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Search Results for: Latin Music

Bolivian guitarist Gabriel Navia and his love for music

We have had any number of Latin music artists of various nationalities in this section, but we are pleased to announce that, for the first time, we will tell the story of a Bolivian who brings pride to his flag with his great talent. 

We are talking about Bolivian producer, composer and guitarist Gabriel Navia, with whom we were fortunate enough to talk by Zoom about the most important details of his fruitful career. In the following lines, some of the most important issues addressed in the conversation.  

Bolivian guitarist Gabriel
This is Bolivian producer, composer, and guitarist Gabriel Navia

How Gabriel’s love for music began 

Gabriel tells us that the love he has always felt for music was instilled in him by his parents, especially his father, who was professionally dedicated to it to the point of having his own band. In the 70’s, Eddy Navia, Gabriel’s father, was in an iconic Bolivian band called Sal Y Andina that played instrumental music, much of which was composed by him at the time.   

In his mother’s case, she had a great sense of rhythm and a beautiful voice, so she did her best to make her son learn as much as possible about the fundamentals of music and how to play various instruments. This shows that she was also a key piece in his training as an artist. 

Gabriel also points out that, at home, he and his family listened to music of all kinds, but New York salsa was very important in the path the young man would later take.   

Gabriel and the charango 

When reading a little of Gabriel’s history, we found that he played with his father in the group Sukay, with which he experimented a lot with the charango that, as he explains, is a five-stringed instrument very similar to the banjo. It was the first instrument he played in his life and the one that would inspire him to play the guitar later on.   

After his parents split, his father went to live in the United States and met his second wife, with whom he runs Sukay. That is when Gabriel began to visit the country and, soon after, he was playing in a theater for more than 2000 people. Then, he knew that this was what he wanted to devote the rest of his life to.    

Gabriel played the charango
Gabriel started his career by playing the charango with the group Sukay

Multi-instrumentalist   

While it is true that the instrument for which Gabriel is best known today is the guitar, it is not the only one he is dedicated to.    

The artist can be defined as a multi-instrumentalist, that is, someone who plays a considerable number of musical instruments with excellence such as piano, saxophone, quena and many others. ”I have always been curious to learn how to play new instruments and learn new things every day. That’s how I’ve managed to specialize in so many at the same time” Gabriel said about this.   

He has become more dedicated to playing the guitar since, during his time with the group Sukay, he had to replace the guitarist who was not available at the time, which makes him feel a special affection for the instrument as he used it. 

Not to mention that some of his instruments were robbed in his native Bolivia and one of the stolen objects was his charango. This event left him so depressed that he put the charango aside for years and devoted himself fully to the guitar, during which time he studied it in detail at a theoretical and practical level. He also began to listen to jazz and flamenco records in which the guitar is widely used, making him experiment with new styles. In this sense, an artist who inspired him a lot was Spanish guitarist Paco de Lucia.   

Gabriel playing live
Gabriel Navia playing his guitar live

Music education   

Gabriel has had the opportunity to study in several of the most important musical institutions in the world, which have been fundamental in the professional training of the artist.   

The first thought that came into his head was the Instituto Eduardo Laredo in Cochabamba. He described it as an arts school that has a very traditional style during the mornings, while the afternoons its teachers focus on the musical part. It is here where Gabriel learned all about theory, solfege, harmony, scores and many other important details.    

Some time later, in the United States, he entered the San Francisco Conservatory, where he studied with the famous classical guitarist Scott Tennant. In the same country, he won a scholarship to study some courses at Berklee College of Music.   

In Barcelona, he also received a scholarship to study a master’s degree in flamenco at the Conservatori del Liceu thanks to Fundación Carolina, whose main beneficiaries are Latin American applicants without the resources to study there.    

”I feel very fortunate to have been able to study in all these institutions which have been very important in my career, but I believe that a musician learns the most important things on stage. You can learn all the theory in the world, but if you haven’t had street experience and gone to practice, you will be an incomplete artist” Gabriel remarked on this subject.   

”In fact, I believe that many of the most prodigious musicians in the world have not been trained in academies, but in the streets, because they have had to make themselves from the beginning. Academic education is important, but the main place where music is born is in the heart” he continued.   

Navia Productions, LLC   

Gabriel had always worked as an independent artist, but there came a point in his career when he realized he needed something more to level up.   

Given that the best way to do business in the United States is through registered companies and brands, Gabriel created his own music company which he named NAVIA PRODUCTIONS, LLC, so that his project could be identified with a legally registered entity and avoid any legal problems.    

The company was basically created with the purpose of giving a legal basis to Gabriel’s work to stand on, but he still considers himself an artist as independent as the first day. 

Read also: Exclusive with tres player Iván Camblor from the group Pellejo Seco 

Patrón Latin Rhythms manager talks about the band and its plans

Patrón Latin Rhythms is one of those many bands from the San Francisco Bay Area that continue to demonstrate the taste the inhabitants of the area and its surroundings have for Latin music and other rhythms stemming from it. For this reason, we decided to talk to Vanessa Ojeda, the band manager, to know more in depth her work and everything that has to do with the group.   

Vanessa, manager of Patrón
This is Vanessa Ojeda, manager of Patrón Latin Latin Rhythms

Vanessa’s beginnings in music   

Vanessa told us that music has always been present in her life, as she remembers, from an early age in San Leandro, California. Her father was responsible for managing musical groups, so he taught his daughter all he knew about the administrative and business part.   

