Search Results for: Festival

Solar Latino Academy

Latin America / Venezuela / Caracas

Solar Latino Academy

It is an academy located in Caracas, Venezuela, founded by passionate dancers and instructors who dedicate their time and effort to teaching future well-rounded dancers. They use didactic methods to provide dance knowledge, expanding their students’ horizons and future at a national and international level.

They feature a great environment where students not only acquire dance knowledge but also enjoy their activity. They perform on stage to demonstrate the high quality of the show and to showcase innovative fusions of dance, aiming to position themselves as one of the best academies in the market.

In short, their vision as an academy is to “develop the best artistic working environment where our students learn and enjoy to the fullest.” “Basing this on the exigence and quality of our classes and shows, becoming a very competitive group, achieving national leadership and international recognition.”

The academy started with a group of students who learned to dance Salsa Casino for recreation, and as time passed, it became something more serious.

Starting in 2004, they began teaching family and close friends, and within a few months, they already had at least 50 students.

In 2006, the Solar Latino Academy was officially founded, starting with salsa casino. They later added diverse dance genres as they expanded their knowledge of integral dance and teaching methodologies, thus forming a large number of dance classes taught at the La Trinidad headquarters. The only founder currently at the academy is Oscar, who was responsible for instructing and training dancers and expanding the Academy. After achieving excellent results in national competitions and festivals, the Academy’s Dance Corps (Cuerpo de Baile) was formed.

They mention that they are currently a group passionate about dance and integral development, relying on dance as one of the most used tools for artistic and corporal expression. They also state that their work is maintained in constant artistic growth and teaching development, always applying “our innovative touch in everything we do.” They have even had the opportunity to participate in national and international festivals and, in addition to that, develop innovative events.

For more information, please visit:

WebSite: http://solarlatino.comve/nosotros
Facebook: AcademiaSolarLatino
Instagram: solarlatino
Twitter: SolarLatino

Salsa Fever On2 Dance Academy

North America / USA /  New York

At Salsa Fever On2, they take great pride in being the only licensed Adult and Children Salsa / Mambo dance academy in the state of New Jersey! Salsa Fever On2 has been in business for 12 years.

Members of the Salsa Fever On2 Dance Academy

Here, we have a reputation throughout the dance community for providing our students with an Award-Winning, structured curriculum that is conducive to all different levels of dancers while maintaining a fun and stress-free environment.

Whether you want to take your dance to the next level, support your exercise regimen, work on social skills or scape the daily stressors in your life, you can rest assure that you will be surrounded by a supportive staff in a non-intimidating environment.

The instructors at Salsa Fever take pride knowing that their students are held to the highest calibre and it’s evident on the dance floor. Under the artistic direction of Mario J. Gonzalez and his staf, SFOn2 Dance Academy aims to create true “On2” dancers – trained equally in dance and musicality.

Mario Justo Gonzalez a.k.a Mario B Founder & Director Salsa Fever On2 Dance Academy

Professional Dancer, Instructor, Choreographer, Actor, MC, DJ Date of Birth: April 23, 1976 Birthplace: Hoboken, NJ EthnicBackground: Puerto Rican/Cuban [email protected]

Mario has had an interesting start to what is now a SALSA / MAMBO lifestyle!

Mario was very athletic throughout his grammar and high school years. In 1999, a really good friend and high School teammate, Danny Useche, introduced Mario B. to the “Salsa Scene”. This, in turn, inspired Mario to sign up for his first dance class. It did not quite work out as well as he expected, as the class was slightly more advanced than he predicted. This left Mario even more determined to prove his point, size, shape and color was irrelevant when it comes to MAMBO!

Photo 1: Members of the Salsa Fever On2 Dance Academy

Mario was down, but definitely not out. He then came across one of the smoothest and most humble instructors in the Mambo scene, Greg Taylor, a prodigy of Delille Thomas and Original Eddie Torres dancer. After a few days with Greg Taylor, Mario was in Mambo Heaven. Took classes with Greg for approximately 6 months and was eternally grateful to Greg for this time, patience and expertise. Mario knew it was time to move forward and take on more of a challenge; he began taking more advanced classes with other established instructors.

Mario was immediately sought out and asked to become “The Papa” to Abbey Plotkins “The Mambo Mamas & The Papa”. Mario was now the Mambo Papa! By joining The Mambo Mama & The Papa, Mario was gice the opportunity to perform for what would become an instant hit LATIN MADNESS, an off-Broadway Dancical / Musical depicting the evolution of latin dance from past to present. The director and producer agreed that Mario would be a great addition to their all-star cast. Mario was now dancing alongside the BEST Mambo Dancers in the world! Latin Madness gave Mario the opportunity to dance, work and share the stage with the most sought out professionals in the world.

