Search Results for: Dance Company
Yehudry N. Perdomo M.
North America / USA / New York
High performance athlete in rhythmic gymnastics and professional dancer. Bailoxtreme master trainer and salsa fitness instructor. Yehudry was born in Caracas, Venezuela from a family where salsa was heard as the first and even only option. Surrounded by dancers, she began to enjoy this genre as well and began taking dance classes to stop being an amateur and prepare for a professional level.
His first academy was Latin Images, directed by Arelis Guevera and Remmys. After going through several academies, it was at Grizzly Dance Company where he learned about existing dance styles such as in L.A, Puerto Rico and New York, but never forgetting his style. LOVER OF SALSA IN ALL ITS VERSIONS.

Her salsa roots come from the neighborhood, although thanks to her performance as a gymnast, she maintains a very beautiful and impressive elegance when dancing, merging sport with dance. His first international presentation was in 2013 at the Peru Salsa Congress with the dance company where he began his career.
Today he is dedicated to fitness but his passion for salsa did not end there, as he created a training system called BAILOXTREME where salsa gained strength due to its unique way of training and dancing simultaneously in time of 1. This training system has generated that more people are interested in salsa and in taking classes in various consecrated academies in Venezuela and now internationally.
Today, Yehudry lives in Miami making this project grow but always remembering and respecting those who helped her grow professionally. Below you can learn more about this incredible dancer from a conversation she had with our ISM team…
What led you to choose Latin Images as your first dance academy?
The proximity to my home and the recommendation of dancer friends who are members of that company.
Did you always know that your passion for salsa surpassed rhythmic gymnastics?
It is not surpassed today by Salsa Fit or Fitness as it is currently called, it is Latin dance applied to Fitness and Gymnastics is a high-performance sport, I cannot choose between one and the other. Each one has marked a stage in my life. Currently I am not an athlete, now I am a training coach and a professional dancer, what I did was to unite both sports style and culture and the result was excellent.
Where do you think your salsa roots came from?
I really think that from my Maternal Grandmother, a beautiful black woman with a religious family, lovers of Afro-descendant music, she was the one who gave all her children that love for Salsa and Afro dances. I even have a musician uncle.
How was the creation of Bailoxtreme?
Well it’s very funny, but it was a coincidence. Some ladies were dancing and exercising in a park alone because their coach didn’t show up. And I offered to teach him that day. From there to here, what were 10 ladies became almost 300 in an area where there could only be 100 perhaps.
If you could choose a gymnastics idol and a salsa idol, which one would it be?
Definitely Almudena Cid and Nadia Comanecci.
Oscar d’ Leon, Raphy Leavit, Celia Cruz, Tito Puentes.

Would you see yourself performing with them doing bailoxtreme?
It would be an honor and an indescribable charge of energy to be able to exercise and learn to dance salsa with live music.
What’s next in Yehudry’s life?
I am currently recording a Cuban series that talks about the story of a revolutionary Fidelista who emigrates to Miami. This will be streamed on Netflix.
There I am a dancer who is kidnapped to pay a debt and it is a new challenge. I loved the experience and I’m already thinking about Salsa Pole fit, Something will come out (laughs)
For all the people who are reading us, tell them where they could practice this method?
In which dance academies? Both in Caracas and in Miami.

In Caracas you must communicate with the certified instructors in Bailoxtreme through their social networks or my instagram account @Yehudryfit_dancer
In Miami at Rise Health & Fitness
And Personalized at Country Club Towers gym Hialeah, FL.
Yerba Buena Gardens Festival 2018 Begin this May in the heart of San Francisco
North America / USA / San Francisco
2018 Yerba Buena Gardens Festival (YBG Festival) proudly announces the lineup for its 18th Season.
The tradition continues to downtown in San Francisco! Hang out this new season with the first all-female mariachi ensemble, Mariachi Flor de Toloache + Mexican vocalist, composer, and guitarist Diana Gameros on Sunday, May 6 at 1:00pm, the first concert of this year’s 100 admission-free events.

