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Search Results for: Cali

Edgar “Balín” Ocando Venezuelan percussionist musician based in Mexico

Edgar “Balín” Ocando, Venezuelan musician born in Caracas in the parish of El Recreo, specifically in block 7 and 8 of Simón Rodríguez.

He studied music at the José Reyna school located behind the same building where he lived, he also studied at the Conac de Sarria with maestro Orlando Poleo.

In his childhood he met with friends who had the same restlessness and passion for music, getting together every weekend to make noise as the neighbor said to the one who had to endure the music end after end.

As a result of these rehearsals he ended up in a group with which he began his music career and received his first professional payment at the age of 14 with the group Ases de la Gaita, a group formed by childhood friends in order to get away from drugs, which for the 80s was very strong.

Edgar “Balín” Ocando músico percusionista venezolano radicado en México
Edgar “Balín” Ocando músico percusionista venezolano radicado en México

In high school he joined the ranks of the Venezuelan Children’s Choir under the direction of maestro Raul Cabrera. During his time in the choir, the son of Professor Cabrera, known as Raulito, formed the salsa group Sabor Latino and became part of it.

Coming from a musical family, he always looked for a way to be close to his uncles Rafael and Yelitza Sivira, who were singers of the Polifónico Rafael Suarez and always looked for a way to be present in the rehearsals.

Yelitza Sivira was the one who took the responsibility to take him and he only sat and watched how they vocalized with the piano with the help of the director Maria Cabrera. It was then when they created the Polifónico Infantil Rafael Suarez and he became a baritone.

Already in adolescence at the age of 17 years old, he started working in a bank through a scholarship granted by the institution Insbanca, and while working, the Coral del Banco Italo Venezolano was created, thus participating in bank choral meetings, it was then that he returned to music as an instrumentalist when he saw in a newspaper advertisement that they requested a drummer to be part of a group of bagpipes, for which he went to the audition where there were countless drummers and of which he was left with the position thus becoming part of Estrellas de la Gaita.

The following year he was invited by a friend to join the group Santoral of Freddy Rangel, arriving to record for the first time in Requena Studios, the following year in full rehearsal with Santoral I was called to join the group Los Caracuchos of Joseito Rodriguez, forming part as a drummer for 2 years and recording in Manoca Studios, it was then where he enters the percussion workshops of the Biggot Foundation with the teachers Alexander Livinali and Williams Troconis.

He was in the ranks of important Venezuelan groups and orchestras such as Los Caracuchos, Catatumbo, Los Casanovas, Melody Gaita, Sabor Latino, Orquesta La Moderna, etc.

Edgar “Balín” Ocando
Edgar “Balín” Ocando

In 1999 he changed course and moved to Mexico where he has participated as a percussionist and backing vocalist in groups such as Cokodrilos, Kumbia Kings,

Sonora 100% Dinamita, Alicia Villarreal and today he has his own orchestra called Rumba Latina de Venezuela, which he formed in 2005 and has opened concerts for great international figures such as: Oscar D’ León, Willie Colon, Víctor Manuelle, Porfi Baloa y sus Adolescentes, Nigga, etc.

As well as Mexican artists such as Julión Álvarez, Los Tucanes de Tijuana, Mariana Seoane, El Grupo Pesado, Germán Montero, El Poder del Norte, Emilio Navaira among others.

Integrated by musicians of different nationalities from Venezuela, Cuba, Dominican Republic, Mexico and hand in hand with our representation office and record label Indepe Music, we will continue to bring our music to more and more people in every corner of the country.

Edgar Ocando Manager

Phone (52)-8132179324

Email: [email protected]

Edgar Balin Ocando

You can read: Anacaona The Cuban Female Orchestra

3 Reasons To Stay In Paris This Season

We show you the different places to visit with authentic Salsera fun

Paris (France) has always been a popular tourist destination with musical tradition, and the rhythm of Salsa is no exception. There are plenty of places to dance if you like this Afro-Caribbean tune, but what makes it especially appealing this season? We show you three reasons why you will want to spend more time in the capital of this beautiful Western European country during December 2022.

Latin New Year’s At Cabaret Sauvage

Cuarteto Cubano has toured France’s stages for four years
Cuarteto Cubano has toured France’s stages for four years

The biggest Latin New Year’s Eve in Paris will be at Cabaret Sauvage with the live presentation of Cuarteto Cubano playing the great classics of Cuban and French music that will make you travel through old Havana and give French hits an air of partying and joy. The Cuban Quartet www.cuartetocubano.com has toured the stages of France since 2018, always with the same goal of “making people dance and smile”.

