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Search Results for: King of Mambo

Betty Zapata ¨The Lady of Salsa¨

Latin America / Venezuela / Caracas

In Venezuela, Caracas, the neighborhood is a way of life with its own identity. The neighborhoods of the entire National Territory, its inhabitants, become outstanding characters. Such is the case of Betty Zapata who was born in the emblematic La Pastora Parish located in the Capital (Caracas). There he spends his childhood in a neighborhood of colonial and historical houses of Venezuela.

Betty Zapata ¨The Lady of Salsa¨
Betty Zapata ¨The Lady of Salsa¨

There are many memories of that legendary Zone, they are inevitably built by those associated with survival, preparation, development, work, love, struggle and family formation, its magic and what marked it for life… . “Music”.

My connection with music is due in part to the fact that I live in a popular area where the music that was heard was Afro-Caribbean (mostly Salsa), the parties or meetings in my house and the neighborhood were always enlivened by that type of music, the most rooted and sticky collectively, originating the most varied dancers.

In the Carnestolendas festivities, improvised platforms (Templetes) were installed to stage the most varied costume and dance contests. Leaving my childhood and beginning my adolescent stage, I participated in dance competitions, obtaining recognition and prizes that were awarded to the young people of my generation.

I attended festive celebrations (dance meetings) with my older sisters at the age of 12, not because I was a dancer, but to not leave me alone, since I was the youngest of 3 sisters, this allowed me to share with people older than me and which I was learning the different dance styles “remembering with great affection the Cayender family, made up of excellent dancers” they are part of my school and love for dance. My cadence, flavor and body movement also allowed me to learn until I had my own dance style.

The music of the moment was the Danzones, Billo’s, Melodicos and in my house my sisters listened in the 70’s to Joe Cuba, Ricardo Rey and Bobby Cruz, Eddie Palmieri, the Latin Dimension prevails, Grupo Mango, Salsa Mayor, La Banda and his Young Sauce. That stuck with me forever and I felt drawn to Salsa.

That gave me the basis to fully incorporate myself into the exciting world of music. In the Barrio salsa is something essential, if you don’t dance it, enjoy it, feel it, you’re nothing.

Attending a meeting, an event, a concert, a presentation, a party or a meeting and there is no salsa, you feel an emptiness since with it we enjoy, we share, we dance and it definitely puts us to enjoy.

Photo - Betty Zapata ¨The Lady of Salsa¨
Photo – Betty Zapata ¨The Lady of Salsa¨

In the course of my 6 decades of existence, I have not ceased to be linked to it in different facets: as an audience, spectator, guest, contestant, jury, organizer, producer and director of events.

Each of these participations has allowed me to stand out, stand out and be a well-known, popular and loved person, a reference in the organization of a good party, night events, presentations of representative groups of the world of Salsa such as:

Ray de La Paz, Herman Olivera, Frankie Vásquez, Bobbie Valentin, Willie Rosario, Spanish Harlem Orchestra, Sonora Ponceña, La Selecta, Mulenze, Carlos Cano Estremera, Julio López, Yolandita Rivera, Mambo Legends among others, and for those from the Patio: Bailatino, Rumberos del Callejón , Ensamble La Calle, Albondiga y su Pandilla, Repicao, Tributo, On Fire, La áquina de la Salsa, La Negramenta, Gerardo Rosales, Javier Plaza’s Son Risa Orchestra among others.

This has allowed me to be an obligatory reference when it comes to producing and making an event of great importance and musical quality where the Dancing Public is respected and appreciated, providing them with the comforts to enjoy an excellent show and Latin music is seen as an element of identity that belongs to all of us to live it and feel it.

I am (Betty Zapata) currently planning and developing projects in the short, medium and long term and to give you a heads-up I am giving you the scoop: I am here with my radio program to promote, support, disseminate and promote our exciting and magical world of Caribbean music.

Yasser Peralta and his musical experience

Latin America / Argentina / Buenos Aire

We have the opportunity to meet the dancer and teacher Yasser Peralta, who is dedicated to teaching Son and Rumba in the Cuban style, being something very striking due to the naturalness of his classes and we can believe that it is because his Cuban blood flows through his veins, giving the essence and flavor to the dance. He tells us that the development of his profession as a dancer and instructor began when he was little, since he was dedicated to dancing at parties, being a very common characteristic for most Cubans.

