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Search Results for: Cali

Septeto Acarey is a Peruvian group of traditional Cuban Son fused with modern melodies

International Salsa Magazine / www.SalsaGoogle.com is pleased to present and make known to the world a musical group that has been growing with an original sound and debuted in 2017 with an eponymous production.

Septeto Acarey is a Peruvian group of traditional Son fused with modern melodies, formed in Lima – Peru by its musical director and bassist Reynier Perez based in Peru since 2005, who was born in Guanabacoa and excelled as bassist of the popular group “El Mayimbe” of Barbaro Fines, acquired mastery in different ensembles in his native Cuba, including the Septeto Monte Adentro, the Septeto Santiago Habana and Son Candela.

Reynier studied music with private teachers and was largely self-taught, he played with several salsa orchestras, among them “Son Habana” where he accompanied several Puerto Rican and Dominican singers such as “José Alberto El Canario”, “Rey Ruiz” and “Maikel Stuart” and shared the stage with “Oscar de León” and “La India”, then with an orchestra called “Son Cohiba” playing traditional music.

Reynier studied music with private teachers and was largely self-taught. He played with several salsa orchestras, among them "Son Habana"
Septeto Acarey is a Peruvian group of traditional Cuban Son fused with modern melodies

With the traditional septet format, guitar, tres, bass, trumpet, tumbadoras, bongo and vocalists, its director and founder, has formed a team of excellent son lovers who enjoy playing Cuban music.

Perez decides to form the Septeto Acarey with Peruvian musicians and at the same time they produce their first album titled “Acarey Llegó”, a record production that crosses borders with the song “Y Legaste Tu” achieving positions in the first places of the Mexican radios.

In October 2017 they perform for the first time in Mexico City (CDMX) in front of one hundred thousand people in the great Azteca Stadium, which allowed them to return to perform on several occasions due to the Mexican public and fans.

“It was an incredible experience to interact with the public singing and chanting loudly, at the top of our lungs and shaking all the stands… The affection of the Mexican people is captured in our hearts”.
Reynier Perez clarified.

Name and Meaning of “Acarey”

It means the Love I have and feel for my family “A” is “Love” the word “CA” are the initials of my wife’s name “Carolina” and “Rey” is for my name Reynier (It’s me), Reyniero and Reynaldo are the initials of the names of my two sons who are my greatest treasure in my life.

“Jorge Luis Piloto”

The success achieved in Mexico encouraged the group to create more songs and it is here when the master, famous and prolific composer Jorge Luis Piloto, multiple Latin Grammy winner, is in charge of writing the songs for Acarey’s new album.

Jorge Luis Piloto is the composer of songs that have been hits for great international artists such as: Chayanne, Jose Feliciano, Cheo Feliciano, Jose Jose, Jose Jose, Rey Ruiz, Luis Enrique, Jerry Rivera, Gilberto Santa Rosa, Carlos Vives, Victor Manuelle, Tito Nieves, Olga Tañon, Mariah Carey, Christian Aguilera among others.

Jorge Luis Piloto is the composer of songs that have been hits for great international artists such as: Chayanne, José Feliciano, Cheo Feliciano, José José José, Rey Ruiz, Luis Enrique, Jerry Rivera, Gilberto Santa Rosa, Carlos Vives, Víctor Manuelle, Tito Nieves, Olga Tañon, Mariah Carey, Christian Aguilera among others.
Jorge Luis Piloto is the composer of songs that have been hits for major international artists.

“Members of Acarey”

Septeto Acarey is a Peruvian group of traditional Son fused with modern melodies, formed in Lima - Peru by its musical director and bassist Reynier Perez, who has been living in Peru since 2005.
Septeto Acarey is a Peruvian group of traditional Cuban Son fused with modern melodies.

