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Search Results for: Colombia

Michel “El Buenon” is a singer, composer and considered the most sought-after salsa singer in the Dominican Republic

On September 7th in the province of Baharona in Batey 7, Dominican Republic, Michel Batista or better known as Michel “El Buenon” was born, he is a singer and composer.

Considered the most sought after salsa singer, he is a man with a big heart and a story worth admiring, because despite all the vicissitudes he went through during his childhood and youth, he became great, as his grandmother Dona Crisiana instilled in him.

From a very young age he attended Sunday school at the Baptist church with his mother Crisiana Abraham, with whom he attended the evangelical church shepherded by herself, where he also sang in the church choir on Sundays.

In elementary school she participated in a music festival where she won first place at only 8 years of age.

Later she competed in a regional festival in the town of Barahona in the radio station Radio Barahona, winning first place at the age of 12.

He then migrated from the south to the city of Santo Domingo, where he began singing in bars, nightclubs and hotels like the Sheratton, Napolitano, El Embajador.

In addition to the resorts Talanquera, Casa de Campo Sosua, Puerto Plata, among others.

At the beginning he was part of the Tabú Combo, a group from Puerto Príncipe based in New York City, recording hits such as “Inflaciones General”, “La Llave”, “Relimen” and composing the song “Apipi”, known in French and in Spanish as “El Jardinero”, which he recorded with his friend Wilfrido Vargas.

He would later be part of Johnny Ventura’s orchestra for 5 years, from 1982 to 1987.

He recorded the song “Tuyo Más Que Tuyo” by Bienvenido Fabián, then he joined again the Tabú Combo Superstar orchestra with Adolfo Chanci, its director.

In 1995 he went solo and recorded his first salsa CD titled “Amigo De Qué”, which was played all over Latin America, occupying for 12 weeks the first place of the radio station La Mega in the city of New York.

Later he released his second album “Brujería”, and seven others: “De Ahí Nadie Como Él” (2001), “100% Sabroso” (2002), “Llego Michel El Buenon” (2005), “Víveme” (2005) and “Extrañándote” (2005), which contained ballads interpreted in the rhythm of salsa in the style of “El Buenon”, this production has unpublished songs of Michel himself such as “Que Te Vaya Bonito” and “Yo Que Me Lo Creo”.

Throughout his career he has been winner of the Casandra Awards 2005-2006-2007 and nominated in 2008 and 2011.

Among his languages interpreting songs are English, Portuguese, Italian, Papiamiento, Creole, Spanish and French as he did in the song “Se Finit” by Charles Asnabul and the song Wonderful World in tribute to Mr. Luis Armstrong.

In his repertoire of the most outstanding songs in 2008 are “La Primavera”, “Cuando Los Sapos Bailan Flamenco”, “La Playa”, “Víveme”, “Tú Ni Te Lo Imaginas”, “Hoy Daría Yo La Vida”, “Me Has Echado Al Olvido”, “A La Primer Persona” and “Wonderful World”, all with hits and diffusion in all the radios and discotheques of his country.

Among his most outstanding albums in the last ten years are “Extrañándote”, “Todo Terreno”, “Estilo Y Conciencia”, “Arriba Siempre De Pura Sangre”, “Reserva Especial Impecable”, “El Insuperable De La Salsa” and “Claro, Fino, Nítido, Control Total”.

Throughout his career he has traveled to all of Europe, the United States, the Lesser Antilles, Switzerland, England, Colombia, Panama, Costa Rica, Venezuela, Mexico, Curacao, La Reunion, Tahiti, Africa, Japan, Dubai and Colombia, the latter was where he recorded the video clip of his song “Maldito El Tiempo” written by Alexander Pires.

Michel “El Buenon”

You can read: Génesis de la Salsa, su esencia, características, ritmo, historia y expansión

Where To Go Dancing Salsa In Sydney?

Seductive Afro-Cuban music comes to life in the Australian capital every night of the week

You probably already knew that a lot of Salsa is heard and danced in Australia. But, have you ever wondered, which are the best places to go Salsa dancing in Sydney? Here, we’ve rounded up six of our favorites.

ESTABLISHMENT BAR

At Establishment Bar
At Establishment Bar, you can have your drink in the garden surrounded by abundant latticework and greenery

Salsa Tuesdays are back at the Establishment Bar! This iconic Sydney spot is unique and sophisticated. It has narrow spaces, a 42-meter-long marble bar, and columns lining the walls that recreate the style of ancient Greece.

