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How talented Puerto Rican singer Fernandito Rentas started his career

How his career started

We have here Fernandito Rentas, who is a Puerto Rican salsa singer. Good afternoon, Mr. Rentas, how do you do?

Good afternoon. Thank goodness, i’m doing just fine right in good health and working hard. We are doing what is done daily, which is my regular job, but on the other hand, we are making the music that I would be able to do up to the present time, or rshould I say, musical projects.

Fernandito Rentas recording one of his songs

You come from Ponce. This is a city from which many famous Puerto Rican artists come, especially in the salsa genre. Do you think that coming from that city had something to do with the road you would take later on?

Ar some point, yes because that influence was around me since I was a little boy. I have always been interested in music and sports, but I enjoyed more of music. I don’t come from a family of musicians as far as I know, but my biggest influences come from distant relatives like, for example, Mr. Esteban Tato Rico Ramírez, who was a singer in the orchestra La Solución.

Basically, what I remember most about my childhood is that it was from there that I became interested in music. At the same time, I would see my parents dancing at parties and there was all that excitement and feeling of celebration. The church and its chants were also important in that regard.

Those were earlier influences, but it was from the age of 7 that I began to understand tropical music. As time went by, I got more interested in it. I couldn’t take music lessons due to economic problems at that time, so I did everything by ear. I do remember that there was an instrument I liked a lot when I was in elementary school, which was marimba. I was strock by it, which led me to join a group of classmates at school who practiced in the school canteen in the afternoon. I also remember my music teacher, Mr. Fermín Torres, who was from the Adjuntas or Coamo area in Puerto Rico, but he was well known in the musical area of the school system.

I didn’t really jump right into music until a few years later because our family moved to Florida, where I began to look out for other interests such as the US Armed Forces. When I graduated from high school, I joined the army and there I met other colleagues from my homeland, which made me reconnect to Latin music. I was not only focused on music of Puerto Rico, but also from Colombia, Venezuela and other countries.

Fernandito Rentas singing on stage

My idol as an artist in the genre has always been Oscar D’ León since the first time I saw him when I was 7 or 8 years old during the patron festivities in my village. When I went into the army, many colleagues who were already veterans in this issue helped me to train me. The first person I met was bass player Héctor Cruz, who I say was my godfather in music. That was in Germany when I served on the force in 1989. When I returned to the United States, I went to North Carolina and began to succeed in music step by step.

I spent nine years serving in the South Korean peninsula, where I was blessed to pull together a group of musicians and perform live music with many fellow musicians, including Korean friends I made there. I returned to the United States in 2011 and thank goodness I stay on this. These days, I had the opportunity to connect or lift me up from where I were and do something different. What I was looking for was to create my own productions with the music that I like, so that’s what I’ve been doing these last two years.

His groups

You were part of various groups including Orquesta Mambo Son, Grupo Descarga, among others. When did you decide to go solo and create your own productions?

I decided to do it in 2020. I had already had this interest for many years and was always seeking the opportunity to break the ice through groups. I was looking to take part in the production of a group I was with and start from that point, but unfortunately none of my groups managed to get into production.

I finally got the chance with the pandemic, as I started to be able to be interacted with colleagues and friends through Facebook and connect with musicians from around the world. Then, other comrades who were also in the armed forces told me about Mr. Robert Requena, who is a Chilean who lives in Medellin, Colombia.

Fernandito Rentas in his military uniform

When I wanted to do things differently adapting myself to the new era, they put me in touch with Mr. Requena and I expressed my ideas. Then, he was the one who showed me the first composition for my first song, which we titled Bailando debajo del agua (Dancing under the water). The thing is that this song is based on an event that happened here in my house, which I told Requena about and we used it for the song. Then, we talked about its musical bases and what I was looking for in my future songs, so he came up with the formula. Today, we are working on my sixth record and thinking about releasing it in June, but there are seven others that are being created right now.

Seeing as your career practically started with Covid-19, do you think the pandemic precipitated what you had in mind?

Well, in a way, yes. My desire to make a solo album is very old, but the 20 years in which I was serving in the armed forces limited me, thing that also happened to other colleagues who are also launching their own albums today, such as Arnaldo LaFontaine, Edwin El Calvito Reyes, Josean Rivera, José Rivero, among others. Arnaldo La Fontaine, Jose Rivero and I were singers in the same orchestra in the southeastern United States during the 1990s.

