Latin Music

Three albums by Arturo Sandoval to give away at Christmas

North America / United Stated / Washington DC

ISM Recommends “CHRISTMAS AT NOTRE DAME”, “ULTIMATE DUETS”, and “LIVE AT YOSHI’S” of the “Trumpet Legend” to enjoy in the comfort of your home

Here is already a month left for December and with it the fast and multiple purchases, in addition to the Christmas gifts that you should not leave for last. What a headache for some people! It’s for that we are going to recommend you the elite gift, three Latin Jazz albums by Arturo Sandoval with which you will be 100% a lord and you will not disappoint even your “Secret Santa”.

ULTIMATE DUETS

Ten-time Grammy winner Arturo Sandoval released his more recent album “Ultimate Duets” in 1998. Marking the continuation of a distinguished four-decade catalog of over 30 groundbreaking titles, the album finds renowned artists from the worlds of Pop, Jazz, Classical, and Latin music coming together for the Cuban maestro’s first duets.

At the outset of recording, Arturo with more than 40 years making music, wanted to make a CD with singers that perhaps nobody has related to Jazz, so he made a list with more than 20 names of artists that he admired deeply but who sing different genres and then simply asked each participant to suggest a favorite song they would like to reimagine with the “Trumpet Legend”, and the results are absolutely amazing as the list of collaborators.

ULTIMATE DUETS includes 11 hilarious tracks: “Andante, Andante” – featuring the awaited return of the globally recognized voice of ABBA’s Anni-Frid Lyngstad. This song from the multi-platinum Super Trooper album marked the first time that a member of the Swedish supergroup has returned to the studio to record one of their classics. Stevie Wonder chose to record “People” (which he and Sandoval first performed at a Grammy tribute to Barbara Streisand), whereas Prince Royce turned the tables and decided to record Stevie Wonder’s “Don’t You Worry ‘Bout a Thing” (Popularized in the 70s) in a contemporary Bachata style.

Likewise, the Spanish singer/songwriter Alejandro Sanz also participated in this album versioning “Corazón Partio” featuring Big Phat Band. In the same way, Arturo recorded with legends and new generation voices: Plácido Domingo (“Granada” feat. Vicente Amigo), Pharrell Williams (“Arturo Sandoval” feat. Ariana Grande), Josh Groban (Solo Esta Soledad), Juan Luis Guerra (La Bilirrubina), David Bisbal (El Ruido), Al Jarreau (After All), and Celia Cruz (Quimbara). “It was very exciting to include something with Celia, whom I always admired and loved very much. I couldn’t make a record of duets without her, the eternal Salsa Queen”, Arturo said.

Although in this album Sandoval shows a great variety of genres, he assures that he won’t move away from Jazz: “It’s my main genre and would never leave it, but I am also a big fan of music in general. I’ve always liked Salsa, Merengue, Pop … Good music is what matters most to me, for that I’m so happy with this album”, Sandoval said for an international media.

Release: May 18th, 2018

Available on your favorite digital platform!

CHRISTMAS AT NOTRE DAME

Arturo Sandoval, the most dynamic live performer of our time and virtuous trumpeter recorded his FIRST official Christmas Album with the ensembles of Notre Dame one year ago.

This album contains 12 Joyous tracks featuring the Notre Dame Children’s Choir & Isabella Burns (Ave María), Notre Dame Children’s Choir (Joy To The World, O Come All Ye Faithful, and Silent Night), Symphonic Winds (Let It Shine and Fantasy On Fum, Fum, Fum), Notre Dame Jazz Ensemble (The Christmas Song and Have Yourself A Merry Little Christmas), Gabriella Solis & Stephen Lancaster (I’ll Be Home for Christmas), Alyse Jamieson & Jazz Ensemble (All I Want For Christmas Is You), Matthew Kelly & Emorja Roberson (Frosty The Snowman), Victoria Fraser & Notre Dame Children’s Choir (O Holy Night), Sacred Music at Notre Dame Vocalists, and graduate Jazz trio!

Celebrate the Holidays NOW!

Release: October 5th, 2018

LIVE AT YOSHI’S

The last ISM recommendation is this live album recorded in Yoshi´s, an important venue located in Oakland, California. This Trumpet Concert in which Sandoval and crew render musical honors was launched in 1995 and contains seven tracks: first pays tribute to the genre’s earliest New Orleans traditions (Second Line – Joe Avery’s Blues) then proceeding on to Bebop (Bebop Medley). Without forgetting his deep Latin roots (El Manisero) and his bound-less love for mentor Dizzy Gillespie (Dear Diz and Every Day I Think of You), as well as for trumpet icons Clifford Brown (Joy Spring Sureña) and Miles Davis (Seven Steps to Heaven). A dollop of Clark Terry’s “mumbling” is even thrown in for good measure.

