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Search Results for: Gran Combo of Puerto Rico

Good initiatives must be shared!

North America - United States - New York

We were taking the Salsa exhibition to Puerto Rico for the I Encuentro de Coleccionistas de Salsa, we made an exhibition of the clothing, records and instruments used by the Fania All Star orchestra, Tito Puente, Héctor Lavoe, Adalberto Santiago, the Gran Combo and others. For the first time, the last “tuxedo” that Tito Puente used in his participation with the Orquesta Sinfónica de Puerto Rico was exhibited.

Spanish Harlem Salsa Music Gallery, offered an exhibition and Master Class on the history of Salsa at the Escuela Especializada en Música Jesús T. Piñero in Cidra, Puerto Rico. We transported ourselves to Puerto Rico in search of an opportunity to publicize the Salsa Museum-Gallery in New York.

This is part of the efforts being made for the participation and dedication that is made to the people of Cidra in the Desfile Nacional Puertorriqueño 2020 and that is locally coordinated by the Patronato Cidreño along with other civic and professional organizations.

We were able to benefit hundreds of students at this school who are precisely focused on music. The knowledge offered in the three conferences and being able to closely observe the exhibition helped to foster the enthusiasm of the students who make up the campus, unique in the mountains of Puerto Rico, dedicated to the creation of good musicians and knowledgeable in musical art.

We are dedicated to enhancing Latin music and offering spaces focused on arts education, accessible and friendly to the community as a strategic partner.

I thank valuable people such as Laura Torres, Silkia Vázquez, Wilson Nazario and Wilfrido Torres “Puruco” for all the attention and teamwork that we were able to develop during our visit. I cannot stop also thanking my assistant in Puerto Rico, Carmen Cruz; and to Joseph Cruz for his magnificent and beautiful work with me during this pleasant experience.

I also take advantage of this space in International Salsa Magazine because I want to tell you about an artist and a great friend who is doing his best for music and Salsa. Without a doubt, Yova Rodríguez is a long-standing professional who has developed countless projects and initiatives to support those who need it most. With his music, his work and his human quality, he has reached many hearts from New York.


Geovanni “Yova” Rodríguez Ruiz, born in Puerto Rico, had a musical inspiration since he was a child, his uncle Antonio “Toño” Ruiz – his mother’s uncle who played the cuatro – was his first music teacher (melody) and his uncle José Antonio “Pipo” Ruiz Crespo -mama’s younger brother- taught him how to sing aguinaldos (lyrics); and with this they formed the solid foundations that encouraged little Yova to prepare himself accordingly for his foray into the musical world.

The celebration of the Promesa de Reyes, a celebration in which he participated with his mother at his short seven years, leads him to worry about creating and recreating aguinaldos to be interpreted each year, which in some way becomes the seed of composer that we know today.

At the age of 14, he attended the Escuela Libre de Música Ernesto Ramos Antonini in Mayagüez, hand in hand with piano teacher César Toro, rising as vocal leader of the Orchestra after a year.

Years later he gave himself the task of forming his own musical concept, and thus Sakao Aká was born. This orchestra was in charge of accompanying singers such as Camilo Azuquita, Ray de la Paz, Pupy Cantor and Herman Olivera in their presentations in Puerto Rico; and the cover letter for some of these singers to integrate Yova as a chorus girl in their presentations in various countries in Central and South America.


At the end of the 90s, on a trip to Cuba, he was impacted by the music of Fernando Borrego Linares, better known as Polo Montañez, to the point that, some years later upon learning of his death, he had the idea of ​​paying tribute to him, his musical reference, thus giving birth to the idea for her debut feature Homenaje a Polo Montañez (2005), a production of 10 songs by Montañez, and covered by Yova Rodríguez with the participation of renowned musicians from the patio such as Herman Olivera, Héctor “Pichie ”Pérez, Papo Lucca, Edwin“ Caneca ”Rosas, Edwin Colón Zayas, among others.