Then, the wild mixes by DJ El Dany, DJ Hot Rod, and DJ El Cuco will begin with the best of Salsa, Merengue, Bachata, Guaracha, Reggaeton, Dembow, Funk, and Cumbia together with the magical voice of Cuban singer Denis Mora.

All of this is accompanied by the show of the Latin Cabaret and intelligent Pitshow that will take you into the idyllic atmospheres of the Latin American carnivals with the performances of the divine Cuban dancers Roima and Diane Alcalá who form the duo “Las Mulatas del Sabor” that will transport you to a paradise of the burning party of Havana, Cuba.

Cabaret Sauvage will open its magical doors on Saturday, December 31st, 2022, from 10 PM to 5:30 AM on Sunday, January 1st, 2023. Tickets are already available for reservation, but if you want to purchase them at the box office, they will have a value of €50 all night. Cabaret Sauvage is located at 59, bd MacDonald – Parc de La Villette – Paris 19 M° Porte de La Villette.

¡Vamos Pa’ La Rumba!

Cabaret Sauvage starts Christmas on December 3rd
Cabaret Sauvage starts Christmas on December 3rd

If you like to dance Salsa, then you can go to Cabaret Sauvage https://www.cabaretsauvage.com/agenda throughout this season. Yes, we continue with the Latin party in this magnificent place.

The ingredients are assembled on the table to make La Rumba an unmissable event for all lovers of Latin music and Latin American culture in a unique party experience in Paris.

The Salsa Concerts will present the best current and classic pieces from the orchestras that make life in the capital of this country, renowned for its wines and haute couture brands.

On the stage of Cabaret Sauvage on Saturday, December 3rd, you will satisfy your Salsa cravings with Salsa Caleña classes with Calisabor instructors, a performance by the Jim López & La Nueva Edición orchestra, and tonight will be enlivened by the Show Super Heroes of Salsa and the mixes of DJ El Dany, DJ Dominicano, and DJ El Cuco de la Salsa.

On the second Saturday of the month (December 10th), the Rumba continues with the second edition of El Perreo de Navidad: Mega Reggaeton Party with the opening of its doors at midnight. Here, you will find until 6 AM the best selection of this urban rhythm that has guaranteed its permanence at the top of popularity among the youngest in France and the world. The DJs present will be DJ El Dany, DJ Ortega Dogo, DJ Lina, and DJ Driver MC. The ticket price at the box office is €20.

France’s  Clubs

Le Balajo nightclub
Le Balajo nightclub

This season you can have fun in Paris with its landscapes, winter climate, cultural offer, sophisticated gastronomy, and above all in the various clubs that offer a palette of Afro-Caribbean colors and Salsa enjoyment, among which the Le Balajo nightclub stands out https://www.balajo.fr/ open since 1936. Every Tuesday there are Salsa and Bachata classes for beginners and intermediate level dancers followed by a Latin party hosted by DJ Karim until 2 AM.

The Parisian Restaurant/ Bar/ Nightclub Pachamama https://www.pachamama-paris.com/index.php/en/home-alt-2/ is located at 46-48 rue du Faubourg Saint Antoine, 75012, in a historic building from the 19th century designed by Gustave Eiffel in the neo-vintage colonial style. It has three levels and is open from Thursday to Saturday from 8 PM to 5 AM with resident DJs lighting up the dance floor (Ground Floor) with harmonious mixes between Latin Music, Soul, Pop, and Deep House.

Finally we bring you the Bar/ Restaurant/ Club La Pachanga https://www.lapachanga.fr/, a place of reference for lovers of Salsa, it is located near the Eiffel Tower at 8, rue vandamme 75014.

At La Pachanga you can attend two-hour Cuban Salsa and Puerto Rican Salsa dance classes from Tuesday to Thursday from 7:30 PM to 9:30 PM, continuing with social dancing and a DJ set until 2 AM. On Saturdays La Pachanga closes its doors at 5 AM.

You Can Also Read: Where To Go Dancing Salsa In Paris?

“Mambo Fiesta” the new of Maelo y su Klan from Oslo Noriega

As of Thursday, November 4, 2022 it will be available for sale on all digital platforms worldwide.

