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Search Results for: El Gran Combo

Johnny Cruz – Let’s support the artists who continue working

North America / United States

The latin music from the Johnny Cruz view

We are about to end this 2020 so atypical and challenging for everyone. Especially for artists who make a living from shows and entertainment. I want to congratulate all those who keep up working despite adversity. I also take advantage of the season to thank those who accompany us to make each and every one of our projects possible, and of course, to God, for the health and recovery of those who have had relapses throughout this year. Thank you all!

Johnny Cruz from New York
Johnny Cruz is the president of Spanish Harlem Salsa Gallery

My recognition goes to Ismael Miranda.

This Puerto Rican artist became famous during the salsa explosion of the 70s in New York, his fans called him “El niño bonito de la salsa”. Miranda was still a teenager when he recorded with the Larry Harlow Orchestra and joined the Fania All Stars.

Then came a solo career of extraordinary quality. Known for his professionalism and healthy habits, Miranda continues to record and perform concerts with his voice as vital as ever.

He recorded his first album at 16 with the Joey Pastrana orchestra. Then he went to Larry Harlow and began to seek his own identity and have more respect for music. He confesses that at first he did not take his music career so seriously, and although there were women and drugs, he never disrespected his directors or the public.

“When fame falls on you and you are not prepared, you become a person who is not very nice, who thinks that he is more than anyone else. I was an inexperienced baby, but I was catching up little by little.

Friends like Cheo Feliciano and Pete “El Conde” Rodríguez watched over me. Adalberto Santiago was always by my side. Santitos Colón — Tito Puente’s singer — became my compadre. With all those people that surrounded me, I had to start doing things as God intended so as not to lose their support,” he said in an interview. Given the good impression his performances with Andy Harlow made, his brother, Larry Harlow, called the Judío Maravilloso, decided to recruit him to his orchestra.

Ismael Miranda began his recording cycle with the album El exigente. Convinced of the potential of the young singer, in 1968, Larry launched a new production entitled Harlow Orchestra presents Ismael Miranda.

The successes were repeated with the recordings Electric Harlow, Tribute to Arsenio Rodríguez, Abran paso and Oportunidad. With Larry Harlow, Ismael also ventured into the field of composition, sharing credits with him on the songs “La revolucion”, “Guasasa”, “Arsenio”, “El malecón” and “Lamento de un guajiro”, among others.

He has also stated that the most unpleasant thing about his career is that being so young in the beginning, he has had to see iconic characters and great friends like Héctor Lavoe, Celia Cruz, La Lupe pass away.

Find it difficult to be alone after having so many friends. “Today the world is each one by his side. La Fania was not just a record company. We were a big family in which we all loved each other very much. Every time I hear another musician leave, my soul breaks. ”

In the 1980s he recorded several productions with his independent record label. He recorded in 1984 with the prestigious Cuban group Sonora Matancera for his old record company Fania.

In 1986 his album Versos de Nuestra Cultura, together with singer-songwriter José Nogueras, was one of the great successes of the Christmas season of that year. In 1988 he announced his intention to retire from the artistic media. But that idea never came to fruition. Ismael has recorded with his own record label, IM Records, and with the RMM company.

He has a very close family. He has been with his second marriage for 25 years and has also been with his first wife for another 25 years. All of his children are married and have their own businesses. He has 13 grandchildren and two great-grandchildren. Recently Ismael Miranda and José Alberto “El Canario” joined Daniel Peña in “Hijo Del Cañaveral” Daniel Peña, Dominican based in the city of Miami.

He is recognized for his percussion skills and for being a music producer. Peña has worked with music greats such as Tito Puente Jr., pianist Marlow Rosado, Ismael Miranda, pianists Richie Ray and Larry Harlow, Celia Cruz and Giovanni Hidalgo. In 2014, he made his debut with the album “Eleven”, dedicated to his children; and three years later I have released “Sancocho”, a project with eleven songs.

The Dominican presents his new single “Hijo del Cañaveral”, a production that he made together with two great masters of salsa, Ismael Miranda and José Alberto “El Canario”.

Gerardo Rivas releases his first solo single.

Gerardo Rivas first solo single
New song for this talented artist

Puerto Rican Gerardo Rivas delights his followers with the launch of his first solo song. “A derretir el hielo” is a salsa, composed by Juan José Hernández and Victor Sanabria López, with musical production by Marcos Sánchez.

A few weeks after its premiere, the video clip has almost thirty thousand views on YouTube. The work leads to mysticism and contains a refreshing proposal. The direction was the work of Giova González and was filmed in San Juan, Puerto Rico. “Vamos a juntar los cuerpos bella, vamos a subir al cielo, vamos a prender la vela bella, vamos a derretir el hielo” the chorus quotes.

