October

Pablo Padin born in Manhattan, New York

North America / United States / New York

Pablo Padin born in Manhattan, New York. I grew up with a pair of Timbales at home

I was born in Manhattan, New York on December 1, 1969. My parents Pablo and Haydee Padin moved from Puerto Rico to New York in 1968. My father played Timbales with local salsa groups at the time, so I grew up with a pair of Timbales at home.

My father started teaching me how to play at a very young age. We moved to LA. , California in 1978 and I started playing drums in the school band and in the community drill teams as well.

I (Pablo Padin) got my first private drum set lesson at the age of 9 at a music school in Hollywood California.

At the age of 15, I (Pablo Padin) started playing my first steady gig in a salsa band with my father at a nightclub in Marina Del Rey, California.

In 1989 we moved to Puerto Rico so I started studying music at the Interamerican University in San German, PR. At the university I studied with the musicians that were playing with all the big salsa and merengue groups of that time.

So at that point in time I started playing with famous salsa singers such as Roberto Lugo, Nino Segarra, Hector Tricoche, Domingo Quiñones and Johnny Rivera.

At the same time I started doing studio work as well. In 1996 I got the call to play with Gilberto SantaRosa and did that gig for 15 years. It was with Gilberto that I hooked up with piano player, arranger and producer Jose Lugo.

Jose started using me on all of his studio productions. I have won 6 Latin Grammys and 2 American Grammys on recordings and productions of artists such as: Millie Quezada, Elvis Crespo, Grupo Mania, Gilberto SantaRosa and Tito El Bambino.

At that point in my career I started recording and playing concerts with artist such as Puerto Rican Power, Pedro Brull, Yomo Toro & Willie Colón, Andy Montañez, Ismael Miranda, Tito Nieves, Cheo Feliciano, Rafael De Jesus, Richie Ray & Bobby Cruz, Bobby Valentín, Marvin Santiago, Cano Estremera, Victor Manuelle, Ruben Blades, Ray De La Paz, Jose Alberto ”El Canario” Lalo Rodriguez, Truko Y Zaperoko, DLG, Isaac Delgado, Herman Oliveras, Edwin Colón Zayas and many others.

To this date I’ve been working with Jose Lugo’s Guasabara Combo, in which our first cd was nominated for the Latin Grammy.

We are working on our third cd now that will include two original compositions of mine. I’m super exited, humbled and thankful for all the great experiences that I’ve lived and for the ones that are yet to come, Thank You God!!!!!

Hansel & Raul celebrate the New Year in a concert in California

North America/ United States / California

Hansel & Raul celebrate the New Year with an awesome concert in California

The Charanga Ambassadors in the world will say goodbye to 2019 presenting the most select of their repertoire of the great hits

Date: Tuesday, December 31^st

General Admission: 7:00PM

Cocktail Hour: 7:00PM – 8:00PM

Dinner: 8:00PM

Price: $120 (Adult) / $ 60 (Children under 12)

Venue: Crowne Plaza Los Angeles – Commerce Casino. 6121 East Telegraph Road, Commerce, CA 90040

The Charanga´s Legends will share all their talent with their fans for this last day of the year. This exceptional duo with 35 years of trajectory, time transgressor, continue to fill places to a full house in South America and the main cities of the United States, and this December 31, 2019, is the turn of Commerce city in Los Angeles County in California.

Hansel & Raul will be accompanied for the third time by Mr. Carlos Navarro orchestra, Son and Clave. This complicity of unique and singular talents has been joined in the different cities of the California State since the 90s, achieving the resounding success in each of their performances.

This duo formed in the Miami city in 1984 is still the Ambassadors of “La Charanga” with 330 recorded singles, six gold records and four platinum records for sales made, in addition to two Grammy awards with the album “Encore” in 1978.

Hansel & Raul, borne in Cuba, enjoy all their biggest hits summarized in their more than three decades of artistic career as a duo, and it’s for that the public will always have the last word when choosing the songs that they most prefer of these fantastic legends, but don’t worry, because Hansel assured us that their classics such as “Soy”, “María Teresa y Danilo”, “Ella”, “Ayer”, “Se me Nota”, and “Balancea mi Corazón” (songwriter Venezuelan, Yordano) among many others, will be present in this show of one hour and forty-five minutes.

