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Search Results for: All Stars

Tribute to Johnny “Dandy” Rodríguez Jr. His first recording was professionally with Tito Puente in 1964 and was titled “Exciting Rhythm of Tito Puente”

Johnny “Dandy” Rodriguez, (September 11, 1945, United States August 17, 2024) son of Johnny Rodriguez Sr. who was nicknamed “La Vaca”, remembered percussionist who was part of the orchestras of Tito Puente and Tito Rodriguez, among others; as we can deduce, music for Johnny Rodriguez is something clearly hereditary given that as a child he attended his father’s rehearsals and his mother was a dancer.

Johnny Dandy Rodriguez Foto By Miguel Martillo
Johnny Dandy Rodriguez Foto By Miguel Martillo

To get an idea of ​​the musical family, let’s say that Johnny Rodriguez Sr. also took part in performances and recordings with musicians and singers of the stature of: Alfredito Levy, Joe Quijano, Jose Curbelo, Lou Perez Louie Ramirez, Machito, Miguelito Valdes, Noro Morales, Orlando Marin, Pete Terrace, Pupi Campo and Xavier Cugat.

The father’s enormous musical background was emulated in a great way with ample merits by the son.

Dandy Rodriguez grew up in Spanish Harlem in Manhattan, his home was very musical and when he was in high school he learned the details of percussion represented by the bongos, congas, timbales and drums. Influenced by his father he became interested in music and so in 1962 he joined the band of maestro Tito Puente.

His first professional recording was with Tito Puente and was titled Excitante Ritmo De Tito Puente; after this first album with Puente, “Dandy” Rodriguez began to deepen his musical studies listening and learning from leading musicians such as: José Mangual Senior bongosero from Machito, Rogelio “Yeyito” Iglesias bongosero from Cachao and Vitin Palacio bongosero from Johnny Segui.

He worked with the King of Timbales for more than three decades, initially in the sixties, more specifically from 1962 to 1972, then he rejoined Tito Puente’s band at the end of the seventies and was part of it practically until the death of the famous King of Timbales.

In the extensive career of our Johnny Rodriguez in music we must mention his internship with Joe Cuba’s orchestra, with whom “Dandy” Rodriguez himself says he participated in seven or eight albums since the mid-sixties; the first of them titled Joe Cuba Sextette – Comin’ At Yous; without forgetting to mention that in those albums the name of Johnny Rodriguez Jr. does not appear in the credits due to issues related to contracts with record companies.

His stay with Puente was not a limitation for him to be part of other musical groups, so he also worked for several years with another great of Latin music, the remembered Tito Rodríguez. He was also part of the band of the famous conguero Ray Barreto, replacing Tony Fuentes, and was one of the founders of the famous Típica 73 in 1972 and even took part in a couple of albums with Machito.

In the seventies, during the Salsa Boom, “Dandy” Rodriguez left his mark on recordings with: Jose “Cheo” Feliciano, Charlie Palmieri, Roberto Torres, Willie Rosario, Ismael Quintana, Celia Cruz & Johnny Pacheco, Louie Ramirez, Richie Ray & Bobby Cruz, Fania All Stars, Alfredo De La Fe, Conjunto Clásico, Henry Fiol and Tito Allen.

As we mentioned before, John Rodriguez returned to the band of maestro Tito Puente in 1978 and was part of the band until Ernesto Antonio Puente’s death in 2000 at the age of 77; he participated in this cycle in at least twenty musical works apart from a large number of concerts and performances on tours in different countries around the world.

During those two decades with Tito Puente he also worked with other musicians, singers and groups such as: Miguel Quintana, Roberto Torres, Charlie Rodriguez, Tito Allen, Alfredo De La Fe, Azuquita Y Su Melao, Charlie Palmieri, Celia Cruz & Johnny Pacheco, Paquito D’ Rivera, Raulin, The Bronx Horns and Angelo Vaillant.