“I enjoyed Arturo Sandoval’s Latin Jazz concert at Yoshi’s night club on July 4th. He combined all kinds of Jazz inspiration into his own unique “Latin Soul” music. His music is so free and universal. I feel Arturo’s inspiration can bring us together and is taking us into a new dimension of our new world… – Yoshi.

Release: October 2^nd, 2015

Oh, And if you haven’t seen a concert by this “Trumpet Legend” yet, don’t miss this month 4 days of amazing shows with two sets, so you can attend at the time that suits you best in the city of the White House, Washington DC.

Dates: November 14^th, 15^th, 16^th & 17^th

Prices: $71 – $76

Venue: Blues Alley. 1073 Wisconsin Ave. NW Washington, DC 20007

Contact: 202-337-4141

Purchase your ticket online today at https://www.bluesalleylive.com/?fuseaction=home.artist&VenueID=3&artistid=19523

ARTURO SANDOVAL – Trumpet Legend

10 Time Grammy Award Winner
Emmy Award Recipient
6 Time Billboard Award Winner
2013 Presidential Medal of Freedom Recipient
2016 Honorary Doctorate recipient in Fine Arts from The University of Notre Dame
2015 Hispanic Heritage Award Recipient

“Cuando una canción es buena, siempre va a ser buena, sin importar quién, cuándo o cómo se cante”. Arturo Sandoval

More about Arturo Sandoval as well as event dates around the world at http://ARTUROSANDOVAL.com/

Social Channel:

https://www.facebook.com/pg/ARTUROSANDOVALMUSIC/

José Madera

North America/ United State / New York

José Madera, Percussion & Arranger of Machito, Tito Rodriguez and Tito Puente

One would think that a job with the world famous Tito Puente

Band keep busy a percussionist.

But the musician, arranger and composer José Madera had yet found the time to record and write music for some of the most influential bands in the world.

Prior to joining Tito Puente over 35 years ago, Madera play for four years with the famous Machito Orchestra, and recorded with many artists of R & B (including James Brown, Diana Ross, David Sanborn and Aztec Two – Step).

As an arranger for Fania Records Plant, played in several comerciales successes, and through the years has composed music for the Fania All- Stars, Larry Harlow , Johnny Pacheco , Willie Colón, and Celia Cruz .

Although he has recorded some 75 albums in 20 years, as well as numerous radio jingles and film soundtracks, Madera still had time for his other career for 15 years he had worked as a teacher and conductor in a high school for the performing arts with private funds, in the city of New York.

Jose has written many arrangements for countless commercial Latin artists and has recorded or worked with many of them as well. Some of them include: Larry Harlow, Johnny Pacheco, Chico O’Farill: The Lincoln Center Afro-Cuban jazz orchestra, Celia Cruz, Tito Rodriguez, Fania All-Stars, Willie Colon, Joe Farrell, Machito, Graciela, Mario Bauza, Willie Rosario, Earl Klughand Eddie Palmieri, just to name a few.

Jose has also worked and recorded with many pop, R&B and jazz artists.

Some of them include Diana Ross, James Brown, Dizzy Gillespie, Paquito D’Rivera, George Benson and Lionel Hampton among others.

Jose has performed on over 250 recordings. He has worked on several television show soundtracks including “The Simpsons” and several motion picture soundtracks including ”The Mambo Kings Play Songs of Love” where he was the musical arranger and conductor for the Tito Puente segment of the film.

Jose also taught the art of playing Latin percussion instruments at BOYS HARBOR in New York City for 28 years.

Jose has done and continues to do musical clinics around the country at various schools.

¨He was the musical director of the Latin Giants of Jazz from 2001 to 2009¨.

José Madera continues his musical direction with the Mambo Legends Orchestra, a band comprised of former members of the Tito Puente Orchestra, which is dedicated to performing new creative Latin and Latin jazz concepts, as well as some of the music of Machito, Tito Rodriguez and Tito Puente.

José Madera has personally re-created and re-arranged much of the music that the ban ds performed during the heyday of the Mambo at the Palladium Ballroom in New York City, which is considered by many critics to be the “Greatest and Mostinnovative Era” in the history of Latin music.

Madera’s saxophonist father Jose “Pin ” Madera, was one of the original members of the Afro -Cuban Orchestra Machito .

Young Joseph was influenced by drummer Machito (The best Latin Big Band drummer I’ve ever heard).