Yasser Peralta
Yasser Peralta

When he moved to Argentina, that did not stop him and in order to maintain his firm roots in his native land and to have his beloved culture very close, he went dancing, where he took advantage of every trip to Cuba to take classes, of which he was with:

  • Julia Fernández Regisseur of the National Folkloric Ensemble.
  • The Aspirins: Rumberos majors of Regla.
  • Luis Roblejo, professor of Modern Cuban Dance.
Yasser Peralta and his students
Yasser Peralta and his students

He tells us that he not only took classes, he also took training courses in both Cuba and Argentina; in Cuba he was in Cubadanza and in FolkCuba. In Argentina he was with two great dance masters of various genres and musical styles including the Cuban style such as the Mambo in 2 L.A. styles. All this made him increase his knowledge and resume of his musical career, being expanded by studying music, where he learned to play piano, guitar and percussion. And over time he began to organize events through his production company “AhíNaMá!”.

Workshop with Yasser Peralta
Workshop with Yasser Peralta

Of all his life journey, he tells us that “it was not only learning and having a profession, he enjoys dancing and teaching the genres of popular Cuban roots such as Afro-Cuban dances, Son and Rumba, because I understand that you have to go to the basis to better interpret current Cuban music…

On the other hand, I am from the Timba generation and I apply all of the above”, that is, dancing and teaching Cuban popular root genres are 2 of the things that I enjoy a lot, especially since In the future, he sees the possibility of traveling to, meanwhile, dedicate himself more to the production of cultural events of these Latin genres.

Photo - Workshop with Yasser Peralta
Photo – Workshop with Yasser Peralta

Yasser tells us that he has an event production company called “AhíNaMá!” where they hold workshops and teach at other academies:

La Viruta AhíNaMá! Vibra Dance
Tuesday: 20.30hs. $140

Thursday: 20.30hs $150

Wednesday: en Feeling 21.30hs más baile Social $120 Friday: 21.30hs más baile Social $150

Yasser expresses himself to all of us and above all recommends that lovers of Latin rhythms, whether they are dancers or artists who want to expand in the artistic area, “open your studio to other genres, other styles.” “Everything nourishes and gives resources to personal dance and there is nothing more difficult (but sublime) than achieving one’s own style; especially that they study the music they dance to, understand its structure and the “root” sub-genres that make it up. That is what makes the detail, and the difference is in the detail”.

Salsa Casino with Yasser Peralta
Salsa Casino with Yasser Peralta

For more information:

  • Facebook:
    • https://www.facebook.com/yasser.peralta/
    • https://www.facebook.com/ahinamaproducciones/

 

  • Class:
    • Cuban Style : https://m.facebook.com/story.php?story_fbid=822097507972681&id=402506703265099
    • AhíNaMá en Feeling: https://m.facebook.com/story.php?story_fbid=877213132439763&id=739677559526655
    • Son: https://m.facebook.com/story.php?story_fbid=886905821470494&id=739677559526655
    • Rumba: https://youtu.be/BiTCxVsVeag
    • Musicality: https://youtu.be/ypUe_CYHRfk
    • La Viruta: https://m.facebook.com/story.php?story_fbid=809590925890006&id=402506703265099
    • Vibra: https://youtu.be/yRo9ZI1D1r0

 

 

Mulatu Astatke, the first African to earn a PhD from Berklee College of Music

Mulatu Astatke (or Astatqé) (Jimma, Ethiopia, December 19, 1943) is an Ethiopian musician, composer and arranger. He is considered the father of Ethio-Jazz.

His musical training took place at the Trinity Laban Conservatoire of Music and Dance in London, where he studied clarinet, piano and harmony, New York and Boston, where he was the first African student and also the first African to earn a PhD from Berklee College of Music; there he was trained in vibraphone and percussion.

Mulatu Astatke, the first African to earn a PhD from Berklee College of Music
Mulatu Astatke, the first African to earn a PhD from Berklee College of Music

Later he combined the influence of jazz and Latin music with traditional Ethiopian music.

