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Search Results for: Festival

Luis Perdomo

North America / USA / Nueva York

Luis Perdomo, one of the most eager jazz pianists in New York.

Luis Perdomo is one of the most active jazz pianists in New York. Originally from Venezuela, she began playing the piano at age 10, and by age 12 she was playing professionally on radio and television, as well as in concerts and clubs.

Luis Perdomo playing the piano
Luis Perdomo playing the piano

Luis later moved to the US to attend the Manhattan School of Music on a scholarship, graduating in 1997 and later earning a master’s degree from Queens College, where he was a student of the great pianist Sir Roland Hanna.

Shortly after moving to New York, he quickly established himself as an in-demand pianist amassing an impressive resume.

Some of the artists Luis has recorded and/or performed include Ravi Coltrane, David Sanchez, Tom Harrell, John Patitucci, Ray Barretto, Brian Lynch, Miguel Zenon, Dave Douglas, David Weiss and The Cookers, David Gilmore, Ralph Irizarry and Timbalaye, Henry Threadgill, and Steve Turre, among others; a roster that is as remarkable for its high standard as it is for its diversity.

Luis is also recognized as a member of several bands, especially the groups led by Ravi Coltrane, with whom he spent 10 years and Miguel Zenón, with whom he has had a collaboration that is currently in its 18th year.

Luis has also made a mark as a performer. Composer and arranger on recordings by Ray Barretto, Ignacio Berroa, John Benitez and Ralph Irizarry.

He has also been commissioned as a composer by the Jazz Gallery, The Afro Bop Alliance and Arturo O’Farrill’s Afro Latin Jazz Orchestra. He can be heard most recently on Ravi Coltrane’s Grammy-nominated “Spirit Fiction” and Miguel Zenón’s “Típico.”

In 2002 he won the 2nd Grand Prize at the “3rd Martial Solal Jazz Piano Competition” in Paris, among a group of 66 international pianists. He can be heard most recently on Ravi Coltrane’s Grammy-nominated “Spirit Fiction” and Miguel Zenón’s “Típico.” In 2002 he won the 2nd Grand Prize at the “3rd Martial Solal Jazz Piano Competition” in Paris, among a group of 66 international pianists. He can be heard most recently on Ravi Coltrane’s Grammy-nominated “Spirit Fiction” and Miguel Zenón’s “Típico.” In 2002 he won the 2nd Grand Prize at the “3rd Martial Solal Jazz Piano Competition” in Paris, among a group of 66 international pianists.

As a sideman, Luis has performed at most major music festivals and venues in over 50 countries, and as a frontman, he has toured Europe, Japan, South America, and the United States.

Luis has also been very active around the world in recent years as a teacher, soloist and as the leader of his own trio: The Controlling Ear Unit and various other projects, and has released nine highly praised recordings as a leader: “Focus Point”. (2005), “Awareness” (2006), and the highly acclaimed “Universal Mind” with Drew Gress and Jack Dejohnette (2012) for Ravi Coltrane’s RKM Music label. “Pathways” in 2008, the “Childhood” project in 2012 and “Links” in 2013 were recorded for Criss Cross Jazz.

Luis Perdomo
Luis Perdomo

His “Twenty – Two” project, featuring “Controlling Ear Unit”, was released in 2015 on the Hot Tone Music label. This high-octane CD teams Luis with bassist/vocalist Mimi Jones and drummer Rudy Royston. The two most recent CD’s: ” Montage “; Luis’s first piano outing and “Spirits and Warriors”; a quintet release for the Criss Cross Jazz label featuring drummer legend Billy Hart, was released in May 2016. Luis Perdomo has also participated in over 200 recordings as a sideman.

As an educator, Luis has taught master classes at conservatories in Amsterdam and Paris, Princeton University, Hochschule Fur Musik und Theater (Munich, Germany), Berklee (Valencia, Spain), IUDEM (Caracas, Venezuela), Esmuva (Madrid, Spain) ; and the School of Jazz in Berkeley, California, among others.

He has taught jazz summer camps, including “Jazz in July” at the University of Massachusetts, Langnau Jazz Nights in Switzerland; The Banff International Workshop and the University of Manitoba in Canada, Badajoz Jazz Worshop in Spain; EAFIT University in Medellin; Tonica Jazz Festival in Guadalajara, Mexico and Guimaraes Jazz Workshops in Portugal, among others.