Later I was influenced by José Mangual and the same Tito Puente. The LP Timbale bell (circa 1966) was the first instrument Wood LP , today plays a variety of congas , bongos , guiro and bells LP.

Compared with the instruments that were used years ago , the sounds I get from the LP instruments are very authentic.

As an arranger, it is very gratifying to know that whatever you write will be accompanied by instruments LP, which only improve the quality of interpretation.

In 2008, Madera was entrusted to the Department of Research and Development LP designing the Signature Series José Madera Congas .

José Madera is proud that these drums, bearing his name, present a sound and a visual such outstanding features.

Know the connections of tropical dances

Latin America / Venezuela /Caracas

Tropical Dances:

Did you know that people have several ways of communicating?

Oral communication is what we normally use to communicate in such a way to establish and maintain personal relationships, and to show not only words and express emotions and/or feelings, body communication is used, which can be said in a few words that it is a form creatively expressing through gestures, eye contact, poses, and arm and leg movements; turning this form of communication into something more intimate and accurate without the need for the use of words.

In social activities, one of the most popular is dancing, where body communication is very important since the couple or group needs to know certain signs that indicate “when” or “how”, in order to perform the steps and how. As a result, the success of said interpretation will test the quality, maturity and growth of the dancers in the rhythms they dance.

Of course, it should be noted that each musical genre has its own rules, especially in the counting of steps in music, which gives grace, stability and rhythm to the dancers in the song played either in a musical event and is of vital importance not only for a casual event but for a competition. For this reason, it is important to know the steps and turns to perform and have excellent body communication (especially if it is as a couple) to know what they are going to do.

dancers dancing salsa, bachata and other tropical dances

In Latin rhythms, this type of communication is really important, otherwise the grace of the dance is lost. Among the most important Latin rhythms that are essential and/or significant are:

Salsa: a Latin tropical rhythm that, although it was born in Cuba due to the mixture of “Guaracha”, “Son”, “Mambo”, “Cha Cha Chá” with a unique style, through time several types emerged ( Salsa Cubana, Salsa en Linea, Salsa Casino, Salsa New York or Mambo style, Salsa Cali style, Salsa Puerto Rican and Venezuelan sauce). In this dance it is very important to pay attention to the look, the hands and arms (the latter in the case of the man since with him he dominates and/or controls the woman in the dance and she must interpret what the next movement is) to thus being able to perform either a simple step or a few laps, of which there is a great variety of them.
Bachata: is a danceable musical genre originating in the Dominican Republic, within what is called urban folklore. It is considered a derivative of the rhythmic bolero, with influences from other styles such as the Cuban son and merengue. This dance has great sensuality like the rest of the Caribbean rhythms, where it requires an unbeatable appearance on the part of the dancers when performing it, where that connection with the couple is important so that it can impress the public.
Merengue: is a dance music genre originated in the Dominican Republic at the end of the 19th century. It is very popular throughout the American continent, where it is considered, along with salsa, as one of the great dance musical genres that distinguish the Latin American genre.
Kizomba: a very sensual rhythm that emerged in Angola, which resulted from the mixture of 3 cultures (Angolan colony, Portuguese colony and part of Cape Verde “Brazil” as well as the French Caribbean of Martinique and Guadeloupe.). In this rhythm, the connection of the couple, especially the woman, is of vital importance, since the movement of the hips is slow and sensual, as are their steps. Did you know that many people have the prejudice that it is a very sensual dance, however, it is as sensual as you want to project it, in the same way it happens with Bachata and Merengue, they can be as sensual as you want to project them or as normal how you want to do it.”

So, if you want to give life, grace, elegance and popularity to your dance, keep in mind, keep in mind these characteristics and how you manage to synchronize with your partner and show your spectators either in a personal party, competition, event and/or or congress, whether national or international, which is a true dance.

Jorge Bautista

Latin America/ Mexico / Mexico City

Jorge Bautista, Musical director and percussionist of the Irawo Orchestra

Jorge Bautista is a musician from Mexico City, he began his percussion studies at the age of 5 due to family tradition.

The timbal, conga and bongo are the first percussion instruments that he studies empirically until at the age of 15 he studies at the autonomous music school for 5 years and then diversifies his knowledge in percussion from various places in Latin America such as : Colombia, Dominican Republic, Cuba, Peru and Brazil among others as well as in Africa.

Accompaniments Sauce

The experienced percussionist musician Jorge Bautista has performed important musical accompaniments with great exponents of our Afro-Caribbean music such as: Jerry Rivera, Maelo Ruiz, Tito Nieves, Willie González, Alfredito de La Fe, Oscar D`León, Larry Harlow, Ismael Miranda. , Ritchie Ray, Bobby Cruz, Roberto Roena, Oscar Hernández, Alberto Barros, Arturo Ortiz, Arturo Ortiz, Jimmy Bosch, Tito Allen, Viti Ruiz, Ray Sepúlveda, Herman Olivera and among others.