My interest in being a soloist was present for a long time, but the opportunity to do so did not come until I made use of technology. I can tell you that all my albums are being made in Medellin, Colombia. All I do here in New Jersey is go to the studio and record the voice. That advantage that we have today really helped us and, at the same time, the arrival of the pandemic has prevented us from going to other places to bring our talent. I have accumulated unimterrupted 33 years of career, but the pandemic prevented us from going out and locked us up at home. It was there when many other artists began to take alternate measures to be able to continue reaching people.

In any way, I think we have turned this situation to our advantage in the best way that the Lord has not allowed.

Art of his last song Qué difícil es

An artist I interviewed told me that many musicians were preferring to release single songs instead of full recordings. Are you makings full recordings or single songs?

Based on advice that Mr. Requena gave me, I am releasing single songs. Nowadays, the matter of full albums has become complicated due to the lack of record labels and factories where these materials are produced. I would say that the idea of releasing singles was the best because you want to know if the public is going to accept or like the album. Instead of releasing all the songs at the same time, releasing one song at a time is more comfortable, less expensive and easier to work with. For the time beingt, I have no plans to release a CD.

How did you balance your musical and military activities?

I had to balance them because our obligations and priorities in the military service are focused on the mission and commitment to the defense of the country. During our free time, we liked to clear the mind and do different things. We went to parties.

We felt great making music for our fellow soldiers, their communities and families. We were able to bring our Latin culture to the countries we went to.

Music was our main hobby and the to entertain ourselves on the weekends.

Social networks and website

Facebook: Fernandito Rentas II

Instagram: Fernandito Rentas

YouTube: Fernandito Rentas

The 4 Ladies of Venezuelan Salsa project

The rumba night is dressed as a woman with the arrival of Las 4 Damas de la Salsa de Venezuela, a project of musicalizers at parties and events to exalt one of the Afro-Caribbean rhythms that most identifies Latin culture: SALSA.

The 4 ladies of Venezuelan Salsa debuted in May 2018, on the initiative of Sol Graffe after feeling that there was no female and group movement as DJane’s or musicalizadoras.

When musicalizing becomes, not a job but a passion, the commitment grows, and so these D’jane’s arrive presenting a different proposal giving prominence to females, with the aim of incorporating into the salsa market 4 women willing to permeate in a movement where the male presence predominates.

Professional and tasteful, lovers of this genre that unites us in one spirit: SALSA, to bring a musical selection, energy and good vibes to encourage salsa dancers and dancers of Venezuela and beyond its borders.

4 Personalities Conjugated in one Rhythm

DJane. Sol Graffe: Born in Caracas, a salsa dancer at heart, she became a radio promoter, TV producer and event producer under her slogan “Sol 100% Salsa” with more than 25 years of experience in the salsa industry.

DJane. Rocío Blanco: Born in Maracay edo. Aragua, lawyer, manager of the Posada Turística África and salsera by birth, dedicated to the musicalization five years ago being the only lady of the aragüeña entity baptized “La Consentida de la Salsa”.

DJane.  Zaire Plater: “La del Melao Salsero”, born in Caracas, economist by profession, salsera by conviction; dedicated to the musicalization of salsa for five years, leads the family project called “El Arepazo Salsero Plater”, where they gather a large group of dancers and salsa lovers to dance and share eating some typical and delicious arepas.

DJane. Zulay Millán: Caraqueña, lives between two passions: Radio and Salsa. She is a teacher by profession and a salsa dancer by heart. Announcer, certificate #55.721, voice over, radio producer, with experience in events and TV production, radio host for 25 years and counting, presenter/entertainer, composer and article writer, which explains her slogan “Soy Salsa y Más” (I am Salsa and More).

The 4 Ladies of Venezuelan Salsa have managed to position themselves with this interesting project in the salsa environment, whose protagonism brings a touch of elegance and distinction when they go on stage uniformed and organized, supporting each other, where camaraderie and good vibes are noted, as well as the demonstration of commitment and discipline setting a precedent, opening the way for alternatives to enrich the forms of dissemination of the salsa genre.

A solid project, which has the acceptance of producers and especially the dancers, who have become an important support for the permanence of Las 4 Damas de la Salsa in the collective memory and the salsa scene.

Sol, Zaire, Rocio and Zulay.