In 2008, like many of her compatriots, Yova prepares her luggage and heads to the southern United States, where she stays for two years and then moves to New York, a city that has become her center of operations and from where He has extended his working ties as a composer and where he records his next two productions.

The album Letras, canciones y sueños, musical work of 8 songs all written by Yova, comes to light after some years of having published his first production and of having worked silently composing and waiting for his opportunity. This possibility is materialized in 2013.

Already in 2015, the album Mi musa en las voces de mis amigos is released.

Salsa with Yova Rodriguez
Salsa with Yova Rodriguez

Recently, Yova Rodríguez has created more than 420 songs, and many of them have been duly registered with the American Society of Composers, Authors and Editors (ASCAP) under the registry “El Negrito De Delia Music” . “Exceso de amor” is the first composition he has interpreted and recorded; like the song “No me odies”, it is the first recording of a song by him made by a third party.

Now they are going to hear more from Yova, as some productions that will include her compositions are in the process of recording / publishing. Attentive to the upcoming releases of the young Puerto Rican percussionist José Jomar Marcano, the master trumpeter Luis González, the young trombonist, arranger musician and also singer Leo Morales; the renowned DJ Andy Rodríguez, better known as DJ ANDY and the Venezuelan sonero Marcial Isturiz .

As always, remember that Spanish Harlem Salsa Gallery is in 1708 Lexington ave New York N.Y. 10029. Open free to the public all Thursdays & Fridays from 4 to 7 pm and Saturdays from 1 to 8 pm. Check the updates in our website: spahasalsagallery.com.

Also, The Johnny Cruz Show, the # 1 Salsa Show on television on all 5 Boroughs of New York on CH67. Saturdays from 3:30 to 4:30 pm.

Contact: Johnny Cruz. 917-747-8505. [email protected]

By Johnny Cruz, ISM Correspondent, New York, New York

 

Orquesta 704 It is a musical group, made up of the best musicians in the Charlotte NC area

Orquesta 704 was created in 2018 by Javier Mendoza (singer) and Julio Hernández Dipini (Trombone and Director) when Javier and Julio were looking for the name for the Orchestra, many names came up, but none caused an impact, while Javier was driving on the road Interstate I-77 saw a sign on the highway and said to himself, this may work, so a very striking logo was used and put 704, because these numbers are the area code of the area where Javier and Julio live.

Members of the Orquesta 704
Members of the Orquesta 704

Orquesta 704, had a very good acceptance by the salsa audience, coming to perform on various stages, such as the Charlotte Puerto Rican Festival alternating with El Gran Combo de Puerto Rico and La Sonora Ponceña.

They also began to accompany artists who were recommended with Orquesta 704, for the responsibility, seriousness and professionalism on the part of all the members who make up Orquesta 704.

Members of the Orquesta 704 - concert
Members of the Orquesta 704 – concert

In 2019, the leaders, Javier and Julio, began to compile the songs to start recording their original songs, trying to bring good music to the dancing public. At the beginning of the year 2019, Javier and Julio, released their first musical single “No Me Preguntes Por Mas” which was very well received in countries such as Colombia, Peru, Mexico, Panama, Puerto Rico, Canada, Japan, Switzerland, Italy , among others.

Members of the Orquesta 704 - photo
Members of the Orquesta 704 – photo

Seeing the result, they obtained in the first musical single, they decided to record and release their second single. “Seguimos Siendo Amigos” feat Arturo Rolon. It is not long after the release of their second single, and they say goodbye to adding their third musical single titled “ESE SOY YO“ with three songs on the market, the public was asking for more from Orquesta 704

And they contribute to the salsa genre again, releasing their fourth musical single at the beginning of 2020 called “Vida Loca” feat Miguel Ortiz. Currently, Orquesta 704 continues to record new songs for their upcoming ones for the dancing public.

Logo of the Orquesta 704
Logo of the Orquesta 704

We continue working to enhance Salsa

This month I want to continue sharing good news for everyone in NY and in the Salsa world. On this occasion, Oscar Hernández and Spanish Harlem Orquesta join Spaha Salsa Gallery Museum. Oscar has donated an incredible piece that we will be exhibiting immediately.

