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Search Results for: Celia Cruz

Argenis Carruyo is known in the music scene as “El Volcán de América” (The Volcano of America) due to the power of his voice

Carruyo He was born in Maracaibo on August 22, 1953 at the Chiquinquira Hospital in Maracaibo, located in the same sector where he grew up.

Argenis Carruyo he had the good fortune of being a neighbor of Los Blanco, who 12 years after his birth hired him as an instrument picker, an experience that served to awaken in him the love for music, a feeling that was nurtured when he discovered in him an unmistakable talent to make singing his life support.

“The Volcano of America” because the power of his voice makes the senses of those who have the opportunity to listen to him rumble; so sings Argenis Carruyo, from Zulia, who from a very young age began to demonstrate the vocal quality that characterizes him.

Argenis Carruyo is known in the music scene as "El Volcán de América" (The Volcano of America) due to the power of his voice
Argenis Carruyo is known in the music scene as “El Volcán de América” (The Volcano of America) due to the power of his voice

He has stood out as an interpreter of the gaita zuliana and during the 1970s and 1980s belonged to the Dimensión Latina.

The 80’s was a very busy decade for this multifaceted character; he sang with Orlando y su Combo, and did a duet with Ender Carruyo in the orchestra “Los Hermanos Carruyo” and then again with the Super Combo Los Tropicales, until 1985 when he decided to found his own group called “Argenis Carruyo y su Orquesta”.

He began his musical career with the youth group Los Larkings. Later, he was part of Los Juglares and Los Casinos.

In 1973, he joined the ranks of Súper Combo Los Tropicales and in 1977 he was recruited by Dimensión Latina, with whom he sang until 1981. Later he joined the group Los Melódicos.

During the 1980s he had an intense artistic activity in which he sang with Orlando y su Combo, duetted with Ender Carruyo in the orchestra Los Hermanos Carruyo, worked again with the Súper Combo Los Tropicales and, in 1985, formed his own group: Argenis Carruyo y su Orquesta.

Argenis Carruyo and his Orchestra
Argenis Carruyo and his Orchestra

Sabor a Gaita:

Apart from his work with rhythms such as guaracha and salsa, Carruyo has also performed the gaita zuliana.

The Volcano of America has not only stood out among the great interpreters of the Caribbean for playing rhythms such as the guaracha, he has also honored his land by making famous great gaita compositions.

During his time in the genre he worked with groups such as El Número Uno, Rincón Morales, Guaco, Los Morillo and Gaiteros de Pillopo.

He owes part of his fame to the gaita, because the Zulian melody accompanied him on stages and still accompanies him in his veins as it does to anyone who appreciates being a worthy Maracaibero.

During his artistic life he has received numerous recognitions, as well as the publication of a book with his biography.

In 1975 he won the Festival de Cantantes y Compositores Zulianos and has received the Mara de Oro (1993, 1994, 1995) and Gran Cacique de Oro awards as best singer, the Gran Aguila de Venezuela as best singer and dance orchestra (1995, 1996, 1997, 1998, 1999, 2001), and the Catatumbo de Oro as best popular singer (1993) among others.

"The Volcano of America"
“The Volcano of America”

His orchestra received the Orden Ciudad de Maracaibo in its first class as best dance group.

He has performed in the most important nightclubs in Maracaibo, the country and abroad, alternating with the most recognized figures of the song, which is why he is considered one of the most genuine interpreters of tropical Caribbean genres in the Zulian region, such as salsa, guaracha, cumbia, merengue and bolero.

With a prolific career of more than twenty-five years that has served to demonstrate his talents as a vocalist and his own characteristic style, which gives him his most authentic identity.

Argenis Carruyo, with pride from Maracaibo, proclaims that he owes to Zulia the success and fortune that always accompanied him since he discovered the enormous talent he carried in his blood, his homeland became his main fan, to Maracaibo he owes his life and to its inhabitants the affection and the memory that will always keep him alive through his songs.

For 2023 Argenis was specially invited to participate in the excellent group Quintero’s Salsa Project – Tributo A La Dimension Latina directed by New York based percussionists Luisito Quintero and Robert Quintero.