Luisito Quintero, Johnny Rodriguez y George Delgado
Luisito Quintero, Johnny Rodriguez y George Delgado

During the first two decades of the new century, the musical work of maestro Johnny Rodriguez continued and his musical mark has remained in other publications with The Latin-Jazz Coalition, Frankie Morales, Eddie Palmieri, Gilberto Santa Rosa, George Delgado, Victor Manuelle, Rick Arroyo, Orestes Vilato, Mitch Frohman, Cita Rodriguez, Doug Beaver, Adalberto Santiago and Jeremy Bosch.

Also, special mention must be made of the participation of maestro Johnny Rodriguez with a group called The Latin Giants Of Jazz, in the best style of the classic Big Bands made up of great teachers, including some of the former members of maestro Tito Puente’s band; with this group they have published four albums; this project gave rise to another band called The Mambo Legends, who recorded the album entitled: Watch Out! Be careful!

John Rodriguez is without a doubt one of the most prolific percussionists in the world of Latin music called Salsa. The nickname “Dandy” dates back to his childhood when the car he was driven in was bought at a store or shop called “Dandy” and people said look how cute “Dandy” is and from there he stuck with that nickname. In music he is better known as Johnny instead of John.

In (the year 2022) the experienced Johnny Rodriguez had three or four groups with which he is playing, including Dandy Rodriguez and his Dream Team, while teaching percussion classes online.

He is one of the true legends of Latin music, not to mention that his talent has also been reflected in recordings for other musical genres such as: Electronic, Folk Rock, Folk, World & Country, Funk / Soul, Heavy Metal, Jazz, Stage & Screen, Jazz-Funk, Merengue and Pop.

Johnny Rodriguez y George Delgado
Johnny Rodriguez y George Delgado

In his very extensive artistic career, maestro Johnny Rodríguez was part of historic and iconic recordings of our musical culture, some of these albums have been worthy of awards such as the Grammy Award, among which are:

Tribute to Beny Moré – Year 1978

On Broadway – Year 1983

El Rey: Tito Puente & His Latin Ensemble – Year 1984

Mambo Diablo – Year 1985

Goza Mi Timbal – Year 1990

Mambo Birdland – Year 1999

Masterpiece / Obra Maestra Tito Puente & Eddie Palmieri – Year 2000.

“In 2008, Johny entrusted LP’s Research and Development Department with the design of the John “Dandy” Rodriguez Jr. Legends Series bongos. John is proud that these drums, which bear his name, feature such outstanding sound and visual characteristics.”

Johnny Rodriguez’ “Dream Team”
Johnny Rodriguez’ “Dream Team”

Also Read: Jerry Ferrao says in salsa key: “My life is a drum”

Collaboration: Marino de Jesus (1588) from Salsa History from the Dominican Republic

Spanish Harlem Salsa Gallery & Johnny Cruz: ¡Que viva la Salsa!

North America / USA / California

Spanish Harlem Salsa Gallery & Johnny Cruz: ¡Que viva la Salsa!

A private collection that was built over four decades has opened its doors to the public in El Barrio, New York, becoming the only permanent exhibition dedicated to salsa and its heritage

Johnny Cruz Photo
Johnny Cruz Photo

By Carmen Mercedes Aular

With the magic and passion of Johnny Cruz as host, Spanish Harlem Salsa Gallery opened its doors to the New York community and the world a year ago, after 5 years of starting as a private gallery for an exclusive audience.

Spanish Harlem Salsa Gallery
Spanish Harlem Salsa Gallery

In this extraordinary place are exhibited 40 years of music, experiences and memories that now everyone can relive and consequently know the history behind each instrument, behind each object that rests in this immaculate space and carefully organized by Cruz. The collection includes instruments, pictures, newspapers, clothing and several gadgets donated by great musicians of Latin music.

