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Search Results for: Johnny Cruz

The Great Pichie Pérez and his brilliant career

There have been many artists who have supported the Spaha Salsa Gallery due to the multiple contributions made to salsa since its foundation. One of them has been the great Pichie Perez, who gave a fabulous interview to the founder and president of the famous salsa museum in New York, Johnny Cruz.   

During the video on the Johnny Cruz’s Facebook account, Piche talks about some of the most important aspects of his professional life and, of course, gives his unconditional support to the Spaha Salsa Museum and the labor it has been fulfilling in recent years. Below are some of the most outstanding details of the artist’s life.   

Pichie performing live
Pichie Pérez performing live in Peñuelas, Puerto Rico

Youth   

Héctor ”Pichie” Pérez was born on September 24, 1960 in El Bronx, New York, the youngest of three brothers whose parents were Ramón Pérez Rodríguez and Haydée Casiano González, both of Puerto Rican nationality.   

After the age of seven, he moved with his family to Ponce, a place where a genre called bugalú became increasingly popular and the boy’s father enjoyed that kind of music, which made Piche begin to be interested in certain artists, especially Pete Rodríguez with his song ”I Like It Like That”.   

At the age of 10, his parents decided to move again, but this time to Cañaboa Encarnación, Peñuelas. Some time later, he became part of what would be the first band of his career, Los Metálicos Steel Band, with which the artist began to gain a lot of knowledge about merengue and calypso. When this same group became a sextet under another name, Pichie started singing and playing maracas and güiro.   

Pichie was working in several orchestras that gave him the experience he has today such as the Adolfo Grana school orchestra, Orquesta La Intelectual, Orquesta La Preferida, among others.   

Pichie and Jerry
Jerry Rivera next to Pichie Pérez

Orquesta La Terrífica and Orquesta La Primerísima 

However, his big moment would come when he was part of Orquesta La Terrífica, in which he worked as a vocalist between 1976 and 1981. Additional to this group, Pichie would be in six recordings, among them stands out ”La Terrífica. Sabor a Pueblo”. 

Some time later, he would sing in Tommy Valencia’s Orquesta La Primerísima, which would give him the opportunity to share the stage with world famous and acclaimed singer Frankie Ruíz, of whom he cherishes very good memories. Although this is one of the groups for which Pichie would be best known, it was not the last one he was in.   

For more than 30 years, he was in La Sonora Ponceña, to which he thanked for all that he achieved and learned during those years. However, there came a point when the singer wanted to make his own way and had to make the tough decision to leave the orchestra and start a solo career, which had ”El Sonero del Bailador” as its starting point in 2016. 

Pichie and Frankie
Frankie Ruiz next to Pichie Pérez when they were in La Primerísima

Pichie was expectant before the audience reaction to his solo material, but fortunately, the overall response was very positive, which motivated him to release a new album entitled ”Alegrando La Navidad”.   

Nowadays, he has an extraordinary reputation as a solo singer and in orchestral formations, but he also obtained great merits as a güirero and maraquero throughout his artistic career. He also had a great participation as a backing vocalist in many productions and recording sessions to which he added his unique touch. 

Read also: Willito and Japhet from La Sonora Ponceña 

Johnny Cru ISM corresponde in New York City

Willito and Japhet from La Sonora Ponceña

The stories of two great musicians

The island of enchantment, Puerto Rico, has been one of the places with the most talented musicians in Latin America, so it is always worth mentioning some of the most important names in the music scene in this beautiful land. Today it is the turn of talented musicians Willito López Vázquez and Japhet O. Rodríguez from the world-famous orchestra La Sonora Ponceña. 

Next, we will talk a little about both salsa exponents’ stories separately so that our readers can get to know these great personalities of the entertainment world who are not so famous for some.  

Willito López 

Wilfredo López Vázquez, artistically known as Willito López, is a famous percussionist whose career over time has been brilliant and has countless great collaborations with other exponents of the genre such as Tito Puente, Eddie Palmieri, Tito Nieves, Jerry Rivera, Luis Perico Ortiz, Lalo Rodríguez, Bobby Valentín, among many others.   

One of the instruments that makes this musician excel more than another is the conga and it is present in several of the greatest records of La Sonora Ponceña, the orchestra to which the artist currently belongs. 

Willito playing the conga
Willito López playing the conga during a performance

In one of his last interviews, he talked a bit about maestro Ángel ”Maldonado” Maldonado, of whom he cherishes fond memories after his unfortunate death a few years ago. He mentioned that the sonero lent his support to him when he needed it most and was very grateful for that, while regretting that he was already no more in this world. 