Bass and Musical Direction: Reynier Pérez
Vocals: Junior Caro and Alberto “Beto” Terrazos
Trumpet: Luis Cuenca
Cuban Tres: Sergio Lago
Bongo: Ángel Chucuival
Conga: Carlos Zabala
Piano: Julio Guillermo

Facebook: Septeto Acarey

Septeto Acarey is a Peruvian group of traditional Son fused with modern melodies, formed in Lima - Peru by its musical director and bassist Reynier Perez, who has been living in Peru since 2005.
“Ser Feliz” New Album by Acarey

Sources:
Augusto Felibertt International Director in International Salsa Magazine

https://www.ecured.cu/Septeto_Acarey

Salar Latin Club

By: Diana Marie International Salsa Magazine Miami Correspondent

 

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OMAR LEDEZMA JR.

From The Venezuelan Melody To The Caribbean Rhythm

Omar Ledezma Jr. with percussion plate
“I define myself as a Venezuelan.” Omar Ledezma Jr.

Portentous percussionist and surprising Venezuelan singer. Musician trained at the prestigious Berklee University in Boston (US). Winner of a Grammy Award. His lifestyle is characterized by national and international performances, collaborations, compositions, and tours. Familiar, fearless, personable, and cheerful. This is how Omar Ledezma Jr. presents us his life.

He was born in the mountainous valley of Caracas (Venezuela) west of the city in the La Candelaria parish in the summer of 1972 at the height of the Salsa. From seven years old he briefly began his musical studies on the Piano at the prominent Yamaha school.

At the age of thirteen, he returned to music again, but this time playing percussion instruments in a “war band” at Claret school, one of the most recognized educational institutions in the Venezuelan capital.

At 16 years old he already formed his first Merengue and Salsa group together with his first musical friends.

At this dizzying pace, Omar began to take an interest in the Gaitas (traditional holiday music from this Latin American country) and began his foray into this genre. In 1991 he obtained his first prize, third place in the Pupitres y Gaitas contest on behalf of the Claret school. “When I started to grow up I was interested in drums. I awoke an interest in the Gaitas festivals… In fact, the Venezuelan rhythm has marked my life as a musician”. Omar commented.

At the age of 17, this percussion player began his university studies in Law at the Faculty of Law of the Santa María University in the middle of a troubled city and in search of knowledge about how society worked. Omar Jr. adds: “Already in the first year of Law I knew that in Venezuela we had a great root in Roman Rights and modern laws, but those laws were not applied. And that worried me“.

At the same time, Omar continued his music studies but this time with his related instrument, the percussion. To achieve mastery, he obtained classes with the Venezuelan teachers Rubén García with whom he is currently collaborating on some projects in Uruguay. He also got instruction from the musical director from the popular area of ​​San Agustín in Sarria (Caracas), Jorge Orta “CroCro” who currently resides in the United States and the founder of the Orquesta CroCro y su Tumbaka.

Years later, and with experience acquired in presentations, and groups, Omar Jr. met his first mentor, Aquiles Baez, a famous Venezuelan artist, guitar virtuoso. Together with Aquiles, he made his first international tour of the United States. “With Aquiles, I had the pleasure of playing Venezuelan music. We play with many artists in the United States… Thanks to him I developed percussion (Non-autochthonous element) in Venezuelan music”. Ledezma Jr. commented.

In 1995 and with a law degree, he decided to dedicate himself to music professionally. He works hand in hand with consolidated national artists such as Daniel Somaroo, Carlos Puchi, Gerardo Rosales, just as his popularity begins and therefore his foray into studio album recordings.

Five years later, one of the most important phone calls arrived and the one that would turn his life upside down. Omar receives the call from Andy Vargas, the singer of the famous Mexican guitarist Carlos Santana. Vargas invited him to participate in his first residency at the Bellagio hotel in Las Vegas (Nevada), doing a show every half hour starting at six in the afternoon in the renowned bar of those facilities. This residency gave him many satisfactions and multiple experiences during his four years there.

Between these touches in Las Vegas, his second chance arises on the phone again, this time by the hand of the Venezuelan artist Jackeline Rago. Both worked for a season in a school program with the San Francisco Symphony.