With stage experience and help from an acting coach, Mario earned the respect to appear in the movies “Empire” and “Kal-ho-naho”. Mario acted for the NY International Independent Film & Video Festival at Madison Square Garden, which then opened the doors for Mario to perform in two latin concerts at MSG… the largest stage in the world! In a short amount of time, Mario has come a long away to become a Professional Dancer, Choreographer, Instructor and Actor.

What’s most amazing I that he achieved all of these goals with NO background in dance!

It’s true what they say “Hard work does” pay off! “Hard work does pay off!” Who would have thought that Mario would transition from a full – time athlete to becoming a future Mambo Legend? In addition, his love for music and dance was Mario’s motivation to name his youngest daughter Jazzlyn.

Cycle Classes

Members of the Salsa Fever On2 Dance Academy - Dancers — Members of the Salsa Fever On2 Dance Academy – Dancers

Mambo On2 Partner & Floor Shine

Beginner Level 1: Beginner Students learn from a syllabus to help track their progress & pinpoint problem areas in floor shines & turn patterns in a 6 week cycle.
Advanced Beginner Level 2: students learn from a syllabus reflecting from Beginner Level 1 to help track their progress & pinpoint problem areas in floor shines & turn patterns with more of a challenge in a 6 week cycle.
Pre Intermediate Level 3: students learn from a syllabus reflecting from Beginner Level 2 to help track their progress & pinpoint problem areas in more complex floor shines & turn patterns in a 6 week cycle
Intermediate 4 Level: Students learn from a syllabus reflecting from Advanced Beginner Level 2 to help track their progress & pinpoint problem areas in more complex floor shines & turn patterns. Advanced beginner Level 2 will also prepare you for Advanced classes

What to bring to class

Please bring comfortable shoes with a leather or suede bottom. The best investment you can make as a dancer is a pair of quality dance shoes.

Do NOT recommend rubber soles or thick soled shoes as it will be difficult to find your balance, spin, and do the other exercises that to do in class. Bottled Poland Springs water is sold at the studio for a dollar.

Members of the Salsa Fever On2 Dance Academy - Photo 1 — Members of the Salsa Fever On2 Dance Academy – Photo 1

Come dressed to dance. A short sleeved shirt and comfortable pants, tight & wind breakers are recommended. This class is a workout, you will sweat & enjoy it. There is a changing are at the studio, as well as restrooms.

The school is also equipped with state of the art central air conditioning & heating for both the summer & winter.

What to expect

Every class begins with a warm-up as a group, with introductory footwork drills for the first hour.

This gives students a chance to review the material that they know, and also gives them opportunity to assess new students and makes sure that they are in the appropriate group. For the second hour you split into partner work & continue with turn patterns & instruction. At the end of the class students have time to practice the moves that they learned, as well as ask question & clarify things that may have been missed.

Members of the Salsa Fever On2 Dance Academy - Photo 2 — Members of the Salsa Fever On2 Dance Academy – Photo 2

Location: 83 Franklin Street

Jersey City, NJ 07307

Phone: (201) 792-116

[email protected]

Rudy Regalado. The legend of percussion

North America / USA / California

Rudy Regalado was a composer/ educator and one of the top Latin Rock Timbaleros based in the area of East Los Angeles, California during the 1970s and the second more famous Latin percussionist after Tito Puente. His legacy has been exceptional, 23 recorded albums, participated in big Festivals from USA and shared the best platforms with the best in the world. This artist was well known for his style, his contagious rhythm and eccentric presence.

Rudy Regalado was a genuine and outstanding timbales maestro; he was inspired as a child by big bands Machito and Tito Rodriguez, who were two of favorites he became interested in playing music and the Timbales.

His beginnings in this instrument go back at the end of the 1950s. During that period as s teenager, he learned to play the drum and timbales in home town (Caracas-Venezuela). For 1963 and with desire to eat the world with his music he moved to Puerto Rico and started playing in hotels and clubs in the San Juan area with Julio y su combo, the first house bands he played with in Puerto Rico’s at Hotel Caribe Hilton. They were the backup house band for all the famous musicians that performed in the Island in 1965; at the same time he studied harmony and percussion at Pablo Casals Conservatory of music.

A decade later the restless Venezuelan timbalero migrated to Southern California, where he joined playing with local jazz and Latin groups before joining with the extremely popular Latin Rock Band called El Chicano.

The timbalero of timbaleros spent twelve years with El Chicano, singing and playing the timbales in 5 albums, which was included in Top 40 hits during the 1970s with the songs “Viva Tirado” and “Tell Her She’s Lovely”. El Chicano also created the theme song for the television series Baretta, which ran on ABC from 1975 to 1978.