Luisito Quintero grew up in the Latin and African percussion tradition. His father is as percussive as his uncle Carlos Nene Quintero and cousin Roberto Quintero. He became a member of the Venezuelan Symphony Orchestra, but soon joined ensembles such as Grupo Guaco and El Trabuco Venezolano and toured with Oscar D’León.

He then moved to New York, where he met Latin jazz musicians like Willie Colon, Eddie Palmieri, Tito Puente and Celia Cruz worked. He then turned to the fusion of jazz, funk, salsa and African music and played with George Benson, Herbie Hancock, Ravi Coltrane and Toshiko Akiyoshi, but also with pop musicians such as Gloria Estefan and Marc Anthony. Louie Vega produced his first album with him.

Quintero’s Salsa Project – Tribute To The Latin Dimension

Tracks: Ya Tu Lo Véras; Sin Tu Cariño; Cara de Guabina; Sigue Tu Camino; Irimo; Dulce Cantar; De Quintero a Dimensión; Ahi Nama; Te Conocí; Parampampam; Arroz Con Manteca; Frutas del Caney.

Musicians: Argenis Carruyo; Jimmy Bosch; Marcial Istúriz; Roberto Quintero, Luisito Quintero.

Record labels in which Argenis Carruyo has participated.

Top-Hit (TH), Maracaibo Record’s, Argenis Carruyo, Discos VRZ, SonoVen Records, L. G. Record’s C. A; iMusician | EDGARSARMIENTO, Palacio, among others.

Argenis Carruyo y Dj. Augusto Felibertt
Argenis Carruyo y Dj. Augusto Felibertt

Sources:

La Buena Musica: Argenis Carruyo

La Salsa es mi vida: Quintero´s Salsa Project – Tributo A La Dimension Latina

Also Read: Víctor Porfirio Baloa Díaz, more commonly known as Porfi Baloa

Tempo Latino: Creating Connections Through Music

An Interview with Eric, Founder of Europe’s Premier Latin Music Festival

On the last week-end of July, a festival celebrates Latin and Afro-Cuban music and brings thousands of music lovers to a small town in France. Eric, the festival’s creator, shares its origins, inspirations, and evolution.

Interview with Eric Duffau
Eric Duffau showing a photo of Compay Segundo

Since its inception in 1994, the Tempo Latino festival has welcomed incredible artists to this small town in the Southwest of France.

Creating a Musical Oasis in Vic-Fezensac

Having lived across France, Eric settled in Vic-Fezensac, where he felt the need to create something beyond work. His passion for Latin and Afro-Cuban music led him to start Tempo Latino, aiming to provide what he missed – concerts of these genres.

A Journey of Music and Discovery

Eric’s radio inspiration and his love for vibrant rhythms ignited the idea for a music festival. He yearned to introduce others to the music he cherished, giving birth to Tempo Latino in 1994. The inaugural edition featured Fatal Mambo and Mambomania, attracting 2,800 attendees. Now the festival attracts over 10,000 people.

Eric’s selection process for artists is fueled by genuine connections, resulting in a diverse lineup that weaves different styles into a harmonious experience. His curation creates unique narratives each night. Pairing artists with contrasting energies, like Lila Downs and Cimafunk, creates a captivating tapestry that reflects the festival’s essence. Eric’s journey involves tireless pursuit and strong artist relationships. From Bernard Lavilliers to Excelencia, his commitment to music’s magic and meaningful collaborations remains steadfast.

A Melodic Journey Unfolds

The festival’s theme guides its trajectory, from Africa’s heart to New York’s energy. Lavilliers’ Paris and the Caribbean’s vibrancy unite through music, creating a diverse yet cohesive experience.

In a digital era, Tempo Latino reminds us of music’s power to unite. Eric’s dedication and knack for blending genres into harmonious narratives continue to resonate.

Tempo Latino: 28 Years of Latin Rhythms, Community, and Artistry

The charm of Vic-Fezensac, a small town in France, transforms every year as over fifty thousand people gather for the renowned Tempo Latino Festival. In an exclusive interview, Eric, the festival’s creator, discusses the intricacies of managing such an event in a local community and the relationship it shares with the town.

Mural for the entrance of the 2023 Festival, by Martin, a local graffiti artist.
Martin, the local graffiti artist, putting the final touches on the entrance mural.