After more than a decade belonging to the group NG2, Puerto Rican salsa duo Rivas decided to try it on their own. “With great humility I present my first solo work. All my life I have been involved in music and daring to do a solo project feels very good “, declared Rivas. The singer is the son of Jerry Rivas, who belongs to “El Gran Combo”. From a very young age he has been immersed in the musical world. He was the vocalist of the group “Gerardito y los rockolos”.

In addition, it has around twenty-five years of experience. Rivas has always been a believer in salsa, bets on it and defends it in each presentation. A faithful representative of the genre!

The new success of Papo Rosario with Luisito Carrion and Isidro Infante!

This is the land where I was born. Papo Rosario is a world-class artist who has put the name of Puerto Rico high. Rosario, who withdrew in 2019 from the group considered the “Universidad de la salsa”, El Gran combo de Puerto Rico, after having an accident and presenting health problems, affirms that he already feels ready to resume his musical career with the Launch of his first solo production by producer Isidro Infante.

From this new album, we have their second single that cannot be missed. Without jumping on stage as before, but maintaining the grace of his movements, the singer Papo Rosario continues to work on his return to salsa with maestro Isidro Infante, who was the musical director of Fania All Stars. Rosario retired from El Gran Combo de Puerto Rico in 2019, after 38 years, as a result of a tumor in the spine, with which he battled since 2000, when he was operated on for the first time. This was followed by a second surgery in 2005, a third in 2017, and a fourth and fifth in 2018.

“They took out the whole tumor, which shot up as it pleased. In 2017 they removed 70% of the tumor on my right side, equivalent to a football. In 2018 they rebuilt my spine because the tumor ate a lot. I have a titanium spine, a scaffold on my back with rods that keep me on my feet. They removed 30% of the tumor on my left side in 2018,”, explained the singer. The medical prognosis indicated that he would not walk again.

“After so much therapy, I feel super good. After the operation, he said: let it be the will of Father God, it was not known if he was walking or not. I am up in the fight and grateful to God and to all the people for their prayers, which have contributed greatly to my health ”, the now soloist has stated in recent interviews. Rosario’s relationship with Infante dates back to adolescence, when they studied at Central High School in Santurce.

“I have always been an admirer of Isidro. We met around the world, he with the Fania and I with the Combo. People told me: ‘You have to do something’, I made up my mind and wanted Isidro to make a couple of arrangements for me”, he revealed. He has also stated that: “We come with traditional sauce, eventually something will be done with more mischief. The topics are everyday, nothing hurtful, but motivational in the middle of the quarantine. We do not want to come with bochinches, but to bring joy and give thanks ”. I wish you success today and always!

Gran Combo in concert

The Gran Combo de Puerto Rico announce concert (more artists)
The concert will be this November 14th ith more artists

El Gran Combo de Puerto Rico announced its first virtual concert for this November 14th from the Centro de Bellas Artes in Santurce. After almost eight months of inactivity due to the paralysis of the entertainment and events industry caused by the COVID-19 pandemic.

The “Mulatos del Sabor” have remained “bien guardados” during this period, but they understand that it is now “time to remove the mold and offer the sauce that we are asking for,” according to Jerry Rivas, vocalist of the veteran group. The so-called “Universidad de la Salsa” will offer on Saturday, November 14 at 9:00 p.m. the virtual show from the stage of the Centro de Bellas Artes (CBA), Luis A Ferré in Santurce. The mulatos have named the concert “El Gran Combo para el mundo”, since from the Spyntyx.com platform it can be enjoyed from any corner of the planet.

“The pandemic arrived and the whole world was paralyzed. But in the face of people’s requests and the messages that reached us about when they are going to do a show, we ventured into this format, which is new to us, but it is still an opportunity to reach more people anywhere in the world. In addition, we are going to present some of the themes of what will be our new record production “, mentioned Willie Sotelo, musical director of the group.

Sotelo and Rivas indicated that the founder of El Gran Combo, Rafael Ithier welcomed the virtual format, since like the rest of the members he is eager to return to the stage. Ithier turned 94 years old in August this year and has been very careful and cautious in preventing the spread of the coronavirus. So much so that for the birthday celebration the mulattoes surprised him with a sound bus at his house.

The musicians arrived at the front of Ithier’s residence and greeted him from the outside, and according to Rivas, days later the older mulato was tested for COVID-19 to verify that he is in good health. The virtual show will be prerecorded in some parts to avoid any mistakes. Tickets can be pre-purchased through spyntyx.com at a cost of $ 8.00.

The presentation will be a musical journey through hits such as: “Arroz con habichuelas”, “Sin salsa no hay paraíso”, “El problema está en el coco”, “Es la mujer”, “Achilipú”, “Colombia tierra querida”, “A mí me gusta mi pueblo”, “La espuma y la ola”, “El comején”, “La receta de amor”, “Alguien que me quite tu amor”,”Si la ves por ahí”, “Te veo, nena” y “No hay manera”, among others.

