Latin America / Venezuela / Caracas
Nahiti Ortega, is a Venezuelan with exceptional talent, more than 25 years as a performer of traditional Venezuelan dances, this time International Salsa Magazine has the privilege of conversing with this artist of international stature.
She began her Dance studies in the Popular Culture workshops of the Bigott Foundation, taking classes in different regions of the country.
It also conducts courses in other international dances such as: African, Colombian, Cuban, Argentine, Dominican, Bolivian, Brazilian, Chilean, among others.
She expands her knowledge by taking other workshops on dance accessories, body expression, rhythm, dance analysis, theory of popular culture, anti-stress elements of music and singing, vocal technique, artistic makeup, stage costume design, organization of special events, corporate image, online tradition, training of teletrainers, pedagogical resources of a virtual classroom: moodle among others.
Augusto: What does dance mean to you personally?
Nahití: Dance is life…
Life begins with a dance, since we are conceived, we dance when a child is inside his mother’s womb, when the earth turns on its own axis, when the waves of the sea reach the shore, when the wind blows and moves the leaves of the trees… in all those movements a beautiful dance is produced, as well as life itself.
“The Dance is so important that the celestial heroes created the world with the power of the dance, and the whole earth is the magical work of the first dancers. The very existence of human beings is the result of the dance. Therefore, dancing is ensuring the continuation of existence” (Morela Maneiro)
For me, dance is a way of life that connects me with the depths of my being and allows me to undress and show myself as I am. My movements are the physical expression of everything intangible that happens to me. By moving I highlight the relationship I have with myself and with my surroundings.
Augusto : Is there or was there any guide that inspired you to this art?
Nahití : My father has always been my inspiration and my guide; Since I was little I always wanted to dance, one day he asked me, do you really want to dance? and I said yes, it was then he who took me by the hand to study dance and introduce me to this wonderful world.
Throughout my career I have had incredible teachers, which I must mention Professor Freddy Medina who, due to his discipline, demand and dedication, I learned to differentiate and perform a large part of our traditional dances and Omar Orozco who taught me that dance, beyond if interpreted, it serves us for life itself.
Augusto: Name me the best anecdote in your career, nationally and internationally
Nahiti: Hahaha… Woow! Throughout my career I have had many anecdotes, I can tell you a few:
One of the ones I remember right now was in a presentation with Master Cheo Hurtado where I had to show the difference in the execution of the Venezuelan Joropos, when I got to the dressing room and took out the costumes I realized that I had two shoes on the same foot, namely; I had two right shoes, you can imagine my frightened face, after this I had a fit of laughter and my friend Rossmary Rondón, also a dancer, seeing the situation and my reaction, asked me if I was crazy, why was I laughing?…
? and I replied “because I still have to solve it and I don’t do anything to bother myself”. Finally I danced with my two identical shoes and nobody noticed that detail, only she and I knew. And everything went well.
Another was on a long tour of Asia, we were in Korea and we did 3 shows a day, I remember that on the third of the day we did the monkey dance, in this piece we invited the public to join in, in the performance we threw ourselves on the ground and then we couldn’t stop quickly due to fatigue and it made us laugh a lot, the public had to act by imitation and since they didn’t know what was happening, they ended up getting our laughter.
Augusto : Was your father an influence on your work?
Nahití : Undoubtedly yes, I greatly admire my father, he is a great artist one of the best in his style, he has always been a reference in the musical field, I have learned that with discipline, perseverance, dedication and love for what you do you can achieve the proposed goals, my father currently has more than 50 years of uninterrupted artistic career, which shows that his formula works.
Augusto : Tell us a little about your career as a teacher
Nahití : In my classes I usually teach the origin of the dance to be worked on, the main body movements, basic steps and choreographic sequences, depending on the level, as well as breathing and physical preparation for each dance. I also introduce the student to the personal search so that he can achieve his own style and projection.
Augusto : We express, how was your work as Artistic Director of Vasallos de Venezuela?
Nahití : I like to stimulate the members mentally, we create a world together with some characteristics and rules. For me, each body has a story to tell, each one has particular movements acquired through their experiences that they can contribute, so I try to find ways in which the members can identify with the motivation, get involved and feel willing to propose. What I seek is to find during the process, movements that adapt to what I propose.