But wait, here’s still more! If you want to enjoy these Legends with the harmonic concept originating from the island “La Charanga” in advance and you aren’t here this month nor next in the United States, don’t perturb, because Hansel & Raul will be visiting Colombia, Peru, and Ecuador in a Small tour of South America, returning in December for the “New Year´s Eve 2020” event in the United States.

“LA CHARANGA IS MY FAVORITE MUSIC …

… IT’S VERY NICE AND LIGHT…

… AND IT IS THE TYPICAL MUSIC OF CUBA.”

Hansel E. Martínez

Event Details:

http://www.HANSELYRAUL.com

Social Channel:

https://www.facebook.com/pg/HANSELYRAUL/

https://www.facebook.com/events/crown-plaza-hotel-and-casino/new-years-eve-2020-the-great-gatsby-presents-hansel-raul/271515257093512/

Johnny Pacheco, presents “Orquesta Primera Clase” from Maracay-Venezuela

The title of this album speaks for itself; the hand of the transcendental Dominican musician is introduced in this album.

El Zorro de Plata Pacheco appears as executive producer of the album, although we do not discard that he also participated in part of the musical production, due to the way the orchestra was structured and the style in which the arrangements were given; it is something that we can hardly notice when listening to the album, it is evident the great similarity to “Pacheco y su Tumbao”; four excellent trumpets with sonorous arrangements.

Johnny Pacheco, presents "Orquesta Primera Clase" of Maracay-Venezuela — Johnny Pacheco, presents “Orquesta Primera Clase” of Maracay-Venezuela

The predominance of Teo Hernandez (R.I.P)’s vocal style and register in the nasal coros, fits perfectly with the “Tumbao Añejo” that we have always been accustomed to from maestro Johnny Pacheco (R.I.P).

Although the album was backed by the Fania label and is loaded with a cheerful and swinging flavor, we think that it went somewhat unnoticed by the music-loving public.

The reasons could be several, we must remember that in those times in the 80’s the merengue rhythm was beginning to penetrate with a lot of strength.

Johnny Pacheco, presenta la Orquesta Primera Clase

Although we could also add the little interest that the public of the capital (Caracas) had for the groups of the regions or interior of the country, and although it seems ironic to say it.
Another possible reason could be linked to the inclusion of only unpublished songs (it is well known that in those times, they supported copies more than creativity); these are only conjectures of this server, however, they do not escape the reality of that time.

As for the musical themes, we have already pointed out that all of them are original and very well compensated with their arrangement; In particular there are two songs that I like very much, one of them is “Negro Nací”, written and sung by Orlando Sanoja, is a very happy song dedicated to our black race of the danceable in his music, “Si negro nací nací nací, blanco no puedo ser”, The other song of my predilection is “El Sabio”, composition and lyrics by Jorge Compres and vocalized by Teo Hernández, with great diction, good phrasing and those tasty choruses that accompany him.

It is worth mentioning that the excellent La Orquesta Primera Clase is still in force with a musical staff of the new generation maintaining its original sound with its lead vocalist Orlando Sanoja.

It is another good Venezuelan album that you should have in your personal CD library.
Johnny Pacheco presents “La Orquesta Primera Clase” (1982) Fania LPS-66506

SIDE A

1.- NEGRO NACÍ (Orlado Sanoja) Sings: Orlando Sanoja/ Arrangements: Nicomedes López
2.- ME SIENTO MUY FELIZ (Al mMaro Ríos) Sings: Orlando Sanoja/Arrangements: Bolívar Javier
EL ANIMAL (Jorge Compres) Sings: Teo Hernández/Arrangements: Jorge Compres
4.- TODO TIENE SU FINAL (Bolívar Javier) Sings: Teo Hernández/Arrangements: Bolívar Javier
5.- LLEVAME CONTIGO (Almaro Ríos) Sings: Teo Hernández/Arrangements: Bolívar Javier

SIDE B

1.- EL SABIO (Jorge Compres) Sings: Teo Hernández/Arrangements: Jorge Compres
2.- A MARACAY (Orlando Sanoja) Sings: Orlando Sanoja/Arrangements: Jorge Compres
3.- EXTRANJERA (Phorto Jacquez) Sings: Teo Hernández/Arrangements: Jorge Compres
4.- VIVA MI GUAGUANCO (Jorge Compres) Sings: Teo Hernández/Arrangements: Gilberto Riera
AY QUE HUMANIDAD (Orlando Sanoja) Sings: Orlando Sanoja/Arrangements: Jorge Compres