The very popular series Let’s Go Salsa@Jessie also will have the best Latin artists, such as: “New Mambo Retro Salsa” group Cabanijazz Project on May 17, the nine-piece combo Bululú led by Venezuelan-born percussion master and vocalist Lali Mejia on June 21, the Bay Area’s inventive Cuban band Pellejo Seco on July 19, among many others. YGB Festival offers you entertainment FREE completely: music, theater, circus, dance, poetry & culture programs to children and entire family with artists from the Bay Area and International guests.

Named one of the Best Urban Green Spaces in North America by Local Medias, YGB Festival is a world-renowned cultural destination that offers three outdoor stages to performances for Bay Area residents, families, workers, and visitors alike. Yerba Buena Gardens Festival take place outdoors in Yerba Buena Gardens, off Mission Street between 3rd and 4th Streets, San Francisco.

YBG Festival Executive/Artistic Director Linda Lucero says, “Get inspired! Treat yourself and treat your family, friends, and co-workers to the most diverse performing arts experience in the Bay Area. Yerba Buena Gardens Festival is Free, Outdoors, and fresh!”
During these 6 months (May – October) YBG Festival includes the highly acclaimed Let’s Go Salsa@Jessie! Dance series, the family-friendly Children’s Garden Series, Poetic Tuesdays with Litquake, and Thursday Lunchtime Concerts.

Each and every week and weekend, the Festival presents a curated lineup of musicians, dancers, poets, and artists from around the world including the Moroccan trance music of Innov Gnawa with Book of J on May 12, northwestern Indian dance with Garba in the Gardens on May 19, the 2nd Annual Yerba Buena Gardens ChoreoFest on June 2 and 3, the most celebrated gamelan ensemble outside of Bali, Gamelan Sekar Jaya.
On June 9, powerhouse Afro-Venezeulan vocalist Betsayda Machado y La Parranda El Clavo with VNote Ensemble on June 16, three performances from Festival favorites Circus Bella on June 22 and 23, the all-women klezmer group direct from New York City Isle of Klezbos with San Francisco’s Fanfare Zambaleta on July 7, Ukulenny and Cynthia Lin’s SF Uke Jam Summer Uke-Splosion!
On July 14, Cuban saxophonist Yosvany Terry Sextet on July 28, the 40th Anniversary performance of the San Francisco Lesbian/Gay Freedom Band on July 29, one of Vietnam’s most celebrated traditional artists Vân Ánh Võ & The VA’V on August 25, Manila Disco Fever on September 1, and the Yerba Buena Gardens Festival commissioned piece from Marcus Shelby Orchestra – Blackball: The Negro League and the Blues on September 8. The Festival closes with the 18th Annual Halloween Hoopla on Sunday, October 28.

The popular series Let’s Go Salsa@Jessie!, the open-air salsa dance party in Jessie Square (near the Contemporary Jewish Museum), takes place on the third Thursday of each month from May to September from 6:00pm – 7:30pm.
Performers are the ‘New Mambo Retro Salsa’ group Cabanijazz Project on May 17, the nine-piece combo Bululú led byVenezuelan-born percussion master and vocalist Lali Mejia on June 21, the Bay Area’s inventive Cuban band Pellejo Seco on July 19, the U.S. State Department-sponsored Latin Jazz Ambassadors and the Mission’s own Annette A. Aguilar & StringBeans on August 16, and Los Mocosos vocalist and master salsero Manny Martinez y la Rebeldia on September 20.
This Festival brings the delightful Children’s Garden Series features interactive performances specially designed for kids and families every Friday from June to August in the Yerba Buena Children’s Garden at Fourth and Howard Streets.
The series presents performances by kid favorites: the 2018 Grammy-nominated Alphabet Rockers, Non Stop Bhangra,Māhealani Uchiyama, Parangal Dance Company, Circus Bella, Unique Derique, Caterpillar Puppets, Chelle! & Friends, Pi Clowns, Red Panda Acrobats, Venezuelan Music Project, Crosspulse, and Ka-Hon. The series ends with the wildly popular 18th Annual Halloween Hoopla on Sunday, October 28.

