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Search Results for: Jazz Festival

Marco Toro. The Versatile of Percussion

Europa/ Holanda

Marco Toro is a versatile drummer, percussionist and composer born in Caracas, whose roots are embedded in Venezuelan popular music and culture.

Marco Toro
Marco Toro

In October 2015 he released his latest work, this time it’s about Latin jazz: Marco Toro presents Zambo Jazz, a mix of rhythms and flavors that reminds the listener of places like Africa, South America and New Orleans.

Marco Toro once again shows his diversity on drums and percussion, playing as always with top-notch musicians who also share credits on this production.

Marc Bischoff, from Germany on piano, wrote two of the eight songs: Oh Lame Saint and Mojitos and Daikiries, trumpeter Oscar -Chucky- Cordero, from Venezuela, wrote The Tour. Michael Simon, also from Venezuela, arranged Marialí. James 2 AM It is a composition by Chilean Alekos Vuskovic and Let It Walk is by trumpeter and arranger Francisco Peña from Colombia. Matthias Konrad plays the trombone; He is also from Germany and the Venezuelan Samuel Ruiz plays the bass.

Marco Toro
Marco Toro

In addition to playing drums, timbales, congas, bongos and cowbells, he also plays typical Afro-Venezuelan instruments such as cumaco, culo e puya, bell drum, tamboras, maracas, etc.

He not only plays all kinds of percussion instruments, he also plays a wide variety of styles.

Already in 2004 he embarked on a solo project: Marco Toro y su Ensamble, exploring South American rhythms such as Son, Joropo and Salsa, among others. With this group he released eight albums; The last CD is from 2017: Marco Toro y su Ensamble 12+1 Anniversary more info (www.toro-ensamble.com).

Marco Toro is currently playing with Lucas van Merwijk’s Drums United and Cubop City Big Band since 2008, touring Europe, the United States, Canada, South America, China and Thailand.

In 1989 Marco Toro formed Laberinto, a rock band that became known for creating “Metalatino”, a unique blend of heavy metal and Latin percussion.

In 1992 Laberinto moved from Caracas to Amsterdam, where the band released eight albums between 1996 and 2010.

Dutch rap legend Osdorp Posse appears on The World Might Suck, since 2008.

A ninth album: The best of Labyrinth was released in Venezuela.

After years of successful and extensive touring in Europe, Colombia and Venezuela went their separate ways.

Marco Toro
Marco Toro

He has shared the stage and recorded with many renowned artists such as:

  • Andy González
  • La India, Jimmy Bosch
  • Pedro Arroyo
  • Metropole Orkest
  • Laberinto, Osdorp Posse
  • Def P
  • Beatbusters, Lucas van Merwijk’s Drums United
  • Cubop City Big Band
  • Ricky Luis N’Clave
  • Zambo Jazz
  • De Pana
  • Beatbusters and Def P
  • Santanico,
  • G. Clarinda y la Rítmica
  • Primera Plana Orchestra
  • Bembe Orchestra
  • El Trabucombo by Gerardo Rosales
  • Marejada, Tierra Caliente
  • Rudy Albano
  • Jacqueline Castro
  • Subject to change
  • Tumbao
  • Grupo Kilele
  • Javier Plaza and his Orquesta Sonrisa
  • FP La Banda
  • Chucky y su Trabuco Guarimba
  • Barrio Nuevo
  • La Misma Gente
  • Marike Jager Kuenta i Tambu
  • King of the bongo
  • Carmen Gabriela Lozada
  • Grupo Mate
  • Alejandro Carbajal
  • Flaco Carrillo
  • Silicon Head
  • Wereld Kinder Festival
  • The virtual school of Bart Noorman
  • Pistoleros de la Paz
  • Download Amsterdam
  • Ensemble Amsterdam
  • Cabo Cuba Jazz
  • The Soul of Spanish Harlem
  • Jean Paul Tamayo

among others.

Marco Toro
Marco Toro

Marco Toro is sponsored by Zildjian Cymbals, Pearl Percussion and Evans Drumheads.

Bamboleo de Lázaro Valdés is another of those exquisite Cuban products, as well as sweet rum and mild cigars

Like the sweet rum and mild cigars, bamboleo is another one of those exquisite Cuban products that, once tasted, can’t get enough.

The 14-member timba group is a fiery number, from its music and choreography to its well-dressed singers and musicians.

Lazaro Valdes leads the group, plays piano, arranges, composes and writes songs. Born in Havana, he studied at the Alejandro García Caturla Academy in the 1970s.

Lazarito Valdés & Bamboleo
Lazarito Valdés & Bamboleo

He created Bamboleo after spending time performing with artists such as Pachito Alonso, Bobby Carcasses and Héctor Téllez.