The group will integrate to the repertoire about three new songs as part of the musical production that they have worked in the months of the pandemic and that they hope to release before the end of 2020. “We had started the album before the pandemic, but these months have been perfect because by not traveling we have been able to dedicate ourselves to finishing the nine songs on the album. We are already in negotiations with record companies and the launch should be in December”, said Sotelo.

The group is invited every year to participate in the Feria de Cali at the end of December. This year, the invitation came to make the presentations in a small format capacity and in various tents that can maintain social distancing. The salsa orchestra has not confirmed its participation, so they are still evaluating the possibility of traveling to Colombia. Even so, in Puerto Rico they have six dates of Drive-In events and closed circuits confirmed for the holiday season. This never stops!

Adaberto Santiago 65th Anniversary

And if we are talking about incredible careers in this edition, I can’t stop talking about Adalberto Santiago and the new projects of the 65th anniversary with great artists of the genre. This time I can tell you about Cuco Peña’s string arrangements, the participation of Nelson Jaimes and, of course, the help of my friend Freddy Miranda. At 83 years old, he is still in the rumba. There is less and less to show the world this historical piece for the world of salsa.

Some invitations

The invitation to tune in to the new Fm / Internet radio station on Live365.com continues: Salsagallery. Good music, interviews with the artists and much more.

As always, remember that Spanish Harlem Salsa Gallery is in 1708 Lexington ave New York N.Y. 10029. Open free to the public all Thursdays & Fridays from 4 to 7 pm and Saturdays from 1 to 8 pm. Check the updates in our website: spahasalsagallery.com.

Also, The Johnny Cruz Show, the # 1 Salsa Show on television on all 5 Boroughs of New York on CH67. Saturdays from 3:30 to 4:30 pm.

Contact: Johnny Cruz. 917-747-8505. [email protected].

Home

Chicago International Salsa Congress

North America / USA / Chicago

Mission of the Chicago International Salsa Congress

The mission of the Chicago International Salsa Congress is to unite cultures and generations, engender leadership through empowerment opportunities in its showcase and to keep alive the history of the many cultures collaboration in the creation and evolution of Latin and Afro-Caribbean music and dance.

Chicago International Salsa Congress
Chicago International Salsa Congress

The Chicago International Salsa Congress is brought to you by a special group of dedicated individuals whose energy, skills, passion and perseverance unite to bring you the number one Latin Music and Dance event in the Midwest!

In 2002 they produced the first Chicago International Salsa Congress (CISC) now in its 14th year. The CISC fosters personal awareness, develops leadership, creativity and inspires highest performance by providing emerging artists an opportunity to learn from and perform with professional artists in the congress showcase.

Schedule: Chicago International Salsa Congress

Día Horario Actividad
Jueves 2/9/17 3:00 PM – 11:30 PM Onsite Registration opens
7:30 PM Rueda Summit
8:30 PM – 9:30 PM Opening Night! Meet & Greet the STARS of the 2017 CISC
9:30 PM – 10:30 PM Dance Showcase
10:30 PM – 3:00 AM CISC Concert Series featuring Carpacho y Su Super Combo!
Viernes 2/10/17 9:00 AM – 4:30 PM Onsite Registration
9:30 AM – 3:30 PM Workshops
4:00 PM – 5:30 PM Emerging Artist Showcase / Chicago Midwest Salsa & Bachata Open Competition (Elimination)
5:30 PM – 7:30 PM Youth Performance Challenge w/Natasha Silva
6:00 PM – 8:00 PM Kizomba Bootcamp with Philippe & Upa Danca
6:30 PM – 11:30 PM Onsite Registration
8:00 PM – 10:00 PM Dance Showcase
10:30 PM – 3:00 AM CISC Concert Series: Tromboranga / Bachata Ballroom / Kizomba Party!
Sábado 2/11/17 9:00 AM – 4:30 PM Onsite Registration
9:30 AM – 3:30 PM Workshops
4:00 PM – 5:30 PM Emerging Artist Showcase
5:30 PM – 7:30 PM Youth Performance Challenge w/Natasha Silva
6:30 PM – 11:30 PM Onsite Registration
8:00 PM – 10:00 PM Dance Showcase
10:30 PM – 3:00 AM CISC Concert Series: Jimmy Bosch with Yoko, La Japonesa Salsera! / Bachata & Kizomba
Domingo 2/12/17 9:00 AM – 4:30 PM Onsite Registration
9:30 AM – 3:30 PM Workshops
12:00 PM – 2:00 PM Youth Performance Challenge w/Natasha Silva
4:00 PM – 5:30 PM Emerging Artist Showcase / Chicago Midwest Salsa & Bachata Open (Finals)
6:30 PM – 11:30 PM Onsite Registration
8:00 PM – 10:00 PM Dance Showcase
10:30 PM – 3:00 AM CISC Concert Series: Herman Olivera with Nelson Gonzalez / Bachata & Kizomba
Photo 1: Chicago International Salsa Congress
Photo 1: Chicago International Salsa Congress

INSTRUCTORS

Enjoy 3 days of over 70 workshops covering Beginner, Intermediate and Advanced levels of dance styles, movement and musicality. The instructors are from American and European continent to don’t stop dancing.