My desire to start making Ethio-jazz began in London while I was studying there in the 1950s; then I knew I wanted to be different with my music. I looked for musicians from different African backgrounds and saw that they were successful and promoted the culture of their country.

However, there was very little from East Africa and Ethiopia, so I decided at that point that I would create something unique based on the rich heritage of our music and show how much we have contributed to the world of music in general.

That journey began to take shape at Berklee College in Bastan. I was the first African musician to study there and that period was very important for me.

I learned the technical aspects of many different musical forms and my teachers gave me the confidence to move in my own direction, teaching me that it was okay to be different in my music and try something completely new.

Mulatu Astatke.
Mulatu Astatke.

Ethiopian cultural music is based on four modes  tezeta, bati, anchihoy and Ambassel  and within my music, I knew that those modes could not be played.

They had to remain at the center of my music or the whole character of the sound would change and become distorted. I began to add beautiful colors with chords, voicings, bass lines and rhythm sections, writing progressions that fit together well. It’s very difficult to write 12-note music around the Ethiopian modes without destroying them.

In the mid-’60s I returned to Addis, but I kept going back and forth to the United States.

At that time, no one was fusing Ethiopian music with jazz.

In my country there was the First National Theater Orchestra, and both the police and the army had their own orchestras.

There were also bands like the Echoes and the Ras Band.

Musicians at that time based their melodies strictly on the four Ethiopian modes, using techniques like the “canon,” with melodic lines echoing each other.

With Ethiopian jazz, I consciously wanted to expand and explore the modes in different ways.

Mulatu Astatke (or Astatqé) (Jimma, Ethiopia, December 19, 1943) is an Ethiopian musician, composer and arranger. He is considered the father of Ethio-Jazz.
Mulatu Astatke (or Astatqé) (Jimma, Ethiopia, December 19, 1943) is an Ethiopian musician, composer and arranger. He is considered the father of Ethio-Jazz.

I formed a group called The Ethiopian Quintet in New York, made up of a mix of Ethiopian, Latino, and African-American musicians (there weren’t many Ethiopian musicians in the United States at that time).

The band included trumpeter and pianist Rudy Houston, who later played with Yambu, and Felix Torres, who played with Sonora Ponceña.

I have always felt a deep connection between Latin and African music; I traveled to Cuba to find out where the first American landed, I heard their musicians play and dance and although they sang in Spanish, the tempo, rhythm and feeling were very similar to aspects of African music.

So, with the Ethiopian Quintet, I wanted to show the African contribution to Latin music and it was my first opportunity to experiment and start developing my vision of Ethio-Jazz with this band.

With the American and Puerto Rican musicians in the group we created a different atmosphere and arrangements.

It was a great opportunity for me and they loved what I was writing and the direction I was trying to take.

We did quite a few concerts, some Spanish weddings, events upstate New York and in Manhattan.

We played at the Village Gate with Dave Pike, a great friend of mine at the time, one of the world’s greatest vibraphone players. He played a lot with Herbie Mann and I remember sitting in to watch one of his recording sessions.

I saw a lot of other great musicians in concert, from Coltrane to Bud Powell and Bill Evans. On the New York live circuit I met a producer called Gil Snapper.

His musical training was at the Trinity Laban Conservatoire of Music and Dance in London,
His musical training was at the Trinity Laban Conservatoire of Music and Dance in London,

Gil was a very nice and interesting guy and worked with musicians of many different styles.

He picked up on my music very quickly; we got on well and he invited me to record with The Ethiopian Quintet, so our first albums with him were ‘Afro Latin Soul’ Volumes 1 and 2, both recorded during 1966.

On the first volume, I performed an adaptation of an old Ethiopian warrior song, ‘I Faram Gami I Faram’.

I would have liked to have an Ethiopian singer for the song, but it was sung in Latin and the lyrics were translated to the singer so he could sing it in Spanish.

Nevertheless, it turned out to be a nice combination. The album included other compositions that were important steps for me: ‘Mascaram Setaba’ (Summer is Coming), ‘Shagu’ and ‘Almaz’. On the second volume, Rudy Houston suggested a piece of music that we called ‘The Panther’, in reference to the animal, but also in recognition of the Black Panthers, who were very active in the civil rights struggle in the United States at that time.

