North America

Dance With Joy Studios

North America / USA /

Dance With Joy Studios was created to be a positive force in your world by adding joyful moments to your day!

They are a movement art and activity center dedicated to making the world better one smile at a time!

Offering daily dance & fitness classes, group and private instruction, dance party socials, workshops and special event rentals!

Their programs are designed to support success for students of all levels, in an inspiring and encouraging atmosphere. Offering daily activities that enrich the mind, doby and spirit, we provide a wide variety of educational, cultural and physical activies for students of all ages. We offer excellent instruction in a community of passionate students and professionals who make it their goal to experience greater health and well being, present moment connection and joy, sharing the art of movement and music, fun and friendship.

With a lot a options of dancing, Dance with Joy Studio offers you…

Staying Healthy and Fit Should be Fun!

Dance with Joy provides many wonderful options for fun fitness for all ages and levels, 7 days a week. Which means you’ll be able to find the fitness call that’s just right for you!

Connect with yourself & others through Dance!

Dance With Joy Studios offers a wide range of fun partner dancing classes for all levels, 7 days a week! From West Coast Swing to East Coast Swing, Salsa, Ballroom, Argentine Tango, Rueda de Casino, Brazilian Zouk, and much more!

From Flamenco Dancing to Hip-Hop, Jazz and Tap, they have something for you!

Solo dancing classes for ALL ages and levels abound at Dance With Joy Studios! Whether you’re looking for a fun Hip-Hop, Jazz, Belly Dance, Flamenco, Brazilian Samba, Hula, Tahitian, or Tap class, Dance with Joy Studios has you covered.

Dance With Joy offers a wide spectrum of fun youth classes for students ages 1 to 18 years!

Dance with Joy Studios offers a youth program focused on the joy of movement and dance, community building, kindness, and the development of self-confidence and self-esteem in a supportive, fun environment. Our youth program is divided into three categories: Tiny Toes, Kids, and Teens.

Private Lessons

Private lessons (1 or 2 students with a teacher) are an opportunity for one-onone coaching from one of our wonderful teachers. Students often learn faster in a private lesson than in a group class with this opportunity for individual attention, learning at their own pace. Teachers make it fun and easy for beginners and advanced dancers alike. Recommended for all dancers, private lessons, when used in conjunction with group classes and practice, can speed up a student’s progress exponentially.

Private lessons address and improve the following important areas:

Skills of Leading and Following ~ Connection & Communication
Technique ~ Footwork, Styling, Spins/Turns, Cuban Motion, Body Isolations
Timing & Rhythm ~ Music Education
Dance Etiquette ~ Tips for Social Dancing Success!
Ways of Learning ~ Kinesthetic, Visual, Auditory

Bachata Festival 2017 in San Francisco, California

North America / USA / California

The Ultimate Bachata, Salsa, Kizomba and Zouk Experience… A Dance Convention for Beginners, Intermediate & for all levels of dancing! The 9th Annual SF International Bachata Festival

Date: JULY 21st – 24th, 2017
Bachata | Kizomba | Zouk | Salsa (4-Party Rooms)
3 days and 3 nights of dancing
Friday, Saturday & Sunday from 10am until 6am!

Photos from the 2017 Bachata Festival in San Francisco

Transform your dance skills in one weekend with these world renowned dance instructors plus a dance experience of a lifetime!

Live Band
Dance Workshops from 10am to 5pm
Performances Every Night Ÿ Social Dancing until 6am
Jack and Jill Contest prize Giveaways

SFIBF, (San Francisco International Bachata Festival) is the largest and hottest Bachata festival in the world, located in one of the greatest city in the world – San Francisco. Created by Rodney Rodchata Aquino, along with its sister event Reno Bachata Festival, they are the first Bachata festivals in the USA. It celebrates the music and dance of Bachata, preserving its roots and accepting its evolution, as well as Salsa, Zouk and Kizomba.

Festival Line-Up

More than 20 instructors, DJs and Live Band for this year’s festival!

Adam Taub (Colorado)/ Bachata:

Adam Taub is one of the few ones who have seriously studied authentic bachata (the way Dominicans dance). SFIBF is extremely proud to present him with his special music, history and dance workshops at the San Francisco International Bachata Festival – July 21-23, 2017.