After, Rudy formed his own Latin Jazz All-Star / Salsa Band in 1983, which included a selected group of musician from Los Angeles. Initially known as Todos Estrellas, the band eventually became known as Chévere (aan expression of Venezuelan popular slang) and appeared at the PlayBoy Jazz Festival, Disneyland and Fiesta Broadway, among other engagements. The band also performed overseas in summer festivals in Canada, Hong Kong, Indonesia, Kuala Lumpur, Malaysia, Singapore, Thailand and throughout the European continent.

As part of an El Chicano reunion in 2009, the Timbales maestro performed during the 40th anniversary of Woodstock festival at the Golden Gate Park Music Concourse in San Francisco, where the group actually celebrated their own 40th Anniversary, and last played with them at the Greek Theatre of Los Angeles in front of over a 100,000 screaming fans.

In addition, he participated in a variety of sessions with the Zawinul Syndicate, Quincy Jones, Alphonse Mouzon, Caravana Cubana.

Rudy also toured with Aretha Franklin in charge of her percussion section, was a drummer for Los Melódicos in its 1980 tour of United States, and performed on the Tonight Show, the Nancy Wilson Show and American Bandstand. His film credits include The Skeleton Key (2005), as well as the television series Pepe Plata (1990) and Clubhouse (2004).

Héctor José Regalado better known as Rudy Regalado passed away on November 4th, 2010, in Las Vegas – Nevada, where he died from complications of pneumonia at the age of 67.

Currently, his daughter Norka Tibisay Regalado founded in 2013, the Rudy Regalado Foundation. The goal of the foundation is to provide inner city music programs with instruments and financial support. “Let no child be left behind due to lack of funds”. In February, 2014, they donated over 2500 instruments and donated $2000.00 to help with cost for instructors. Her goal is to get financial support from big companies and the community in order to reach many more music programs; she is also working on bringing music programs inside children´s hospital to help the healing process to their mentally ill children and burned survivors.

Rudy Regalado will be forever remembered as one of the greatest Latin exponents of Salsa / Jazz sound of all time, undoubtedly, The Legend of Timbales (January 29, 1943 (Caracas – Venezuela) – Covember 4, 2010 (Las Vegas – Nevada).

For additional information or to make a donation, please contac Norka Regalado at 323.270.8176 or go to website www.rudysfoundation.org/

Somos Latinos in Mexico

Latin America / Mexico / Ciudad de Mexico

Somos Latinos is a company based in Mexico that has specialized in the production and organization of salsa music events since 2006. We had the opportunity to speak with the General Director, Omar Gonzales, who told us that he is an Audio Engineer. Before starting the company “SOMOS LATINOS,” he worked for another company providing services to most of the international singers or musical groups that came to the country. He also mentioned that he has always liked the salsa genre, even though it’s difficult to find since it’s not the country’s native music. However, this doesn’t mean there aren’t small to medium-sized groups of “Salsa” followers.

Oscar D'Leon - Somos Latinos in México — Oscar D’Leon – Somos Latinos in México

One day, he decided to create his own office with the idea of doing something—promoting “Salsa.” Starting in 2007, they took a chance and organized their first event. After some time, the famous singer Tony Vega came to the country and gave him the opportunity to produce his first event there. Thanks to its success, “Somos Latinos” became his exclusive office in Mexico. One of their biggest successes was an event they organized with the salsa artists N’Klabe and NG2, who were known as “The Pioneers of the Future of Salsa.” The salsa fans who attended the event applauded like never before, as it was a world-class show.

Somos Latinos in Mexico - Roberto Blades and Viti Ruiz — Somos Latinos in Mexico – Roberto Blades and Viti Ruiz

The company currently has 10 years of experience and is known for:

An extensive roster of artists.
A solid reputation for event production, recognized as a reliable and trustworthy production company, earning the confidence of the public, their clients, and the artists they promote and represent.
Broad knowledge of musical genres and an excellent team trained for massive events.
Having the necessary equipment and infrastructure for event production (stages, audio, backline, lighting, voltage generators, giant LED screens, and other technology to create top-level shows).

Omar also mentioned that to celebrate their anniversary, they created the “Somos Latinos International Salsa Festival,” their most important event, which has been held 8 times in different parts of Mexico, such as “Mexico City,” “State of Mexico,” and the “State of Veracruz.” In the latter, they participated as organizers and suppliers for the fourth edition of the Boca del Río International Salsa Festival 2014, the world’s largest salsa event, which takes place over 4 days (with an average attendance of 120,000 people per day). This event has earned the State of Veracruz recognition as the world capital of salsa.

Upcoming Event

On July 14, 2017, the event “Roberto Blades & Viti Ruiz #EntreAmigos” will take place at the “La Maraka” venue located at Mitla No. 410, Esq. Eugenia, Col. Narvarte, 03023 Benito Juarez, Mexico City, Mexico.