Undoubtedly, he is a pride to his family and the artists who have had the opportunity to feature his talents for any project in the past. He has always left everything on stage with each of his works and we have no doubt that he will continue to do so as long as his arms allow him to delight the audience with his talent.   

Japhet Rodriguez  

Japhet Rodríguez is also a talented Puerto Rican-born percussionist who has a very interesting career behind him.  

The artist was initially invited by La Sonora Ponceña to participate in some projects in 1998, but after having shown what he was really made of, he continued working with the orchestra for years to come.   

Japhet with his timbales
Japhet Rodríguez with his timbales

It was in 2007 that he became an official member of the group and thanks to which he became popular all over the world while serving as the timbalero of La Sonora Ponceña.   

While it is true that he has reached a huge popularity worldwide thanks to the aforementioned Puerto Rican orchestra, Japhet has been part of many other important names in Latin music such as Sabor Ponceño, La Terrífica de Ponce, Costa Brava, Moncho Santana, Los Hermanos Moreno, Willie Crespo, Camilo Azuquita, Impacto CREA, Raphy Leavitt Y La Selecta, Manix Martínez, Rafy Class, Conjunto La Perla, La Tropicana de P.R., and Homenaje Matancero. 

Something very interesting about the musical career of this great artist is that all these groups to which he has belonged have not only been from Puerto Rico, but also from countries such as the United States, Panama and Colombia. This shows that his talent has not only shone in his native country, but also in other latitudes. 

In next editions, we will be talking a little more about other salsa exponents who have left our music in high, so you can not miss the section of Johnny Cruz in coming months. 

Read also: Remmberin g Domingo ”Tito” Gutiérrez’s career 

Johnny Cru ISM corresponde in New York City

Remembering Domingo ”Tito” Gutiérrez’s career

Domingo ”Tito” Gutiérrez  

Domingo ”Tito” Gutiérrez is one of those names that can never be missing when talking about Latin music in the United States, since the contribution made by this musician has been invaluable. That is why we found this to be a good opportunity to look back on the trajectory of this great artist, who has demonstrated again and again that the language of music is universal and crosses borders.  

Domingo with bongos
Domingo ”Tito” Gutiérrez posing with his bongos

Childhood and musical beginnings 

Tito Gutiérrez was born in Guánica southwest of the ”island of Enchantment”, Puerto Rico on August 16, 1957 into the heart of a culturally Latin family, especially in the case of music. However, he moved with his parents to New York City when he was about 11 years old. 

Given that little Domingo had to start making friends again after the move, he took every opportunity to interact with other children of the same age, which led him to meet a group of kids enthusiastically playing instruments in a park.  

The boy had never played an instrument before in his life, so he felt a little intimidated at first, but that did not stop him from approaching them and saying he wanted to play with them. When asked him what instrument he played, he replied that he played the bongo, since he noticed that the improvised band did not have one.   

This is how Domingo joined them, started playing the bongo and continued playing it until he became a professional of this instrument.   

Domingo on stage
Domingo ”Tito” Gutiérrez performing on stage

Professional life in music 

In 1972, he finally ventured into music at a professional level with the same instrument with which he began in this world during his childhood and it was the group El Son De Hoy that gave him his first job opportunity. 

Not much time would pass before he became a musical director and founder of an orchestra when he created his own group called Orquesta Borinqueya. At the same time, he was also working with the Orquesta Alianza Boricua, with which he was recording a studio album.   

For a period of approximately five or six years, the artist has been recording with countless local orchestras with which he has continued to make a career and expand his musical curriculum, such as Orquesta La Crítica, Orquesta Nelson Feliciano, Orquesta Crisis, Orquesta Guainía, among others.  

In 1978, he went to live in New York and did his thing with the bongo along with some groups such as Grupo Melao, Conjunto Avicú and Peter Brown Jazz Cuartet.   

Domingo with a cowbell
Domingo ”Tito” Gutiérrez playing a Puerto Rican cowbell designed by his own line of instruments

In the late 90’s, his fame had grown so much that he has had the opportunity to work in orchestras of international stature such as Orquesta La Terrífica, Orquesta Costa Brava, Orquesta de Simón Pérez, Orquesta de Roberto Ortiz and more. He has also shared the stage with Ismael Miranda, José Alberto ”El Canario”, Andy Montañez, Cano Estremera, among others. 

Today, he plays for La Sonora Ponceña of Puerto Rico, ”45 Aniversario” being the first project he recorded with the group and has participated in a number of albums with this great team. 