Adam Taub is a documentary film director from Colorado whose films include La Quinceañera, Don Angelo, and El Duque de la Bachata. His film La Quinceañera won the 2007 award for Best Documentary at the Angelus Student Film Festival in Hollywood, California and Best Documentary at the San Diego Latino Film Festival.

Alberto & Nola (Australia) / Bachata:

Nola Komis is the Founder, Director and Principal Instructor of A Touch of Salsa Latin Dance Studios in Sydney, Australia. A Touch of Salsa runs classes in Salsa, Bachata, Zouk and Kizomba. They also offer competition courses, workshops, performance courses and more and will this year will be celebrating 11 years.

Nola Komis and Alberto Torres-Perez have been teaching together for the past five years and they are both passionate and love sharing their passion for dance. Nola and Alberto have both travelled to Athens, Geneva, New Zealand, Hawaii and all over Australia where they have taught workshops at Festivals/Congresses to packed participants and have received many great reviews for their classes.

Nola and Alberto are looking forward to being part of the San Francisco Bachata Festival in July 2017.

Emelie Andagan (Sacramento) / Salsa:

The Yemaya Salsa Dance Company was founded by Emelie Andagan & Heather Wong-Xoquic in October, 2000. Emelie learned to dance salsa after only a few years due to her extensive dance background of over 20 years and many years of experience as a ballet and jazz student, and later a teacher at the Ballet Theatre of Dover Dance Conservatory.

The troupe started as a small group of only four couples that rehearsed twice a week in various garages and practically anywhere with a smooth surface. She owns and manages Yemaya Dance Studio in Sacramento, and is the main director of Yemaya dance Company.

Luis Aguilar (San Francisco) / Salsa:

Luis Aguilar debuted in 2000 with the Salsa Mania Dance Company in San Francisco. Since then, he performed with such giants in the Latin music industry as El Gran Combo de Puerto Rico, the Tito Puente Orquestra, Celia Cruz, Ray Barretto, Jose “El Canario” Alberto, Oscar de Leon, Eddie Palmieri, the Spanish Harlem Orquestra and Sonora Carruseles. In addition to his impressive performance credits, Luis has taken 1st place in many Latin dance competitions and Congresses such as The San Francisco International Salsa Congress and the Bay Area Salsa Dance Competition.

Since joining forces in 2007, Luis and Anya have become the ON 2 WORLD SALSA CHAMPIONS for the second year in a row, along with having become two time undefeated San Francisco Congress Salsa champions in ’09 and ’10, undefeated two time New York Congress champions in ’09, ’10, Puerto Rico Hustle and Salsa champions ’09, and are currently the North American Salsa Champions and two time winners of the NY/NJ salsa open. With their combined backgrounds, Luis and Anya make a dynamic duo that brings a fresh new element to the salsa dance floor.

Benga Da Beatz (Ohio) / Kizomba:

Benga is a Nigeria born international dancing sensation, with backgrounds in several African dances, ballroom dances, American dances, and latin dances. From Waltz to Tango, Makoussa to Kizomba, hip hop to west coast swing, and Irish dance to Bollywood. Benga has intensive dancing experiences all across the globe.

An Afro Beats and Afro-cuban solo performer, and a latin dance instructor well known to many now as the Da Beatz. With 26 years of African Dancing and 6 years of professional latin dancing, Benga is teaching and promoting at every Latin events possible with his own vibrant style of Fun Swagness.

Cymeone Mopao (France) / Kizomba:

Cymeone Mopao is a well-known kizomba instructor based in Paris. He is one of the first instructors to have taught kizomba in France beginning in 2009. Born into a family of musicians, he was accustomed to lots of music and quickly adapted to the dance lifestyle. As he immersed himself into dance, he became proficient in African style dances such as ndombolo and coupé décalé.

When he was 18, he joined a group of dancers called “les coeurs brisés “. From there he became interested in other Afro style dances like Zouk, Kompa and Kizomba. He gave his first Kizomba class in 2009 and became one of the most wanted instructors in international festivals. In 2010, he was the first French instructor to teach Kizomba in the United States (New York).