All these experiences led him to be part of one of the most prominent local orchestras on the international rise of the San Francisco City (USA), the Pacific Mambo Orchestra for a decade.

In addition, Omar offers weekly personalized percussion training classes and works with various local organizations such as the San Francisco Ballet and the Community Music Center.

This cheerful and outstanding percussionist will soon surprise us with unpublished material in the dance genre. It will be two singles making his debut in the art world as a singer-songwriter, and you can enjoy it on his YouTube channel that he reactivated in December 2020.

OMAR LEDEZMA JR. & PACIFIC MAMBO ORCHESTRA

Omar Ledezma Jr. dancing with Sheila E.
Omar dancing with Sheila E. at the live concert at Stern Grove (San Francisco) in 2017

In 2011, the Grammy Award winner, Omar Ledezma Jr., is part of the most ambitious project of his life, the Pacific Mambo Orchestra (PMO), after moving to the fourth most populous city in the state of California (USA) and most receptive with Latino musicians, San Francisco.

It has been ten uninterrupted years in which Omar has gone from playing the conga to being the singer of the orchestra and is currently developing as the official timpanist of PMO, once that Karl Perazzo (Carlos Santana´s timpanist) left the big band. “Eventually he told me that is yours… I appreciate that opportunity because the Grammy has already come; many satisfactions and a lot of work have come as well”. Omar explained to us.

As time passed, they achieved a characteristic sound. And with it begin the recording of their self-titled album. Ledezma details us: “The band began to become popular on Monday nights, and we began to charge the entrance fee of 5, 10, 20, 30 dollars. Then we started on Saturdays with a lot of receptivity”.

In 2013 they won their first Grammy for Best Tropical Latin Album and embarked on their first national tour for 30 days accompanying Latin artists Marlon Rosado and Tito Puente Jr. They toured the stages of Indiana, Arizona, and Oregon ending in California. The first international tour was held in Mexico and the second at the Montreux Festival in Switzerland.

After the Grammy and his tour, the second Pacific Mambo Orchestra album was on its way but this time recorded live at Stern Grove (San Francisco) in 2017. Here, Omar had outstanding participation with the queen of percussion, Sheila E. During the song Ran kan kan Omar Jr. & Sheila E.  made a kettledrum war. He adds: “It was nice playing with her, watching her perform, and playing her music”.

This international orchestra made up of 20 musicians began rehearsals for the rhythm section on May 1 after a year and a half of not seeing each other. Before the end of 2021, they will make streaming where they will play original music such as PMO Intro, Muévete con Prisa, and Mr. B’s Mambo, among many others.

THE MUSIC RUNS THROUGH YOUR VEINS

Omar Ledezma Jr. Sitting
Omar and Cro Cro worked together in the band of José Alberto “El Canario” in performances in the United States before the pandemic.

His lineage confirms his musical streak. The Big Bands were always his great curiosity, and Glenn Miller’s orchestra his greatest ambition.

His father and his grandfather are musicians. His grandfather Rafael Isidro Ledezma “El Negro” was a renowned Orchestra conductor of the El Tigre city in Venezuela.

As an only child, he followed in the footsteps of his grandfather. He developed himself professionally in music.

In 1995 he belonged for a few months to the Venezuelan super band Guaco in the Salsa project directed by Gustavo Aguado at La Cantina located in Las Mercedes in the Venezuelan capital. “I learned as much as I learned at Berklee”. Omar commented.

Among so many things learned, the main and undoubtedly important were: being a music lover, having discipline, developing creativity, and cultivating friendship.

The last tour in Venezuela that Ledezma carried out with the Gonzalo Grau quintet (with whom he obtained his first Grammy nomination) was 20 years ago at the Teresa Carreño Theater as the opening act for Pablo Milanés.

 If I had children I would like them to follow their steps along with mine.” Omar Ledezma Jr.