He selected the best musicians and incorporated into his new company many who had been trained at the Escuela Nacional de Arte de La Habana.

He added sparkle with vocalist Haila Mompie, who in turn recruited vocalist Vannia Borges. Another Havana native, Borges began studying music at the age of five, and first sang professionally with an all-female group known as D’capo in the early 1990s. Four years later, she became part of the band D’capo.

Four years later, she moved on to Pachito Alonso y su Kini Kini, which she left in 1997 to add her talents to Bamboleo.

Lazarito Valdés.
Lazarito Valdés.

Guantanamera Yordamis Megret joined the group in 1998, a year after Mompie’s departure. She began her musical training at the age of 10 and took up the guitar.

Like Borges, she is also a student at the Escuela Nacional de Arte. After graduating, she began singing professionally with Ricacha. Before joining

Bamboleo, Megret sang in José Luis Cortés’ salsa group PG. Bamboleo began touring outside Cuba in 1996, the same year the group debuted with Te Gusto o Te Caigo Bien.

The group has performed in major U.S. cities from Chicago to Miami, and from New York to Los Angeles. Following the release of Yo No Me Parezco A Nadie and Ya No Hace Falta, the group toured the world, with stops in Europe, the United States and Japan, as well as the Heineken 2000 World Music Festival in China.

Bamboleo also collaborated on the Temptations’ Grammy-winning album Ear-Resistable.

Lazarito Valdés
Lazarito Valdés

In addition, the group has appeared on MTV’s Road Rules and has worked with artists such as James Brown, Femi Kuti and George Benson.

Bamboleo, one of the best-known groups on the crest of the timba wave, a new style that blends salsa with funk and jazz elements and emanates from the streets of Cuba, remains at the forefront with 1999’s Ya No Hace Falta.

After leaping to international notoriety with 1997’s Yo No Me Parezco a Nadie, the pressure was on to deliver for his newfound fan base.

With smooth arrangements and a band with a tight drum kit, Bamboleo had no trouble making good on their reputation and, if anything, raised the bar for the entire genre.

Both the horn section and the vocalists have a cool, smooth approach that contrasts with the energetic sound of similar groups like Charanga Habanera or NG la Banda.

This smoky, jazzy sensibility juxtaposed with the sharp corners of the superfunky rhythm section makes for easy and enjoyable listening.

The group doesn’t lack for warmth, with salty montunos from pianist/arranger Lazaro Valdes and plenty of time changes from a percussion section as good as any operating today.

Sonically, the ears rejoice in listening to a timba album that lacks neither fidelity nor modern production sensibilities.

With its balanced overall sound, unique approach and expert musicianship, Bamboleo will set trends and erase boundaries for decades to come.

Bamboleo - Ya No Hace Falta (1999)
Bamboleo – Ya No Hace Falta (1999)

Evan C. Gutierrez

Bamboleo – Ya No Hace Falta (1999).

Musicians:

Lázaro M. Valdés Rodríguez (Director, piano, composer).

Abel Fernández Arana (Alto Saxophone)

Carlos Valdés Machado (Tenor saxophone)

Anselmo “Carmelo” Torres (trumpet)

Dunesky Barreto Pozo (Congas)

Alberto Para (Maracas)

Herlon Sarior (Timbales)

Jorge David Rodríguez (Voice)

Yordamis M. Mergret Planes (Vocals)

  1. Frank Cintra Cruz (Trumpet)

Alejandro Borrero Ramírez (Vocals)

Vannia Borges Hernández (Vocals)

José Antonio Pérez Fuentes (Violin)

Maylin de la Caridad González Aldama (Cello)

Ludwig Nunez Pastoriza (Drums)

Rafael P. Pacerio Monzón (Banjo)

Ulises Texidor Pascual (Bongos)

Sources:

Información realizada ( 27 de enero de 2024)

L’Òstia Latin Jazz 

Also Read: Irakere was a Cuban group that developed an important work in Cuban popular music and Latin Jazz under the direction of Chucho Valdés

LATIN AMERICA / March 2024

Flora Purim has earned her two Grammy nominations for Best Female Jazz PerformanceEva Cortés at present, her music reflects the influences received from her cultural mestizaje.Lazarito Valdés & BamboleoJerry Ferrao afirma en clave de salsa: “Mi vida es un tambor”Calibrated maracas

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Oaxaca Salsa & Bachata Festival

Mar 13 / 17 2024

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Oaxaca City, 68020, Mexico

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Latin America / February 2024

Gilberto Santa Rosa is a Puerto Rican singer, songwriter and sonero better known as "El Caballero de la Salsa" (The Gentleman of Salsa)Yilian Cañizares, an excellent Cuban musician, studied in her hometown in the strictest tradition of the Russian school of violin

Samuel QuintoJusto Betancourt Querol Cuban sonero and singer famous for his interpretation of the song "Pa' bravo yo"Luis "Perico" Ortiz: six decades of impeccable musical trajectoryLa Puertorriqueña de Don Perignon presents her new recording work Demostrando in time

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AloCubano Cuba Salsa Tour Dance Vacation

Feb 14 / 25, 2024

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”Alma Del Barrio” celebrates 50 years of operation

The United States has a great number of Latin music radio programs that always sought to promote the best of Latin talent through their frequencies and one of them is ”Alma Del Barrio” of the well-known radio station KXLU, which is celebrating its 50th anniversary.   