Bruno & Olga (Los Angeles) / Zouk:

Bruno and Olga started dancing together in November 2015 and have since taught and performed at numerous events around the country from local workshops to large international congresses.}

In 2016 they took second place in the semi-pro division of the Zouk US Open with their now well-known choreography piece “Worth It” and shortly after got featured in the “Fences” movie, that’s currently in production stage. Olga has a rich dance background in classical ballet, modern, contemporary and commercial jazz, as well as hip hop and heels choreographies. She is also an All-Star west coast swing dancer. Bruno is trained in hip hop, salsa, kizomba, tarraxinha, semba, and of course brazilian zouk.

He has been on the social dance scene of his hometown Braga, Portugal since he was 14 years old. Since his move to the US he’s been mainly focusing on zouk and kizomba, training and teaching around the country with his partner, performing in ISDC dance company for a while, and currently codirecting the Zouk team at Ivo Vieira’s Dance company and learning from the best dance professionals in the world.

Sandro (Brazil) / Zouk:

Sandro Soncini is a dancer, choreographer and dance instructor from Florianopolis, Brazil. He has studied and trained in dance for over 10 years. Sandro is experienced in many partner dance styles, and has intensively studied the concepts of body movement driven by his training in tango.

In 2010 Sandro moved to Argentina to continue to develop his dance skills and education at DNI tango school. Sandro has participated in various congresses and competitions, including BAILA FLORIPA DUO, where in 2012 together with his partner he placed 3rd.

Sandro has taught in zouk throughout Canada, United States and Brazil. Currently Sandro is living in Vancouver, Canada with a focus on promoting zouk in the Pacific North West.

Bachata Festival 2017, Tickets / Passes:

Tickets: Full Passes $200.00 Unlimited. (EXP July 15th)
Tickets at Doors: $250 Buy Your Passes in mybachatafestival.com

Location: The SF Marriott Hotel 1800 Old Bayshore Hwy, Burlingame, CA 94010 Discounted Nightly rate of $141 a night (you must use the site – www.sfibf.com) Free Shuttle 24 hours a day.

Eduardo Tancredi is a renowned Uruguayan pianist and composer specializing in Latin Jazz

Eduardo was a distinguished student at Berklee College of Music in Boston.

Eduardo was an outstanding student at the Berklee College of Music in Boston.

Musical Style: His music fuses a wide variety of Afro-Latin rhythms (such as Uruguayan candombe, Brazilian samba, Cuban son, Peruvian landó, and Venezuelan joropo) with the harmonies and melodies of modern jazz.

Accolades: He has recorded several CDs with his own compositions and has received awards for his outstanding performance in the Latin jazz scene. His album “Ongoing Dreams” was chosen as the best album in its category in 2002 by “The Boston Globe.”

Teaching Experience: During his time in the United States, he was a piano and harmony professor at Berklee College of Music. Since 2003, he has resided in Barcelona and teaches at ESMUC (Escola Superior de Música de Catalunya).

Collaborations: He has collaborated with numerous musical groups as a pianist and is a significant figure in the jazz scene in Spain.

Eduardo Tancredi is a prominent figure in Latin Jazz, known for his ability to integrate diverse Latin American rhythmic influences with the harmonic sophistication of modern jazz.

Latin accents took some time to establish themselves in jazz music. Very few composers ventured into that genre in the early decades of the last century, to the point that their timid attempts were considered exotic and trivial.

Initially, one recalls passages from William C. Handy’s “St. Louis Blues,” some Scott Joplin ragtimes, Jelly Roll Morton’s references to the “Spanish tinge,” or, shortly after, the themes performed by Duke Ellington’s orchestra.

It was in the 1940s that the Latin touch gained relevance. Cuban Mario Bauzá, who had played trumpet in Chick Webb’s and Cab Calloway’s orchestras, propelled the success of Machito’s band and convinced Dizzy Gillespie to hire conga player Chano Pozo.

Afro-Cuban influence became powerful in the following decades through sones, charangas, rumba, mambo, and salsa. Names like Chico O’Farrill, Tito Puente, Mongo Santamaría, Ray Barretto, and Chucho Valdés became highly regarded, and their works inspired a legion of jazz musicians.