On this album, one of my favorites is my composition ‘Girl From Addis Ababa’, which worked very well as a fusion of Ethiopian modes and R&R rhythms, an indicator of the more refined Ethiopian jazz sound of my later album for Worthy, ‘Mulatu Of Ethiopia’ (1972). It also included my new arrangement of the 1950s tune ‘Lover’s Mambo’.

Both albums include nice arrangements also by Oscar Garcia, Rudy Houston and Gil Snapper as well.

I feel proud of the recording when I listen to it again. It was an important moment in my career and it was a very interesting and progressive time to be in New York in the mid-60s.

I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and, each in their own way, we tried to do our part to put Africa on the map of contemporary jazz.

Mulatu Astatke & His Ethiopian Quintet - Afro-Latin Soul (1966, R-2018)
Mulatu Astatke & His Ethiopian Quintet – Afro-Latin Soul (1966, R-2018)

Mulatu Astatke, April 2018

Mulatu Astatke & His Ethiopian Quintet – Afro-Latin Soul (1966, R-2018)

Tracks: Afro Latin Soul: 01. I Faram Gami I Faram (Mulatu Astatke)

02. Mascaram Setaba (Mulatu Astatke)

03. Shagu (Mulatu Astatke)

04. One For Buzayhew (Mulatu Astatke) ke)

05. Alone In The Crowd (Gil Snapper)

06. Almaz (Mulatu Astatke)

07. Mulatu’s Hideaway (Mulatu Astatke)

08. Askum (Rudy Houston)

09. A Kiss Before Dawn (Gil Snapper & Weiss)

10. Playboy Cha Cha (Oscar Garcia) Afro Latin Soul Vol. 2:

11. The Panther (Boogaloo) (Rudy Houston)

Konjit (Pretty) (Oscar Garcia)

Soul Power (Rudy Houston)

Lover’s Mambo (Traditional, Arr. Mulatu Astatke)

Love Mood For Two (Rudy Houston)

Jijiger (Rudy Houston)

Girl From Addis Ababa (Mulatu Astatke)

Karayu (Oscar Garcia)

Raina (Rudy Houston)

Musicians:

Mulatu Astatke (Vibraphone, Piano, Drums)

Rudy Houston (Piano, Trumpet)

Robert Cuadrado (Bass)

Felix Torres / John Perez (Congas / Bongos on Vol. 1)

Pete Iglesias (Congas on Vol. 2)

Tony Pearson (Timbales)

Information provided (October 5, 2024)

Also Read: Flora Purim has earned her two Grammy nominations for Best Female Jazz Performance

Europe / November 2024

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Salsa trip – Where to dance Salsa in Europe?

Europe

Do you want to go to Europe but you don’t know where are the best places to dance? Do you want to enter in the passionate salsa world? Are you looking for adventures and meet new people? International Salsa Magazine wants to guide you to the best salsa and Latin places in Europe. In this edition we show you the dance life in three different countries: Ireland, Switzerland and England.

Ireland

Strictly Salsa

This academy/club offers a weekly Salsa Classes and a Salsa Club every Thursday in The National Stadium on the South Circular Road, Dublin. The classes are divided for categories:

Strictly Salsa Dublin
Strictly Salsa Dublin
  • Ladies: Alexandra – Ladies Styling with Body movement. For those of you who know Alex, this will be one of the greatest most indebted workshop focused around not just footwork and styling but how to use your body and techniques and tips on how to practice and perfect what will be thought to you in class. It will not just be watch me then try it, Alex loves questions and wants to share her knowledge.
  • Men: Claudiu – This for you guys will really help you put more flavor and movement into your dancing skills, incorporating all this with steps that are very usable on the social dance floor, there will be elements of Rumba & Guaguanco and by the end it should all come together nicely. As with Alex, Claudius knowledge is very deep so ask as many questions as possible to maximize the time.

For more info: http://strictlysalsa.ie/

 

Salsa Dublin

A lot of our instructors are also performers and they have a huge amount of experience performing on stage /in competitions/ at weddings & parties. The academy has dancers from Ireland, Turkey, Poland, Spain, Romania, and each one brings their own individual strengths to our group.