Last March 12, 2022 they were awarded as best musical project 2021 – 2022 event held at Cerro del Avila V.I.P Disco in Caracas, this activity was conducted and sponsored by Libia Ascanio and Edgar Mendoza.

They are The 4 Ladies of Venezuelan Salsa

Facebook: https://www.facebook.com/4damasdelasalsadura

In Concert: Hacenoba Salsa & Jimmy Bosch In Saint-Étienne

They will be together in an exceptional concert at Le Fil this May 14th

Adiel Castillo (Musical Direction – Piano), Aymel Gómez (Voice), Wilbert Valera (Voice), Nadir Slimani (Bass), Miguel Río Puntilla (Bongo), Philippe Fougerouse (Timbales), Hamid Benabella (Art Direction – Congas), Guillaume Monier (Saxophone), Laurent Sedent (Trumpet), Romain Bourlhonne (Trombone)

The Hacenoba Salsa group and the world-renowned Trombonist Jimmy Bosch will present a unique salsa show in which lovers of this Latin rhythm will sing and dance from the first notes. This concert will be preceded by a Salsa lesson by the couple (Aurélie and Rémi) belonging to the Barrio Latino humanitarian association under the best salsa mixes of the DJ from the city of Callao (Peru), Oscar D Lyon.

This show will take place on the second Saturday of May at Le Fil, an artistic platform for contemporary independent music and cultural life developed in the city located in southeast France, Saint-Étienne. Its address is 20 bd Thiers 42000 Saint-Étienne, France, and the cost of pre-sale tickets is €20 and the Box Office €22.

The Cuban Salsa orchestra, Hacenoba, brings to this concert the essential rediscovery of the island’s music (Mambo, Salsa, Cha-Cha, and Timba) accompanied by brushstrokes inspired by internationally famous composers and artists of the genre such as Oscar D’ León, Héctor Lavoe, and others.

This ten-member band with its explosive music combines percussion with piano, saxophone, and bass for a frenetic and bewitching rhythm that has led them to participate in different festivals, cultural events, parties dedicated to Cuban music (or Latin music ), and private parties in the region.

Jimmy Bosch has collaborated with Rubén Blades, Ray Barretto, and Celia Cruz, among many others.

Likewise, the master Jimmy Bosch is acclaimed in more than 70 countries as an exceptional Latin music Trombonist, has 11 Grammy Awards, and more than 100 recordings in the Salsa and Latin Jazz genres. He also has a great career as an orchestra leader and is coveted by his audience due to his extraordinary performances on stage.

The creator of hits like Otra Oportunidad (1998), La Cacharra (1999) Qué Bonito es Soñar (2004), La Noticia (2004), El Avión de la Salsa (2004) y Ay Mamacita-Boogaloo (2018) among many others, also will be dictating a Masterclass for professional musicians where he will explain and demonstrate the variations in Salsa. The lessons will be oriented towards practice and active participation with the instrument during the clinic. This masterclass will be held on May 24th -25th at Kafésynk located at Øvingshotellet, Trondheimsveien 2, Bygg H, 0560 Oslo, Norway from 5 PM to 8 PM, and tickets cost NOK 1,600 approximately $174.26.

The trombone master has worked with FANIA All-stars, Eddie Palmieri, Ruben Blades, Ray Barretto, Machito, Cachao, and many more. He has participated in Salsa conventions, Latin and Jazz music festivals around the world, as well as performed in clubs in Asia, Europe, America, and Oceania.

Jimmy Bosch’s record productions include Soneando Trombón (1998), Salsa Dura (1999), El Avión de la Salsa (2004) ,and A Millón (2009).

Oscar D Lyon was born in Callao, known as the capital of Salsa in Peru.

The perfect DJ for this magnificent evening at Le Fil will be Oscar D Lyon, who has more than 30 years of career in the music scene. He started in Lyon in the ‘90s, continued at Latino 1, and pursues his rise at Casa Latina for ten years. His likes and musical inclination from South America have made him stand out in the Latin environment of the region. Currently, Oscar D Lyon mixes the rhythms of Salsa and Bachata in various clubs in Saint-Étienne, such as Cabana Café, the Fox, and recently, Barrio Club.

 

Frederlyn Mayora returns to Venezuela to sing Salsa Romántica to the dancing public.