If you want to get to know them and learn more, you can contact them through:

Website: http://www.somoslatinosmexico.com/eventos.html
Email: [email protected] / [email protected]
Phone: +52 (55)5082-9580 / +52 1 5523281427
Instagram: @somoslatinos
Twitter: @somoslatinos
YouTube: http://www.youtube.com/channerl/UCzNWbZ7HyIPxE5tmkrwIRag

The Perfect Salsa Alignment - Somos Latinos in Mexico — The Perfect Salsa Alignment – Somos Latinos in Mexico

Creator of Afro-Rican Jazz William Cepeda talks about this subgenre

When we talk about the best characteristics of Puerto Rican artists, innovation is definitely one of them, and our guest is an excellent example of this. Grammy nominee and composer William Cepeda was born and raised in Loiza, known as the heart of “Little Africa” in Puerto Rico, so we can sense that this had much to do with his later artistic inclinations. We will talk about this and other things in the next paragraphs of this gripping story.

Musician William Cepeda — This is Puerto Rican Grammy nominee, composer, and musician William Cepeda

What got William interested in music

The environment in which William grew up had everything to do with his interest in music as a serious profession. In Loiza, Puerto Rican bomba was one of the most listened genres by the community, and cultural events based on it were passed down through generations. It was there that a very young William began attending the colloquially known as “bombazos” and connecting with this music from an early age.

Practically the whole town was involved in these traditions, including his family, so he could not escape all these activities carried out year after year. In fact, his grandparents and some of his uncles and cousins were musicians, so it was common for the young boy to see them play their instruments and know what that was about.

When he turned 14, he finally began seriously studying music, especially the theory part. Although one of his options to study was accounting, this career would never overcome his enormous taste for music, so he never materialized this interest.

How William got started professionally in music

While still an inexperienced teenage musician, William started playing percussion with some local groups, one of them being La Orquesta Zodiac, composed of a group of salsa veterans with more than 50 years of professional experience. Although these gigs were already paid, the young man still saw music as a side hobby.

However, long time later, he would completely change his mind after noticing that his skills and opportunities could take him further than he thought possible.

William Cepeda at the festival — William Cepeda at the Luminato Festival in Toronto

Afro-Rican Jazz

Having already a more or less consolidated career, William was part of the invention of Afro-Rican Jazz, which can be defined as a concept that celebrates Puerto Rico’s heritage and its African roots while offering a new version of the jazz that everyone knew, giving it a touch of modern flavor that was absolutely innovative for the time.

Growing up in an environment where traditional Puerto Rican music was so present and having experience only with local groups, he still had a long way to go as an artist. His outlook started to broaden by going to study at Berklee in Boston and then to do a master’s degree in New York, which in turn led him to play with American groups and musicians such as Dizzy Gillespie, James Brown, Miriam Makeba, and many other famous jazz musicians.

Gillespie became one of his biggest mentors when playing with him and his group The United Nations Orchestra, which included Cuban, Colombian, Dominican, Panamanian, and Brazilian musicians. It was precisely because of this great diversity of nationalities and influences that the orchestra received this name. However, there were no Puerto Rican musicians or music, so Gillespie gave William the opportunity to become the youngest member and create a subgenre product of a mixture of jazz and some styles from his place of origin.

William told us that many Boricuan musicians used to play Latin jazz based on Cuban music, but none of them had ever ventured to create a subgenre of jazz with a Puerto Rican base. That was when the artist realized that something had to be done about it, so he chose to fuse jazz with Puerto Rican music and later named his group Afro-Rican Jazz.

He also continued to experiment with genres until he found something he called “Plena jazz,” the name he used for one of his albums and the result of mixing plena, another traditional genre born in the neighborhoods of Puerto Rico, and jazz. He also made a symphonic rumba album at the time.

William Cepeda and his doctorate — William Cepeda receiving his honorary doctorate from Berklee College of Music

Dizzy Gillespie’s protégé

Although William was influenced by a number of artists, when we check out his story his history, there is no denying that the South Carolinian trumpeter was the greatest influence and role model for the young man.

With respect to this stage of his life, William recalls with affection that Dizzy was always very attentive to his development within the group, to the point that he came to see him as an artistic father. As we said before, he knew nothing about jazz or American music when he left Puerto Rico, but Dizzy and his musicians were “a second university” where he learned what no educational institution could teach him, something he thanks to them.

“Dizzy saw talent in me, so he always pushed me to be better every day. He encouraged me, protected me, and guided me in my development as a musician,” he said of his teacher.

Artists he has collaborated with

William has collaborated with countless great Latin artists such as Celia Cruz, Rubén Blades, Eddie Palmieri, Tito Puente, Marc Anthony, Oscar D’León, and many others. Most of these contacts came about thanks to references of acquaintances, combined with the percussionist becoming known to the public for some time, which generated many recommendations.

All the above artists also influenced him to a certain extent, but he also says that he liked and still likes other genres such as classical music, jazz, the folklore of other countries, and many others.