Must share the good things

The initiative to bring the VIP experience to more people was conceived by Johnny Cruz to realize the positive impact that the gallery would have on the community of El Barrio and the way in which, through it, he could get more involved with schools from the neighborhood. The goal is to continue teaching children and adults the history of Latin music and show them how music is part of history and culture, and how it’s also part of El Barrio.

Spanish Harlem Salsa Gallery Photo
Spanish Harlem Salsa Gallery Photo

Cruz hopes to tell the story of each element of the gallery to anyone who wants to listen, and continue to increase the collection with donations from the stars of Latin music. Anyone interested in the history of music can learn something new and continue to share this information with other people so that the successes of these artists are never forgotten and kept alive in the collective memory.

 

In the near future, they hope to carry the information from the gallery to schools and universities in New York. In addition, they are working to collect resources to expand the collection and preserve exposure in the best and safest way possible, and become a source of employment for the community.

 

What awaits you at SpaHa Salsa Gallery?

At 1708 Lexington Ave NYC, you can find a wide variety of instruments, costumes, and other items from top artists of Latin music. One of the pieces of more recent data is the costume used by Sophy from Puerto Rico, in the tribute concert to Rafael Hernández at the Center for Fine Arts of Puerto Rico.

Photo by Spanish Harlem Salsa Gallery
Photo by Spanish Harlem Salsa Gallery

The great Eric Vélez supported the gallery by donating the congas that are in the permanent exhibition. You can also appreciate the tuxedo that Adalberto Santiago used in his 55th anniversary concert and a Bobby Cruz costume. A piece that you definitely have to watch is the colorful and vibrant Celia Cruz’s dress. Mike Rodriguez donated his güiro, maracas and tamboril. Willie Álvarez’s trombone also rests in this exposition.

Spanish Harlem Salsa Gallery photo 4
Spanish Harlem Salsa Gallery photo 4

Tourists and locals can learn about the history of objects belonging to musicians of La Fania All Stars or La Sonora Ponceña, the shoes of Héctor Casanova perched on the congas of Eddie Montalvo and numerous pieces full of anecdotes that will always, very gladly, share their host. The commitment of the gallery, and Johnny Cruz, is reaffirmed every day with donations of great glories that have a single purpose: to keep the music alive.

Eduardo Guilarte and Johnny Cruz
Eduardo Guilarte and Johnny Cruz

Soon, you will have access to the membership of the SpaHa Salsa Gallery, with which you will get information about the events before the general public and discounts in a wide network of restaurants in town, among other benefits, as a way to promote the gallery and obtain funds for its expansion and maintenance.

Within the gallery’s events programming for this month is Pablito Rosario and Cachete Maldonado’s visit, a celebration for Governor Andrew Cuomo for his triumph in the primaries vote in the state of New York, and another for Assemblyman Roberto Rodríguez, who has the support of the Latino community in the area where SpaHa Salsa Gallery lives. Moreover, Nicky Marrero, musician of the Fania All Stars, will donate the timbales he used recently in a tribute to Celia Cruz, so you can meet him in the gallery; on that day, he will be signing the instrument to formally deliver it to the collection.

Spanish Harlem Salsa Gallery photo 3
Spanish Harlem Salsa Gallery photo 3
Drum - Photo
Drum – Photo

The gallery is open to the public from Wednesday to Friday from 4:00 pm to 7:00 pm, and Saturdays from 1:00 pm to 8:00 pm at 1708 Lexington Ave. NY 10029 (El Barrio).

You can get more information about events, membership and donations by calling 917-747-8505.

 

About the precursor of the initiative

Johnny Cruz has a history of 40 years in the world of Latin music, during which he has been collecting musical instruments. In the last 5 years he created Spaha Salsa Gallery in El Barrio in New York City and a year ago he shares it with friends, contacts, tourists and the community.

Adalberto Santiago flyer
Adalberto Santiago flyer

He has been a percussionist for the last 40 years and is passionate about music, singing it, producing it, composing it, telling it, living it today and keeping it alive forever. He has worked closely with some of the most outstanding Latin musicians in the business throughout his career and has been honored with a variety of awards over the years.