YOUR WAY TO BERKLEE

 Omar Ledezma Jr. playing percussion
Omar first led a music trio and then established a Salsa band in a venue very close to the school.

During a trip to Boston, Ledezma visited Berklee University for the first time in the summer of 1998. Through brochures, he learned that he had the necessary conditions to apply for a scholarship at this important school, and immediately did so without distraction. “Many said you couldn’t and I’m the one who thinks you don’t lose anything by trying”. Omar said.

He got going and sent in a demo to schedule an audition. That presentation was a success and he was accepted right away as one of the graduates of this prestigious institution. It took him a year to move to Boston and began his studies in the fall of 1999. The first years were emotionally hard due to the death of his second mother.

But he knew how to recover and move on. He worked very hard for six years to finish paying for school in 2002.

He obtained a Diploma in Performance. During the five years of study, he learned the four harmonies, arrangements, and composition. Also, in percussion, he developed skills in drums, Latin percussion, and vibraphone.

I still feel like my career is just beginning.” Omar Ledezma Jr.

SalsaGoogle.com is International Salsa Magazine

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Katherinne Motta better known as DJ Katha Motta, salsa vinyl collector.

With her good musical taste, her great energy, exuberant beauty and sympathy, she has been infecting the hearts of salseros in Latin America, North America, Europe and Asia with her good taste in music.

On this occasion, the pages of International Salsa Magazine / www.SalsaGoogle.com are graced by our very special guest, the beautiful Katherinne Motta better known as DJ Katha Motta, collector of salsa vinyls, who has been infecting us with her good musical taste, her great energy, exuberant beauty and sympathy to the salsa hearts in Latin America, North America, Europe and Asia.

Born on December 1st in Bogota – Colombia and based in Miami, Florida in the United States, she has been doing an admirable job with her professionalism, talent, original style, versatility, sympathy, connection with the music lovers, dancers and followers; being some of the reasons to be with you today in the only salsa magazine in the world.

Welcome DJ Katha Motta to our edition of the month, for us, it is a satisfaction to talk with you…

Thank you very much Carlos, for your invitation and taking me into account for this interview so I can share and publicize my work as a DJ through International Salsa Magazine and wwwsalsagoogle.com, with all those beautiful and rumbera people, who are your faithful followers and readers around the world.

has been infecting salsa hearts in Latin America, North America, Europe and Asia with her good musical taste, great energy, exuberant beauty and sympathy.
Katherinne Motta better known as DJ Katha Motta

Very well Katha, tell us how were your beginnings in this professional DJ career?

Friend Carlos Colmenárez, well let me tell you that I started on August 26, 2017, in the city of Asheville North Carolina as a professional DJ and I have been participating since then in 5 states of the country, also in Peru in events and concerts of music lovers and collectors, but lately I have been developing my work in Atlanta GA, city that has given me affection to this day.

Excellent, by the way Katha, before continuing with the musical part; tell us if you have any hobbies or do you dedicate yourself to other things?

Yes, Carlos I am passionate about martial arts, photography, the natural environment, sharing with family, obviously dancing and somehow I have learned to value art and life…!

I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal.
At the age of 18, I only frequented salsa places because it brought me joy.

Your taste for salsa begins since when Katha?

My love for salsa began at the age of 16 when I started to enjoy family parties and I realized that the salsa genre called my attention more than the others. At the age of 18 I only frequented salsa places because it generated joy, feeling and flavor.

Does that give us to understand that you fell in love with salsa?

Yes, yes my friend Carlos, I fell in love with salsa after being locked in the genres of rock, ballads and some heavy metal, although, I still carry these genres in my heart I stayed with salsa because it is a genre that you can enjoy with a glass of wine, dancing, it is too versatile which for me makes the perfect combination. I think I am a proof that it is possible to be a passionate salsa dancer at an adult age.

And weren’t you influenced by your parents or friends to have that taste for salsa?

I remember that since I was a little girl I have been very curious about music, I remember that since I was a child I would take the tape recorder and the cassettes that my parents had recorded from the radio and I would write the names and artists in a notebook.