A musical production of Café Records.

Miami, FL, November 4th, 2022. (Café Records) It already smells like the holidays, both the World Cup Qatar 2022 and Christmas and the native of Caracas, the Venezuelan Ysmael D’La O (Maelo), producer, composer and director of the European group “Maelo y su Klan”, brings us this new and catchy single from the album “Cultura Viva”, titled Mambo Fiesta.

Mambo Fiesta lo nuevo de Maelo y su Klan desde Oslo Noriega
Mambo Fiesta lo nuevo de Maelo y su Klan desde Oslo Noriega

In his musical biography, Maelo has the album “Ritmo y Sabor” 2018 and singles from his new production; “Son Kizomba”, “La reina de la Campana”, “Que Extraño es Eso”, which was his first Feat with the Venezuelan cultural heritage group “El Sondeo Clásico del Caribe” and last summer’s hit “Son Onomatopeya”.

It has been a spectacular year, full of nominations, recordings and successes of the mulatto from Carapita, in which we highlight the following: winner as the best Antillean Group of 2022 of the Cristo Rey Awards, which is awarded in Cali, Colombia, known for being the world capital of salsa.

He also received the “Honorable Mention” as producer of the year 2022, at the Golden Latin Awards in Tenerife, Spain, after more than 20 years in music production in the old continent.

Referring to the Mambo, today few groups are recording this type of rhythms, but Maelo, as a good visionary and knowledgeable of the emerging market, breaks with that scheme and presents us with a work of musical art for the dancer.

With the invitation of excellent and first class musicians as collaborators:

Composer: Ysmael D’La O (Maelo), Trumpets: Luis Ruiz, Trombone: Michael Palma, Voice: Luis González, Alto and Baritone Saxophones: Julio Estrada, Tumbadoras, Bongo, Campana, Maracas and Guiro: Yomar “Caballo” Méndez, Timbal: Hungría Rojas Jr, Bass: José “Mortadelo” Soto, Piano: Julio Estrada, Backing Vocals: Luis González, Alexis “El Chivo” Aguilar and Ysmael D’La O (Maelo). Arrangement and musical production: Julio Estrada, recorded at Estudio Requena and JE studio, mixing: Francisco Requena and Julio Estrada.

Mastering: Estudio Requena: Francisco Requena, all under the general and executive production of: Ysmael D’La O (Maelo).

“Mambo Fiesta” is here to stay in the public’s taste, and is already available on all digital platforms distributed by Café Records.

Maelo y su Klan

You can read: Live The Salsero Rhythm In Asia

This is the story of Percussionist Joe González

Young Joseph

Joseph Gonzalez has been one of the greatest Latin percussion icons of our time and it is worth talking about his past and current accomplishments. He was born on March 12, 1953 in the San Juan Hill section of Manhattan and grew up in a mixture of cultures with Puerto Rican and Italian roots, which ensured that the young Joseph and the rest of his siblings were raised with the best of each.

Percussionist Joe González posing for the camera
Percussionist Joe González posing for the camera

According to the musician himself, his passion for music started in the 1950s when he listened to all kinds of genres and rhythms at home, which trained the young man almost without him realizing it. At home, his family used to enjoy the talent of Frank Santana, Machito, Jerry Vale, Tito Puente, Mario Lanza, among many other artists of the time. Upon hearing these names, one can already get an idea of what Gonzalez’s vocational training would be like in the future.

From a young age, he would liven up family parties by playing the conga. At the age of 15, the boy first became interested in music as something more than just a hobby to kill some time. The teenager gave signs that music would be a very important part of his life.

Already in the 1960s, Gonzalez had made his first long-playing record with Frankie Nieves, vocalist and neighbor of the artist who had set himself the goal of taking over the boogaloo world and become one of its greatest exponents. The album was called ”The Terrible Frankie Nieves”, was under the direction of producer Stan Lewis and contained all kinds of popular genres for those years such as R&B, guaracha, mambo and much more.

Joe González and Ray Santos
Joe González and Ray Santos

Self-taugh musician

Something very striking about this music is that he never attended an institute or school of arts, but learned everything by himself through the experience he gained in San Juan Hill, where the best Latin music orchestras were always heard and whose musicians lived and some even resided in Amsterdam Houses.