Local Community and Involvement

Eric sheds light on the local engagement, emphasizing that while not everyone participates, the festival is supported by some local partners. What brings him contentment is the transformation he witnesses each year as the town welcomes an eclectic crowd of festival-goers. The festival’s vibrant audience, composed of diverse backgrounds, gives life to the town’s streets and squares in ways that were once unimaginable.

Eric reminisces about the support he received from the former mayor, Jean Arnaud, whose open-mindedness and appreciation for the festival’s diverse attendees left a mark. Jean Arnaud’s encouragement and acknowledgment of the festival’s contribution to cultural diversity added an emotional connection between the festival and the town.

Fostering Relationships with Artists

Eric’s dedication to music and fostering connections with artists has been at the heart of the festival’s growth. He shares anecdotes about musicians like Oscar D’Léon and Celia Cruz, who have left an indelible mark on the festival’s history. These relationships, he emphasizes, are more than business; they’re rooted in mutual respect and genuine affection.

Celia Cruz – Yuri Buonaventura
Oscar D’Léon – Cachao

Overcoming Challenges

Throughout its 28 editions, the festival has faced numerous challenges, both financial and logistical. Eric reflects on early deficits, weather-related disruptions, and organizational intricacies. Each year’s success has hinged on meeting these challenges head-on, often pushing the festival to its limits.

The Ever-Evolving Vision

Eric’s vision for the festival’s future remains unwavering – bringing together people from diverse backgrounds through music. He acknowledges the changing landscape of music and dance styles, highlighting the importance of maintaining a balance between cultural integrity and evolving tastes.

Looking Ahead

With the 30th edition approaching, Eric envisions continued growth while staying true to the festival’s roots. He expresses his desire to bring acclaimed artists like La India and Carlos Santana to the stage, continuing the legacy of diverse and passionate musical experiences.

In the grand tapestry of the Tempo Latino Festival, Eric’s passion, dedication, and genuine relationships have woven together a cultural masterpiece. The festival remains a beacon of unity, showcasing the power of music to transcend boundaries and create shared experiences. As the festival moves towards its next milestone, it stands as a testament to Eric’s unwavering commitment and the enduring magic of Latin and Afro-Cuban rhythms.

Mark your calendar and plan your trip for the 2024 Tempo Latino on the last weekend of July 25 to 28, 2024.

Visit for more information

[Read more…] about Tempo Latino: Creating Connections Through Music

“Canelita Medina” Caribbean popular music loses one of its best exponents

Canelita, the Venezuelan sonera, died on Tuesday, July 4, 2023. It was recently announced that the singer had to undergo surgery to implant a hip prosthesis.

The 84 year old artist was the mother of Venezuelan interpreter Trina Medina.

Canelita Medina y Dj. Augusto Felibertt
Canelita Medina y Dj. Augusto Felibertt

Rogelia Medina, popularly known as “Canelita” and nicknamed by the media as “La sonera de Venezuela” and “La sonera del Caribe”, leaves today at the age of 84 after having delighted the Caribbean and her country like birds, with all the strength of her tenderness.

Songs such as: “Tanto, tanto, tanto” “Besos brujos” “Lágrimas negras” among others will remain forever in our hearts.

Canelita, la sonera de Venezuela
Canelita, la sonera de Venezuela

She had an unmistakable voice, both for her timbre and her sweetness, for that particular way of intoning with such a sweet strength, because she never wanted to impose herself. She was always herself, with a gift for people, and a truly unforgettable charisma.

What Venezuela, the Caribbean and Latin American popular music have just lost is not little, because she also represented effort, prudence and that femininity that dictated a lesson, even in the choice of her repertoire.

Life

She was born on March 6, 1939 in La Guaira, in the central Venezuelan coastline that she truly loved. Whether it was in the area of El Playón, near Caraballeda, or in the town of Anare or towards Catia de la Mar, Rogelia experienced the joy of the sea air and the way of being of those born on the coast, with drums, joy, cadence and music always. They have their own codes.

She is not the most Cuban of the Venezuelan women, as some media erroneously affirm. No and no. She is the greatest Venezuelan interpreting the Cuban son and much beyond, because she interpreted other Caribbean and Venezuelan genres with extraordinary solvency.