Last Friday, April 22, at 7:00 p.m., a concert was presented at the Juana Sujo Hall of the Casa del Artista, in Quebrada Honda, Caracas. Tickets are already on sale at popular prices.

After several years out of the country, Venezuelan singer Frederlyn Mayora returns to Venezuela to relaunch his musical career and sing Salsa Romántica to Venezuelan dancers and music lovers.

Mayora, who has been part of the orchestras of Tony Vega, Maelo Ruiz, Jose Alberto “El Canario”, Luisito Carrion and Tito Nieves, among others, arrives in the country with a single called “Viernes Romantico” that promises to be a hit in a short time.

“I want everyone to know what I am doing and what I come to do in Venezuela”, said the singer who now has his own orchestra.

The singer will be in Venezuela until the end of his musical production loaded with romantic Salsa, ballads and merengues.

On April 1 and 2, Mayora offered a couple of concerts called “After Party de los Hermanos Primera”, that is to say, he performed in a well-known venue of the CCCT as soon as the presentation of the renowned singers Servando and Florentino was over, and it was a full house.

On Friday, April 8, at 4:00 pm, he will offer a press conference at the Doris Wells Hall of the Casa del Artista in order to announce in detail the entire agenda that he will fulfill on Venezuelan soil.

On Friday, April 22, he offered a concert at the Juana Sujo Hall of the Casa del Artista, located on Amador Bendayán Boulevard, Quebrada Honda, Caracas.

The event was scheduled for 7:00 pm. The occasion will be propitious to record a video click.

All Frederlyn Mayora’s events and presentations are in charge of her manager, Humberto Gonzalez, president of Producciones Salsayer.

A little bit of history

Frederlyn Alejandro Mayora Martínez, was born on July 27, 1982, in the populous Sucre Parish, west of Caracas, Venezuela.

He is a musician, singer and percussionist. At the age of 9 he began his musical studies, especially in percussion. He belonged to the estudiantina Héctor Pacheco and spent several years at the Bigott Foundation, where he received master classes with Professor Rodolfo González.

When Mayora turned 15 years old, he decided to focus his musical career as a singer and it is when the producer Humberto González, currently director of the Salsayer Orchestra, took him to sing in several salsa groups in Venezuela, among them, “Herencia”, “Neo Latino” and “El Combo Antillano”, among others.

In 2003 he moved to Spain, specifically to Galicia. There he became part of the orchestras “Panama”, “Filadelfia” and “Orquesta TV”, among others. His artistic commitments reached the beautiful city of Santander, located in the North of Spain, where he performed ballads, salsa and merengue.

In addition to the aforementioned orchestras, Frederlyn Mayora has been the lead voice in groups such as “Ekilibrio”, “La Junior”, “Mandinga Star Band”, “Puma Band”, “Patatín Orquesta” and the “Máquina de la Salsa” and has accompanied in the chorus, since 2002 to date, renowned singers such as “Maelo” Ruiz, José Alberto “El Canario”, Tony Vegas, Luisito Carrión and Charlie Aponte, former member of the Gran Combo de Puerto Rico.

Balance of the work carried out at the level of Social Media in Venezuela.

Publication of the Briefing

Noti-America (01-04-2022) Mexico

La Patilla (El Farandi) (02-04-2022) Venezuela

https://www.elfarandi.com/2022/03/30/briefing-vuelve-a-venezuela/

Notimundo (03-04-2022)

Press Conference

Day: Friday, April 8, 2022

Place: Doris Wells Hall of the Casa del Artista.

Attended by representatives from 10 media outlets and Instagram accounts. Examples: Venevisión, Portal La Patilla, Rumbas Venezuela, Intervez, Diario La Calle, Noticiero Digital, Analítica, El Universal, Tendencia Internacional and Radio Tiuna, among others.