Four times Grammy Award Winner, Oscar Hernández, has long been considered one of the most gifted and prominent pianist / arrangers on the contemporary Latin, Latin-jazz and salsa music scene. He has achieved legendary status for his prolific career spanning now over 40 years.

Hernández is the leader of the world renowned Spanish Harlem Orchestra. Won the Grammy for their second CD release, “Across 110th Street” and winning yet another Grammy with their 4th CD “Viva La Tradition” and won their 3rd Grammy with “Anniversary” in 2019. Oscar was the music producer as well as pianist / arranger on all CD’s.

Since the band’s inception in the year 2001, SHO has garnered numerous awards and world acclaim as one of the finest exponents of Salsa and Latin / Jazz music. Spanish Harlem Orchestra is generally considered one of the best Salsa & Latin Jazz Orchestras today and one of the finest music ensembles in the world.

The Bronx native has produced such artists as Ruben Blades, Paul Simon, Willie Colón “Carabali”, Daniel Ponce, Rafael Dejesus, Eddie Torres, Phil Hernandez, Steve Kroon, Juan Luis Guerra, etc.

In addition to being Rubén Blades pianist, arranger and musical director, Oscar Hernández has enjoyed a prolific musical career recording and performing with such world renown artists as Latin music king Tito Puente, Queen of Salsa Music Celia Cruz, Latin Pop Star Julio Iglesias, Juan Luis Guerra, Ray Barreto, Earl Klugh, Dave Valentin, Johnny Pacheco, Ismael Miranda, Pete “Conde” Rodríquez, Oscar De’ Leon, Luis “Perico” Ortiz, “Libre” “Grupo Folkorico Experimental “, Willie Colón, Kirsty MacColl, etc. Oscar’s musical exploits include working as Musical Director / Conductor, arranging and producing the music for “The Capeman,” pop-rock icon Paul Simon’s Broadway musical.

Oscar is also the music producer of “The Capeman” cast recording. Oscar was Musical Director / Arranger for the hit shows “Quén Mató a Hector Lavoe” and “La Lupe” at the 47th Street Theater. He was also, Music Supervisor / Arranger for the show “Four Guys named Jose & Una Mujer named María” Oscar also has released 2 CD’s as a solo artist, Oscar Hernández & Alma Libre, titled “The Art of Latin Jazz” and “Love The Moment ”on Origin Records. It is a true honor to have the donation of an incomparable musician like him in our museum. Thanks, Oscar!

Another of the great figures of the Spanish Salsa Harlem Orchestra is Luisito Quintero, the timbalero from Venezuela. Luisito Quintero was born in Caracas, Venezuela where he had his first contact with music. Cultural influences of Afro-Venezuelan rhythms were always present at home. His father, a highly respected percussionist, taught and encouraged Luisito to play the timpani in his teens.

Luisito Quintero
Luisito Quintero

Quintero continued to refine his playing level with the Venezuela Symphony Orchestra, where his technique for playing the timpani soon caught the attention of his colleagues. Subsequently, he joined the popular music groups Guaco and the Trabuco Venezolano and traveled with Oscar D ‘León with whom he achievedan important international projection. The live performances, recordings and projects in which he has participated are countless.

He has made his mark as a percussionist with figures such as Tito Puente, Eddie Palmieri, Marc Anthony, Gloria Estefan, Richard Bona, Jack Dejonette, Willie Colón, George Benson, Natalie Cole, Herbie Hancock, Nuyorican Soul, Masters at Work, and of course, The Spanish Harlem Orchestra. Luisito is part of the group Elements of life, with whom he has toured for the last years.

The band has shared stages with major artists in the market such as Robert Plant, Lauryn Hill and Alicia Keys, performing at festivals such as Montreux Jazz Festival in Switzerland, North Sea Jazz Festival in Holland, Roskilde in Denmark, Blue Note in Japan, Jazz Cafe in London, England and the legendary New Morning Cafe in Paris, France. Without a doubt, an impressive and worth mentioning career.