The teacher’s team has two previous winners of the Irish Salsa Championships, and the current (2012) Champion of the Irish Bachata Open. We also have instructors with backgrounds in Ballroom, Hip Hop, Ballet, Contemporary etc. which gives the team a greater understanding of musicality and a deeper appreciation for what they teach.

Salsa Dublin
Salsa Dublin

Development of the dancers is a key focus in our structure. Through regular team meetings, teachers training and dance group practice, we are able to keep physically and mentally growing and improving. You never stop learning no matter how good you are, so we are always striving to better ourselves. This academy works with world class international teachers and champions, bringing them to Ireland so that they can share their knowledge and ideas with the academy and their students.

Workshops are crafted for all levels of Salsa and Bachata lovers. A day of workshop involves a total of 4 hours of learning from four local and international dance instructors!! You will be sharing this amazing experience with both your fellow learners and from people from outside the regular classes.

 

For more info: SalsaDublin.com

 

Switzerland

La Movida Laussane

La Movida/Poco Loco is a bar-restaurant known by its Latin-Mexican aesthetic and food, which also offers special nights and parties for Salsa and Latin music lovers. With the performances of Dj’s and live bands, this special club is bringing all the Latin flavor to Switzerland. Cocktails, food, music and more!

Poco Loco
Poco Loco

For more info and reservations: https://pocoloco-movida.ch/

 

Salsa Passion Company

Whether you are completely new to the art, or experienced dancer, Salsa Passion Company has the knowledge and the experience to bring you further with your dance skills.

The academy philosophy is understanding that dance is about social and fun, but while you are investing your time and money to learn, why not learn it properly.

They’ve develop a “step by step” method that is fun and efficient for everyone to learn. They teach the “know how”. You will learn the vocabulary and the techniques of how to put them together, so you can be.

To learn how to dance Salsa, you should first understand the rhythm of Salsa, the steps, the body movement, the TWO persons but only ONE system principle in order to dance together with harmony, then move on to the turns and figures, and that’s the focus of the academy.

For more info: http://www.salsapassion.ch/d_course.html

 

England

Caramelo Latin Dance

Looking for Salsa classes in London? You’ve come to the right place! At Caramelo Latin Dance you will find only the highest quality tuition in Crossbody Salsa On1 and On2, as well as in and many other Latin dances.

Caramelo Group - Salsa
Caramelo Group – Salsa

The 4-week Latin dance courses are perfect for a consistent and immersive approach that will help you see a marked progression in your dancing irrespective of your level.

Classes take place on Wednesdays and Thursdays. You can Combine your Salsa classes with Bachata, NY Mambo On2, Cha Cha Cha, Pachanga and Styling and enjoy Latin dancing to the fullest!

For more info: http://www.caramelolatindance.co.uk/

 

Incognito Dance

Incognito Dance Company (IDC) was established in 1999. It has some of the most experienced and qualified Latin Dance instructors and performers in Europe. All our Latin dance courses, workshops, holidays, events and clubs are run and taught by highly trained, friendly instructors who encourage dancers of all levels to enjoy the spirit of dance.

Try the award winning Gold, Silver & Bronze Salsa Courses, learn to dance, have fun, keep fit and meet new friends. Check out the private lessons, weekly classes, regular workshops, bootcamps, monthly parties, holidays, and special events.

 

Experienced dancers are given fun, technically challenging classes, and plenty of hours to social dance to the latest Latin music by our fabulous DJ’s. The academy teach many Latin dance styles of salsa from LA Style, NY Style, Cuban and Puerto Rican, as well as Bachata, Kizomba, Cha Cha, Reggaeton, Latin Hip Hop, Merengue etc.

For more info and classes: https://www.incognitodance.com/

 

Salsa Soho London

The best place to celebrate your Latin roots! Salsa classes every night of the week, amazing drinks menu with over 50 cocktails and of course non- stop Latin music.

This club/restaurant has menus to suit all occasions and tastes. For a bigger party or less formal occasion they Sharing Planks are perfect and includes Salsa favorites like tacos and Iberico ham croquettes. Special events, birthdays, parties and more, with the best atmosphere in London!

Salsa Soho
Salsa Soho

For more info and reservations: https://www.bar-salsa.com/soho

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.