PERFORMERS

The CISC produces seven Dance Showcases to excite your senses and inspire your creativity. Featuring world-class dancers from near and far, you will be captivated as we unleash their talents on the stage. The shows include our Matinee Emerging Artists Showcases at 4:00PM and World Class Dance Spectacular at 8:00PM featuring national and international performers.

LIVE MUSIC

CICS will present an unforgettable dancing experience in an elegant Grand Ballroom where Latin Music’s top artists and salseros connect. Enjoy four nights of non-stop dancing on our spacious dance floor until 3:00 AM to the hottest sounds of yesterday and today. The Chicago International Salsa Congress Concert Series is unmatched in celebrating Latin Music’s timeless presence in honoring the legendary pioneers while inviting a forward vision as new, young artists take up the torch and carry it forward.

Photo 2: Chicago International Salsa Congress
Photo 2: Chicago International Salsa Congress

TROMBORANGA SALSA ORCHESTRA

As part of the new generation of independent latin orchestras, Tromboranga is the pure essence of “Salsa Dura”. Tromboranga’s spicy ingredients are the trombones sound, solid and strong percussion, and they recover the essence of “soneos” (voice improvisation among the chorus). With influences from the salsa music from the 60s and 70s, maintaining a raw, strong and a very danceable sound.

His original songs like “Humildad”, “Palo pa la campana”, “Amigo el ratón”, “Adios que te vaya bien”, talks about stories that can describe the life of any of us, and they have become number one in Latin radios and dance floors worldwide. Tromboranga is made up of musicians from the Caribbean and Europe, all residents of Barcelona, Spain.

JIMMY BOSCH

(18 October 1959, Jersey City, New Jersey), known also “El Trombón Criollo”, is a trombonist, composer and producer of Afro-Cuban jazz, salsa and Cuban music.

At thirteen he was already part of different local bands of Latin music. At age 18, while studying classical music at Rutgers University, he meets Manny Oquendo and joins his band. He plays with Manny Oquendo about two decades; then comes to work with Marc Anthony. In 1996 he created his own band, “Los Masters”, with whom he recorded two albums. He has his own record label, JRGR Records.

Photo 3: Chicago International Salsa Congress
Photo 3: Chicago International Salsa Congress

YOKO LA JAPONESA SALSERA

Born in Osaka, Japan, Yoko Mimata began her artistic career at the age of fifteen as a vocalist in a rock band her native Osaka. Las Estrellas, a salsa band composed of former members of the famous Japanese orchestra “Orquesta de la Luz”, invited Yoko to join them as lead vocalist.

Subsequently, in 1997, settled in the Big Apple, city in that began to venture into the salsero environment. Her great debut took place at the Salsa Congress in New York in 2006, where she performed with the orchestra Chino Nuñez and Friends. Later she became the lead vocalist and participated in the recording of the second album by Chino Nuñez, “Dr. Salsa”; In which she sings duet with Ray Sepulveda “Hoy les cantamos”.

NELSON GONZÁLEZ

(Born May 30, 1948) is a Puerto Rican tres player. He specializes in the Cuban tres, and only occasionally plays the Puerto Rican tres (similar to the cuatro). He is a prolific session musician and has been a member of renowned salsa ensembles such as Fania All-Stars, Orchestra Harlow and Típica 73. He has authored a book on the tres guitar method published by Mel Bay. Together with Pancho Amat and Papi Oviedo he is considered one of the most influential modern tres players.

Photo 4: Chicago International Salsa Congress
Photo 4: Chicago International Salsa Congress

HERMAN OLIVERA

He is a salsa singer from Newark, New Jersey. Born to Puerto Rican parents, he began his career in New York City where he earned his reputation as a “sonero,” that is, an expert in the demanding art of lyric extemporization. In a genre overrun by pop-oriented singers, Herman’s musicality and mastery in this regard garnered him the sobriquet of “El Sonero del Siglo XXI”. Today Herman counts among the most in-demand and hardworking salsa singers around. His voice literally permeates the sound of hard-hitting salsa from the 1980s to the present-with album credits with the likes of Tito Puente and Eddie Palmieri, among many others where he has contributed to the continued vitality and development of the sonero tradition.

DJS

The fifteen DJs at this year’s congress will definitely get your feet, hips, shoulders, and everything else grooving on the dance floor with the best Salsa, Mambo, Cha Cha Cha on the planet!!!

VENUE INFORMATION

HYATT REGENCY O’HARE is just 5 minutes from O’Hare airport with a free shuttle. Easy access by train or car. Beautifully appointed guest rooms, great amenities and nearby shopping and dining make this a perfect getaway for your CISC weekend.