Eduardo Tancredi es un reconocido pianista y compositor uruguayo, especializado en Jazz Latino

Latin jazz today has a strong presence in popular music, and Uruguayan Eduardo “Edú” Tancredi is a brilliant exponent of that style. He was an outstanding student at Berklee College of Music in Boston, where he won awards such as the Quincy Jones Award and the Outstanding Latin Act Award.

After his acclaimed “Ongoing Dreams” from 2002, this CD, “Venimos Tumbando,” recorded in 2007, now arrives with ten formidable compositions and his own arrangements. His background in Latin American folklore plus his jazz studies have achieved a splendid confluence that is enjoyed from beginning to end on this album.

His versatility as a composer is evident in candombes (“La mama vieja” and “Montevideo”), a baião (“Baialona”), a chorinho (“El germen”), a zamba (“Zamba del aire”), and the obvious references to Afro-Caribbean rhythms that unite their exciting cadences with jazz elements. Edú’s works are incisive, stimulating, possess an overflowing swing, and it’s easy to imagine the musicians’ pleasure during their performance.

The arrangements contrast the different orchestral sections, highlighting their diverse sound textures, suggestive harmonizations, and enhancing the dynamics and fiery percussion instruments. Three saxophones, piano, guitar, bass, and drums alternate with ten other guest musicians (vocals, sax, harmonica, two basses, two drum sets, and three percussionists), generating a sonic turbine that captivates the listener from the first note.

This doesn’t mean that all tracks propose an overwhelming rhythm. There are passages of beautiful lyricism, as in the two versions sung by Ana Finger, or the pleasant harmonica of Antonio Serrano, or the director’s piano in “Como un blues.”

The soloists perform at a high level, with special mention of Miguel Zenón’s alto sax, an improviser of fresh ideas, clean musicality, and great inspiration and fervor. The interventions of guitarist Alejandro Luzardo, trumpeter Matthew Simon, tenor saxophonist Eladio Reinón, and baritone saxophonist Xavi Figuerola are also noteworthy.

“Venimos Tumbando” confirms Tancredi’s talent as a composer and pianist and his skill as an orchestra conductor. Abilities he generously demonstrated during his acclaimed performance at the Teatro Solís last December. Thomas Werner

Edu Tancredi & Bandon 33 – Venimos Tumbando (2007)

Tracks:

El Subibaja
Hocus Pocus
Montevideo
El Germen
La Mama Vieja
Baialona
Mapa Del Mundo
Venimos Tumbando
Como Un Blues
Zamba Del Aire

Musicians: Edu Tancredi (Piano) Ana Finger (Vocals) Antonio Serrano (Harmonica) Mathew Simón (Trumpet) Pere Grau (Soprano sax, alto sax) Miguel Zenón (Alto sax) Eladio Reinón (Tenor sax) Juajo Arrom (Trombone) Xavi Figuerola (Baritone sax) Alejandro Luzardo (Guitar) Matías Migues, Paco Weht, Javier Gómez (Double Bass) Santiago Blanco, Salvador Toscano (Drums) Carlos Reyes “Compota”, Alejandro Luzardo, Santiago Blanco, Alexis Liden, Sandro Lustosa, Salvador Toscano (Percussion)

Edu Tancredi & Bandon 33 - Venimos Tumbando (2007) — Edu Tancredi & Bandon 33 – Venimos Tumbando (2007)

Information By:

Ostia Latin Jazz

DJ, Augusto Felibertt

Also Read: Arturo “Chico” O’Farrill. “The Architect of Afro-Cuban Jazz”

David Atanacio Percussionist, Composer and Singer Unveils a New Sound

David Atanacio, grounded in the values of honesty, integrity, loyalty, responsibility, and respect, appears to be an individual of strong moral and ethical character. He is someone who can be fully trusted, a faithful and committed friend and colleague who always tells the truth and acts with righteousness.

His sense of responsibility ensures he fulfills his commitments, while his respect makes him a considerate, open person capable of building harmonious relationships. Together, these values suggest a dependable, upright, and kind personality, making him a positive and admired presence.