Photo by Johnny Cruz with more music instruments
Photo by Johnny Cruz with more music instruments

At this time, he produces a public access television program for mnn.org called The Windows of Latin America. The program has been on the air weekly for 20 years, and it is the only TV space in New York where salsa is broadcast.

Jhonny Cruz and Adalberto Santiago
Jhonny Cruz and Adalberto Santiago

In a few days he will be premiering a collaborative production with Adalberto Santiago, with songs that recap his musical career of more than six decades and have the admiration and gratitude of Cruz. Within the framework of this launch, there will be an event in which great Latin music personalities will meet again at the Spanish Harlem Salsa Gallery to share a fun time with fans and friends.

 

Since the beginning of this trip, his desire has been to create a space for the community. Sharing these artifacts is their way of giving back to a community that they have had the pleasure of being part of for many years, a bit of their culture and their heritage for the world.

Johnny Cruz
Johnny Cruz

Nicky Marrero one of the best timbaleros of all time.

North America / USA / New York

Nicky Marrero, an Award Winning Master Percussionist, Innovator and Educator.

Nicky Marrero born in the Bronx, in 1950; recorded his first album “El Malo” with Willie Colon in 1967.

Still in High school, he joint Eddie Palmieri, performed and recorded with the Fania All Stars, Dizzy Gillespie, Machito, Ringo Starr amongst so many more.

His unique talent left a mark on sound in style through his creativity and boldness of breaking with tradition and creating his own to this day.

The most recorded, versatile and dynamic Puerto Rican Percussionist of his time.

Nicky Marrero
Nicky Marrero

Exciting News!!
Latin Master Percussionist Nicky Marrero is taking on a few more private students.
How about you?

Do you share the passion and dedication to reach a higher level as a professional, student and or serious hobbyist with one of the best?

So email your details to [email protected] do not  miss out on this unique opportunity to broaden your knowledge and advance your own skill and technique under the guidance of a true, World class Award winning Master of his Craft.

https://www.facebook.com/NickyMarreroOfficialPage

https://www.facebook.com/NickyMarreroOficial/

Gilberto Santa Rosa is a Puerto Rican singer, songwriter and sonero better known as “El Caballero de la Salsa” (The Gentleman of Salsa)

Gilberto Santa Rosa (born August 21, 1962) is a Puerto Rican singer, songwriter and also known as “El Caballero de la Salsa” from Carolina, Puerto Rico.

Growing up on the salsa music of the 50’s and 60’s, Rosa became interested in pursuing music during school, participating in her first concert in 1976 while still a tender teenager. After performing with the Mario Ortiz Orchestra.

Gilberto Santa Rosa ex-superior singer and sonero better known as "El Caballero de la Salsa" (The Gentleman of Salsa).
Gilberto Santa Rosa ex-superior singer and sonero better known as “El Caballero de la Salsa” (The Gentleman of Salsa).

Santa Rosa was recruited by La Grande Orchestra where she stayed for two years and met Elías López.

The 1980s brought a series of recordings for the singer with Orquesta Tommy Olivencia, El Gran Combo and the tribute album “Homenaje a Eddie Palmieri” with the Puerto Rican All Stars.

Gilberto Santa Rosa became a unique salsa improviser, walking the line between tropical and romantic styles of music, which contributed to his appreciation and popularity.

In 1986 Rosa signed with Combo Records and among others released the successful albums “Good Vibrations” featuring arrangements by Mario Ortiz, Ramon Sanchez and Tommy Villariny, “Keeping Cool! “and “De Amor y Salso”.

Due to the success of her fourth album entitled “Sala en Movimiento” released in 1989, Rosa signed with CBS Discos who could distribute her music internationally.