Personnel:

Pastor Rodríguez (1st Trumpet)
Henry Kamba (2nd Trumpet)
Gustavo Nieves (3rd Trumpet)
William Fermín (4th Trumpet)
Armin Kail (Piano)
Carlos Fagúndez (Bass)
Harold Josef (Congas)
Edgar Aponte (Timbal)
Félix Benítez (Bongo)
Teo Hernández/Orlando Sanoja (Singers)
Bolívar Javier/ Nicomedes López/ Jorge Compres/ Gilberto Riera (Arrangements)
Teo Hernández/Orlando Sanoja/Edgar Aponte (Chorus)
Johnny Pacheco (Executive Producer)
Carlos Guerrero (Recording Technician)
Luis Arismendi (General Recording Supervision)
Recorded at Fidelis Studios
Alejandro Pérez (Art and Design)

In front of adversity we grow with Johnny Cruz .

North America/ All USA

Johnny Cruz : This month I wanted to dedicate myself to good news, highlighting the work of those who, despite adversity, continue to strive to bring the best to the public. We keep working!

Gilberto Santa Rosa surprises us with his new album Colegas. His most recent phonogram. In this, Santa Rosa invested the last six years and presents 16 collaborations with Cuban artists -Isaac Delgado and Juan Jose Hernandez-Puerto Ricans -Tito Nieves, Tito Rojas, Luisito Carrion, Pirulo, Nino Segarra, Choco Orta among others-, as well as with a Dominican – Jose Alberto “El Canario” -.

Gilberto Santa Rosa - Colegas — Gilberto Santa Rosa – Colegas

The album is preceded by “40… y contando en vivo desde Puerto Rico”, an album recorded in 2018 live at the Coliseo de Puerto Rico in San Juan, to celebrate its 40 years of musical career. The majestic arrangements were the work of Dino Nugent (Apaga La Luz), Marty Sheller (Caminalo, Ban Ban Quere), Ramón Sánchez (Que Se Sepa), Javier Fernández (Tremendo Coco, Masacote), Louis García (Por La Calle Del Medio, Ocana Sordi, El Guateque De Chombo), Ricky González (Vamos a Bailar El Son, Eque Tumba), Manolito Rodríguez (Medley Boleros), José Madera (Bailadores), Rene González (Estoy como Nunca), Isidro Infante (Mario Ague, El Mejor Sonero, Sonerito), James Hernández (La Fonda De Bienvenido).

In good time Santa Rosa presents this production. He positions him on the GRAMMY platform and refreshes him in his role as sonero and incidentally, he extends a helping hand to some who had not recorded Salsa Brava again.

Tracks: La Familia; Caminalo; Que Se Sepa; Mazacote; Apaga La Luz; Sonerito; Por La Calle Del Medio; Nos Vamos A Bailar El Son; Medley Boleros; Ocana Sordi; Bailadores; El Mejor Sonero; Tremendo Coco; Estoy Como Nunca; Mario Ague; Eque Tumbao; La Fonda De Bienvenido; Ban Ban Quere; Guateque De Chombo.

Members: Angie Machado, Jan Duclerc, Jesús Alonso, turbidity Vilchez – trumpet; Charlie Sierra – maracas; Dino Nugent – violín; Johnny Torres, Pedro Perez – bass; Manolito Rodriguez – timbal; Rafy Torres, Toñito Vásquez, Víctor Vázquez, Reynaldo Jorge – trombones – trombone; Richie Bastar – bongo; Sammy García, Jimmie Morales – congas; Sammy Vélez, Josué Urbina; Pedro Méndez, Frankie Pérez, Janice Maysonet – saxophone; Luis Marín, Isidro Infante, Javi Fernández, Ricky González – piano; Orestes Vilató – timpani; Pablo “El Indio” Rosario – percussion; Meñique, Paquito Guzmán, Víctor Manuelle, Luisito Carrion, Justo Betancourt – backing vocals. Guests: Víctor Manuelle, Choco Orta, Juan José Hernández, Isaac Delgado, Yan Collazo, Luisito Carrion, Pirulo, Tito Nieves, Tito Rojas “El Gallo”, Ismael Rivera Jr., José Alberto “El Canario”, Carlitos Ramírez, Michelle Brava, Herman Olivera, Maelo Ruiz.