I also like to work a lot on muscle memory through repetition, to make the movements non-robotic. We work deeply, the gestures and the staging is important for each one to take out and project their personal style.
Augusto: Do you have future projects?
Nahití: Many projects, tours, concert that I won’t tell you details for cabal hahaha…
Augusto : Explain your experience as manager of Coco y su Sabor Matancero
Nahití : It is really wonderful, seeing how successful my father’s career has been and now his Manager, it is a great commitment, all the years of experience in the artistic world made me worthy of this responsibility. In this short time we managed to record his new record production entitled “Con Todo” in which we managed to bring together great artists such as: Mariana “La Sonera”, Wilmer Lozano, Rodrigo Mendoza and El moreno Michael, and we have already visited several countries for its promotion. , United States, Chile, Peru and Panama, we have just performed a concert in one of the best venues in Venezuela, just as we performed its baptism.
Nahití Ortega, has a long history at the National and International level, has an extraordinary personality that transmits joy, good vibes, harmony, feeling for what she does that comes straight from the heart, taking into account her particularity and professionalism of the teachings of her dad.
He began his activities in the field of Popular Culture by participating in the Agrupación la Patria y su Gente led by Professor Freddy Medina for three years; In 1994, she participated as a special guest of the Agrupación Autochthono de la Vega in the “Barcelos Festival”, belonging to the CIOF – UNESCO circuit, in the countries of Portugal and Spain.
In 1995 he joined the group with Venezuela directed by Professor Oswaldo Lares in which he worked for four years, participating in the “Caribbean Festival 95” in the cities of Cancun, Cuzumel, Playa El Carmen, State of Quintana Roo – Mexico, in 1996, he carried out the Afro-Venezuelan percussion workshop in the Popular Culture workshops of the Bigott Foundation, dictated by Professor Jesús Paiva, with a duration of three years.
She participated as a dancer in the Oscar D´ León video clip “Mírala Como se Menea”, as well as in the Venezuelan film “Juegos Bajo la Luna”, directed by Mauricio Walerstein.
In 1995 he joined the group with Venezuela directed by Professor Oswaldo Lares in which he worked for four years, participating in the “Caribbean Festival 95” in the cities of Cancun, Cuzumel, Playa El Carmen, State of Quintana Roo – Mexico, in 1996, he carried out the Afro-Venezuelan percussion workshop in the Popular Culture workshops of the Bigott Foundation, dictated by Professor Jesús Paiva, with a duration of three years.
She participated as a dancer in the Oscar D´ León video clip “Mírala Como se Menea”, as well as in the Venezuelan film “Juegos Bajo la Luna”, directed by Mauricio Walerstein.
In the teaching area, he has taught traditional dance workshops at a national and international level.
As well as accessories for dance, body language, dance therapy, clothing, basic stage makeup, artistic makeup, staging, among others.
Among the institutions in which he has given workshops we can mention some such as: Popular Culture Workshops of the Bigott Foundation – Venezuela University of the Arts in Lima – Peru.
Simon Rodriguez University. Nucleus Barquisimeto -Venezuela
She has done work as a dancer, choreographer, image consultant and producer for various groups.
In 1993, he joined the group “Vasallos del Sol” of the Bigott Foundation under the direction of Professor Omar Orozco.
In 2000 she joined Danzas Itanera, as a dancer, costume designer and image consultant for the group.
He has shared the stage with artists such as: Serenata Guayanesa, Un Solo Pueblo, Francisco Pacheco y su pueblo, Simón Díaz, Cruz Tenepe, Vidal Colmenares, Cristóbal Jiménez, Gurrufio, El cuarteto, Caracas Youth Symphony Orchestra, Chamber Orchestra of the Armed Forces , Coco y Su Sabor Matancero, Oscar de León, Guaco, Invisible Friends, Aquiles Báez among others.
He has toured the entire national territory, appearing on countless stages with participation in international festivals. In 2009, she participated as a dancer and workshop facilitator at the X Meeting for the promotion and dissemination of the intangible heritage of Ibero-American countries “Fiestas and Rituals” in Lima, Peru. Currently Manager of Coco y Su Sabor Matancero and dance and artistic director of the Vasallos de Venezuela group.
Photos courtesy of Nahití Ortega