In 2016, Mr. Perdomo served as artistic director of the Langnau Jazz Workshops in Switzerland. Luis has also taught at the New School for Social Research, and is currently an adjunct professor of piano at Queens College in New York City.

For more information, visit www.luisperdomojazz.com.

The King of Bass Mr. Bobby Valentin

North America / USA / Nueva York

One step away from the Latin Grammy. The King of Bass Mr. Bobby Valentin

The Latin Grammy nomination of the experienced Bobby Valentin in the category of Latin jazz with the production “Mind of a Master” is another recognition of honor for his half-century musical career as an arranger and conductor.

“Mind of a Master” is the production with which Bobby Valentín enters the competition on the nineteenth day of the Latin Grammy. (Archive National Foundation for Popular Culture). Bobby, nominated last year in the category of salsa with “My rhythm is good”, is one of the five contenders for the Latin Grammy in the “Best Latin Jazz Album” section.

The other finalists are also Puerto Rican Néstor Torres (“Jazz Flute Traditions”), Adrian Laies (“The house of a jazz pianist”), Dafnis Prieto (“Back To The Sunset”) and Hermeto Pascoal (“Universal Nature”). . In a conversation with this medium, Bobby said that he will immediately capitalize on the nomination to promote the album at international festivals.

“We have sent to several festivals in the United States a report of what the album is and my career. We are waiting for answers. Right now I have a presentation at the Interamericana on Wednesday, October 17, which celebrates the 20th anniversary of the Music Department and there is a person interested in going to Costa Rica. It’s slow, but I have a lot of faith that little things will continue to appear. Latin jazz is another audience, although I know that many people who like salsa like it”.

Bobby Valentin
Bobby Valentin

The King of the Bass added that he feels as if he has won the precious golden phonograph. “The nomination of what is a salsa album is another style. This is another corner. What I’m saying is that after one is competing, even if you don’t win, the competition is good, as is being nominated among so many productions. For me the competition in Latin jazz is stronger than in salsa”. Bobby presents “Mind Of A Master” alongside The Latin Jazzists, who are mostly the musicians from his salsa orchestra, like Angie Machado and Eliud Cintrón. Bobby isn’t worried about purists arguing that they’re not jazz soloists.

“The musicians are happy. It is a genre that they like. Here they have been more concerned with projecting their styles and expressions”, Bobby reacts. A salsa musician can play jazz. This is how history supports it. Mongo, Puente, Machito, Mario Bauzá, Mario Rivera, Eddie Palmieri, Hilton Ruiz and Jerry González, among others, began in mambo and Afro-Caribbean dance music, prior to their foray into jazz.

“Like Ray Barretto, who was also linked to jazz. Finally, we all look for that corner. The same Néstor Torres, who started with Batacumbele. After one has done so many things in the tropical genre, one seeks satisfaction as a musician by looking for another corner”.

Jazz, however, is not new to Bobby Valentín. “Latín Gravy”, “Codazos”, “Shinny Stockins” and “Maiden Voyage” are several of the works recorded on his salsa albums. “It always caught my attention. When I was in New York, Latin jazz was mambo jazz. Later the name changed, but before it was done for the dancer, although there were solos. It’s no longer for the dancer. Now people sit down to listen to him. It was a good change.”

Bobby has not decided if he will travel to Las Vegas to be present at the awards ceremony, to be held in November. “I still don’t think so. It’s not because I’m going to win or not. To be competing even if I don’t win is reason for joy. I feel very happy. I have no plans yet”.

Next Wednesday the 17th he will perform with The Latin Jazzists at the INTER Metro Jazz Festival. That night he will perform the “Mind Of A Master” sequence. “I feel very happy. This record is like a baby to me. Although we have played tropical music, this is a new baby and that it is nominated for a Latin Grammy makes me feel very happy”.

Gilberto Santa Rosa

Latin America/ Puerto Rico / Puerto Rico

Gilberto Santa Rosa – The Salsa Knight

Gilberto Santa Rosa (Santurce, 1962) Puerto Rican singer. Nicknamed El Caballero de la Salsa, he has been one of the most prominent performers of the genre, particularly since the 1990s. From an early age his love of music manifested itself, which led him to organize his first amateur ensemble.