I take this opportunity to greet my good friend Johnny Rodríguez Jr., better known as Johnny “Dandy” Rodríguez, is an American bongo player. He was Tito Puente’s longtime bongo player, and also played with Tito Rodríguez, Ray Barretto, and Alfredo de la Fe. He belonged to various popular bands of the salsa era such as Tico All-Stars, Fania All-Stars, and Typica 73. He is a proud son of El Barrio (Spanish Harlem), New York, and stickball (street baseball) was more interested than music.

Marco Bermúdez - En mi voz — Marco Bermúdez – En mi voz

However, influenced by his father, Johnny, 17, earned the position of playing bongos in the Tito Puente Orchestra. Johnny spent more than 30 years with the orchestra, also working with Tito Rodríguez from 1965 to 1968 and with Ray Barretto from 1970 until the end of 1972. Johnny went on to form Tipica 73, of which he remained a member until 1979. He then returned to the band. Tito’s band, playing alongside him until the time of Tito’s death in May 2000.

Johnny “Dandy” Rodríguez Jr. continues to be a Latin jazz and salsa percussionist. Today he works as a percussionist in different Latin music ensembles, He is unstoppable and is very active with the Latin Jazz Giants (alongside his colleagues and Exclusive LP Artists Jose Madera and George Delgado) and that includes the stars from the original Tito Puente Orchestra. The band plays the famous music from the Palladium days of Tito Puente, Tito Rodríguez, and Machito, and also recorded The Giants Play the Music of the Palladium.

In 2008, Johhny entrusted LP’s Research and Development Department with the design of the John “Dandy” Rodríguez Jr. bongoes from the Legends series. John is proud that these drums, which bear his name, present such a sound and visual characteristics outstanding. Keep going, Johnny!

A few days ago, En Mi Voz, the solo debut of the Ecuadorian singer Marco Bermúdez, was officially launched on the market. This is a very good selection of ten songs, under the master hand of Oscar Hernández, the prestigious and renowned musician who is making his debut as a record producer with Ovation Records.

Pedro Bermudez - Arrasando — Pedro Bermudez – Arrasando

Marco has not saved anything for this premiere. He has met with his colleagues from the “Hispánica del Barrio” and the result could not be better: Jerry Madera, Máximo Rodríguez, Maneco Ruiz, Héctor Colón, Doug Beavers, Reynaldo Jorge, Jeremy Bosch, George Delgado, Luisito Quintero and Jorge González give solvency and flavor to En Mi Voz. The album opens with “Amanecer Contigo”, composed with four hands between Hernández and Bermúdez, where the trumpet solos by Maneco Ruiz and flute by Jeremy Bosch stand out.

Jeremy is also heard with his flute in his fine and heartfelt composition “Canto a mi Mamá” and in “Únicamente tú”, making Marco the second voice. The romantic spirit of the singer of the Spanish Harlem Orchestra and Mambo Legends Orchestra is confirmed in songs like “Solo Basta” and “Tu Regreso”. Oscar’s arrangements guarantee the key melody. Highly recommended this album, it has no waste!

I send my greetings and wishes for a reunion with this excellent salsa singer: Hermenegildo Olivera, or Herman Olivera. Born in Newark, New Jersey, the son of Puerto Rican parents and from an early age linked to Latin music. In the 70s, in the middle of the salsa boom, Herman began his love of singing by listening to the interpretations of Chamaco Ramírez, Héctor Lavoe, Cheo Feliciano and Marvin Santiago, among others. These vocalists were primarily his source of inspiration. When he was just 15 years old, Herman began his career as a salsa interpreter with an orchestra called La Justicia.

Later he was part of the band La Sónica, where he met his friend and trombonist Jimmy Bosch. After this he spent time with the Caramelo orchestra to later take the most important leap in his career by being part of the Conjunto Libre in 1978, where he left his voice reflected for the first time in the Incredible LP of 1981 under the direction of percussionist Manolo Oquendo and bassist Andy González, where he stands out with the theme Decídete.