Latin Jazz Accompaniments

Among the stars of Latin Jazz, percussionist Jorge Bautista has performed accompaniments, among them we have: Arturo Sandoval, Ed Calle, Waney Bergeròn, Hector Infanzòn, Ola Onabule, Tlaxcatecalt Latin Jazz, Papo Sánchez, Ofunan, Daniel López, Latin Jazz On, Latin Hot Band, Density 6 and among others.

Other accompaniments

The Mexican multi-instrumentalist has also accompanied great music performers such as: Armando, Manzanero, Susana Zabaleta, Emmanuel, Kalimba, Samo, Víctor García, Carlos Cuevas, Alexander Acha, María León, Lisset, Aleks Syntek, Maria del Sol and Raul D’blasio.

Jorge Bautista and his musical instruments

Due to his great versatility, he has been invited to give clinics in different cities of the Mexican Republic as well as in several countries in the United States, Honduras, Colombia and Guatemala.

Currently the musician is sponsored by several major instrument brands worldwide: Gon Bops, Tama, Sabían, Promark, Remo, Rockears, GR, NND Percusión, and Veerkamp.

Tempo Latino 2023

Tempo Latino is a music festival held in Vic-Fezensac, France, in the region of Gers in Gascony it is the first and the greatest Latin American and Afro-Cuban music festival of the summer in Europe. The festival was founded in 1994 and has been held annually since then.

“In 2020 and 2021, the festival was only interrupted for two consecutive years due to the containment of the new crown pneumonia (COVID-19) epidemic.”

With around 600 volunteers from all over the city for four days of intense activities and an audience of around 60,000 people from all over the world.

Tempo Latino offers a variety of Latin American and Afro-Cuban music, including Salsa, Bachata, Kizomba, Cumbia, Merengue, Rumba, Latin-jazz, Reggaeton and more. The festival also features dance workshops, food stalls and other cultural events.

International performers and instructors from Cuba, Puerto Rico, Colombia, Venezuela, Panama, Africa, the United States (primarily New York, Miami, and California), and Europe have participated in a number of concerts and workshops

Tempo Latino has grown from a small festival to one of the most important Latin American music festivals in Europe. The festival hosts some of the biggest names in Latin music, including Celia Cruz, Ruben Blades, Eddie Palmieri, Oscar D’ León, Johnny Pacheco, Adalberto Álvarez, El Gran Combo de Puerto Rico, Kassav, Totó la Momposina, and Los Van Van. Tempo Latino has also helped advance the careers of many new artists.

Here’s more information on Tempo Latino:

The festival takes place in a beautiful setting in the heart of the French countryside.
The festival is family friendly and has activities for all ages.
The festival is a great opportunity to experience a different culture and learn about Latin American and Afro-Cuban music.

A festival of concerts takes place in the square and, at the same time, many free outdoor events for those who want to discover music in the city’s dance halls in the afternoon and evening. In the second edition, they have integrated dance, music, and percussion lessons.

The 28^th edition of Tempo Latino will take place from July 27-30, 2023.

The lineup includes:

La Conga

27 July – Ana Tijoux (France)

Les Arenes

28 July 2023

21:00 – Orchestra Baobab (Senegal)

23:00 – Grupo Compay Segundo (Cuba)

29 July 2023

21:00 – Lila Downs (Mexico)

23:00 – Cimafunk (Cuba)

30 July 2023

21:00 – Bernard Lavilliers (France)

23:00 – La Excelencia (USA)

and many more!

Pass Concert:

On the official website, tickets for four days are available for 120 € (during the festival, they cost 150 €).

Eric Duffau

The current director of Tempo Latino is Eric Duffau from Toulouse, France. He is also the founder of the music festival which he started in 1994. A passionate lover of Latin American and Afro-Cuban music, Dufour devoted his life to promoting this music to a wider audience and serves on the board of the French Association for the Promotion of Latin Music (AFMPL).

Dufoe was a tireless promoter of Latin American and Afro-Cuban music. He travels the world in search of new talent and works hard to make Tempo Latino a major cultural event. He is a passionate advocate of Latin music and works to bring this music to a wider audience.

Dufour graduated from the National School of Arts and Crafts (ENSAM) in Paris. In the early 1980s he worked as a DJ, during which time he became interested in Latin American and Afro-Cuban music. In 1989, he decided to create a festival to showcase this music and Tempo Latino was born.

https://www.tempo-latino.com/