Press releases published in digital media

Analitica.com (11-04-2022) Venezuela

https://www.analitica.com/emprendimiento/noti-tips/de-vuelta-al-barrio-toma-caracas-de-la-mano-del-salsero-frederlyn-mayora/

Tendencia Internacional (11-04-2022) Venezuela

https://www.tendenciainternacional.com/2022/04/11/de-vuelta-al-barrio-toma-caracas-de-la-mano-del-cantante-salsero-frederlyn-mayora/

Contraste Noticias Newspaper (12-04-2022) Venezuela

https://www.diariocontraste.com/2022/04/de-vuelta-al-barrio-toma-caracas-de-la-mano-del-salsero-frederlyn-mayora/

Vida y Arte (14-04-2022) Venezuela

http://www.vidayarte.com/farandula/cantante-salsero-frederlyn-mayora-esta-de-vuelta-al-barrio

Intervez (14-04-2022) Venezuela

Business and Destinations (15-04-2022) Venezuela

Cantante salsero Frederlyn Mayora regresa a Venezuela con “De vuelta al barrio”

La Calle Newspaper (17-04-2022) Venezuela

Mentions on Instagram accounts

@TendenciaInternalcional

@caracas_view

@augustofelibertt (Dj)

TV Programs, Portals and Radio

Wednesday, April 6, 2022

Venevisión, Channel 4. Presentation in the program “Sábado Sensacional” on the occasion of the 50th Anniversary.

Thursday, April 7, 2022

Globovision, Channel 33. Interview

Tuesday, April 12, 2022

Portal La Patilla. Interview. Broadcasted on April 20, 2022

Thursday, April 21, 2022

Program “Asi Suena”, Channel 8, with Rubén Jiménez. Broadcasted on Sunday 24-04-2022

Radio program 24-04-2022

“Ni tan Bravo”, with Isnardo Bravo. FM Center La Romántica 88.9 FM

This is a balance of the presence he has had in the media.

Wednesday, April 27, at 8:00 am, he was on Televen, Channel 10, in the program “Con lo actual”.

Sources

Salsayer Press Director: Yira Yoyotte, journalist. 0424-105-61-66. E-mail: [email protected]

Facebook: Frederlyn Mayora

Dislocados is a group from Ukraine that is taking Salsa to the whole world.

Dislocados Ukrainian Latin American band, exploded onto the Kyiv music scene as the Kiev Salsa Kings in November 2005.

Led by Ilya Yeresko, one of Ukraine’s most respected young pianists and composers, with – among others – Dennis Adu (named best jazz musician in Ukraine at the Dodj Competition 2009) they started playing in Kyiv’s best live music bars.

This first salsa band in Ukraine was soon joined by Karolina Patocki and Lesya Zdorovetskaya, finalizing the group’s vocal flavor, and now the 10-piece band has become a force to be reckoned with in the country.

Dislocados’ new name, literally translated as “dislocated”, plays on the crazy personality of the band, and the idea that the birth country of the musicians does not dictate their musical direction and expertise.

While continuing to perform three times a week to live audiences around Ukraine, on February 10th 2008, Dislocados made its world debut by being the first international Hard Salsa band aired on Hard Salsa Radio and on WHUT 91.9 FM in New York City with their promotional song “Resaca.”

Minutes after “Resaca” aired, emails poured in like wildfire from worldwide listeners asking for more information on this particular band from an unknown land, which led to Dislocados’ inclusion in Salsa Dura Mundial, a worldwide salsa compilation album out of New York from Latin Soul Records.

After gaining popularity in New York and Western Europe, Dislocados released the first salsa album to come out of Ukraine, with an intro written by salsa legend Andy Harlow, featuring ten original salsa tracks, inspired from Puerto Rico, New York, and Cuba.

Since its release, La Salida has enjoyed overwhelming international praise from top musicians such as Jimmy Bosch and Andy Harlow, promotion from top respected salsa review sites such as descarga.com and has led to the band’s inclusion in international salsa projects, such as the Summer Salsa Festival in Stockholm where the band played with Huey Dunbar, of DLG fame.

Dislocados’ internationally recognized top musicianship is now the vehicle by which they try to popularize the musical style of Hard Salsa in Ukraine in order to include their country among the list of top contenders for worldwide attention in the genre.

Awards:

Winner of the Independent Music Awards 2012 with Best Latin Song, ¨Como Tú¨.

Winner of the Independent Music Awards’ Vox Pop Award for Best Latin Album 2012, ¨Pasaporte Universal¨.

Winner of the Independent Music Awards’ Vox Pop Award for Best Holiday Song 2012, ¨Navidad en Heathrow¨.

Winner of the Independent Music Awards’ Vox Pop Award for Best Latin Song 2012, ¨Como Tú¨.

Winner of the Independent Music Awards’ Vox Pop Award for Best Latin Album 2011, ¨La Salida¨.

Facebook: Dislocados

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.