Establishment Bar with its lush lighting offers its attendees Afro-Caribbean music on Tuesday nights with live bands, dance shows, DJ playing Salsa, Bachata, Merengue, Reggaeton & Bossa Nova until 3 AM, and live percussion. Weekly you will learn basic concepts in the free Salsa class starting at 8 PM, in addition, to enjoying cocktails ($10) and mojitos ($12) all night so you can enter an authentic Latin American Rumba.

This multi-award-winning bar is located on the Ground Floor, 252 George St, Sydney NSW 2000, Australia.

THE ARGYLE

Inside The Argyle you can also find El Camino Cantina
Inside The Argyle you can also find El Camino Cantina

Wednesday nights are from The Argyle! This two-floor club has been powering Sydney nightlife for fifteen years (2007).

This venue located at 18 Argyle St, Las Rocas, Sydney NSW 2000, has six bars, an iconic outdoor patio with spacious mini-environments to enjoy a Salsera night with the lineup of DJ Miro and his friends, as well as live bands in constant rotation.

These fun mid-week nights start at 7:30 PM to 1 AM and are $10 (includes a Salsa lesson). The dress code is casual, and minors are not allowed after 9 PM.

THE COLLAROY

The Collaroy has $14 happy hour cocktails from 8 p.m. to 10 p.m.
The Collaroy has $14 happy hour cocktails from 8 p.m. to 10 p.m.

Friday nights are Salseras at The Collaroy! Located right on the beachfront at 1064 Pittwater Road, Collaroy, New South Wales, Australia, this restaurant/bar with live entertainment and DJs downstairs on weekends stays open until 3 AM.

On Fridays from 8 PM to 9 PM, they offer Salsa classes (free) and from 10 PM the Latin party starts until 3 AM with live percussion and a DJ playing Afro-Cuban melodies, urban music, and Bossa Nova.

The Collaroy has an open-air terrace with a magnificent panoramic view of the peninsula’s north.

LATIN DANCING UNDER THE SAILS – BROADBEACH

Latin Dancing Under The Sails may change its date due to weather
Latin Dancing Under The Sails may change its date due to weather

Salsa takes over Saturdays at The Oasis Shopping Center! Every last Saturday of the month the LatinMania team brings the Latin Social Dance event outdoors at the Oasis shopping center located in Broadbeach Gold Coast, Queensland, Australia with music provided by DJs specialized in Salsa, Timba, Bachata, Merengue, and Salsaton from 7 PM to 10 PM.

The event is free and this month the theme will be Halloween. So don’t miss this opportunity to dance Salsa in Sydney with Colombian-born instructor Alejandro Barriga next Saturday, October 29th.

PLANT 4 BOWDEN

Plant 4 Bowden was born out of a vision for a thriving community and a passion for environmental sustainability
Plant 4 Bowden was born out of a vision for a thriving community and a passion for environmental sustainability

Every first Sunday of the month is Salsero at Plant 4 Bowden! This place is 100% green and adheres to international standards for green building design earning a 5-star rating for its operations.

Plant 4 Bowden, characterized by its environmental sustainability, presents its Salsa nights every first Sunday of the month from 4:30 PM to 10:30 PM with food, drink (local craft beer from barrel), Salsa, Bachata, and Kizomba along with wonderful musical shows on the ground floor. The ticket price is $20 at the box office, and it is located at 5 Third St, Bowden SA 5008, Australia.

The magic of Salsa in this space happens surrounded by greenery with ample indoor seating and outdoor areas.

SALSA IN THE PARK

There is no better time than now. Go out dancing Salsa today in the Park (Sydney – Australia)
There is no better time than now. Go out dancing Salsa today in the Park (Sydney – Australia)

The second Sunday of every month is a Salsa immersion in the Park! Salsa in the Park  is a free event that offers 3 hours of Latin music and social dancing outdoors at El Pabellón del Norte, 95 Marine Parade, Broadwater Parklands, Southport next door to the revolving chapel adjacent to North/Smith Street.

The half-hour lesson starts at 3 PM, and then the Social Dance continues until 6 PM with music provided by top DJ’s mixing old and new Salsa, Bachata, Merengue, Cha Cha, and more.

Who can attend? The whole family and their pets. No experience is required. What are the benefits? Meet new friends, you’ll get fit, improve your mental health and coordination, and stay active. When? The next date is Sunday, October 9th.