Very good DJ Katha and as for your taste for vinyls what can you tell us?

Prof. Carlos, when I started working, I started buying CDS and some vinyls, I demanded much more in my work as a DJ because I always want to give the best of me, I also enjoy learning and finding exquisite tunes from collections that are not very well known. Currently I keep buying vinyl for the love of music, the thirst to learn, enjoy the contact of the needle and the vinyl is magical and it is also satisfying to support new artists.  I think it is important to have the habit of giving that value to what we are so passionate about and contribute to the genre.

Which of the rhythms or styles of salsa are your favorites?

It is difficult to find favorites in this genre, when you fall in love with many artists who left their mark and continue to do so, but I think my personal taste is more for son montuno, guajiras and when I program for the dance floor I really like guaguancó, timba and salsa dura.

I have had the honor of alternating with: Chamaco Rivera, Bobby Valentín, Roberto Lugo, Roberto Blades, Papo Cocote, Andrecito Carabali
Katherinne Motta better known as DJ Katha Motta

DJ Katha Motta, we want to know in which places have you been working lately?

Well, let me tell you Carlos that I have been working and making all the dancers in the following cities enjoy:

Asheville NC, Charlotte NC, Greensboro NC Atlanta GA, Athen GA, Greenville SC, Pompano Beach FL, Margaret Fl, Los Angeles CA, Dallas TX, Knoxville TN and many, many more, and as for places where I have participated in vinyl collectors meetings, Orlando FL and Lima Peru.

By the way DJ Katha Motta, with which figures of our Afro-Caribbean music, have you shared the stage?

Carlos, I have had the honor of playing with: Chamaco Rivera, Bobby Valentin, Roberto Lugo, Roberto Blades among others, dear friend.

Perfect, Katha, can you tell us, what have been your latest and upcoming DJ sets for events?

Let me tell you Carlos, that on May 8th I was at the ”Mother’s Day weekend edition” (Noche caliente Latin Night) in Dunwoody, GA; last April 10th at the (Salsa al parque Miami number 3) in Hialeah Fl, May 29th at the ”Rumba salsera” event in Pembroke Pines Fl, among others…and I will be ”Celebrating fathers day” on Saturday June 26th in Greenville SC, alternating with Roberto Blades.

Your social networks Katha, so that music lovers and dancers can follow you?

You can find me as :FanPage Facebook: DjKathaMotta.Facebook Personal: KathaMotta.

Instagram:DjKathaMotta.Youtube:DjKathaMotta.https://Youtube.com/channel/UCSmpDKa1HyMcC4KsBVUpMtA. Twitter: Dj KathaMotta @djKathaMotta.

Thank you very much Dj Katha Motta for accepting our invitation to international salsa Magazine, www.Salsagoogle.com, for us it has been a great honor to have you as a guest and we hope you continue with such professionalism and dedication to the salsa genre and enjoy your “temotas” as you rightly present them in your work and transmissions. We send you a big kiss and a virtual hug with many blessings.

Thank you very much, my friend Carlos Colmenárez, you are a sun…! Let me tell you that the honor is mine and you have selected me to be with you in the “only salsa magazine in the world…!” I would also like to thank all your editors and directors for this high privilege. I will always be at your disposal to share experiences, good salsa and sincere friendship. With love and appreciation your friend Dj Katha Motta…!

By: Carlos Colmenárez Correspondent in Venezuela

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Celso Clemente Torres is considered one of the best sounding bongos in the world.

Percussionist Celso Clemente Torres, was born on January 31, 1965 in San Juan, Puerto Rico his childhood and under the guidance of his father, Celso Clemente Sr., the young man was introduced to the world of music in 1973.

At the age of nine, he made his first big band performance at the Roberto Clemente Coliseum in Puerto Rico alongside Giovanni Hidalgo with the Roberto Roena Orchestra.