In 1990, he was invited to record on the album Salsa Sudada, from the Valdesa Records label of Víctor Raúl Sánchez “Patillas” and with the musical direction of Isidro Infante, sharing vocalization with Mario Muñoz “Papaíto”, Adalberto Santiago, Eladio Peguero “Yayo El Indio” and Pablo Villanueva Branda “Melcochita”; in this work he interprets the songs La Aguja and a tribute to the city of Cali called Valle Plateado de Salsa. Later, it launched an independent project called Herman Olivera y La Exclusiva. Chequea la Mercancía.

Produced by Fernando Pastrana where the song Me Extraña Araña is one of the most outstanding. For 1997 he participates in the CD of the band Rikoson All Stars, called Evoluciones del Son, where he stands out very well in the romantic theme Aquella Noche. In 1998 he was requested by the piano teacher Eddie Palmieri and together with the vocalist Wichy Camacho they recorded the album El Rumbero del Piano, where he stands out as a singer on the songs Malagueña alerosa and Oiga mi Guaguancó.

That same year he was invited to the recording studios by the trombonist Jimmy Bosch and they released the album titled Soneando Trombón, which contains the hit Otra Oportunidad. Who plays a duet with Frankie Vázquez. On this CD also appears the song Descargarana. That same duo, Olivera and Bosch, meet the following year (1999) and produce Salsa Dura, where Herman shines performing the full Impacto Tendremos. The album also features the participation of singers Frankie “Nene” Morales and Frankie Vázquez. Parallel to this album, the RMM label launches a live CD and DVD titled Eddie Palmieri & Friend’s, where Herman looks excellent in the number Palo pa ’Rumba.

The invitation to tune in to the new Fm / Internet radio station on Live365.com continues: Salsagallery. Good music, interviews with the artists and much more… now with the participation of Felix Villalobos who joins Salsagallery Radio with a segment in which we will be talking about Music.

At the Spanish Harlem Salsa Gallery Museum we are happy to say that we are gradually returning to our activities and we will be opening the gallery sporadically. We do not stop, we continue to work for our music and we will always keep you informed through our social networks. We hope to have more news shortly and that we can return to normal soon.

Harry Fraticelli Virtuoso on guitar, requinto and bass Music for All Occasions

Latin America / Puerto Rico

Harry Fraticelli. Its birthplace was the city of Yauco, Puerto Rico

Its birthplace was the city of Yauco, Puerto Rico on July 6th. He is so proud of it that he proclaims it in every place he visits.

His older brothers distinguished themselves by playing stringed instruments. They would play threesome tunes to lull Harry to sleep during his childhood.

That’s how Harry’s love and inclination to the peculiar strings of the guitar grew.

He demonstrated his ability to play stringed instruments correctly at the age of 12, his brother tutored him in traditional Serenades.

He played the “Maracas” and was the First Voice of the Trio in those performances.

Harry along with his brother Julio Erving and Jose Luis (Cheli) Padilla moved to San Juan in 1962. They formed the Trio Los Altairos.

How many artists of that time debuted in the Tribuna del Arte Program of Don Rafael Quiñones Vidal. They won First Prize and Harry was recognized with a professional musician.

Thus he expanded his musical art. He learned to write musical arrangements, play bass and various string instruments. He stood out as the first voice in the trios. He cultivated and perfected his style with self-discipline.

He joined the pop ballad group Aidita Viles and Los Del Río with Máximo Torres in 1964. They presented their musical show at the Caribe Hilton Hotel for several years. They also performed in all the towns of Puerto Rico.

The maestro, Máximo Torres offered him the great opportunity to record as a soloist in 1969. Maximo created the band “Los Barbarians” and with them Harry recorded his first album with the title “El Mamito”. The song “El Mamito” included in that album was the one that made him famous and internationally recognized as a performer in the Salsa genre.

He then recorded the bolero “Te Pido Perdón” with great success. The song “Temeridad” became one of the public’s favorites very soon. Harry Fraticelli and Los Barbarians participated in recordings and performances with distinguished figures of Puerto Rican entertainment such as: Héctor Lavoe, Richie Ray, Bobby Cruz, Willie Colón, José Miguel Agrelot and Tito Rodríguez, among others.