In 1971, he became  a member of the Ruben Betancourt’s orchestra, with whom he would play the group’s first LP entitled ”Orquesta Tentación” and published by the record label Mañana Records. A few years later, he married and soon he and his wife had their first daughter, to whom they gave the name Audrey Valentina. Around the same time, he separated from Rubénm stayed with ”Felix Morales & Orchestra Caprí” for two years and was part of ”Son De La Loma”, whose members were veteran musicians who taught Joe everything they knew.

Cover of the album ‘’62nd and 10th’’

During the 1980s, there was a dramatic decline in the Latin music scene, which caused Gonzalez to look for a regular job that could support his family and provide them with the the finaltial security they need. In those years, he partnered with jazzman Mario Bauzá and his orchestra, a group with which the percussionist finally achieved the level he was destined to get to.

He started making very important appearances in a lot of concerts with the Bauzá’s orchestra and recordings that would lead him to have access to many other opportunities on TV shows, film soundtracks, tours, awards, among many other things. This led him to be worthy of the Latin Grammy on several occasions and perform with stars such as Celia Cruz, Papo Vázquez, Arturo O’Farrill, Daniel Poce and many more.

His most recent album is entitled ”62nd to 10th”, which is absolutely dominated by Latin jazz and whose compositions are written by Gonzalez himself, except for one track. In this album, Joe Gonzalez once again demonstrates that he has not forgotten everything he has learned and is still as strong as ever.

Read also: Tribute to Larry Harlow about a year after his departure

 

By Johnny Cruz, ISM Correspondents, New York, New York City

Marco Bermúdez extraordinary Musician, Percussionist, Singer, Composer

On october 19, 1961 in Portoviejo, Ecuador, Marco Bermudez Brito was born. Extraordinary Musician, Percussionist, Singer, Composer.

Nobody is a prophet in his own land. At the age of 23 he traveled to the United States as a singer. And in 2004, being a member of the Spanish Harlem Orchestra (SHO), he won the Grammy in the category Best Salsa Album for the album Across 110th street.

On a day like today, October 20, Marco Bermudez was born in Portoviejo, Ecuador. He is an excellent performer, composer and studio musician in all styles of Latin music.

Marco Bermúdez
Marco Bermúdez

He was born into a family with a rich musical heritage and has resided in New York for the past thirty-four years. Marco has toured the world with Latin music greats: Tito Puente, Celia Cruz, Cheo Feliciano, Oscar D’ Leon, Tito Nieves, Domingo Quiñones, Jose Alberto and all the artists on the RMM Records label.

Marco’s discography includes: RMM All Stars 10th Anniversary CD/DVD Live at the Continental Arena New Jersey; Recorded a Selena (RMM) and Tropical Tribute to the Beatles CD/DVD recorded live at Radio City Music Hall in New York.

Marco is currently one of the singers of the Spanish Harlem Orchestra. As a performer and composer, Bermudez has collaborated in the record productions of the SHO, writing the lyrics of the songs Son de Corazón, Regalo de Dios, Qué Bonito, La Fiesta began.

(One more year of life for this Ecuadorian performer, composer and musician who has performed in different variations of Latin music.

Marco Berudesz en Mi Voz
Marco Berudesz en Mi Voz

Experiences with Isidro Infante y La Élite, Conjunto Clásico, Tito Puente, Celia Cruz, Cheo Feliciano, Oscar D’León, Tito Nieves, Domingo Quiñones, José Alberto “El canario”, and Ralph Mercado’s RMM Records family in which he participated in productions such as “RMM All Stars 10th Anniversary – Live in Continental Arena of New Jersey”, “Recorded a Selena”, “Recorded a Selena”, “Recorded a Selena”, “Recorded a Selena”, “Recorded a Selena”, “Recorded a Selena”, “Recorded a Selena”, “Recorded a Selena”, and “Recorded a Selena”; the album “Recorded a Selena” (RMM) and “Tropical Tribute to the Beatles”, a CD/DVD recorded live at Radio City Music Hall in New York.

The pinnacle of his career came when he became part of the Spanish Harlem Orchestra’s line-up of singers, collaborating in different record productions and strengthening his facet as a composer through titles such as “Son de corazón”, “Qué bonito”, “Regalo de Dios” and “La fiesta empezó”.

He has also been part of The Mambo Legends project sharing microphones with Frankie Vázquez and Jorge Maldonado.His story is told to us when he was in Ecuador on vacation with his wife.