A new salsa talent with Latin parents and born in Boston

Why romantic salsa?

So here we have Sebastian Medina or better known as SBM. He is a promising young talent born and based in the city of Boston. How are you, Sebastián? It’s ice to meet you.

Thank you very much for the opportunity, Karina. I’m super happy and pleased to be here with you.

Salsa singer Sebastian Medina, better known as SBM
Salsa singer Sebastian Medina, better known as SBM

Why use the acronym SBM as your stage name?

SBM refers to my full name, which is Sebastián Medina. In the genre, there are few artists who use a short, cool and different name. So, I wanted a short and quick name by which people could identify me.

In passing, I wanted to differentiate myself from other artists with an unusual name.

Many young people like you choose urban genres to start their artistic careers. Why did you choose romantic salsa as your main genre?

As a musician I really identify with salsa because of its instruments, its harmony and everything to do with them. Although I really like romantic salsa, I also like hard dura. I like all types of salsa. I have this impulse to play the piano, get into the genre and enjoy it.

As a singer, the situation is different because I have always wanted to be on stage like the greatest artists. Being also a composer, when someone sings my music, I feel very grateful and supported by those who do it. I want to bring that music to all the young people of the world.

Reading a bit about your history, it is clear that you have always liked this genre.

Yes, I am a romantic. I always have been.

Sebastian Medina performing on stage
Sebastian Medina performing on stage

How was Sebastian selected for his scholarship?

You were selected for a scholarship at the Berkeley College of Music. How was the selection process and the audition? What was your reaction to being selected?

I was a little nervous during the audition. I sang a song in Spanish and very few people sing Latin music here in Boston. So, I went in and sang a beautiful song by Marc Anthony to compete for that scholarship.

Here in the city there is a program called City Music Boston, whose directors saw my talent and followed my progress in high school. I got a message from them, took some classes they had offered me about music, theory and other things and, meet the people in there. When December came, I received an email congratulating me and informing that I had been accepted to the Berkeley College of Music. That’s when I started to wonder how I was going to pay for college, but I was called from the City Music Boston program to inform me that they would offer me the scholarship that would cover my studies.

What do you think are the selection criteria of the Berkeley College of Music for choosing young talents like you? What do you think made you stand out from the rest?

I studied at the Boston Arts Academy, which is the only arts school here in Boston. I am always very dedicated to my music, my learning and what teachers do. I like to learn a lot and absorb all the energy that the music scene has. I think that the judges saw that in me. They saw my hunger and passion for music and composition.

Now that I’m at the Berkeley College of Music, I’m studying to be an arranger because I want to devote myself to arranging my own music and that of others, but always focusing on salsa.

Sebastian Medina with Colombian record producer Diego Galé
Sebastian Medina with Colombian record producer Diego Galé

I read that you like Marc Anthony and Los Adolescentes, but you also like urban artists such as Nacho and Nicky Jam. How do you reconcile these very different tastes?

As you know, young people don’t identify strongly with salsa today. For that reason, I’m trying to combine salsa with the urban genre to create new sounds. I’m aware that people really like trap and reggaeton, so I want to use those genres to combine them with my music. My goal is to appeal to the very young.

It may happen that I ask a friend of mine if he likes salsa and he replied that his parents and grandparents were the ones who listen to it. It makes me wonder why he can’t enjoy that music too. That has led me to use other sounds and melodies that young people can identify with.

Would you dive into urban genres?

If a recognized artist gives me the opportunity to do so, I would like to try, but now I want to focus on salsa because that is my priority.

What are the age ranges of the people who listen to your music?

According to Spotify, most of the people who listen to my music are between 18 to 30 years old.

Sebastian Medina with Peruvian-American bandleader, and producer Tony Succar
Sebastian Medina with Peruvian-American bandleader, and producer Tony Succar

Do you feel there is little unity in salsa?

I think great artists have a legacy built and now it’s up to young artists to create theirs because that’s how music should be. There are not many collaborations at the moment and that must change.

In the case of the urban genre, artists release collaborations almost every week and I don’t understand why salsa singers can’t do the same. I think that a salsa song can have a different arrangement so that it becomes a remix, but unfortunately that is not being done. There is also a part of the public that is a bit narrow-minded, which is why they don’t support new salsa talents, but rather those who already have a consolidated career.

Do you think that this union is what differentiates salsa from urban music?