Photo 5: Chicago International Salsa Congress
Photo 5: Chicago International Salsa Congress

 

Oscar D’ León confessions of Oswaldo Ponte by William Briceño

Latinoamerica / Venezuela / Caracas
Oscar D' León
Oscar D’ León

Part 1

This book narrates the story of the famous singer Oscar D’ León from his birth and his life’s progress to who he is today; it also mentions how the era evolved, not only at a musical level but also regarding the situation of the country, both in Venezuela and other nations.

Before beginning to comment on the biography written by his manager, Oswaldo Ponte: biographies do not only try to remember great men who extend beyond their era. In this way, through this biography, the goal is to spread an idea about the work of the well-known artist “Oscar D’ León,” who has brought greatness to the country, crossing the line of his horizon and extending it toward other latitudes. One could say it is like a novel that not only speaks of successes or already known events, but also tells us about the reality of his life and not just what acquaintances or representatives of the artist think.

Photo1: Oscar D' León
Photo1: Oscar D’ León

The biography begins with the birth of Oscar Emilio León Simosa on July 11, 1943, in Caracas, Venezuela; where not only his family but other friends were present, one of whom ironically mentioned that in the future “he would be a great singer” since his crying was like a symphony. According to his mother, “Carmen Dionisia,” the midwife told her that he was born “enmantillado” (born with a caul), which meant the baby could have a multitude of gifts that he could take advantage of in the future.

It is worth mentioning that at an early age, he had more passion for music than for his studies, and he came to the conclusion that studies were not the best thing for his future; therefore, he dedicated himself to helping at his parents’ business to contribute to the household.

Since he was very young, he enjoyed listening to “Sonora Matancera” in a corner at night, which was the musical group of the era, and he would follow the percussion with his throat. He also listened to jazz orchestras, which led him to the conclusion that music would be his vocation; he was fascinated by listening to his mother hum the hits of 1953 by the Orquesta Aragón and Dámaso Pérez Prado.

Oscar D' León - Photo 1
Oscar D’ León – Photo 1

Fortunately for the future singer, his family was passionate about music and had close relationships with musicians, singers, and players of all types of instruments even if they were not professionals. This warm, joyful, and above all, musical atmosphere embraced Oscar from the moment he was born. It was even shown that at an early age he had a certain interest in any object that emitted a musical sound, and he longed to learn how to use musical instruments. Despite having a humble family, Oscar himself managed to use various objects to create something that generated a musical sound and to discover his own rhythm, which he enjoyed at that time.

Oscar D' León - Photo 2
Oscar D’ León – Photo 2

Simosa, which was on July 11, 1943, in Caracas, Venezuela; where not only his family but other friends were present, and ironically one of them mentioned that in the future “he would be a great singer” because his crying was like a symphony. According to his mother, “Carmen Dionisia,” the midwife told her that at birth he was “born with a veil” (enmantillado), which meant the baby could have a multitude of gifts that he could take advantage of in the future.

During his adolescence in Venezuela, many significant political changes were occurring for the population; however, they did not stop celebrating festive seasons with his family even in difficult times. Many “parrandas” (parties) were held, something that Oscar enjoyed very much.

In 1958, he mentions that a phenomenon was occurring with the musical style of “Dámaso Pérez Prado’s Mambo”; also, at the Club Las Fuentes, the Sonora Matancera resonated with “Celia Cruz” alternating with the “Caracas Swing Boys”. A movement of orchestras influenced by foreign rhythms that thrilled Venezuelans began to be observed on a national level, such as Billo’s, which won the precious title of the most popular orchestra in Venezuela. Oscar was not interested in societal events, except for events in Cuba, since Cuban music was what fascinated him.

Photo: Oscar D' León confessions of Oswaldo Ponte by William Briceño
Photo: Oscar D’ León confessions of Oswaldo Ponte by William Briceño

Starting in 1962, he became a father, and marveled by his new life and his firstborn, he dedicated himself to his role as a father, keeping his family supported by working; this caused him to step away from music, and his maturity can be witnessed despite his age.

By the age of 23, he already knew how to sing and play the bass; over time, he met friends who would influence great changes in his future life. In 1966, he met Kiko Pacheco, who invited him to the group “Los Junior,” where he would begin his professional career. During that same year, salsa was taking off in Venezuela, as it was heard on all the country’s radio stations.

During that era, life was expensive, so he worked hard both in clubs and discotheques or as a taxi driver. On one occasion, Kiko Pacheco asked Oscar to sing in the “Quinteto Los Junior” because their vocalist had to leave; this allowed Oscar to demonstrate his talent, and from that moment on, everyone was enchanted upon hearing him, and his musical profession began. Later, “La Dimensión Latina” was created, which at that time was known as “Dimensión Seis,” founded by Oscar D’ León and Cesar Monge.