And if we are talking about incredible careers in this edition, I can’t stop talking about Adalberto Santiago and the new projects of the 60th anniversary with great artists of the genre. This his time I can tell you about Cuco Peña’s string arrangements, the participation of Nelson Jaimes and, of course, the help of my friend Freddy Miranda. At 83 years old, he is still in the rumba. There is less and less to show the world this historical piece for the world of salsa.

Johnny Cruz and Adalberto Santiago - Salsa
Johnny Cruz and Adalberto Santiago – Salsa

I also want to remember Raphy Leavitt, on the fifth anniversary of her death on August 5. In 1970 Leavitt organized an orchestra that should have a different sound and style. He wanted to select the repertoire of songs of the orchestra with a particular, positive, social and even philosophical message; and founded “La Selecta”. Since its inception, La Selecta has featured Coamo-born Sammy Marrero as one of its singers.

Marrero, who has always been strongly influenced by the music of the Puerto Rican jíbaro, had an opportunity to teach his dramatic singing style in his first hits as the almost hymn “Jíbaro Soy”, a very patriotic and unusual Puerto Rican song, “Payaso”, and “The Good Shepherd”. However, it is in the band’s signature song, “La Cuna Blanca,” that Marrero’s voice is for the most part associated.

Raphy Leavitt
Raphy Leavitt

In 1978, Leavitt discovered a young singer named Tony Vega, who became a legend among salsa singers on his own merit. Raphy Leavitt and La Selecta were responsible for the introduction of salsa in many countries. In the 1980s, Leavitt became an independent producer and produced two albums for Bobby Valentine.

In the 1990s, he established his record recording company, R.L. Records. The company’s first production was the album titled “Provocame,” which became a hit in Puerto Rico, the United States, and South America.

In 1978, Leavitt discovered a young singer named Tony Vega, who became a legend among salsa singers on his own merit. Raphy Leavitt and La Selecta were responsible for the introduction of salsa in many countries. Raphy passed away in Miami as a result of an operation of the hip prosthesis that had been installed due to an accident in 1972, and that he had become infected. Leavitt passed away in his sleep. Raphy will always be endorsers of the Salsa Museum with the clown suit of its 25th anniversary.

I also want to thank the constant and significant support for the Museum, from my friend Sully Díaz, who as endorser of the museum, is always working to promote and make our work reach more people. Sully was born in New York, the daughter of Sephardic parents from Puerto Rico. She began her career as a model, and at the age of 17 she began acting in Spanish soap operas, making herself a well-known figure on television in Puerto Rico.

In 1983 she became popular throughout Latin America with the role of Coralito, in the telenovela of the same name. From that moment on, Sully was known as “the queen of Puerto Rican soap operas.” In the early 1990s, Sully moved to Hollywood and appeared on various television shows as a guest star and worked on a few movies.

Johnny Cruz and Sully Diaz
Johnny Cruz and Sully Diaz

In the mid-1990s, Sully joined four other Latina women (Dyana Ortelli, Marilyn, Ludo Vika, and Lydia Nicole) in a comedy group called “The Hot & Spicey Mamitas”. They sold out at several Los Angeles comedy clubs. They recorded a CD live called simply The Hot & Spicey Mamitas.

In 2002 Sully appeared in the play La Lupe: My Life, My Destiny, in which she played the Cuban singer La Lupe. Shortly after the execution of this work, Sully made her own production of La Reina, La Lupe. This work toured all of Puerto Rico and was a great success in Florida. That same year, she starred in the Puerto Rican thriller “Cuéntame tu pena”, in which she plays Isadora, a radio host who receives a call from a woman who is killed while on the air.

In 2004 Sully toured with Gilberto Santa Rosa in a play called “The True Story of Pedro Navaja.” In 2009 Sully appeared in the movie Princess Protection Program as Reina Sofía, along with Selena Gómez and Demi Lovato.