Between these 100 free performances in YBG Festival are Thursday Lunchtime Concert Series that take place most Thursdays from 12:30pm to 1:30pm and is a favorite destination of downtown workers, shoppers, tourists, and students.
This year features the very best of local and international musicians including New World String Project on May 10, Community Music Center Older Adult Choirs on May 17, Dogon Lights on May 24, Kitty Pak on May 31, Latin Jazz Youth Ensemble of San Francisco on June 7, the Swedish Consulate’s Jenny Lind Concert on June 21, Dalia & the Big Violin on June 28, Manring Kassin Burr on July 5, Maikaze Daiko on July 12, Solate on July 19, Sol Development with Mino Yanci on August 2,
LINES Dance Center on August 9, Highest Ani on August 16, Faun Fables on August 23, La Patronal on August 30, John Brothers Piano Company on September 6, Daniel Riera: Future Flutist with Electric Ensemble on October 4, and Rice Kings on October 11.

This amazing event also celebrates annually: the 21st Native Contemporary Arts Festival on June 17, the 18th Annual AfroSolo in the Gardens featuring a Tribute to Duke Ellington featuring Denise Perrier and Nina Causley with David Hardiman’s San Francisco All-Star Big Band on August 4, the 25th Annual Pistahan on August 11 and 12, and Brazil in the Gardens: Pragandaia with special guest Margareth Menezes on August 18.
Poetic Tuesdays on the second Tuesday of each month with Guest curated by Litquake, Poetic Tuesdays run from 12:30pm-1:30pm and feature an array of poets and music as well as three performances of a new one-ring circus from Circus Bella on June 22 and 23. Conceived and directed by Abigail Munn and Joel Baker for Circus Bella, the show includes static trapeze, rope walking, juggling, contortion, unicycle, original clowning, acrobatics, and more.

Let’s Go Salsa Series’ Schedule (Every Third Thursday of month from 6:00pm to 7:30pm):
- May 17: Cabanijazz Project
- June 21: Bululú
- July 19: Pellejo Seco
- August 16: Annette A. Aguilar & StringBeans
- September 20: Manny Martinez y la Rebeldia
Venue: 760 Howard Street, San Francisco, CA 94103.
For more information and complete 18th Season Schedule, please visit www.ybgfestival.org
Europe – August 2018
John Narváez and Elizabeth Rojas from Salsamania
John and Liz from Salsamania
Between days 23 and 25 March, 2023, the San Francisco Salsa Festival took place, which brought together some of the cream of The Bay Area Latin music scene. One of those attending this great event was the main editor of International Salsa Magazine, Mr. Eduardo Guilarte.
On site, he had the opportunity to share with other guests and some of the organizers such as Elizabeth Rojas, affectionately known as Liz, and John Narváez. We had the chance to talk with both dance professionals to know more about their beginnings, festivals and projects. Do not miss it!

Beginnings
After several attempts to schedule a meeting with John and Liz, we finally managed to talk with these Colombian dancers and entrepreneurs, who began by thanking us for the contact and the opportunity to promote their passion for salsa and the community they represent.
This love they have for the aforementioned musical genre has much to do with their roots. Both were born in Colombia and left the country when they were 12 years old (they are the same age) because of the violent situation caused by the guerrilla that existed in those years.
Although those were hard times, John says these were very nice years from which he has fond memories. He remembers almost all his family members singing or playing an instrument, while he was the only dancer. All this influenced him in such a way that Latin music remains his north after so many years.
Moving to the United States
Since the social situation did not allow them to live in their country, they decided to move to the United States and apply for political asylum. At the beginning, it was not easy and the focus was on working hard to get ahead in this new country and to learn English. However, all that changed over time.
With the arrival of economic and family stability, priorities changed. John comments that his interest in music and dance perked back up due to the family gatherings that his relatives celebrated such as birthdays, quinceañeras, weddings, among others.
Although at the time dancing was not considered a serious profession, both John and Liz began to practice it at amateur level. Once they turned 21, they started going to the most popular salsa clubs, but it was all for recreational purposes. It was years later before they began to analyze all the technical and historical part of dancing to understand it better and take it more seriously.