Harry was the moderator of two radio programs in Yauco. He interviewed great figures of Puerto Rican entertainment such as the illustrious composer Don Pedro Flores, comedians José Miguel Agrelot and Adalberto Rodríguez “Machuchal”, among others.

The phrase “in recognition of being a Yaucano who through music has raised the name of the people who saw him born” have left in Harry a pleasant and unforgettable memory. The protocol acts were in February 2004.

Harry Fraticelli Virtuoso on guitar, requinto and bass Music for All Occasions — The Virtuous Harry Fraticelli

He has participated in multitudinous artistic spectacles next to recognized figures of our show business: Cristian Castro, Chucho Avellanet, Danny Rivera, Ednita Nazario, Gilberto Santa Rosa, Julio Ángel, Lucecita Benítez, Manny Manuel, Máximo Torres y Los Murcianos, Papo Valle and his Trío Borinquen, Pijúan and Los Baby Boomer Boys, Tato Díaz and his Drim Tim Trío, Tavín Pumarejo, Trío Los de San Juan, among others.

He has displayed his musical talent in prestigious hotels such as the Caribe Hilton, Condado Plaza, Courtyard Marriott, Embassy Suites, Four Points By Sheraton, Holiday Inn, Intercontinental, La Concha, Marriott, Radisson, Ritz Carlton, Sheraton Convention Center, Travelodge, etc.

He participates as a professional singer in the group Los Baby Boomer Boys. He participated in the two recordings of the CDs: “Bohemia Bailable” 2010 and “Solo Pa’ Los Jóvenes de Corazón” 2014.

The outstanding salsa musician Joe Quijano invited him to join as a singer in 2011 for the musical production with unreleased songs by Tite Curet Alonso. He performed as a soloist the song “Te Amé”, in the salsa genre on the CD, “Lo Inédito de Tite Curet Alonso 50 Años Después”, in duet with Paquito Guzmán on “Nube Negra” and participated in the chorus.

He has performed as a soloist in fifteen (15) musical productions during his professional career, but has participated in countless recordings as a Guitarist, Requintist, First, Second and Third Voice.

As a trios music lover he offered his time for several years in the position of Secretary of the “Puerto Rico Trios Music Foundation”.

He participated in the program “Así Canta Puerto Rico”, with the prestigious producer Luis Vigoreaux, Son, transmitted by Channel 6 and in the United States by WAPA AMERICA. She was the First Guitar and Second Voice of the beloved artist Tavín Pumarejo during the last 20 years of Tavín’s artistic career. They played typical Puerto Rican music and boleros.

Harry was the Music Director on the musical project “El Gran Sentimiento de Fufi Santori” (Fufi Santori’s Greatest Feeling) which contains eleven (11) songs by Puerto Rican sports star, José “Fufi” Santori (RIP). The CD was released in May 2011.

The phrase "in recognition of being a Yaucano who through music has raised the name of the people who saw him born" have left in Harry a pleasant and unforgettable memory. The protocol acts were in February 2004 — Harry Fraticelli has made fifteen (15) musical productions as a soloist during his professional career

Harry was awarded by the Institute of Puerto Rican Culture with the Trio Musician of the Year Award in its 18th edition. The events took place at the Paseo de las Artes in Caguas in February 2013.

He produced his CD Harry Fraticelli y sus Amigos on 11/2013. He performs traditional tunes as a soloist, with his Trio and shared honors with the incomparable Tavín Pumarejo who agreed to come out of his self-retreat to participate. Harry and Tavín formed the “Dúo Poca-Jontas” which was very popular with their fans in Puerto Rico and the United States.

The Casa Museo de la Música Amaury Veray in Yauco included Harry in the Galería de Músicos Yaucanos on 10/2014. He is listed alongside such famous compueblanos in the art of music as Amaury Veray, Kike Lucca and Johnny Albino among others.

The song Son Pa’ Barrio Obrero and other of his hits continue to be heard in Colombia. The successful presentation of 3/2014 in Cali, Colombia revived in Harry the desire to return to his roots in “Salsa”.

That was why he decided to record a single with the starring participation of the talented Jerry Rivas on the Tres. The single includes the bolero rhythmic Flor Pálida and Puras Mentiras in the Salsa genre.