Papo Rosario and Isidro Infante - Photo
Papo Rosario and Isidro Infante

Recently, Papo Rosario released his new single “Gracias” produced by arranger and musician Isidro Infante. Rosario appreciates being alive and being able to walk after being bedridden as a result of a car accident. Papo Rosario is a world-class artist who has put the name of Puerto Rico on high. Rosario, who retired in 2019 from the group considered the “University of Salsa”, El Gran combo de Puerto Rico, after having an accident and presenting health problems, affirms that he already feels ready to resume his musical career with the Launch of his first solo production by producer Isidro Infante. I wish you success in this new beginning.

The invitation to tune in to the new Fm / Internet radio station on Live365.com: Salsagallery continues. Great music, artist interviews and much more.

Oscar Hernandez
Oscar Hernandez

At the Spanish Harlem Salsa Gallery Museum we are happy to affirm that New York City is preparing to resume its activities little by little. We hope to have more news soon and that we can return to normal soon.

By Johnny Cruz, ISM Correspondent, New York, New York City

Anya Katsevman: “You have the dream, I have the tools”

USA - New York - New York

When we refer to Anya Katsevman, the first word that comes to mind is: passion! And that is the only way we could explain that a woman has so much strength, dedication and dedication in different facets of her life.

Anya Katsevman is not only a dancer and choreographer, but also a motivational coach and dream builder. In addition, it has its own line of dance dresses and costumes. An unstoppable woman!

Anya Katsevman by Franklin Liranzo
Anya Katsevman Courtesy of Franklin Liranzo

A native of Kiev, Ukraine, Anya and her family immigrated to the United States when she was 8 years old. She is the younger sister of award-winning Latin dancer Eugene Katsevman. She lives in New York.

She also holds numerous titles in salsa. Among them, she is a two-time World Champion as well as the San Francisco International Salsa Congress and New York Salsa Congress Champion.

Anya Katsevman dancing
Anya Katsevman dancing

Anya Katsevman is a maker of champions

This is precisely the distinctive mark of Anya Katsevman , that ability to make each dancer, each artist, each dreamer discover in himself his potential to succeed, his style and make the most of his abilities.

She believes that “the art of dance requires much physical ability, exposure and practice. The art of dance is also developing your own voice and getting to know the artist behind the athlete that makes the dancer”

A wonderful career

“Queen of Salsa” Anya Katsevman is a two-time World Salsa Champion, coach and choreographer to more than a dozen world champions, noted costume designer, respected salsa congress circuit judge and advocate for international Latin dance who has transformed the sport during her more than 25-year career.

Anya Katsevman
Anya Katsevman

Renowned for her unique coaching methods, Anya’s style blends multiple cultures and dance forms: her eastern European upbringing and the appreciation for Latin dance culture that she developed in the United States; and her ballroom and salsa backgrounds. She demands rigor, discipline and excellence, and uses her understanding of anatomy, physiology and movement while encouraging freedom of expression to turn her students into the top dancers in the world.

Anya trains and choreographs for “Dancing with the Stars Costa Rica” principal dancer Lucia Jimenez (2020 World Bachata, Chacha and Salsa Champion), “America’s Got Talent” stars Harold Rancano and Regan Hirose (9-time World Bachata Champions), the Huracan Dance Company (2019 World Team Salsa Champions), the stars of Quebec’s 
Revolucion Adriano Leropoli and Samantha Scali (2017 World Salsa Champions), principal dancers in Carmen to Havana and Back Isabelle Freiberger and Hunter Houde and the USA World Games Olympic salsa team.

Always successful and sharing her knowledge

As a competitor and performer, Anya has won more than 20 world titles including the 2009 and 2010 Salsa World Championships. She is also the 2008 North American Salsa Champion, a two-time San Francisco Open Salsa Champion, two-time New York Congress Salsa Champion, Puerto Rico Open Salsa Champion and La Classique Du Quebec Champion. Anya has starred in touring shows “Burn the Floor ” on Broadway and ABC’s “Dancing with the Stars, in addition to numerous other television productions, stage shows, movies, and showcases in the U.S. She has performed with El Gran Combo, Gilberto Santa Rosa and “The Mambo King” Eddie Torres, and for President Barack Obama.