I think so because there are cases such as Bad Bunny, who when he does a collaboration with a lesser known artist, the latter will automatically get all those streams, views, followers, among other things. That means that he is indirectly lending his support to that artist and his followers are going to support him as well.

You compose and play the piano. What other areas are you developing?

Right now, I’m in my third year of college and I’m learning as much as I can. At this point in my career, I’m taking a lot of music arranging classes. I’m learning how to arrange my music, how to keep two tunes going at the same time and other things. I’m also taking production classes and all kinds of programs that help me shape my ideas.

Sebastian is in his third year of college at present
Sebastian is in his third year of college at present

Read also: Puerto Rican salsa singer Jai Ramos spoke to us of his life and projects

We interviewed IndiviDúo singers Tiffany Joy and Maqui Reyes

How it all started

Today we are going to talk with Tiffany Joy and Maqui Reyes from IndiviDúo, which is a famous and successful musical duo. Great to be with you. How are you?

Tiffany: super! Very well, thank you very much.

Tiffany Joy singing on stage
Tiffany Joy singing on stage

You two met in 2010 in Buenos Aires while both were recording your respective musical productions separately. How was that first meeting and conversation about music?

Tiffany: you are very well informed, Karina, I love it. We met at a musical party for Colombians living in Buenos Aires. We were introduced by a mutual friend, who is also from the US, but she was living in Buenos Aires at the time. Maqui had invited me to that event through Facebook, so I went with my guitar and a liter of beer. There was a moment when he started singing ohis riginal music and I do the same later. I think that’s where a connection and mutual respect began to be created, which led to us singing together later that night.

He sang Tabaco y Chanel by Bacilos and since I knew it by heart, I started singing the harmonies. The time when our voices found each other was very magical and everyone at the party thought something beautiful was happening there. Really, since that night we haven’t stopped singing and composing music together.

What did you see in each other to form a musical duo?

Tiffany: I think Maqui has a special sensitivity towards lyrics and I admire his role as a poet. In addition, he also has a musicality related to my tastes, so it is very common for us to be on the same page about some melodies with the guitar. Melodically, I feel that we get along very well.

Obviously we don’t agree on everything all the time, but I do think we have very similar taste in music, which makes us be attracted each other musically. Personally, my partner has a very powerful energy in terms of positivity, light, pushing forward and making everyone feel special.

Maqui Reyes singing and playing the guitar on stage
Maqui Reyes singing and playing the guitar on stage

What has been the biggest disagreement that you’ve had musically?

Tiffany: generally speaking, I tend to fall in love with ideas so fast. If I hear a chord, progression, melodic line or lyrics that I like, I don’t want us to change them. On the other hand, Maqui is super thoughtful and likes to try a lot of things before going back to the first thing and even make it better, but I think my anxiety about finishing it and singing it sets us at odds. He is very slow in terms of his process and that makes us different.

Considering that Maqui is Colombian and you are Californian, how did this influenced your musical styles?

Tiffany: Maqui is from Bogota while I am from right here in the Bay Area. I grew up listening to James Taylor, Kenny Loggins and the great singer-songwriters in blues, jazz and other typically American genres. I also did musical theater for many years, which led me to listen to the great Broadway plays. My love for Latin music began much later when I started listening to pop artists like Juanes, Shakira, Rocky Martin, Bacilos, among others. Then, I entered into the world of Latin music and started composing in Spanish. To that I must add that I loved dancing salsa and tango since I was really little.

On the side of Maqui, he comes from a completely different music background where he listened to salsa, bambuco, cumbia, merengue and many other Latin genres. Later, he moved to Argentina where he lived for 13 years and traveled throughout the country to learn to play chamame, samba and other Argentinean rhythms. This made him have a huge range of Latin American music, which we incorporate into our music. That is why our repertoire includes reggae, bolero, pop, salsa, rock, bossa-nova and much more.

Tiffany Joy and Maqui Reyes performing together
Tiffany Joy and Maqui Reyes performing together

How do you connect with your audience?

Your music talks about many positive and reflection messages. It talks a lot about all the important things we humans put aside because we are way too concerned with superficial things. In that sense, what kind of connection are you looking for with the audience?

Maqui: among the responsibilities of a singer-songwriter or a musician, we have to say some important things, so we believe and live the music like that. The subject treated in a song has always been important to us.