Teaming up with the young composer Omar Alfanno on the album “Punto de Vista” Rosa achieved consistent success with a series of hits including “Vivr sin Ella”, Perdoname” and De Cualquier”. The successor album “Perspectiva” released in 1991 was the Salsero’s biggest hit to date and included many of the same collaborators as its predecessor.

In 1990 Rosa was awarded the Billboard Lo Nuestro Award for Best Male Singer, recorded a live album at Carnegie Hall Theatre in New York, USA, the first tropical salsa artist to do so, and acted as Puerto Rican goodwill ambassador to Japan where he sang “De Cara al Viento” in Japanese.

Santa Rosa was recruited by La Grande Orchestra where she stayed for two years and met Elías López.
Santa Rosa was recruited by La Grande Orchestra where she stayed for two years and met Elías López.

The singer generated a string of hits throughout the 1990s, always altering his particular sound and diversifying his music. From the orchestral “De Cara al Viento” (1994) and the energized “Esencia” (1996) to “De Corazón (1997) and “Expresión (1999).

At this point Rosa’s popularity and success had increased and the singer seemingly could do no wrong, with Rosa’s subsequent albums achieving both critical and commercial success, including 2002’s “Viceversa” which produced the hits “Por Más Que Intento” and “Un Montón de Estrellas”.

Santa Rosa ha sido honrada por Union City, New Jersey, USA con una llave de la ciudad y una estrella en su Paseo de la Fama, tiene el record de la mayor cantidad de álbumes número uno en la lista Billboard Tropical Albums, así como la mayor cantidad de nominaciones al Grammy por Mejor Salsa.

Canto y grabo varias producciones con el Maestro Mister “AFINQUE” Don Willie Rosario y ese fue el puente para grabar como solista.

En 1981, Gilberto Santa Rosa se unió a la banda Willie Rosario y su Orquesta, con la que grabó seis discos de larga duración. Su primera grabación se presentó en el álbum The Portrait Of a Salsa Man, en el sello Top Hits.

Canciones como “El Antifaz”, “La Mitad” y “El Condenado” se escuchan en la voz de Gilberto Santa Rosa, quien compartió la parte vocal con Tony Vega y Bobby Concepción en dicho álbum.

1982: Willie Rosario y su Orquesta graban el álbum Atízame el fogón para el sello Top Hits. Bobby Concepción, Tony Vega y Gilberto Santa Rosa participan como cantantes en este LP.

1983: El cantante santurcino participa en el álbum de Willie Rosario y su Orquesta, The Salsa Machine, en el sello Top Hits, de este álbum, canciones como “Amigo” y “Cuando Se Canta Bonito” son vocalizadas por Gilberto Santa Rosa.

Gilberto Santa Rosa (born August 21, 1962)
Gilberto Santa Rosa (born August 21, 1962)

1984: Gilberto Santa Rosa comparte voz con Tony Vega en el álbum de Willie Rosario y su Orquesta llamado Nuevos Horizontes, publicado por Bronco Records, en ese álbum se grabó el tema “Lluvia”, uno de los primeros éxitos de nuestro caballero de la salsa. .

Willie Rosario celebrará 100 años de vida con un gran concierto en el Coliseo de Puerto Rico.

Para la celebración musical estará acompañado por sus amigos y colegas, Gilberto Santarosa y Tony Vega,

El legendario músico puertorriqueño Willie Rosario celebrará sus 100 años de vida en 2024 con un gran concierto en su tierra natal el próximo 27 de abril, junto a dos de los ilustres intérpretes que integraron su orquesta, Gilberto Santa Rosa y Tony Vega.

Willie Rosario celebrará 100 años de vida con un gran concierto en el Coliseo de Puerto Rico.
Willie Rosario celebrará 100 años de vida con un gran concierto en el Coliseo de Puerto Rico.