Anya Katsevman - dancers
Anya Katsevman – dancers

Anya is an ambassador for salsa, helping to expand its popularity worldwide. She believes connection is one of the most important aspects of the human experience, and dance is the best medium to explore how we connect with each other and ourselves. Anya has expanded her dance instruction to include GoDeeper, which she co-founded in 2019 to provide monthly movement classes, individual coaching sessions, and group workshops to promote professional growth and self discovery.

Meet this talented woman

International Salsa Magazine had the pleasure of interviewing Anya recently and invites you to learn a little more about this magnificent artist.

International Salsa Magazine (ISM): How did you discover your passion for Latin Dance?

Anya Katsevman (AK): My brother is a professional ballroom dancer

I started to dance ballroom in 1995 following his footsteps  I competed in the international Latin category world wide  in 2007 I was teaching in a dance studio in Manhattan and they did a lot of salsa  that’s where I was introduced to social dancing  I fell in love with the idea that dance is accessible to all people and doesn’t have to be competitive  from there my love for salsa turned in to a career choice  I decided to study Latin social dance and became a two time world salsa champion  for me it was a passion to spread the beauty of dance through teaching as much as performing that did the trick.

ISM: Have you had any obstacle in your professional life? How could you overcome them?

AK: I think when your career is long enough you will probably have many obstacles to overcome  and your passion for your craft and the reason you do it is usually stronger than the obstacle in front of you that gives you the drive to overcome it  it is hard to narrow specifics down because I’ve had so many  my competitive dance partner lived 3000 miles away from me when we won the worlds in 2010 and I just made the commitment to work hard and travel pick up the slack where needed and get the job done regardless I think that was the formula in every struggle.

ISM: What is the achievement that has made you most proud?

AK: I am most proud of all of my students accomplishments  I am of course extremely proud and honored to be a world champion but for me the pleasure of having developed other world champion’s especially those who started learning from me from scratch makes me extremely proud beyond all measures I am also very proud of how individual and independent all of my students are  the variety and diversity of their dancing makes me really happy.

ISM: In the path of entrepreneurship, how did you manage to find the strategy to grow your business? What are the skills you consider an entrepreneur must have to achieve success?

AK: Honestly I believe success comes from genuine passion and desire  it is easy for us to study a successful person after the fact and say which moves appeared strategic but I believe who ever is on their way working toward that goal should do it because they are passionate about each step not because of the end result  my business grows because I am committed to my craft and doing it at my best capacity.

I am genuinely passionate about my dance quality  my students growth and the subjects I am teaching  I study the Industry I watch for what’s missing I ask what contribution would be of most value this doesn’t feel like hard work to me  it is my passion my genuine interest and the rest flows  when I feel I am doing something strategic or because it’s good for my brand or etc it doesn’t flow the same way feels forced and isn’t as successful so I try to only go with my own flow current interest and most passionate desires.

ISM: Could you give us some advice to maintain discipline, even in complex situations?

AK: Absolutely  discipline is hard for anyone when it feels needed and forced so I always try to flip the mindset  if I have to do something I’m bored of or am avoiding because it’s hard or tedious I always find something to be excited about instead whether it is dreaming of what the task will do for me  or adding something Sensory I enjoy to the task like my favorite sounds smells or visuals or including a friend in the process.

If you focus on what you do like about it it’s much easier to do it. Also discipline is really only hard at first pretty quickly it becomes a habit so if you put more disciplined things in to practice it will all feel like a habitual part of your day and you’ll start to enjoy it and feeling accomplished.

ISM: What would you say to all those young dancers who want to achieve a dream?

AK: They do come true!!!!!

Dream more!!!! Everything is possible  want it bad enough to work for it but don’t be afraid to dream those wild dreams if it wasn’t possible you wouldn’t have had the dream in the first place.