Against all odds, ”Alma Del Barrio” celebrates five decades on the air after all the effort of its hosts and the team involved in such a noble and necessary feat. We say ”against all odds” because it is not common that projects submitted by university students did not used to last long and ended up being replaced by programs of the same style.  

In addition to the above, decades-long programs usually have a single host and comfortable time slots each week. However, ”Alma Del Barrio” was the exception to this rule and, today, continues to prove that limits can be overcome.  

Founders of Alma Del Barrio
Founders of ”Alma Del Barrio” Steve Lopez, Enrique ”Kiki” Soto, Gustavo Aragon, Eddie Lopez, and Hector ”La Voz” Resendez

Beginnings of ”Alma Del Barrio” 

After so long, ”Alma Del Barrio” has remained up to date and continues to keep people’s taste.  

Its main founders were Enrique ”Kiki” Soto and the late Raúl Villa, who at the time were two young students with many ideas and eager to achieve interesting things. The program was aired for the first time in 1973. A few years later, Hector Resendez, a freshman in college, contacted Enrique and Raul in order to write an article about this new radio show, but it would not be long before he joined the main founders in the project they were developing.   

Three years later, in 1976, student at Loyola Marymount University Eddie Lopez joined the program on the third anniversary of ”Alma Del Barrio”, show in which he would spend the next 46 years bringing the best Afro-Cuban music to the audience every Sunday between 2pm and 6pm.  

On a number of occasions, Resendez said that ”Alma Del Barrio” was not created to be hosted by great famous personalities, but by dynamic young people who wanted to be part of a small team that was just starting operations.   

At the beginning, the new hosts only had one hour of broadcast time to show what they were made of, but at the same time, they did their best to get more airtime and have more presenters in the program. They wanted to include a not very popular genre on the station at that time, which was salsa, something totally innovative for the station. 

In those years, salsa was understood as that set of genres coming from Afro-Cuban music and the novice hosts thought it would be a fine attraction to the Latino communities of Los Angeles. That set of genres came from Cuba, Puerto Rico, Panama, Colombia and the Dominican Republic. This is when record labels and music promoters renamed these rhythms as ”salsa” in order to make it easier for programs and hosts to identify the music.  

Eddie Lopez in Alma Del Barrio
Eddie Lopez working on the radio station

‘’Alma Del Barrio”’ programming 

The traditional programming of most of the stations consisted of jazz, rock and classical music, but then salsa was incorporated thanks to the increasing popularity that this genre was gaining. 

One thing Resendez said is that one of the most famous rock groups was Santana, so the announcer and the rest of his cabinmates were surprised that the musicians of the band knew so much about Afro-Cuban music in terms of percussion. Let us remember that the popular song ”Oye Como Va” was written by ”El Rey De Los Timbales” Tito Puente a decade and a half before the band recorded it.   

This union of rock and salsa was what gave the hosts the confidence to use trendy Anglo-Saxon genres as a means to promote Latin music.   

On top of that, the guys were clear that jazz fans would be receptive to Latin jazz, since great jazz musicians like Dizzy Gallespie hired Cuban percussionists in their orchestras. If on other stations, this music was successful, ”Alma Del Barrio” was no exception. Fortunately, they were not wrong.   

Logo of Alma Del Barrio
Current logo of ”Alma Del Barrio”

Last years of “Alma Del Barrio’’ 

During the last years of ”Alma Del Barrio”, the program team has made great efforts to join and create links with the community, whether it would be through sponsorships, advertisements, public services, donation campaigns, among other things.   

Through all this community service they offered, they also made their own work known and many listeners began to enjoy this great team’s talent while listening to good music and varied programming. 

The program has also been and is part of great annual and historical festivals such as the Salsa Fest. This day is always reserved for the audience to share with the new and old hosts of ”Alma Del Barrio” and many of the station staff, who always spread their enthusiasm to those present with their good energy.   

”Alma Del Barrio” and its hosts have brought joy to their followers, but there have also been some sad moments. One of them was the death of DJ Eddie Lopez in January 2023, leaving a great void in the station and the hearts of those who faithfully followed his career through the KXLU circuits during the last decades. 

Read also: Singer and manager of Cambalache Pancho Chavez 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.