as Angel “Tu Angel”, Hildemaro Jr. “La Continuación”, Gilberto Hugas, among others.

Between the years 2022 and 2023 he will celebrate his forty (40) uninterrupted years of artistic life, with a long international tour in countries such as: Colombia, Bolivia,

Peru, Panama, United States, Canada and Europe. He is now promoting the songs “Si Tú Te Vas” and “Amigos Especiales” from his new production, which he is preparing with his inseparable director and producer, José “El Flaco” Bermúdez.

 

Also Read: Carlos “Nene” Quintero comes from a family of musical prodigies

Omslig D’ León: “I am the son of the sonero of the world, but I have my own style and I am creating my own musical history

Omslig D’ León enters the world of musical art hand in hand with his father Oscar D’ León, who works functionally as a dancer, choreographer, percussionist, background singer and singer, this young Venezuelan talent has already traveled the world in its breadth and length, through almost all the countries of North America, Europe and Latin America.

Omslig decided to start his career as a soloist and create his own history with new challenges, forming his own orchestra with his own compositions, innovating with his own unique and international style.

Omslig D' León I am the son of the sonero of the world
Omslig D’ León I am the son of the sonero of the world

“He recently toured Europe for more than two months, including performances in Switzerland, Germany, Italy and Istanbul”.

“And with you, the sonero of the world, Oscar D’ León. Any Venezuelan or fan of the emblematic salsero from Caracas would be thrilled to hear such a presentation, but when you carry his blood, the adrenaline is even greater. His son, Omslig, explained it this way.

It was inevitable that I would become a musician. It’s not just my father, Oscar, it’s my mother, it’s my whole family that has music in their blood,” said the son of one of the most important salsa musicians in history.

Omslig, who began his musical career at the age of 16 as a lectern player in his father’s orchestra, with which he toured the world for 23 years, was in Panama to promote his solo career, which recently took him on a European tour that included Italy, Switzerland, Germany and Istanbul, among other countries.

He will stay a while longer in the isthmus, a country that he says has treated him wonderfully, and then he will travel to Peru and Colombia. “People will think that I am 100% influenced by my father.

Although I learned a lot from him, especially responsibility, I have my own style,” said the director of the orchestra La Melena, referring to his musical project in which he covers songs by various artists, including Panamanian Omar Alfano and Venezuelan Frank Quintero.

Omslig D' León I am the son of the sonero of the world, but I have my own style.
Omslig D’ León I am the son of the sonero of the world, but I have my own style.

Not everything is rosy.

Being the son of Oscar D’ León can be very good, but it can also be difficult. He recalled that in the past there were people who “wanted to throw his last name in his face.

“Don’t think that because you’re Oscar’s son it’s going to be easy. I don’t think you sing the same as your father. Things like that have been said to me, but I have moved forward and thank God with his support and a unique style,” he explained.

For those who think that everything has been handed to him on a silver platter, he wanted to leave this anecdote from when he was in Oscar D’ León’s band. “We were in the Canary Islands, we had already finished the show and the next day, very early, we had to take the ferry to another island.

I fell asleep and my dad dropped me off. In the lobby he left me a note saying ‘you have to learn to be responsible’ and that marked me. Then I was able to make it, but I had to pay for everything.

¿Reencuentro de Leones?

Omslig admitted that he would like to reunite with his “soul mate”, his brother Yorman, to start a musical project and, if the opportunity arises, with Iroska, better known as “La Mazucamba”, Oscar’s daughter, who currently lives in the United States.

“A few days ago my dad called me to tell me that why don’t we do something together and the truth is that it would be great. We’ll see, but it was there and something important is going to happen,” he explained.

For now, Omslig is concentrating on his work as a soloist, with several confirmed performances, and continuing his work as a father, already with three children and happily married.

“I will continue to sing my father’s songs, I will continue to keep his name high, but with the tasty and fusion style of Omslig D’ León,” concluded the 42-year-old native of Caracas.

Omslig León enters the musical artistic world hand in hand with his father Oscar D' León.
Omslig León enters the musical artistic world hand in hand with his father Oscar D’ León.

In a few words

One place: Milan, Italy.

One food: lasagna.

Artist: Luis Enrique.

A person you admire: Will Smith.

A musician: Robert Vilera.

Hobby: Painting.

Why Omslig: Oscar, Moises (paternal grandfather) and Ligia (mother).

Also Read: Freddy de Jesús Ortega Ruiz “Coco & su Sabor Matancero”

Sources:

Peggy Blanco (Manager)

Panama El Venezolano

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.