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Search Results for: Latin Music

Chick Corea Pianist, composer, arranger, producer, teacher. Acoustic and Electric

Surrounded by music since childhood, Armando Anthony Corea walked a path in which he shone like few others, accompanied by musicians who make up an encyclopedia of jazz.

Pianist, composer, arranger, producer, teacher. Acoustic and electric. Chick Corea was one of the most influential musicians in the vast universe that is jazz and surely one of the most important figures in global music of this time. In addition to being artistically prolific, he was commercially successful. For this reason, it would also be impossible to explain the music of this time without the example of Chick Corea.

Chick Corea Pianist, composer, arranger, producer, teacher. Acoustic and Electric
Chick Corea Pianist, composer, arranger, producer, teacher. Acoustic and Electric

Armando Anthony “Chick” Corea was born in Chelsea, Massachusetts, on June 12, 1941, to a family of Calabrian origin. At the age of four, he began to play the piano, encouraged by his father, a jazz trumpeter who led a Dixieland band in Boston in the 1930s and 1940s.

Surrounded by music, young Armando was soon introduced to the heroes of bebop. The music of Dizzy Gillespie, Charlie Parker, Bud Powell, Horace Silver, and Lester Young would leave a notable mark on his education. At the age of eight, he began studying classical piano with Salvatore Sullo, an Italian-born concert pianist who, in addition to his love of Mozart, opened up the world of composition to him.

Always tied to a confusing timeline, the first released recording of the original configuration of Return to Forever was actually its second session.

An initial ECM studio date made in February 1972 was not released until after the band had changed in 1975.

The Polydor/Verve recording from October 1972 is actually this 1973 release, which features the same band with Chick Corea, Stanley Clarke, Airto Moreira, Joe Farrell, and Flora Purim. There is no need to make distinctions, as both are five-star albums, showcasing many of the keyboardist’s enduring, instantly recognizable and highly melodic compositions.

Farrell’s joyous flute, Purim’s wordless vocals, Airto’s electrifying percussion and Clarke’s deft electric bass lines are wrapped up in a stew of Brazilian samba and Corea’s Fender Rhodes electric piano, and certainly set the tone and the highest bar for the music of the groups that will come after. “Captain Marvel,” the seed of the Farrell- and Purim-less band that expanded into a full concept album with Stan Getz, is here as a vaporous fusion samba with Corea dancing on the keys.

Chick Corea y Gary Borto
Chick Corea y Gary Borto

By now, the beautiful “500 Miles High” has become Purim’s signature song with Neville Potter lyrics and Corea’s stabbing chords, and unfortunately became a hippie anti-drug anthem.

Perhaps Corea’s definitive song of all time, and covered ad infinitum by professional and school bands, “Spain” retains the quirky melody, clapping interlude, up-and-down dynamics, exciting improvisational section and variation in time, tempo and colourations that always spark interest despite a length of close to ten minutes.

“You’re Everything” is a romantic classic that has surely been heard at many a wedding, with another Potter lyric sung to heaven by Purim, while the title track is Purim’s lyrics in a looser musical framework, with Clarke’s graphic merging with Corea and Farrell’s piercing flute work.

Chick Corea - John Patitucci - Dave Weckl
Chick Corea – John Patitucci – Dave Weckl

As much as the others have become icons, Farrell’s extraordinary sound on this date should never be trivialised or underestimated.

The final track, “Children’s Song,” was a springboard for several of Corea’s full-length album projects, and is heard here for the first time in trio format with a slow, Christmas motif.

The expanded version of this recording includes many alternate takes of four of these selections, but also includes “Matrix,” which was not on any RTF album, and there are four versions of “What Game Shall We Play Today?”, which was only available on the ECM release.

From a historical perspective, this is the most important work of Corea’s career, very different from his earlier progressive or improvisational efforts, and the pivotal beginning of his career as the most popular contemporary jazz keyboardist in history. Michael G. Nasto.

Chick Corea And Return To Forever – Light As A Feather (1973)

Tracks:

  1. You’re Everything
  2. Light As A Feather
  3. Captain Marvel
  4. 500 Miles High
  5. Children’s Song
  6. Spain

Musicians:

Chick Corea (Fender Rhodes, electric piano)

Stanley Clarke (Double bass)

Joe Farrell (Tenor sax, soprano sax, flute)

Flora Purim (Voice, percussion)

Airto Moreira (Drums)

Chick Corea And Return To Forever - Light As A Feather (1973)
Chick Corea And Return To Forever – Light As A Feather (1973)

Information provided (February 21, 2009)

Sources:

L’Òstia Latin Jazz

Santiago Giordano: He is a musician, teacher and music critic

Also Read: Yilian Cañizares, an excellent Cuban musician, studied in her hometown in the strictest tradition of the Russian school of violin

Raúl Vargas and his flamenco rumba duo Dos Bandoleros

One of the Latin genres that has been gaining more popularity in California, specifically in the Bay Area, is the Spanish flamenco rumba, so it is no coincidence that every day there are more and more exponents of this genre who have achieved a huge level of fame and respect among both their peers and the public.   