“From a very young age, I was always surrounded by music,” she says proudly. He refers to his parents, siblings and most of all to his uncle, the great singer Eduardo Brito.

Eddie Palmieri y Marco Bermudez
Eddie Palmieri y Marco Bermudez

Marco, at the age of 9, together with his brother Eduardo formed the duo Hermanos Bermúdez Brito, being the first to record the pasillo Romance de la tejedora manabita, lyrics by Paco del Casty and music by Filemón Macías, Marco’s uncle: “Con horma de esperanzas/y encajes de clavellina/ va tejiendo su sombrero/ la manabita más linda” (With a last of hopes/and lace of carnation/ she weaves her hat/ the prettiest manabita).

In the early eighties, brothers Mariano and Venancio Larrea invited him to join the Marfil group, from Guayaquil. That was when the group turned to salsa music, which was just becoming popular in these parts.

But his life and stage changed in 1984, when he and his brother joined the Manabita orchestra Los Profetas, which would perform in Los Angeles, Miami and Chicago.

With the illusion of succeeding in the north, Bermúdez stayed and formed El Combo de Nueva York, which was the staff orchestra of a chain of nightclubs in Queens.

Roberto Roena y Marco Bermudez
Roberto Roena y Marco Bermudez

At that time, Marco was concerned about his musical training, besides being a singer and composer, he was also a percussionist. His entry into the big leagues of salsa came when he was part of La Élite, led by maestro Isidro Infante, for 6 years.

There he achieved fame as the interpreter of the songs Santo, Militar and Montuno and for the album Tributo Tropical a Los Beatles.

He was also part of La Charanga de Johnny Almendra and Los Jóvenes del Barrio, and was one of the singers of the legendary Conjunto Clásico orchestra. “Even when there is a tour they call me because I know the repertoire and I know the routine”.

At the beginning of 2003 he made a great leap when he joined the SHO, an orchestra that besides winning the Grammy and achieving nominations for two of its albums, is considered “the best salsa orchestra in the world”, according to the Puerto Rican critic Jaime Torres Torres, who in referring to Bermúdez affirms: “He is the only recognized Ecuadorian salsa singer who dominates the difficult art of soneo and clave”.

Spanish Harlem Orchestra
Spanish Harlem Orchestra

About the renowned SHO, Bermúdez says that in reality this orchestra “is the sound of the Harlem neighborhood, where urban salsa was born.

We are inspired by masters like Tito Puente and Mario Bauza, who left us that legacy”. And although every salsa singer is mistakenly called a sonero, very few are.

The soneo is an improvisation by the singer when the percussionist solos on the drums, he explains.

The next SHO album will feature three songs by Bermúdez: Son de corazón, Regalo de Dios and La fiesta empezó. “I like to write everything, romantic, jocular, nature and rumba songs,” says Marco who is currently selecting songs for his solo album which he hopes will be released this year. It will include a recording with Las Leyendas del Mambo, Tito Puente’s legendary orchestra.

These are his plans. His dream: “to come to Ecuador as a soloist or with SHO because I have had recognition abroad, but it must be nice to be recognized in your country”. Although they say that no one is a prophet in his own land, Bermúdez, the sonero, will surely be.

At the age of 9, together with his brother Eduardo, he formed the duo Hermanos Bermúdez Brito, being the first to record the pasillo Romance de la tejedora manabita.

In the early eighties, the brothers Mariano and Venancio Larrea invited him to join the Marfil group, from Guayaquil.

In 1984, together with his brother, he joined the Manabita orchestra Los Profetas, which would perform in the United States. He stayed in New York and formed El Combo de Nueva York, which was the staff orchestra of a chain of nightclubs in Queens.

Later he was part of La Élite, led by maestro Isidro Infante, for 6 years.

He was also part of La Charanga de Johnny Almendra and Los Jóvenes del Barrio, and was one of the singers of the Conjunto Clásico orchestra.

At the beginning of 2003 he joined the “Spanish Harlem Orquestra” of Maestro Oscar Hernandez. He has collaborated, among others, with the band of “Mister Moña” Jimmy Bosch and “La Mambo Legends.

You can read: Héctor “Bomberito” Zarzuela Calidad y Tuning en la Maquinaria Fania All-Star

Marco Bermudez

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.