Harry Fraticelli was chosen among more than 500 international singers for the Maximum Image Award 2014-2015 in the category Voice International Impact of Venezuela in July 2015. He competed with prestigious singers such as Franco De Vita, Chayanne, Myriam Hernandez, Valeria Lynch, Ricardo Arjona, Samuel Hernandez, among others. He obtained an honorable second place with the highest vote obtained by a Puerto Rican until 2015.

Harry conducted for 2 years the program “Harry Fraticelli De Todo un Poco” in (Emisora Sol Latina de Buenos Aires) through the “Web” since 2015. His audience was over half a million people on the Internet.

It participated in the 60th Cali Fair in December 2017 on a spectacular stage. There he presented his concert in front of an audience of more than 10,000 people. Harry felt great emotion when he noticed the large audience and began to sing the song “Soñando con Puerto Rico”. He was accompanied by the BoleOro Orchestra conducted by Carlos Cordoba from Cali, Colombia.

Harry conducted for 2 years the program "Harry Fraticelli De Todo un Poco" at www.emisorasollatina.com — Harry Fraticellis is the Music Director of Harry Fraticelli and his

He is the Musical Director of Harry Fraticelli and his Trio which he maintains simultaneously with his other artistic projects. They perform in hotels and in private activities.

He offers musical and cultural shows with varied options:

– Harry Fraticelli “One Band Man”

– Harry Fraticelli in Bohemia

– Harry Fraticelli to Duo

– Harry Fraticelli and his Trio

– Harry Fraticelli and his Combo

– Harry Fraticelli and his Conjunto de Música Típica

– Harry Fraticelli and The New Barbarians

He produces and hosts his weekly program Harry Fraticelli y sus Amigos on Radio WIPR Maxima 940 AM with interviews to personalities of our show, anecdotes and live songs with a large local and international audience since 2/2018.

Harry Fraticelli returns to the stage with his new CD that includes Salsa Gorda, Son Montuno and Boleros with the title Harry Fraticelli y Los Nuevos Barbarians.

He has the participation of Gilberto Santa Rosa, Jerry Rivas and Tony Rivas’ choirs and a select group of excellent musicians. He hopes to complete the production in 2020.

(The recording has been stopped due to the Covid Pandemic)

He returned to producing and conducting the Harry Fraticelli Show De Todo Un Poco y Más… on Thursdays at 8:00 P. M. Sol Latina Broadcast (www.emisorasollatina.com.ar) on 6/2020.

Although he remains isolated by COVID’s Pandemic regulations, as soon as conditions allowed he organized a Bohemia for Paquito Guzman during his convalescence. Together with Gilberto Santa Rosa, Jerry Rivas made the great bolero player Paquito Guzmán vibrate with emotion. (https://youtu.be/OnBN851O9DQ )

That day, Paquito Guzmán asked for another bohemian to be brought to him, but with the songs of his idol Cheíto González. He did the same and was pleased with the San Juan Trio (Luis Díaz, Tony Bermúdez and Harry Fraticelli). That day he enjoyed the improvement in his health and they managed to get Paquito Guzmán to join the trio on several occasions. (https://youtu.be/wXDgmdVWMI8 )

Harry has mastered the performance of ALL tropical genres, has the virtue of integrating with other singers and musicians without rehearsal. He is distinguished in the musical environment as a virtuoso in the Guitar, in the Requinto and in the Bass. In addition, he plays the Maracas perfectly.

Harry is multifaceted, a stanchion, has a high level of performance and is very professional. His artistic talents, his human quality in combination with his musical knowledge have earned him respect and high esteem locally and internationally.

He is also an exemplary citizen with an excellent reputation. He has kept his professional and personal life free of scandals or negative remarks.

Harry Fraticelli is grateful for the appreciation, support for his artistic career and positive feedback he receives through social networks and in his activities.

Harry Fraticelli returns to the stage with his new CD that includes Salsa Gorda, Son Montuno and Boleros with the title Harry Fraticelli y Los Nuevos Barbarians. — It has the participation of Gilberto Santa Rosa, Jerry Rivas and Tony Rivas’ choirs and a select group of excellent musicians. He hopes to complete the production in 2020

EVENTS COORDINATOR

Iris Morales – 787-810-6259

Email: [email protected]

Home