While on tour with the different orchestras to which he has belonged, he was able to visit a large number of countries such as Venezuela, Ecuador, Mexico, Colombia, Costa Rica, Peru, Panama, Spain, France, Italy, among others. 

Parallel to all this, Domingo has his own line of bongos which he named ”Tito Gutierrez Bongo Series”. This line is part of an initiative of the Reyes Family, who are a group of Colombian artisans who are dedicated to designing bongos of different colors and sizes. 

Read also: Jerry Rivas, career, and support for the Spaha Salsa Gallery Museum 

 

Johnny Cruz Correspondent for ISM in New York City

North America – July 2023

This musician is Juan Carlos Formell

Thumbnail for Andrea Chaparro and Lulada Club

Jake Jacobs and VibraSÓN

Carlos Medrano from Sabor De Mi Cuba

Robert y Ricardo

Thumbnail for Johnny Cruz and all his articles

 

Jerry Rivas, career, and support for the Spaha Salsa Gallery Museum

The Spaha Salsa Gallery Museum has been the recipient of a good number of objects donated by artists and their families after they had died. This time, it is the turn of Jerry Louis Díaz Rivas, better known as Jerry Rivas in the music scene, who is one of the main singers of El Gran Combo de Puerto Rico.   

We want to use his pleasant visit to our museum and his forty-sixth anniversary with El Gran Combo to talk a little about his great career and everything achieved in his long musical career over the past decades.   

Jerry with Johnny
El Gran Combo De Puerto Rico singer Jerry Rivas and Johnny Cruz

Life and career of Jerry Rivas   

Jerry Diaz was born in the city of Tampa, United States, on August 25, 1955 and his parents were of Puerto Rican origin, so it is undeniable that Puerto Rican heritage greatly influenced the path he would take later on.   

About five years later, Jerry and his family moved to the city of Bayamón, Puerto Rico, where he began to take his first steps in the world of music with the guitar, the Puerto Rican cuatro and the Cuban tres, counting on the support of professor Carlos Seguí to learn to play the latter. However, shortly after, he would decide that singing was his thing. 

While still a young teenager, he was part of various groups such as Grupo Complicación, Conjunto Cojoba and Grupo Chaney, being in all cases a very important part of the body of musicians who were in these bands.   

His big great came in 1976 when Don Rafael Ithier, who was interested in the artist to be part of El Gran Combo De Puerto Rico, after he was recommended by Don Quique Lucca, who thought of this boy as replacement of the legendary Andy Montañez, singer of the group for more than 14 years.   

Jerry signing a tres
Jerry Rivas signing the Cuban tres he donated

Although it was not believed that Jerry could fill the shoes of his predecessor, his talent, effort and support from the music director of the orchestra, made him consolidate in the institution along with the rest of his colleagues and become one of the longest-serving members of El Gran Combo. 

International fame came with the album ”El Gran Combo En Las Vegas” thanks to the song ”La Clave”, in which he proved his vocal abilities to new levels. After that, he achieved his consecration as an international star with the album ”Happy Days” thanks to the song ”El Menú”.   

After that, everything that followed for Jerry was success with the orchestra, which resulted in approximately 30 recordings in a span of 45 years with El Gran Combo de Puerto Rico, his musicians and the extraordinary team behind the group.    

Other details of his life and support to the Salsa Museum  

In addition to being a vocalist for El Gran Combo de Puerto Rico, Jerry also participated in backing vocals with other great musicians for their respective musical works such as Willie Rosario, Bobby Valentín, Yuri Buenaventura, Gilberto Santa Rosa, La Sonora Ponceña, Adalberto Santiago and many others.   

Jerry with Johnny and the tres
Jerry and Johnny with the tres and the jacket Jerry donated to the museum

In each of these projects, the Puerto Rican artist has always given his personal touch and his unmistakable vocal chords, so it is normal that he is considered a legendary voice within the salsa movement not only in his country, but also worldwide.   

Due to all of the above, it is a true honor for the Spaha Salsa Gallery Museum to receive this great musical luminary in its facilities, where he was welcomed by its president and founder, Mr. Johnny Cruz. 

Some photos on the Cruz’s official Facebook page, it is evident that both shared a very pleasant time remembering things from the past and talking about music. In addition, Jerry donated one of his shirts and a Cuban tres to the museum so that they can be exhibited to the public along with the rest of the objects in its collection.   

We thank Jerry for his kindness, generosity and great talent, which we hope will continue to accompany us in the years to come. 

Read also: Tommy Olivencia Jr’s career and support for the salsa museum 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.