La Dimensión Latina is a Venezuelan salsa group founded in 1972 and still going strong today

The original members Oscar D’ León, César Monges “Albóndiga”, José Antonio Rojas “Rojitas” , José Rodríguez “Joseíto”, Elio Pacheco Jesús “Chuito” Narváez (R.I.P). And later Carlos Guerra.

César Monge, trombone player, after graduating from the Escuela de Bandas Militares, was part of the orchestras “La Tropicana de Eldy Tor” and “Los Mundiales” and “Swing Latino”.

Victor Cuica, a saxophone player, knew him from those musical steps.

Oscar León had just bought a car with which he used to be a cab driver, but with a great love for music.

León wanted to create a musical group and gave Cuica the task of recruiting musicians from the Escuela Superior de Música, where Cuica was studying.

La Dimensión Latina es una agrupación de salsa venezolana fundada en 1972 y sigue vigente
La Dimensión Latina es una agrupación de salsa venezolana fundada en 1972 y sigue vigente

That orchestra was called “Oscar y sus estrellas”. César Monge played in that orchestra for a while, until musician Federico Betancourt, director of his group “Federico y su Combo”, hired him.

From there, Monges moved on to the orchestra “Los Dementes” of musician Ray Pérez and later to “Los Satélites” of “Cheché” Mendoza.

While playing with this orchestra, in the Caracas night club La Distinción in the urbanization El Rosal, a disagreement arose between the owner of the orchestra and the owner of the club.

León took advantage of the incident and decided, together with Cuica and Monge, to reestablish his group. Cuica, inspired by the name of the successful American group The 5th Dimension, suggested calling it Dimensión Latina.

La Dimensión Latina es una agrupación de salsa venezolana
La Dimensión Latina es una agrupación de salsa venezolana

Then León took a square and drew the logo with which the group was launched.

It was formally created on March 15, 1972 in a first rehearsal in La Guaira, at the home of the pianist Enrique (Culebra) Iriarte. It was formed by Iriarte on piano, César Monge (Albóndiga) and José Antonio Rojas (Rojitas) on trombones, José (Joseíto) Rodríguez on timbales and bongo, Elio Pacheco on tumbadoras and Oscar León, renamed Oscar D’León on bass and in the role of singer.

They made their debut as Dimensión Latina at the same venue La Distinción. The repertoire was based on songs by Mon Rivera, Eddie Palmieri and Willie Colón.

Several nights the establishment was frequented by Victor Mendoza, singer and musician founder of Trio Venezuela and by then hired as music producer by the Top Hits record label, who had a band called “El Clan de Victor”, which had to produce an album per year. Mendoza motivated the musicians and they did two musical auditions.

José Rodríguez, who had some money saved due to his work as a musician and motorcyclist, arranged for the recording at Estudios Fidelis with a song by Elio Pacheco and another by Oscar León. These tests were not to the liking of the label owner.

This discouraged Enrique Iriarte, who promptly left the group. His place was taken by pianist Jesús “Chuíto” Narváez. Despite the label’s refusals, Víctor Mendoza wanted to record them and decided to include them in his production of “El Clan de Víctor” in 1972.

Dimensión Latina Patrimonio Nacional
Dimensión Latina Patrimonio Nacional

The sextet’s first hit was “Pensando en ti”. Mendoza then suggested Oscar León the artistic name of Oscar D’León.

During 1973 they recorded their second album, called “Dimensión Latina” where he gained recognition and participated in important events, such as tours of Curacao and the carnival of Maracaibo, launching their third album “Triunfadores” from which the second hit of the orchestra “Qué Bailen Tós” was released.

In 1974 the bolerista from Caracas Wladimir Lozano joined the orchestra, who had been working in night clubs in Caracas along with the harpist Ramón Hernández.

Wladimir gave the group more interpretative depth, achieving the duo Oscar and Wladimir, which gave birth to important interpretations and commercial successes that earned the band international recognition.

The highlight of Lozano’s entrance was “La Piragua”, a song that reached the top of the radio charts.

By 1975, La Dimensión Latina enjoyed the support of the public, who enjoyed their performances on television and being the image of commercial products.