One of them is Raul Vargas, who has given us the honor of talking to us about his career and the projects he is currently working on, so we cordially invite you to read in order to learn more about this talented Spanish singer.   

singer Raúl Vargas
This is Spanish percussionist and singer Raúl Vargas

How Raúl got started in music   

Raul remembers being fascinated by music when he was still very young in his hometown, Madrid. At home, they he used to listen to what his parents played on the radio, but he does not remember anyone in his family being a musician or working it, so he was the first one to have a professional interest in this field.   

He also remembers listening to his mother’s cassettes with which he could enjoy all kinds of artists such as Julio Iglesias, Raphael, Camilo Sesto, Pimpinela and many others. However, as Raul grew older, he began to listen to what he liked just like his brother.   

When he was 16, he began to learn on his own to play the guitar using the songs he liked at the time. At age 17 he wrote his first song and, shortly after he went to live in Eklanda, Sweden, where he started writing many more songs and  take music more seriously, but he still did not see it as his profession.   

It is important to note that, while it is true that music was a very important part of Raul’s life, this was not what he did for a living, but cooking. Thanks to his career as a cook, there were many countries and cities that the young man managed to visit, although he was always accompanied by a guitar or drum he played during his free time.   

Raúl playing
Raúl Vargas playing the guitar

Arrival in the United States   

After having visited many places around the world, Raul met a group of Spaniards in Australia, who suggested him to go to a guesthouse for traveling musicians in the Latin Quarter in San Francisco to see what he felt about it. It turned out to be an excellent decision as he met many professional musicians who were able to make a living from their art, which prompted the young cook to do the same and follow the dreams he felt truly passionate about.   

This is how Raul decided that San Francisco should be his final destination, so he decided to remain in that city permanently. From then on, he continued to travel to other places for work and pleasure, but always returned to what he considered his new home.    

Once he settled in the United States, he started playing for several bands and focused all his time and effort on what really filled his soul and spirit: music.   

First groups and bands   

Despite being born in Spain, Raul had never played Spanish music before and preferred rock and pop, but contact with artists from so many countries in San Francisco made him rethink everything he had done so far. Many began asking him why he had never before sung or played flamenco rumba being Spanish, which led him to do more research on the genre from his country and start playing it. 

No much time would pass before the guitarist created his own flamenco rumba band, which he named ”Mala Maña” and was conceived as a circus theater and music group composed of eight people. It had a duration of three years and all these musicians, long time later, became part of the band Makrú. 

Additionally, he was also part of a duo alongside a guy from Guadalajara, Mexico called ”Fulanos”, which also contributed to the artist’s experience in terms of groups. 

Raúl and Muchacho
Raúl Vargas and guitarist Muchacho Mandanga

Dos Bandoleros 

The duo Dos Bandoleros started about six or seven years ago and its creation is described by Raul as a ”very lucky accident” thanks to which he met who today is his partner in this project. 

It turns out that Raúl and his Makrú bandmates were experimenting with playing in duos and trios to see how things went, which led him and his guitarist to play at a French wine bar on Monday nights. One of these days, they were approached by a young man named Alberto Gutierrez, known artistically as Muchacho Mandanga, who introduced himself and also started playing at the bar along with another Spanish percussionist.  

Weeks passed before both Raul and Muchacho could not take their partners to play due to personal problems, so the venue manager proposed the to join them that day. The chemistry between them was so great that they continued playing together and never apart again.   

At the beginning, they only played flamenco rumba, which was what got closer to each together in the first place. Later on, they started playing cumbia, Latin rock, salsa, Cuban son and many more. 

Read also: Guatemalan group Malacates Trébol Shop enchants with its Latin rock and ska 

Gabrielito Y La Verdad shines in Los Angeles

We are so pleased to have spoken with Mexican singer-songwriter and percussionist Gabriel González, who gladly embraced the opportunity to share with us a little of his personal story with music and the beginning of his band Gabrielito Y La Verdad. This project has brought him great joy and personal satisfaction since its foundation, as well as the possibility of meeting some of the today’s largest artists and being on stages where Gabriel never imagined playing.   

Gabriel is the leader of La Verdad
Mexican percussionist Gabriel González,who is the leader of Gabrielito Y La Verdad

Gabriel’s beginnings in music   

Gabriel’s first contacts with music occurred when he was just a seven year old boy in East of Los Angeles. That city had a place called ”El Mercadito” where there were amateur contests the boy always took advantage of to practice his singing and this start his career as a vocalist.   