The members who formed “La Dimensión Latina” were Oscar de León, Cesar Monge “Albóndiga,” and José Rojas “Rojita” on trombones; José Rodríguez “Joseíto” and Elio Pacheco on percussion; and Enrique “Culebra” Iriarte on piano. A significant event for Oscar was that, during their first rehearsals, he had a premonition of his success when they found the rhythm he wanted to hear and share with the rest of the musical world. This was proven during their first performance, which was a total success, leaving everyone who heard them stunned.

Oscar D' León singing
Oscar D’ León singing

From that moment on, with the debut of La Dimensión Latina, a new concept emerged that would change the landscape of popular Venezuelan music and make history both nationally and internationally with the rise of the legend Oscar D’ León. They began playing for five months at “La Distinción” from Friday to Saturday. On Sundays, after finishing there, they would go to El Junquito to continue the party, gaining so much popularity that some felt they should launch an international career. During that time, singer-songwriter Mireya Delgado hired them after being impressed by seeing them perform on stage.

They played on a cruise ship during a one-week tour through different Caribbean islands and achieved great success despite the inconveniences they faced. They paid these no mind, as they dedicated themselves wholeheartedly to playing for their audience. This caused venues to become packed, captivating their fans who idolized them. From that point forward, many people began wanting to hire them for various events.

Here is the translation of the text into American English:

In that same year, 1972, a dizzying and unstoppable recording career began. This was based on the fact that executive representatives from the TH label heard two tracks: one was “Oye mi canto,” which was a hit for Gran Combo de Puerto Rico, and the other was “Te voy a cortar las patas” by Oscar D’ León. Because this made a great impact and created absolute conviction among the executives that they were witnessing a success, the promoter Mesone, upon hearing them, agreed to carry out a recording. This recording was shared with the Víctor Mendoza Orchestra, one of the TH producers in Venezuela: El Clan de Víctor.

2- Oscar D' León
2- Oscar D’ León

The album featured three tracks by Oscar; he recorded two of them with Dimensión Latina and the other with El Clan de Víctor. However, he does not appear as the author in the credits. The same thing happened with an album in 1991 when recording the album Auténtico. Among the 80 tracks that Oscar wrote, two of them are his immortal classics and of his authorship: “Llorarás” and “Detalles”.

For the first time in Venezuela, Salsa festivals were held that moved everyone. From that moment on, a true proliferation of salsa was witnessed in the country, all thanks to “Pensando en ti,” which had a major impact on the history of Venezuelan popular music.

After the success of his new discography—which contains “La comprita,” “Barranquilla,” and “Barranquilla y Quiéreme,” among others—three important international contracts were signed. Oscar and Dimensión Latina would go to Curaçao, Aruba, and Bonaire; that same year, they would also go to Colombia and Santo Domingo. However, it is worth noting that the period from “Pensando en ti” to “Que bailen to’s” covered the stage that catapulted him internationally.

Here is the translation of the text into American English:

The production of Dimensión Latina’s 1975 discography was the one that left an eternal mark, whose immortality was glimpsed from the very moment of its appearance. Its tracks focused on themes of romantic heartbreak. However, the rhythmic conception of “Llorarás” was the most important conception and structure of Oscar D’ León and Dimensión Latina; in fact, the song “Llorarás” marked the rupture of the old dance empire represented by Billo’s, and Dimensión came to be considered the “Billo’s of Salsa”.

An important subject in the world of music tells us in this book that: “salsa singers used phrases worn out by the use of previous generations who popularized them; in contrast, Oscar projected original modifications created by him”.

Oscar D' León in concert
Oscar D’ León in concert

When they traveled to New York, Oscar was very excited by the different stories he had experienced in the music world, and they were even happier to perform for the first time in the impressive metropolis. It was there where that musical genre that transformed them into idols, “Salsa,” was projected.

As time passes, Oscar manages to establish his own style and never changed it while climbing the steps of popularity and fame; the same happened with Dimensión Latina, though without achieving the countless triumphs Oscar D’ León obtained until his departure.

If you wish to know more about the history of Oscar D’ León, we recommend reading “Oscar D’ León: Confessions of Oswaldo Ponte by William Briceño, Editorial Fundación Simón Bolívar” to learn about the continuation, as it is a very broad topic to describe in this first part; likewise, in our next edition, we will conclude our final thoughts on this interesting and extensive biography.

Oscar D' León confessions of Oswaldo Ponte by William Briceño
Oscar D’ León confessions of Oswaldo Ponte by William Briceño

 

 

Sammy Figueroa is an exceptional percussionist known for his versatility and for playing in a multitude of musical styles

Sammy Figueroa, a percussionist with an excellent career.

Sammy Figueroa was born in the Bronx, New York, in 1948. He is the son of bolero singer Charlie Figueroa, whom he never knew, as his father passed away at the age of 32.