She always knew, and soon the rest of her countrymen knew, that she was born to sing. The musical environment at that time was not very favorable for women, much less in son or guaracha. Like many other women in Venezuela and the Caribbean, she started on the radio.

“Canelita Medina”
“Canelita Medina”

This is what she told researcher Jairo Aponte, from Puerto Cabello. When asked about her first contact with show business, Rogelia answered: “It was because of some friends I had who knew that I liked to sing. There was a program on the radio station Ondas Populares called Buscando Estrellas (Looking for Stars) and they insisted.

They encouraged me so much that I went to the program. The first time I was bleeped, the audience bleeped me, but the second time in the same program the accompanying orchestra was the Sonora Caracas and they suggested me to rehearse before competing again.

Then, hidden, we rehearsed “Saoco” sung by Celia Cruz. I returned the following week and won the contest, and best of all, from that moment on I stayed with the Sonora Caracas, with whom I stayed for eight years”. It was 1957.

In 2022 a tribute was made to him at the Museum of Afro-American Art located in San Bernardino, Caracas. Trina Medina, Betsayda Machado and Juan José “el Indio” Hernandez participated in the meeting.

Peace to his soul, God receive you in a beautiful place.

Great you are Canelita.

When it comes to compositions, Luis “Tata” Guerra is widely known internationally

Read Also: Trina Medina

1 New artist Wito Rodriguez “I am distinct and different”

Norte America / Estados Unidos / Florida

Wito Rodriguez. “I am distinct and different”

Irwin “Wito” Rodríguez was born in Chicago to Puerto Rican parents and got his start in the musical field as a singer and musician. During his teenage years, he performed with a Rock and Roll band as a guitarist.

In 1968 Wito Rodriguez decided to move to “La Isla Del Encanto”, Puerto Rico, in order to search for his musical roots and experience the spicy sounds of his beloved Latin Ritmo.

His first encounter in the Salsa genre was with a Puerto Rican percussionist from the 60’s called “Chacón y su Orquesta”, where Wito learned all the Latin rhythms such as Guaguancó, Boogaloo, Mozambique, etc.

Chacón was his coach in Latin percussion instruments and Wito also fell in love with maracas.

Wito Rodriguez returned to Chicago in 1971 to join “Orquesta La Justicia” a local band that opened shows for artists such as: Ismael Rivera, Ray Barreto, Willie Colón, El Gran Combo and the legendary “Fania All Stars”.

Like many young men of that time, in 1973 Wito Rodriguez decided to join the United States Army and was sent to Europe.

During his stay in Germany, Wito Rodriguez took singing lessons with the Opera singer Barbra Sutton, and at the same time he created two bands with the names of “El Conjunto Sabor” and “La Sonora Antillana”.

These orchestras accompanied artists of the Salsa genre such as: Adalberto Santiago, Ismael Miranda, Tito Allen, Santitos Colón, Pete “El Conde” Rodríguez and the queen of Salsa, Celia Cruz.

After his retirement from the army, Wito joined forces with German band leader Rudi Fuesers and created the European Salsa Orchestra “Conexion Latina”.

With Conexion Latina, Wito Rodriguez recorded two albums; “Calorcito” and “Un Poco Loco”.

He also had the great experience of recording two songs with the band of Director and Arranger Peter Herbolzheimer.

During the 80’s, Wito wanted to broaden his horizons by forming his own groups called “Wito Rodriguez y Orchestra” and “Wito Con Cache”.

Missing his family and friends, Wito “crossed the pond” to return to the United States to finish his Army career.

He never gave up his passion for music, a new big band sound was on his mind, and he returns to the spotlight with the Wito Rodriguez Salsa Jazz Orchestra under the musical direction of trumpeter and arranger, Gino Picart.

“What a wonderful world” or “What a Wonderful World” is his third album released in January 2015.

Although busy in 2016 with live performances, a new album had also been produced and recorded between South America Venezuela and Orlando, Florida.

The most recent production called “Como el Viento” will be released in 2017. This album contains a compilation of songs recorded over the years in Europe than ever for the Western Hemisphere. I hope you enjoy your first solo release… What a wonderful world!