Being in his native Mexico, he became interested in regional Mexican music, ranchera, guatango, boleros, son and many others. When he moved to the United States with his family, he also began to know son jarocho, son jalicience and son montuno.    

The first group he played and toured with was the Los Angeles Chicano rock band Quetzal, which is the one that gave him his first job opportunity and with which he would stay for some time until his interests shifted definitively.   

As he left Quetzal, Gabriel resumed his interest in son montuno and thereafter in salsa as well. From then on, he became so good at these genres that he played with most of the salsa orchestras in Los Angeles and its nightclubs, which attracted the interest of many promoters who invited him to new places. In fact, he himself says that sometimes he would be called to play at venues without knowing which band he would be playing with that night.   

Gabriel posing for the camera
Percussionist Gabriel González posing for the camera with some of his instruments

Salsa orchestras in which Gabriel participated   

In California, there were many salsa orchestras in which Gabriel participated and one of the most important was Johnny Polanco Y Su Conjunto Amistad. The artist sang with the late Polanco on a few occasions over several years, as they respected each other professionally and never missed any opportunity to show it on stage.   

The singer-songwriter also played with the Orquesta de Ángel Lebrón Y Su Sabor Latino on many occasions. The conguero and orchestra leader also relied heavily on the Mexican and what he had to offer, so he did not hesitate to call him whenever he needed him.   

Gabrielito Y La Verdad 

Gabriel had already gained so much popularity that, one night, he was invited to a concert whose flyer announced him as ”Gabrielito Y Su Orquesta”, meaning that he had already his own importance outside of being a simple element of support for groups and artists better known than him. The best thing about this is that the event was a complete success, leading the musician to think about creating his own orchestra, which he later named ”Gabrielito Y La Verdad”.   

From that moment Gabriel founded Gabrielito Y La Verdad, it has been ten years, in which he has dedicated himself to tour all over California and considers that his journey has been very successful and filled with gratification.    

In view of the success and fans amassed by the orchestra during this time, Gabriel decided it was time to make original music and write his own songs, while acknowledging that his thing is singing and playing percussion because that is at what he excels.   

Gabriel and Bruno Mars
Bruno Mars and Gabriel González during a musical event

Gabriel’s contact with other artists   

Gabriel and his orchestra have also had the opportunity to share with great music luminaries, from whom he has been able to learn many things and apply them to his own career. Among the artists and groups he has shared the stage with are Juan Gabriel, Los Van Van, Cubanismo, Los Cuban All Stars, Silk Sonic and Bruno Mars. 

In every case, Gabriel was impressed with the discipline and professionalism of each of the above-mentioned artists or orchestras, but at the same time, how humble and pleasant they were off the stage. 

In Bruno Mars’ case, he attended one of Gabriel’s shows along with the rest of his musicians without any of them noticing that the singer-songwriter was listening to them play with great interest. The artist was so fascinated with the orchestra that he invited it to open for him at a private party he would soon have in Las Vegas, an experience that was a great honor for the Mexican and the rest of the group.  

From this anecdote Gabriel learned that he must always give his best in his work, since he does not know who may be watching him. 

Read also: Omar Ledezma Jr. and Pacific Mambo on tour in Europe 

“I’m looking for you and I can’t find you” the new by Newman Zamora

Latin America / Venezuela / Caracas

(Press/San Juan Producciones) The young Venezuelan singer, Newman Zamora, premiered this Friday, February 16, on his official YouTube channel, his second promotional single, “I’m looking for you and I can’t find you”, a romantic salsa with lyrics and music of the Creole singer-songwriter Frederman Franco.

With the production and musical arrangements of Wilmer Herrera, it was recorded at the AudioPlace studios and the San Agustín “Paicosa” studios, and featured the performance of renowned musicians: Joel Uriola (piano), Freddy Rivas (congas and bongo drums), Yorma “ Caballito” Méndez (timbale), Wilmer Herrera (bass), Lewis Escolante (trombones), in the choirs, Gonzalo Martínez and Frederman Franco. It should be noted that the editing, mixing and mastering was in charge of Jean Sánchez, winner of the Latin Grammy.

I’m looking for you and I can’t find you: https://www.youtube.com/watch?v=lqY-LgdCgRo

Newman Zamora
Newman Zamora

Preparing his first album

From the moment he decided to start his career as a solo singer in the salsa genre, he set himself the goal of entering the world market with an album, which until now has no name.

In 2017 @newmanzamoraoficial started the recording process with the version of the song “To feel that”, due to his admiration for the Brazilian singer-songwriter Alexandre Pires. With its release on October 6 of the same year, it achieved its formal entry into this genre, receiving the acceptance of colleagues and the salsa public.

This pleasant experience prompted him to quickly continue with the production of this second theme, which he requested from his friend of many years, Frederman Franco, who has composed for Maelo Ruiz, O.S, among others.