I think we have managed to connect with ourselves and people like you who, for some reason, get to listen to one of our songs and identify with it. Songs like Pelea invite you to fight against your own vices, your own demons and your own problems. It is a song that people of any age can identify with, which leads us to have a connection with them beyond music.

What are the age ranges of the people who listen to your music the most?

Tiffany: I would venture to say that those who listen to us the most are people between 25 to 55 years old.

Maqui: However, I must say that we get along very well with children. When we play in theaters or places suitable for minors, there are many families with children. In fact, we don’t rule out recording an album focused exclusively on them. Of course, we know that children don’t like the more traditional genres that we used to listen to and reggaeton is the current trend. Same way, we would include some traditional music so that little ones have the opportunity to listen to it in a fun way.

Tiffany Joy and Maqui Reyes during pregnancy
Tiffany Joy and Maqui Reyes during pregnancy

On that issue, a young salsa singer told me that what he does is a mix of rhythms, while still getting the essence of salsa. Do you plan to add urban genres to your music?

Tiffany: We don’t reject the idea of incorporating urban rhythms to our music because they are good to dance to, easy to defend live and attractive for a generic and large audience. We haven’t yet, but we are open to the possibility.

Maqui: this is a great question because everything has become polarized so much that just listening to the rhythm makes us qualify it as urban, but that’s not necessarily true. What I qualify as urban is attitude and lyrics, things that we know we will never adopt for ourselves.

It’s not our style, although we’ve got nothing against these rhythms. We would like to play them in a more elegant and familiar way.

Tiffany Joy, Maqui Reyes, and their daughter Melody
Tiffany Joy, Maqui Reyes, and their daughter Melody

You have been part of the soundtracks of several soap operas such as La Ley del Corazón and Si Dejo de Creer. How did this help you advance your careers?

Tiffany: It helped us get a little more exposure on Spotify, YouTube and other music platforms. It also gave us the opportunity to be much better known, as many people started to see what else we’ve done and listen to other pieces of ours.

What did you do during the pandemic?

Tiffany: because all the shows being cancelled, we dedicated ourselves to hosting a Facebook Live every Friday afternoon. At the beginning, it was very difficult because we didn’t know how to connect, but when we finally learned how to do it, we had a lot of people listening to us. We played original music, did a lot of covers, had a drinkie and toasted people from time to time.

During this time, we also found out we were pregnant, which was a surprise for us because we never thought about having children. We were composing at the time, so we ended up including a song for the baby on our album. Right when Melody (our daughter’s name) was born we did the official album release.

Read also: Story of achievement and dedication of Yoshie Akiba

Versatile multi-instrumentalist, producer and arranger, Taylor Aranguren

In Barquisimeto, a city catalogued as the musical capital of Venezuela, there are musicians of excellent quality and one of them is the versatile multi-instrumentalist, producer and arranger, Taylor Eduardo Aranguren García, a young man born in the aforementioned city on August 2, 1991.

Taylor plays piano, bass and trumpet to perfection. His musical beginnings were in 2003 and in 2005 he had the great honor of joining the Lara State Symphony Orchestra, accompanying the “Sonero del mundo” Oscar D’León in a concert held at the “Coliseo Hípico” of the twilight city of the country.

Then in 2005, he makes artistic life in Puerto la Cruz, Anzoátegui state; in 2007 he moves to Colombia, in 2009 he returns to Caracas as a member of the Staff of the television program “Súper Sábado Sensacional”; then in 2010 he travels to Beijing to perform musical works, later in 2012 he accompanies Maelo Ruiz on a tour of Venezuela, later he is contacted by the Band of Benjamin Rausseo, humorist known as “Er Conde del Guácharo”.

In 2014 he joins Óscar Arriaga and Néstor Rivero ex-vocalists of “Los Adolescentes”, directing them as musician and arranger and additionally they record with the musicians: Diego Galé, Ytúrvides Vìlchez, Franco Lemus and Freddy González, achieving successful concerts in countries such as: Dominican Republic, Peru, Colombia, Chile, Ecuador, Panama, United States, Mexico, Italy, Germany and Spain.

And with this preamble of his artistic career, consequent readers, we welcome again, to the column “Salsa Escrita” to one of the best musicians of our country.

Greetings Taylor, it is an honor to have you as a special guest in International Salsa Magazine, “the Only Salsa Magazine in the World”.

Thank you Professor Carlos, for giving me the opportunity to be in your well read column “Salsa Escrita”, through this prestigious media and to be able to interact with all readers nationally and worldwide, making known my projects and part of my artistic life.