Dancing as a profession
John and Liz started to take dancing seriously in 1999. They both attended a three-day salsa event in Los Angeles, but what they did not know is that this was the first world salsa congress in America.
This gave them the opportunity to share with the best salsa dancers in the world and they saw such impressive things that they were inspired to return next year with a well-established dance team with which they could participate fully in these activities.
Being full of motivation, they decided to create Salsamania Dance Company and performed with their team at the festival. They started doing the same thing every year, which helped them gain experience and evolve their styles.
After earning the trust of the festival organizers thanks to their talent and professionalism, they were given the opportunity to start teaching salsa workshops at the aforementioned congress. This is how little by little John and Liz began to build the reputation and credibility they have today.
In 2004, it got to a point where John took the important decision to quit his job to devote himself to dancing and Liz was quick to do the same. His resignation came with the opportunity to take a three-month trip to Hong Kong to teach salsa in a community where people did not dance it.
They managed to build a community from nothing, since at that time, Hong Kong was not a place where people listened to salsa. However, everything went well and the dancers managed to seamlessly connect with the local audience. As John rightly said, ”salsa is a universal language and you don’t have to speak that language to feel the music”.
On returning to the Bay Area, they began to practice dancing as a profession in the United States.
On this point, Liz commented that her parents became very upset with her when she quit her job because of dancing, but today, they admit that it was the right decision and support her totally.

Salsamania Dance Company
Liz told us that it was difficult to create Salsamania Dance Company because it requires a lot of discipline and healthy coexistance between different types of personalities to create a group like this and keep it together. Fortunately, John is an industrial psychologist, so he helped to prevent these aspects to be a problem.
Basically, Liz is responsible for the company’s management and John is the one who takes care of the human part of all the staff.
They started the whole process like any regular company and drew up the contracts for all those who were going to work with them, making Salsamania a much more established, structured and serious project in the eyes of everyone else. Today, it is one of the largest companies in the Bay Area.
They also took it a step further and built a salsa academic program with a thoroughness and detail that has not been seen in other projects of this kind.
San Francisco Salsa Festival
San Francisco Salsa Festival is one of the biggest salsa events in California and the United States in general and we were fortunate to have representation there with our editor Eduardo Guilarte.
It began to be celebrated in 2008 with the support of international salsa promoter Albert Torres, who was a fundamental piece in the development of the festival and talent recruitment for an event of this size, as there were many things John and Liz had to learn. That is why they are both incredibly grateful for what the congress organizer did for them back then.
To recruit artists, the dancers only require candidates to be good teachers, to share with the salsa community and to put on a good show for the audience.
They also often invite colleagues they have known for years and some recommended to whom they give them the opportunity to shine and make themselves known during those days.
Every year, they look for dancers, dance instructors, DJs and live orchestras. For Liz and John, the thing about live bands is very important, as they are concerned that there are so many clubs and venues that no longer hire these talents. This year, they focused on local bands that play on Thursdays and Fridays in San Francisco and were very happy with the results.
It is expected that the next San Francisco Salsa Festival is scheduled between days 22 and 24 March, 2024 at the same venue, which is the Marriott Waterfront Hotel.
The orchestras hired to perform for next year are Cabanijazz, The Latin Rhythm Boys and Orquesta Boyacán. The dancing couples are Alex and Judy from Colombia, Colombians Felipe from Colombia and Kathe and Mauricio and Danny from Mexico.

Difficulties in the pandemic
As dancing is an activity with a lot of physical contact and closeness, we were curious to know how they lived the pandemic and what they did to keep their project afloat in this situation.
Though they admit that those months were not easy, they have always been very disciplined with their money and had enough to resist as long as possible without working.
They tried to make up for lost time by teaching classes via Zoom as did most of their colleagues and designing new choreographies to apply when they went back to their usual activities.
In addition to this, both had not spent time with their respective families in a long time, so they also took advantage of the absence of work to reunite with their loved ones and take up those important contacts that were lost due to stress and routine.
Read also: Here we have Salseros With Attitude