A new album arrived, “Dimensión Latina ’75”, and with it came their consecration, for some critics the most successful and iconic. It included songs of extraordinary commercial success such as “Taboga”, “Parampampam”, “Mi Adorada”, “Cañonazo”, and a song by Oscar that was included as filler but would become the best-selling single in their history, “Llorarás”.

This album catapulted the orchestra’s career and gave it a place of recognition in the salsa world that, at that time, was almost reserved for the orchestras of the New York salsa boom.

Musician Carlos Guerra joined the orchestra on trombone, increasing the number of trombonists to three.

Subsequent productions included new commercial and interpretative achievements such as “Dolor cobarde”, “El frutero” and “Dormir contigo”. After their presentation in the United States, La Dimensión produced the album “La Dimensión Latina en Nueva York” (1976), which would be the seventh and last album of the orchestra with Oscar D’León, who would leave the group to start a successful solo career.

In the absence of Oscar, La Dimensión Latina calls, at the suggestion of Joseíto Rodríguez, the well-known guarachero and gaitero from Zulia Argenis Carruyo, who had been a member of Super Combo Los Tropicales and Guaco, for the recording of the album “La Dimensión Latina ’77 Internacional” and bassist Gustavo Carmona.

That same year, thinking of continuing to blaze trails abroad, they thought of a voice of international stature, and it was the Puerto Rican musician Roberto Roena who suggested the famous Puerto Rican singer Andy Montañez, lead singer of the Gran Combo de Puerto Rico.

Montañez was tempted by an extraordinary contract. Along with Montañez, the Zulian singer and sonero Rodrigo Mendoza joins the band and for the first time La Dimensión has three voices in its cast.

On November 11, 1977, La Dimensión Latina headlines the “Salsa International” festival at Madison Square Garden in New York, organized by Ralph Mercado and with the presence, among others, of Wilfrido Vargas and Cheo Feliciano.

Andy Montañez remained with the orchestra until 1980, recording eight albums, including hits such as “El Eco de un Tambor” by maestro Tite Curet Alonso, “Linda Minerva” sung as a duet with Argenis Carruyo, “Ave María Lola”, “Por el Camino”, “Mi Bombolaye”, and Puerto Rican contributions such as “Cantante Errante” by composer Johnny Ortiz and “Quisiera Saber”.

Rodrigo Mendoza managed to create hits such as “Fanfarrón”, “Córreme guardia” and “Suena el cuero”.

The orchestra also included Colombian pianist Samuel del Real, percussionists Carlos (Pacusso) Guillén and Luís Machado and the voices of Cheo Valenzuela, Alexis Martínez, Luis Arturo Guaramato and Alex “Mostaza” Vargas.

Cuatro décadas después y unidos por la salsa el Reencuentro del año Oscar D’ León y La Dimensión Latina
Cuatro décadas después y unidos por la salsa el Reencuentro del año Oscar D’ León y La Dimensión Latina

Four decades later and united by salsa, the reunion of the year Oscar D’ León and La Dimensión Latina.

Poliedro de Caracas

Only Invershow makes it possible

Venezuela this May 12, 2023 we will live something “HISTORIC”, and you can be present at this iconic reunion.

From seeing them together again to dancing and singing to the rhythm that only they can achieve.

It will be an unprecedented concert, don’t let them tell you about it and buy a ticket to live it YOU.

Será Un concierto sin precedentes, no dejes que te lo cuenten y compra una entrada para vivirlo TÚ
Será Un concierto sin precedentes, no dejes que te lo cuenten y compra una entrada para vivirlo TÚ

“The important thing is to maintain the style of the orchestra. The singer here has to adapt to the orchestra, not the orchestra to the singer. Whoever comes to sing has to adapt to the repertoire and to our way of doing salsa, which is very peculiar. We have a unique sonority”. 

César Monge, Albóndiga.

Visit: La Dimensión Latina S.R.L

Read also: Freddy de Jesús Ortega Ruiz “Coco & su Sabor Matancero”

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.