Taylor to begin with, we want you to tell us about your role as an arranger and to which artists you have done your musical works?

Ok my friend Carlos, let me tell you that I was arranger and musician in the production “Quintero Salsa Proyect” with the Quintero brothers (Luisito and Roberto Quintero) on that occasion with the song “Chamito Candela”, performed by Gustavo Aguado and Luis Fernando Borjas of Guaco, I also had the pleasure of arranging the song “No lo Beses” in the voice of my uncle Jorge Luis Suarez (former singer of Oscar D’Leon), also the song “Chismoso” by Marcial Isturiz; “Te Quedas” interpreted by José Alberto “El Canario”, in the same way “Te amo y punto” with Óscar Arriaga, I also made arrangements for the last movie of “Er Conde del Guácharo” and many more that at the moment do not come to my memory.

Very good Taylor, Congratulations, but we are curious to know in which facet you feel better, as a musician or as an arranger?

Professor, it is different to feel as an arranger, it is cool because it is a work or a child that comes out of your guts, it is something that you create, it comes from you and you enjoy it a lot, but playing live is a feeling in the moment, you know, enjoy the stage, the musicians, but I like the recording more, both for me are super important.

Excellent, now which singer, arranger and percussionist would you like to record and play live with?

Well, as a singer would be Oscar Arriaga, in percussion, Luisito Quintero and arranger I would like to share with Oscar Ivan Lozano, a great brother from Colombia, director and arranger of “Grupo Niche”.

Taylor, can you tell us about the work you have been doing with the ex-vocalists of Adolescentes Orquesta?

Actually I am working sporadically with some of them and right now I am in alliance with former teenagers from Venezuela who are currently based in Bogota and God willing at the end of July we will be touring throughout Colombia.

My friend Taylor, do you have planned this year some shows where you accompany as a musician to some recognized artist?

Well yes brother, in mid-July I will be accompanying Andy Montañez and Maelo Ruiz in Buenos Aires – Argentina and then I’m going to Uruguay with my project Taylor Aranguren to a concert in the city of Montevideo.

And in relation to the recording of the video, “Taylor Aranguren and his Venezuelan salsa” which would be captured for DVD format and would be recorded in Barquisimeto and where they would be invited figures such as: Luisito Quintero, Roberto Quintero, Edward Montoya, (Willie Colón’s trombonist), Rónald Borjas, Rónald Gómez, Jorge Luis Suárez, Wilmer Lozano, Toñito León “El Bebé Salsero”, Marcial Istúriz, Hildemaro, Mariana “La Sonera de Venezuela”, among others; it is still standing? Tell us:

Let me tell you professor Carlos that for reasons of the pandemic everything was suspended and thanks to God I already have almost certain date between November and December of this year 2022 and we will record it in the city of Sol Miami – Florida and the reason for the change of city is because of the ease that almost all the artists and musicians are there and the logistics and sponsorship is broader, many producers have been interested and for that reason, it is less expensive and after that recording I am committed to do a concert with them in the city of Barquisimeto.

My friend Carlos, I take this opportunity to tell you that in August I have a tour in Europe with Maelo Ruiz and David Pabon but I am waiting for the confirmation of my friend also from Lara, Yomar “Caballito” Mendez and for my album that will be released with God’s favor at the end of the year, Rónald Borjas has already recorded, Óscar Arriaga, Néstor Rivero, Benjamín Rausseo, Erick Franchesky, Luis Matheus from Colombia, Rodrigo Mendoza, Sócrates and soon Oscar D’León, and I am also making some arrangements for Luis Fernando Borjas ex Guaco.

Excellent Taylor, we would like to know your social networks and also wish you the best of success and many blessings for exalting and putting up the name of our country outside our borders, demonstrating your quality as a musician; you know that you always have our support in all projects you undertake in your artistic career.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Thanks a thousand, my friend Professor Carlos Colmenárez and INTERNATIONAL SALSA MAGAZINE through www.SalsaGoogle.com for giving me the support not only to my person, but also to many artists of Venezuela that day by day we work for our Latin music, also on behalf of this server Taylor Aranguren, I wish you the greatest success in your work and continue to make us known worldwide, to finish you can follow me through @Taylorarangurenpiano.

Hasta la próxima y sigamos salseando!

Article by Correspondent: Carlos Colmenarez

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.