When he was twelve years old, he participated in his first recording called “Borinquen All-Stars” with the great Puerto Rican trumpet player and band leader Mr. Elias Lopez (R.I.P) with the great Gentleman of Salsa Gilberto Santa Rosa, he was the lead singer of that important project.

At the age of nine, he made his first presentation with a big band at the Roberto Clemente Coliseum in Puerto Rico alongside Giovanni Hidalgo with the Roberto Roena Orchestra.
Celso Clemente Torres is considered one of the best sounding bongos in the world.

He has been a percussionist for 40 years.  Clemente has mastered the following instruments; bongo, conga, timbal and minor percussion.

With all these instruments he has had the opportunity to be part of countless recordings in the tropical genre which have served as inspiration for new exponents of the genre.

Due to his vast experience in percussion he has been able to spread his knowledge, offering percussion workshops to different groups (children, youth and adults) with excellent results.  This has led him to create his own line of bongo bells and timpani sticks with his name.

He has had the opportunity to work in big stages such as; Madison Square Garden, House Of Blues, Coliseo de Puerto Rico “José Miguel Agrelot” Centro De Bellas Artes, among others.  He worked in these orchestras; Roberto Angleró, Moliendo Vidrio, Tommy Olivencia, Tony Vega, Tito Rojas with this work 27 years, of which he directed his orchestra in Puerto Rico and outside the Island for 20 years.

With all these instruments he has had the opportunity to be part of countless recordings in the tropical genre, which have served as inspiration for new exponents of the genre.
He has been a percussionist for 40 years. Clemente masters the following instruments; bongo, conga, timbal and minor percussion

He has recorded with Roberto Angleró, Tommy Olivencia, Tony Vega, Tito Rojas, Gilberto Santa Rosa, Willie Rosario, Bobby Valentin, José Alberto “El Canario”, Rey Ruiz, Willie González, Frankie Ruiz, Puerto Rico All Star, Yan Collazo, Bomplenea, Plenarium among others.

He has also had the opportunity to be music producer, “Rompiendo Barreras” with Mario Feliciano, “Independiente” Tito Rojas, “Ritmo Caliente” with Bomplenea by Gary Vera, “Rompe La Rutina” by Del Gonzalez, “Te mando un beso” with Plenarium by Capitol Clemente.

He has also had the opportunity to be a music producer, "Rompiendo Barreras" with Mario Feliciano, "Independiente" Tito Rojas, "Ritmo Caliente" with Gary Vera's Bomplenea, "Rompe La Rutina" by Del Gonzalez, "Te mando un beso" with Plenarium by Capitol Clemente.
Jimmie Morales (R.I.P.), Porfi Baloa and Celso Clemente

He is an endouser of the Pearl Musical Instrument Company also in the line of cymbals “Soultone Cymbals”.

Celso Clemente is considered one of the best sounding bongos, which caught the attention of many record producers. Celso is probably the most recorded bongos player in the history of Puerto Rican salsa discography with more than 220 credited recordings.

The list of salsa legends Celso has recorded with is too long to list.

Celso is currently the timbalero and leader of the band of the famous salsero Tito Rojas (R.I.P) where he toured all over the world.

Celso is probably the most recorded bongo player in the history of Puerto Rican salsa discography with more than 220 accredited recordings.
Celso Clemente & Tito Rojas (R.I.P)

He offers Percussion Workshops to; children, youth and adults, both in person and online, based on his extensive musical experience, which is more than 42 years in the tropical genre (Salsa), bomba and plena.

Facebook: Celso Clemente Talleres De Percusión

Contact in Puerto Rico: +1 787-429-9971

Email: [email protected]

Source: Pearl Musical Instrument Company  https://pearldrum.com/eu/artist/celso-clemente

By: Diana Marie International Salsa Magazine Correspondent

 

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Mel Martinez I come from Puerto Rico and Puerto Rico is Salsero

Totally agree with the premise that Mel Martínez establishes in this song of his authorship.  Yes, Puerto Rico is the same as saying: “Yo soy salsero”.