Gilberto Santa Rosa
Gilberto Santa Rosa

At only fourteen years old, he already recorded his first songs, thanks to the trumpeter and orchestra director Mario Ortiz. His first group as a professional singer was the Orquesta Grande; Later, as a result of a performance in 1980 in homage to Eddie Palmieri, he joined Tommy Olivencia’s band. Later he sang for a time with Willie Rosario’s orchestra, with which he would record six albums.

Gilberto Santa Rosa

In 1986 he began his solo career at the head of his own orchestra within the Combo Records record company, owned by producer Ralph Cartagena. His first solo album was titled Good Vibrations. This was followed by three more jobs with the same label, which he left in 1990 to sign with CBS Records (later Sony Records).

Gilberto Santa Rosa in concert
Gilberto Santa Rosa in concert

That same year, Punto de vista was published, a romantic salsa album that went platinum and number one on the Latin charts thanks to its successful songs Vivir sin ella and Perdóname. The album also earned him the award for best Latin singer awarded by Billboard.

Photo by Gilberto Santa Rosa
Photo by Gilberto Santa Rosa

In 1991 his album Perspectiva confirmed a brilliant artistic career and opened up new markets for him. In May of this year he made his debut in Spain in a series of concerts in which he shared the stage with Pete Rodríguez, Johnny Pacheco and Roberto Torres, also from the Caribbean, and in September he made an equally successful Central European tour.

Gilberto Santa Rosa singing at the concert
Gilberto Santa Rosa singing at the concert

In 1992 he recorded an album in tribute to the singer Tito Rodríguez entitled A dos tiempo de un tiempo. This work was followed by Born Here (1993) and Facing the Wind (1994), which would be his business card in Japan, a country he visited in 1995.

Photo of Gilberto Santa Rosa in concert
Photo of Gilberto Santa Rosa in concert

After the publication of Esencia, in 1996, and De corazón, the following year , in 1999 came his successful Expresion, an album that consolidated his position in the international Latin music market and that included hits like Déjate Quiero and especially Que somebody dice me, number one on Billboard for several weeks.

Santa Rosa was one of the first performers to fuse salsa music with classical music, with results such as his well-known work Salsa Sinfónica, which he presented at the Center for Fine Arts on his native island accompanied by the Puerto Rican Symphony Orchestra.

Gilberto Santa Rosa live
Gilberto Santa Rosa live

In addition to this historic performance, the concerts given by Santa Rosa at New York’s Carnegie Hall in 1995 (which would be included on the live album The Man and His Music) are well remembered; his performance at the I President Festival of Latin Music (Santo Domingo, June 1997); or the presentation at the Lincoln Center in New York with his compatriot Andy Montañez in July 1997.

Also of note are his performances at the Anayansi Theater in Panama in September 1997; at the Teresa Carreño Theater in Caracas, in February 1998; the concert at the Roberto Clemente Coliseum in San Juan; and his 1998 European tour with performances in London, Milan and Rome. Apart from his facet as a singer, he showed his qualities as an actor in the play The Uneven Couple (1990), together with Luis Vigoreaux Jr. and Rafo Muñiz.

Gilberto Santa Rosa
Gilberto Santa Rosa
Gilberto Santa Rosa
Gilberto Santa Rosa

Coming Soon … Chuchito Valdés

West Coast – California – Oakland

Are you ready for 2019? Start January with the best of Latin Jazz in one of the most important and recognized genre clubs in Oakland- CA, Yoshi’s. Two musicians of world fame of Latin Jazz: Chuchito Valdés and Poncho Sánchez will be performing in this big place with the best of their repertoire for the enjoyment of all the attendees.

Now, you know…

YOU CAN’T MISS ANY OF THESE TWO AMAZING EVENTS!

Chuchito Valdés

Wednesday, January 2nd

Show: 8:00PM                                            Tickets $24 – $59

Jesus “Chuchito” Valdés, Pianist, arranger, composer and bandleader, was born in October 10, 1964 in the Havana Cuba. Chuchito Valdes comes from one of the most distinguished musical families in Cuba. He is the Chucho Valdes’ son and Grandfather, Bebo Valdes.

He led the world renowned band, Irakere for several years, in which his father was the founder. He has performed at festivals, clubs and concerts throughout the world, mainly performing in the United States to large Latin Jazz audiences as well as South America and Europe.