Born in New York City and raised in Puerto Rico, specifically in the municipalities of Bayamón and Cataño, David Atanacio has cultivated a unique musical identity rooted in a powerful fusion of Cuban rumba, flamenco rumba, and Afro-Caribbean influences.

David Atanacio Percussionist, Composer and Singer

In 1993, he began his musical journey as a bongo player for his uncle’s “Grupo Típico,” later joining a local orchestra as a conguero in 1996. In 1997, he was presented with the opportunity to become a singer, marking a turning point in his musical destiny.

Recruited to co-found “Grupo Folclórico Yuba Iré,” it was with this group that he began to perfect his mastery of rhythms like La Bomba, La Plena, El Guaguancó, El Yambú, and more. During this same period, David Atanacio discovered his talent for composing and began writing his first songs, including one titled “Lo que dice el Tambor” (What the Drum Says).

He was recommended to work with the “Orquesta Abran Paso” from Puerto Rico, with whom he accompanied luminaries such as Ismael Miranda, Adalberto Santiago, Junior “Hommy” González (RIP), Larry Harlow (RIP), among others.

He then received a call from the Puerto Rican Maestro “Paoli Mejías,” percussionist for “Carlos Santana’s” group, who invited him to be part of his first musical project, “Mi Tambor.” On this album, David’s song “Lo Que Dice el Tambor” was recorded, appearing as Track No. 7. The album was nominated for “Best Latin Jazz Album” at the Latin Grammys in 2004.

David Atanacio: Percussionist, Composer, and Singer Unveils a New Sound

In 2003, the King of Rhythm, Mr. Afinque “Don Willie Rosario,” invited David to join the front line of his orchestra, where he remained until 2005. After leaving Willie Rosario’s Orchestra, David decided to move with his family to Tampa, Florida.

Even in his new home, David never lost touch with his roots. One day, he received a call to contribute background vocals to the production “Sobrevolando” by the acclaimed Puerto Rican group “Cultura Profética” (2019). This production earned them the Latin Grammy for “Best Alternative Album” in 2020 and a nomination for “Best Latin Rock or Alternative Album” at the 2020 Grammy Awards.

David Atanacio is a “Sonero de Calle” (Street Sonero), with ample talent and ability to succeed. He is a percussionist, composer, and possesses the added artistry of the “Soneo del Guaguancó” (Guaguancó vocal improvisation).

Atanacio is now releasing his musical proposal, “David Atanacio & Champán D’ Barrio,” featuring aged salsa and plenty of flavor.

The album contains ten tracks, eight of which are his original compositions. The production features special guest Herman Olivera, who performs a duet with David on a meticulously crafted song titled “De la Vieja Escuela” (From the Old School). The first single from this project, “Lo que dice el Tambor,” is hitting the airwaves, now presented under his orchestrated concept, “David Atanacio & Champán D’ Barrio.”

The Puerto Rican sonero recently released his latest single, “No Me Llores Más” (Don’t Cry For Me Anymore), a masterfully interwoven piece that pays homage to the musical genres that have shaped his artistic journey. The song perfectly fuses Cuban rumba, guaguancó, Spanish flamenco rumba, and son.

More than just a song, “No Me Llores Más” is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings. Rhythms such as trova, décimas, aguinaldo, bomba, and plena have profoundly impacted his musical development, adding unique nuances to his artistic expression and reaffirming his commitment to the cultural heritage of his homeland and the Caribbean.

“No Me Llores Más” Credits:

Lyrics, Music, and Lead Vocals: David Atanacio
Background Vocals: Herman Olivera Jr. & Adriel González
Musical Arrangement: Carlos García
Piano: Yassel Puppo
Bass: Kevin Pagan
Trombone Solo: Carloscar Cepero
Percussion: Diego Centeno
Spanish Guitar: Alex García Potia

With an exquisite arrangement by Carlos García and impeccable execution by top-tier musicians, “No Me Llores Más” marks a new chapter in David Atanacio’s career. It’s where tradition and vanguard embrace to the rhythm of the drum, the guitar, and pure emotion.

This track will be available on all digital platforms starting June 14, 2025.

The rumba lives, the son renews, and David Atanacio’s voice celebrates it!