Long live the music!  Know that this implies shouting:

“Long live the musicians, so they can keep making it”.

The song starts off timidly and it seems that the arrangement asks the listener for his opinion on what he thinks of what is the first single of what will be his next musical production in a segment that presents a transcript of that “what do you think of Cholito”.

From there it pivots into a melodic design that reminds me of a segment of “I like Christmas that tastes like Puerto Rico” The shyness of the theme lasts approximately ten seconds.

Then the arrangement takes a turn that suggests that in Puerto Rico it’s Christmas all year round.

The lyrics of the song assures that all salsa-loving countries have their flavor and their flag; defined by other rhythms, highlighting the native rhythms of Colombia, Dominican Republic, Argentina and Peru. But Mel comes from Puerto Rico and asserts on behalf of all Puerto Rican salseros that: “In Puerto Rico the sun is boiling and that’s where Caliente salsa comes from”.

The song starts off timidly and it seems that the arrangement asks the listener for his opinion on what he thinks of what is the first single of what will be his next musical production in a segment that presents a transposition of that "what do you think of Cholito".
Mel Martinez The essence of family and Music

Evidently salsa is our pride.  We are all Mel in terms of his love for salsa, the shout of pride, the flavor and the flag”.

And speaking of flavor and flag, it is clear that still “Aníbal Vázquez as a dancer, Giovanni Hidalgo hitting a leather, Tite Curet’s songs and Sammy Marrero’s feeling” are as valid as their first day in salsa performances.

New York’s emblematic nightclubs, all of them already disappeared, stand out in the lyric.

The mention of El Corso, Latin Quarter and the unforgettable Copacabana filled me with nostalgia and joy for having been lucky enough to have been part of that history. In Puerto Rico we have also been part of the history of salsa as it was spun in Lomas del Sol, El Coabey -which has been sustained against all odds- and El Tropicana.

The groups of Luis “Perico” Ortiz, El Gran Combo, Willie Rosario, Bobby Valentín, Tommy Olivencia, La Ponceña, Roena, Mulenze and Chaney star in the list of orchestras born in our soil and that Mel includes in the lyrics of the theme. Costa Brava, Puerto Rican Power, Canayón, Mario Ortiz, Don Perignon and La Solución complete the list of outstanding orchestras in sound and category.

The patron saint festivities and the dancers arrive at the theme at the climax of the mambo, through the pregones in the voice of our favorite for several decades.

From Fajardo to Mayaguez, passing through Bayamón and Carolina, Cataño and Dorado Mel assures that our 100 x 35 and its inhabitants are salseros by birth.

The lyrics of Mel’s song are so great that it secured mention of the dancers who every year try out for National Salsa Day, which until 2020 was exclusive to Puerto Rico.

If you haven’t heard this song, I dare you to listen to it without getting stuck to it:

I don’t know where you’re from

But I love my land

I come from Puerto Rico

and Puerto Rico is salsa.

I can tell you that the choruses are deluxe.  The coros feature Luisito Carrión, Lalo Rodríguez and Carlos García; the same Carlos García who composes, arranges, sings and dances, all while masterfully dominating behind his piano.

As Mel states in this beautiful composition, which is also patriotically historical: we were born salseros.

I add by way of an intimately personal opinion that no human being is prepared to face the battle of life without the encouragement that music gives us.

I conclude by recommending you not to miss the correspondence between Pedro Perez’s bass and Emanuel Navarro’s timbal at the end of the song.

For those who doubt that musicians give us music even when it seems that the musical theme has already closed.

What is left for me to say? Long live the music!  Know that this implies shouting: “Long live the musicians, so that they keep on making it”.  Ah! And that we are still salseros.

Facebook: Mel Martinez

By: Bella Martinez “The Irreverent Salsa Writer”

Puerto Rico

Puerto Rico es Salsero
Bella Martinez “The Irreverent Salsa Writer”.

Website: Bella Martinez Escribe

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.