Chuchito is recognized by a lot of people as a master at Cuban music including: Mambo, Danzón, Cuban Timba and “Guaguanco”. In his latest project called Reflections, he shows his versatility in his original compositions and arrangements, drawing on classical harmonic and structural techniques.

Chuchito Valdés
Chuchito Valdés

Poncho Sanchez | All Dates

Friday, January 25th & Saturday, January 26th

Fri, Shows: 8:00PM & 10:00PM         Tickets $29 – $69

Sat, Shows: 7:30PM & 9:30PM          Tickets $35 – $69

Poncho Sánchez was born in Laredo, Texas, in 1951 and grew up in a suburb of L.A., where he was raised on an unusual cross section of sounds that included: Straightahead Jazz, Latin Jazz and American Soul. He taught himself to play guitar, flute, drums and timbales, but eventually settled on the congas.

Poncho - Yoshis
Poncho – Yoshis

His sound is a mixture of different rhythms: Salsa, Straightahead Jazz, Latin Jazz, and even elements of Soul and Blues. “… We put it all together in a pot, boil it together and come out with a big stew… These are the sounds I grew up with. So when I play this music, I’m not telling a lie. I’m telling my story. This is the real thing.” Said Poncho.

 

Venue: 510 Embarcadero West, Oakland, CA 94607

Box Office: (510) 238-9200

 

For more information, please visit https://www.yoshis.com/

Australia and New Zealand / June 2024

Calibrated maracasMartinez attorney

OCEANIA 

Australia circular flag
AUSTRALIA
DIRECTORY OF NIGHTCLUB

bB Bachata BEATS
Bachata BEATS
Level 1, 416 Brunswick St. Fitzroy
Melbourne, VIC, Australia 3065
+64 0432 013 492

The Night Cat stage
The Night Cat
137-141 Johnston St, Fitzroy
Melbourne VIC, Australia 3065
+61 3 9417 0090

El Giza
El Giza Lounge & Bar
152 Lygon Street
Carlton VIC 3053, Australia
+61 466 023 140

La Bodega
La Bodega
12 Fitzroy street St
Kilda VIC, Australia 3182
+61 3 9525 3875

Pachanga
Pachanga
380 Russell St
Melbourne VIC, Australia 3000
+61 406 440 788

The Vineyard Bar
The Vineyard
71a Acland St
Kilda VIC, Australia 3182
+61 431 160 890

Bachata ConeXión
Bachata ConeXión
497-499 Queensberry St
North Melbourne VIC 3051, Carlton, Australia 3053
+61 432 215 060

Vodka Temple
Vodka Temple
162 Lygon Street
Carlton VIC, Australia 3053
+61 469 386 492

The Mustang Pub
The Mustang Bar
46 Lake Street Northbridge
Western Australia, WA, Australia 6003
+61 8 9328 2350

Noun
Noun Green Square
355 Botany Road Zetland
NSW, Australia 2017
+61 481 188 226

Uruguayan Club
Club Uruguayo de Sydney
56 – 62 Whithford Rd Hinchinbrook
NSW, Australia 2168
+61 419 494 096

Establishment
Establishment
252 George St The Rocks
NSW, Australia 2000
+61 2 9240 3000

Azuquita
Azuquita Entertainment & Productions
Sydney NSW, Australia 2000
+61 425 351 937

The Collaroy
The Collaroy
1064 Pittwater Road Collaroy Beach
NSW, Australia 2097
+61 2 9114 7366

Urban Salsa
Urban Salsa
Level 1, Suite 1, 136 Victoria Rd North Parramatta
NSW, Australia 2151
+61 478 411 849

New Zealand Circular flag
NEW ZEALAND
DIRECTORY OF NIGHTCLUB

Salsa Latina
Salsa Latina
12 Bath Street, Christchurch
Christchurch, New Zealand 8011
+64 21 743 783

El Barrio
El Barrio Latino Bar
35 Dixon Street
Wellington, New Zealand
+64 4-333 0261
JUNE 2024 FESTIVALS by Karina Bernales

Australia circular flag
AUSTRALIA
Promo Australia 6 2024

Sydney Afro Kizomba Festival

Jun 06 / 11 2024

Off Broadway Hotel
Broadway Shopping Centre, 31-33 Bay St
Ultimo NSW, Australia 2037

$ 250

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.