Source:

El Nuevo Dia

Also Read: The Royalty of our Latin Music Pete “El Conde” Rodríguez first singer signed by Fania Records label

Antonio Cartagena is an acclaimed artist, leaving the name of Peru on high all over the world

Antonio Cartagena is one of our best bastions who was born artistically in 1990 from a humble family with Afro-Peruvian roots.

Born in the Constitutional province of Callao (Bellavista) and having studied higher education in the National Police of Peru and half of career in the course of Psychology at the University San Martin.

Being able more the art is consecrated presenting his first success “Sin Ti” belonging in that instant to the Orchestra Peru Salsa All Star at the same time is invited to record songs like Niña and Tengo Todo Execto a Ti by the Orchestra of the Prestigious Oscar “Pitín” Sanchez La Sensual 990 achieving a greater acceptance the demands of work.

Antonio Cartagena
Antonio Cartagena is an acclaimed artist, leaving the name of Peru on high all over the world.

They were not made to wait in all the Peruvian literal for such reason is that Antonio Cartagena is traced important goals as the conquest of other countries reason others so that in 1991 produces his first album as a soloist with 10 songs where they highlighted songs like; Sedúceme and Necesito un Amor.

Becoming known in countries such as Colombia, Venezuela and part of the United States.

In 1992 he launches to the market a fresh and romantic Salsa where he highlights songs like Y que Tiene el and M Dueña; from there he reaffirms the internationalization being hired for a tour in the United States with all his group visiting places like New York, Los Angeles, Atlanta, Virginia, Dallas, Texas, San Diego, among others.

Then in 1993 he is hired by the prestigious international record company RMM of Mr. Ralph Mercado, one of the biggest salsa producers in the world; recording his first international album entitled Dime Que Si, where the most outstanding songs are Apaga La Luz and Perdone Querida.

Antonio Cartagena
Antonio Cartagena, is one of our best bastions.

To perform in dream stages such as Carnegie Hall, Madison Square Garden and Miami Arenas, alternating with many stars such as Oscar Leon, Van Lester, India, Marc Anthony, Tito Puente, Cheo Feliciano, Ismael Miranda, Celia Cruz, Domingo Quiñonez, Ray de la Paz, Tony Vega, Ray Sepulveda, Johnny Rivera, Tito Nieves, Jose Alberto el Canario, Luis “Perico” Ortiz, Giovanni Hidalgo, and an innumerable list of the greats of the firmament of the salsa market. The tour continued to include Canada, Panama, Venezuela, Colombia, Santo Domingo, Puerto Rico and Argentina.

These were events that marked a milestone in the vertiginous career of the artist; who arrives in his country after three years of coming and going; with a production titled Punto de Vista (1996), where he consecrates himself with the songs Si Tu No Estas and Pídele Perdón, successfully placing himself at the threshold of his career in his own country.

Already in 1997 he wants to impose the criollismo converting famous and traditional waltzes of our country in salsa; Disc that made him known all over the world even in Europe, presenting himself in stages of Germany, France, Holland, Italy, Switzerland, Spain among others.

In the year 2000 and without stopping touring nationally and internationally, Antonio Cartagena produced a new album which highlights the theme Nadie Quien te Quiera como Yo.

Then in 2001 he travels to New York to produce an album titled Volveré, with songs such as Ni Siquiera, giving much to talk about in that country and in Latin America, visiting countries such as the United States, Colombia, Venezuela, Ecuador, etc.

Antonio Cartegega
Cartagena y Baloa

In 2005 he presents a renewed and updated product imposing themes such as Salsa Regaee, titled No Me Digas Que No, placing himself in the first places of our musical environment.

Antonio Cartagena, is one of our best internationally recognized bastions, who is going through his best moment, considered in salsa as the best exponent of music in his genre and winner for this year of a number of awards such as: Nominated for Best Interpreter of the year in the salsa music genre.

Cartagena is an acclaimed artist, leaving the name of Peru on high all over the world.

Antonio Cartagena

Read Also: Fanny Almenara better known in the salsa environment as “La Sonera del Callao”

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.