Sammy moved to Puerto Rico as a child to live with his grandparents and escape the Bronx’s gang violence.

Sammy Figueroa is an excellent percussionist who has stood out for his versatility, playing in a multitude of musical styles
Sammy Figueroa is an excellent percussionist who has stood out for his versatility, playing in a multitude of musical styles

At 18, he started his professional career with bassist Bobby Valentín’s band. Throughout his career, he has stood out for his versatility, playing in a multitude of musical styles and contributing to nearly 400 albums, ten of which are platinum.

He has collaborated with major pop artists like David Bowie, Chaka Khan, and Mariah Carey, as well as with distinguished jazz musicians such as Miles Davis, Sonny Rollins, Quincy Jones, and George Benson. In 1977, he became a founding member of the Latin rock fusion group Raíces.

In 2001, Sammy Figueroa moved to South Florida and formed his own group, Sammy Figueroa and His Latin Jazz Explosion. His albums And Sammy Walked In and The Magician were nominated for a Grammy for Best Latin Jazz Album.

Sammy Figueroa, a percussionist with an excellent career

Sammy Figueroa, a percussionist with an excellent career

His 2023 album, Searching for a Memory / Busco Tu Recuerdo, is a tribute to his father. The project, produced by his wife, Rachel Faro, with whom he has also co-produced other albums, allowed Sammy to reconcile with his father’s legacy. On this album,

Sammy sings on a record for the first time and transforms his father’s classic boleros into modern Latin jazz arrangements. The album was nominated for a Latin Grammy in the “Best Jazz/Latin Jazz Album” category.

Sammy Figueroa has received numerous awards, including two Percussionist of the Year awards from the National Academy of Recording Arts and Sciences (NARAS), two Drummie Awards for Best Hand Percussion, and a Best Percussionist award from the Jazz Journalists Association.

Discovered by jazz flutist Herbie Mann, Figueroa became a well-known session and studio musician, touring and recording with The Brecker Brothers, Average White Band, Morrissey – Mullen, The Mahavishnu Orchestra John McLaughlin, and Miles Davis.

He has also appeared with Blondie, Sonny Rollins, David Sanborn, Quincy Jones, Dave Grusin, George Benson, Chet Baker, Stanley Clarke, Grover Washington Jr., Al Jarreau, Lena Horne, Joe Williams, Mark Murphy, Mike Mainieri, Néstor Torres, Chico O’Farrill, Mike Stern, Chuck Loeb, Bobby Watson, Dave Valentin, Arturo Sandoval, Paquito D’Rivera, Rubén Blades, Eddie Palmieri, Bobby Valentín, Tania Maria, Mariah Carey, James Taylor, Dr. John, Mick Jagger, David Bowie, Celine Dion, Blues Traveler, Natalie Merchant, David Lee Roth, Hall & Oates, Joe Cocker, Rickie Lee Jones, Annie Lennox, Whitney Houston, Anita Baker, Grace Jones, James Ingram, Diana Ross, Roberta Flack, Aretha Franklin, and many others.

Some of the R&B hits he is featured on include Sister Sledge’s “We Are Family,” Luther Vandross’s “The Night I Fell In Love,” and Ashford & Simpson’s “Solid (as a rock),” as well as most of Nile Rodgers and Bernard Edwards’ hits on the Chic and Sister Sledge record labels.

Michel Camilo wrote the song “And Sammy Walked In” in his honor, and it was also recorded by Giovanni Hidalgo. Two of his CDs, And Sammy Walked In and The Magician, have been nominated for Grammy Awards in the “Best Latin Jazz Album” category. Figueroa hosts a Latin jazz show on WDNA-FM in Miami, Florida.

Sammy Figueroa was born in the Bronx, New York, in 1948
Sammy Figueroa was born in the Bronx, New York, in 1948

If you’re not very familiar with Sammy Figueroa’s work, you can try an experiment with this album: listen closely to see if you can guess what his instrument is. In a medium-sized combo, what instrument seems to take center stage? The answer: it’s impossible to guess, which says something about Figueroa’s maturity as a leader.

It’s also surprising to see how pared down his forces really are this sextet sounds like a big band. (Spoiler alert: he’s a percussionist.) It also says something about him that the term “Explosion” is a misnomer for his band. There are no pyrotechnics, no crazy tempos, and no wildly layered rhythms here.

But there are some very impressive horn arrangements (check out “Cha Cha Pa’ Ti” and the lovely “Cuco y Olga”), along with some of the sweetest, most tender ballads to appear on a jazz album of any genre in recent years (“Queen from the South” and “Zuliana” are the best examples).

For a percussionist acting as a bandleader, giving this kind of sustained, loving attention to compositions that only make a tenuous use of his talent is further proof of Figueroa’s taste and maturity. Let’s hope Figueroa keeps going in this vein. Rick Anderson.

Sammy Figueroa & His Latin Jazz Explosion – Urban Nature (2011).