“I’m looking for you and I can’t find you” and “To feel that”, are among the eight songs that will make up his novel record production, which is expected to be completed by the month of May.

Versatile musician and singer

Newman Zamora was born in Caracas on May 30, 1980. He began his music studies at the José Ángel Lamas Conservatory in 1990, where he received music theory and violin classes. For five years he was part of his school’s choir, which he combined with violin and percussion. Then he entered the Pedro Nolazco Conservatory, where he studied flute. In 1993, he formed the team of founders of the Chacao Pre-Children’s Orchestra, under the baton of maestro Juan Cristóbal Palacios.

Newman Zamora  -New Albums
Newman Zamora -New Albums

During his adolescence he was a member of the group “La calle de la amargura”, created in 2001 by Jhonny Núñez and Ricardo Montaner. By 2004 he participated in various groups in the Afro-Cuban genre as a percussionist and singer. Among his teachers were José Luis Presa, Zdzislaw Waszkiewicz, Osiris Aragón, Faride Mijares, Miguel Urbina, among others. She is currently the vocalist of the “Caballo y sus riders” Orchestra/END

 

Maria Fernanda Leon

San Juan Productions

Today we talk with Susana Y Su Orquesta Adelante

There are so many descendants of Latinos who have fallen head and ears for their parents’ culture, so they always seek to leave their countries of origin on high with the tools they have at hand, especially music.   

One of them is multi-instrumentalist Suzanne Cortez, who currently conducts Susana Y Su Orquesta Adelante and has many interesting things to say about her career.   

Suzanne is a bassist
Suzanne is a multiinstrumentalist, but her main instrument is the bass

How Suzanne got interested in music in the first place   

Suzanne became interested in music at a very young age when she saw her mother listening to many records of all genres, but her favorite group was Trio Los Panchos, which was very popular at the time. However, her mother also listened to The Beatles very often, to the point that Suzanne imitated them and pretended she was a member of the group.   

From so much listening to music of varying genres, Suzanne learned to play herself, and it was the variety of genres she listened to that trained her to interact with all of them.   

The artist enjoyed all types of music, but emphasized that her favorite genre was salsa. She assures that she can play any rhythm such as classical music, jazz, Latin jazz, Latin rock, R&B and many others, but none of them can be compared to what salsa makes her feel.    

How her musical career began 

Before forming what would become her own group Susana y Su Orquesta Adelante, she had a very interesting journey that prepared her to lead her own project later on.  

At school, she took a few classical music lessons and her teacher called her one day to ask her if she was trained to learn to read music, to which she said no and that she had learned everything by ear and nothing else. This pleasantly surprised the educator and encouraged her to pursue a musical career beyond the boundaries of the classroom.   

Suzanne playing
Suzanne playing during a live event

After that, Suzanne had the opportunity to be part of the women’s band Orquesta Sabrosita, in which she was the youngest of all the members. At that time, an all-female band was something very fresh in the Bay Area, so they drew a lot of attention from the public at the time. There were many female artists already, but they did not play salsa yet.   

About this, the artist points out that reactions to them were mostly positive, although there were always people who still preferred all-male orchestras, which was the norm at the time.   

Susana Y Su Orquesta Adelante   

Suzanne officially created her own musical project Susana Y Su Orquesta Adelante in 2009. However, this was not her first attempt to form her own band, but in 2000. In that year, Suzanne and the rest of the musicians who accompanied her played in churches since for her the praises of God were very important and music was her vehicle to communicate with the Almighty.   

In view of the great talent the band demonstrated every time they played one of their songs, some club owners wanted to invite the group to play in a café of their property and they did not have any problem with them having a repertoire based on Christian salsa.   

It took Suzanne a while to make up her mind until finally, in 2009, she started playing with her group in cafes, clubs, restaurants, festivals, among other places.   

There was also a point when the orchestra stopped playing purely Christian music, as the members wanted to vary their repertoire. In addition to that, Suzanne knew that, although they were not always playing religious music, God would be happy that they were making their listeners happy.    

 

Suzanne rehearsing
Suzanne rehearsing in her studio

Challenges faced by Suzanne on this path 

As much as Suzanne has achieved great things with her music, she has also had to face certain challenges that caused her to move away from her goals for some time. 

Unfortunately, as with many artists, Suzanne turned to alcohol and drugs, which sent her into a deep depression and to left aside music for many years. These problems and her subsequent rehabilitation kept her away from the stage for more than 28 years, until she realized that it was time to try her luck once again with her great passion.    

Unfortunately, most of the musicians who accompanied her in the beginning were making their lives out the music scene or had become part of other bands, so she had to look for new members for the orchestra she wanted to form.    

However, the artist has absolutely no regrets about how things have turned out in her career and is grateful for the path she has traveled, despite the circumstances. 

Read also: My mother sang tango 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.