Press Contact: David Atanacio [email protected] 813-569-9581

Reference: Luis Rojas

Also Read: Herman Olivera the sonero of the 21st century

Multi-instrumentalist Ian Dobson talks about his trips and academic background

American artist Ian Dobson, like many of his compatriots, could not resist the charms of Latin music and its huge diversity of rhythms, so today he talked with us about the way he walked to become the talented multi-instrumentalist he is today.

Enjoy Ian’s incredible story in the following lines and learn everything he has to share.

Ian with his drum — Ian Dobson posing for the camera with his steel drum and ukulele

How Ian became interested in music

With just five years old, Ian already took a genuine interest in playing the drums and did not have any other family members who also liked music, except his aunt, who was a violinist. Although he does not have a very special motivation to love this instrument, he remembers that when he was 12, someone showed him a samba rhythm on his own drums, and he liked it so much that he continued playing it himself until perfectioning it. As a teenager, he was very involved in jazz, which also led him to Latin jazz and other genres derived from it.

On reaching majority, he had already discovered a little more of Latin music, so he began studying Spanish in order to understand it better, which of course helped him a lot for the following years. His curiosity about this colorful culture was such that he embarked on a series of trips to many Latin American countries, one of which was Venezuela, more specifically Margarita Island, in 1988. Ian wanted to practice his Spanish and see what rhythms he could find in that country, the most popular being salsa and merengue.

Genres and countries that most influenced Ian

Among the Latin American countries we can name are Venezuela, Colombia, Guatemala, Honduras, Mexico, and Cuba. He also had the opportunity to play on several cruise ships and visit many Caribbean islands.

Each and every one of these countries had things that caught his attention musically. In the case of Venezuela, Ian was able to study the maracas during his master’s degree in percussion in Washington. One of his teachers was Euclides Aparicio, with whom he was able to learn much more about the music of this nation.

Ian playing the marimba — Ian Dobson playing the marimba in Mexico

The artist points out that the country that most aroused his attention was Cuba, but he assures us that he liked all of them due to the musical and cultural diversity he found on all his trips, and he hopes to return to the same destinations someday.

Mexico was the country where he spent more time, staying there for a total of six months.

Academic background

Ian has a very interesting academic background that has provided him with a huge amount of knowledge applicable to his career. We can mention the University of Lisbon, where he was studying Portuguese and found it fascinating because there were many people from the African colonies, resulting in this music permeating Portugal and mixing with local music. One of its most renowned composers was Fernando Lopez-Graça, whom Ian had the opportunity to meet during his stay in the European country.

He became so interested in this subject that he wrote essays on how Brazilian music influenced Portuguese music and what role Africa played in all of this. Ian had already earned his bachelor’s degree from Pomona College, so he found all these topics very interesting and took them into account when it comes to studying music.

He also studied jazz at the Oberlin Conservatory, and although he did not complete his classes there, everything he learned obviously helped him a lot later on. At the University of Washington, he earned a bachelor’s degree in percussion and learned much more about music from a purely academic point of view.

Ian with a child — Ian giving classes to a little child some years ago

Ian the multi-instrumentalist

Ian studied timpani, marimba, vibraphone, piano, drums, percussion, and many other instruments throughout his career, so he can be considered a multi-instrumentalist who has sought to specialize in as many areas of music as possible.

During our conversation, Ian showed us through video call some of the instruments he was going to play that same day, such as steel drums, an electronic marimba, a drum set, a ukulele, DJ equipment, and so on.

He assures us that he is capable of playing these instruments and others during his performances, but he loves steel drums and the ukulele, which are a fundamental part of his repertoire.

Ian the teacher

While it is true that Ian has no private students right now, he previously offered music lessons for some time, gave workshops and created online spaces for his students and followers to learn from his experience.

Today, he only offers concerts, but he always tries to make them as educational as possible. In fact, he always has a few extra pairs of drumsticks that he offers to some of his concertgoers so they can play themselves while Ian explains what to do. This makes the performance much more interactive and dynamic thanks to audience participation.

The most satisfying aspect of being a teacher was to see his students gain much more self-confidence, which led them to pursue their goals with greater intensity. No matter how bad his mood may be at any given moment, he is always happy to see others learn and enjoy what they do.