In 2018 Wito released another CD called “The Best of Wito” which has a mix of all the songs that fans thought were the best and respected their preferences.

Wito also has four new singles that he has released from his new album, which will be available from February 2019.

Through the internet platforms you can find these releases.

Always and Forever, Soy Caribe, Yo No Te Echo La Culpa and Now and Forever are the ones that have been released so far.

“As a bilingual singer, I am blessed to contribute to the music industry in my songs, singing them in English and Spanish, unity through my music in a mix of salsa and R&B, etc.” Wito Rodriguez

In the year of 2018. Wito Rodriguez was blessed to be nominated at the Hollywood Music Media Awards (HMMA) in Los Angeles, CA in November 2018.

You can also see his certificate as an honoree at the Fox Music Awards USA, Miami in November 2018, who was nominated and honored for being the Army Veteran Salsero Singer.

The Chicago Salsa Congress was one of its great events in 2018.

In March 2019 his new bilingual production Soy Distinto Y Diferente came out with the song Soy Caribe already nominated at the Hollywood Media Music Awards on November 20, 2019 in Hollywood California.

NMJ Animal Music Records LLC. [email protected]

PQ Promotions/Management Jenny Morales [email protected]

(682-554-4851 or (813-785-3086))

Anderson Quintero

North America / United State / California

Anderson Quintero. The Multi Percussionist of relief generation in the Quintero Dynasty

Anderson Quintero began his musical career at the age of seven, when he joined Salserin, the only children’s Salsa orchestra visiting more than 10 countries.

Anderson Quintero
Anderson Quintero

Throughout his journey in this group, the young Anderson Quintero demonstrated the talent inherited from his father and the rest of his paternal family, who have been recognized as the greatest percussionists in Venezuela.

While in Salserin, Anderson Quintero became the official timbale player of the group, however he continued his developed on other percussion instruments.

This experience led him to visit about 20 countries, and record 5 musical productions.

Nevertheless, the talent that flowed through Quintero’s veins grew stronger with his studies in the Conservatory José Angel Lamas, along with lessons through which he discovered an interest for drumset.

Well-known musicians such as Vinnie Colaiuta, Tony Williams, Elvin Jones, Paul Wertico, Brian Blade, Robby Ameen, Jack Dejohnettee, and others, have influenced his musical career.

His talent on the drums eventually led him to join several rock bands in the city of Caracas, Venezuela.

During 2004 and 2005, Anderson Quintero was part of the band that accompanied Venezuelan singer/songwriter/Grammy Award Winner Franco de Vita on his tour “Mil y una Historias”, visiting more than 10 countries and garnering 2 Grammy nominations in 2006. That same year Quintero met up with two ex-band members of Salserin, Servando and Florentino, and joined their band “Enamorame”, playing drums and the timbales.

In mid-2006, Anderson Quintero moved to New York City, where he began to gain international recognition. Since then, he has performed with Jerry Rivera, Obie Bermudez, Louie Vega, Don Omar, Servando Y Florentino, Chino Y Nacho, Luisito Quintero Percussion Madness, Paloma San Basilio, Huascar Barradas , Aditus, Vanessa May, Kevin Jones, Tenth worlds, Sheila Charles (Ray Charles’ daughter), Emilly King, Taxi Amarillo, and Willie Colon’s bands, with whom he has traveled internationally.

Anderson worked on a musical about the life of the “Guarachera de América” Celia Cruz, in an Off-Broadway show.

He is a first-call session drummer in Venezuela and has recorded with the most important artist in that country in many different styles of music: pop, rock, folk, ethnic, latin, and jazz.

He’s also on tour with Venezuelan Trombon Ensamble, the best known trombone players in Venezuela. He recently joined the band of Spanish singer Paloma San Basilio, playing drums for their American tour.

In 2011 Quintero won a Grammy for Chino y Nacho’s album “mi nina bonita”.

He recently recorded drums on the album “punto ciego” by Venezuela’s progressive rock band LEXESTET and on “third element” by Luisito Quintero.

Anderson began 2014 touring with Frank Quintero and then joined the salsa orquestra “Los Adolescentes” for a tour around Mexico.

Currently he finds himself in the city of Los Angeles, California where he continues his musical career.

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.