Sammy Figueroa & His Latin Jazz Explosion - Urban Nature (2011)
Sammy Figueroa & His Latin Jazz Explosion – Urban Nature (2011)

Tracks:

  1. Gufillo (Silvano Monasterios)
  2. Urban Nature (Gabriel Vivas)
  3. Latin What? (Michael Orta)
  4. Zuliana (Silvano Monasterios)
  5. 7th Door From The Left (Silvano Monasterios)
  6. Cuco y Olga (Nicholas Martines)
  7. Cha Cha Pa’ Ti (Gabriel Vivas)
  8. Queen From The South (Silvano Monasterios)
  9. Funny Talk (Gabriel Vivas)

Musicians:

  • Sammy Figueroa (Percussion)
  • Silvano Monasterios (Piano)
  • Gabriel Vivas (Acoustic bass)
  • John Michalak (Sax)
  • Alexander Pope Norris (Trumpet)
  • Nomar Negroni (Drums)

Guest Musicians:

  • Ed Calle (Sax)
  • Mike Orta (Piano)
  • José Gregorio Hernández (Percussion)

Website: Sammy Figueroa

By:

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Carlos “Nene” Quintero comes from a family of musical prodigie

Gilberto Santa Rosa

Latin America/ Puerto Rico / Puerto Rico

Gilberto Santa Rosa – The Salsa Knight

Gilberto Santa Rosa (Santurce, 1962) Puerto Rican singer. Nicknamed El Caballero de la Salsa, he has been one of the most prominent performers of the genre, particularly since the 1990s. From an early age his love of music manifested itself, which led him to organize his first amateur ensemble.

Gilberto Santa Rosa
Gilberto Santa Rosa

At only fourteen years old, he already recorded his first songs, thanks to the trumpeter and orchestra director Mario Ortiz. His first group as a professional singer was the Orquesta Grande; Later, as a result of a performance in 1980 in homage to Eddie Palmieri, he joined Tommy Olivencia’s band. Later he sang for a time with Willie Rosario’s orchestra, with which he would record six albums.

Gilberto Santa Rosa

In 1986 he began his solo career at the head of his own orchestra within the Combo Records record company, owned by producer Ralph Cartagena. His first solo album was titled Good Vibrations. This was followed by three more jobs with the same label, which he left in 1990 to sign with CBS Records (later Sony Records).

Gilberto Santa Rosa in concert
Gilberto Santa Rosa in concert

That same year, Punto de vista was published, a romantic salsa album that went platinum and number one on the Latin charts thanks to its successful songs Vivir sin ella and Perdóname. The album also earned him the award for best Latin singer awarded by Billboard.

Photo by Gilberto Santa Rosa
Photo by Gilberto Santa Rosa

In 1991 his album Perspectiva confirmed a brilliant artistic career and opened up new markets for him. In May of this year he made his debut in Spain in a series of concerts in which he shared the stage with Pete Rodríguez, Johnny Pacheco and Roberto Torres, also from the Caribbean, and in September he made an equally successful Central European tour.

Gilberto Santa Rosa singing at the concert
Gilberto Santa Rosa singing at the concert

In 1992 he recorded an album in tribute to the singer Tito Rodríguez entitled A dos tiempo de un tiempo. This work was followed by Born Here (1993) and Facing the Wind (1994), which would be his business card in Japan, a country he visited in 1995.

Photo of Gilberto Santa Rosa in concert
Photo of Gilberto Santa Rosa in concert

After the publication of Esencia, in 1996, and De corazón, the following year , in 1999 came his successful Expresion, an album that consolidated his position in the international Latin music market and that included hits like Déjate Quiero and especially Que somebody dice me, number one on Billboard for several weeks.

Santa Rosa was one of the first performers to fuse salsa music with classical music, with results such as his well-known work Salsa Sinfónica, which he presented at the Center for Fine Arts on his native island accompanied by the Puerto Rican Symphony Orchestra.

Gilberto Santa Rosa live
Gilberto Santa Rosa live

In addition to this historic performance, the concerts given by Santa Rosa at New York’s Carnegie Hall in 1995 (which would be included on the live album The Man and His Music) are well remembered; his performance at the I President Festival of Latin Music (Santo Domingo, June 1997); or the presentation at the Lincoln Center in New York with his compatriot Andy Montañez in July 1997.

Also of note are his performances at the Anayansi Theater in Panama in September 1997; at the Teresa Carreño Theater in Caracas, in February 1998; the concert at the Roberto Clemente Coliseum in San Juan; and his 1998 European tour with performances in London, Milan and Rome. Apart from his facet as a singer, he showed his qualities as an actor in the play The Uneven Couple (1990), together with Luis Vigoreaux Jr. and Rafo Muñiz.

Gilberto Santa Rosa
Gilberto Santa Rosa
Gilberto Santa Rosa
Gilberto Santa Rosa
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.