In fact, the young woman recalls that, since she was five years old, she already saw her father playing his trade and explaining some things about it. As she got older, she gained more responsibilities and learned more about the internal functioning of a group. She started answering e-mails, drawing up contracts, making reservations, among other things.   

When her father sadly passed away about three years ago, Vanessa had to learn to do the rest of the things on her own, so she greatly appreciates the prior learning she experienced before the time came.    

Today, she is in charge of all the band’s contacts, social networks, publicity, promotion, musician fees, hotel bookings, travel, among other tasks.   

Beginnings of Patrón Latin Rhythms   

Vanessa explained that it was her father who initially selected the musicians and talent that made up the band. He began by looking for the congueros, whom he took home to determine who was the best choice for the group. He also had some friends who were dedicated to music and he knew they would do a great role if they joined his project, so he contacted them to make the proposal. 

Later, the first musicians selected to be part of the group created their own orchestra, which led Vanessa’s father to look for new musicians and a different name to the proposal that he had in mind and search for the right talent for it. This is how Patrón Latin Rhythms was born. 

Vanessa comments that her father was a lover of the musical work by Poncho Sanchez, Tito Puente, Santana, among other artists of this style, so he was looking for musicians who could emulate those sounds and ways of playing. He also wanted the new members of the new 10-piece band to understand what he wanted at that time, which was the salsa of the time. 

As for the name of the band, Vanessa and her father wanted something attractive and playful for the audience, so after thinking about many things, they decided that ”patrón” was a memorable term and that made them think of something or someone ”strong” and ”with character”, just as they wanted the band’s music to be.   

Patrón plays Latin and American music
Patrón Latin Rhythms is capable of playing both Latin and American music without any problem

Musical background of the musicians 

Another thing Vanessa’s father was very careful with was knowing very well the background of each of the musicians he selected and, of course, ensuring that they came from reputable bands. ”My father knew many of the musicians before forming the group, so he knew they would do an excellent job if he gave them the chance. In fact, some of them are still with me despite my father’s death and the time elapsed,” said Vanessa.   

The permanence of most of the old team is considered by Vanessa as a sign that Patrón Latin Rhythms is much more than just a job for its members. It is also like a family that they take care of and strive to make it better every day.    

This was achieved thanks to the training provided by her father, who always made sure that Vanessa knew all the details related to the band’s operation so that she would be able to take care of it and its members after his passing. One of the most important things he taught her is that she should always treat others as she would like to be treated, which she has very much in mind to this day.   

Genres played by Patrón Latin Rhythms   

Regarding the genres played by the group, Vanessa said that they have tried to incorporate a lot of salsa into their repertoire recently. Her father was a big fan of Latin rock, which occupied a privileged place in the band’s work, but when Vanessa took the reins of the project, she began incorporating a little more salsa and diversify the rhythms played by Patrón Latin Rhythms. To this we must add that she likes R&B a lot, so it was also taken into account to be part of the group’s repertoire.    

It is precisely this blend of genres that the group always seeks to achieve is what guarantees them a mixed audience in which all nationalities and tastes converge. Something that stands out from the group’s musicians is that many of them have their own salsa repertoire due to the experience they bring from other orchestras, which helps them attract audiences of different generations.   

In addition to that, Latin and American public tend to enjoy Patrón Latin Rhythms’ music depending on the genre being played at any given time.   

 Patrón playing live
Patrón Latin Rhythms playing live

How Patrón Latin Rhythms handles arrangements on the covers 

At the time of creating a cover of a well-known song, the musicians of the group take into account the characteristics of the audience they are going to entertain that day, and one of them is the crowd size. If the audience is big, they know they should play faster songs, but if the group of attendees is smaller, then they start with something softer and calmer.   

However, in all their performances, they try to vary all genres so that their shows do not become monotonous and the audience does not get bored. In fact, their repertoire has included from songs by Marc Anthony or Santana to others by Bruno Mars or the group Chicago, which shows how diverse a Patrón Latin Rhythms concert can be.    

On this subject, we can say that each musician is a fundamental part of the orchestra, as each one plays a role in each song they are going to play because not everyone can play everything. In fact, Vanessa tells an anecdote in which one of the musicians quit and it was difficult for the rest of the them to play the chords and the percussion part of certain songs he played. For the same reason, each member and instrument is of vital importance in the band and it is not always easy to cover some of them. 

Read also: Eric Maldonado from La Paris All-Stars’ work behind the scenes 

Latin America / July 2024

Marimba is the Spanish name

Rocío Hernández "La Metrópolis"Rubby Haddock is one of the greatest exponents of our most danceable Latin Music in the Island of Enchantment

He participated in the "Grupo Folklórico Experimental Newyorkino", where he was their vocalist and percussionist, in 1975. During his stay with them, he composed the song "Cuba Linda".

Calibrated maracas

DIRECTORY OF NIGHTCLUBS

Argentina flag
ARGENTINA

Aruba circular flag
ARUBA

Belize circular flag
BELIZE

Bolivia circular flag
BOLIVIA

Brazil flag
BRAZIL

Chile circular flag
CHILE

Colombia
COLOMBIA

Costa Rica circular flag
COSTA RICA

Cuba circular flag
CUBA

Dominican Republic
DOMINICAN REPUBLIC

Ecuador circular flag
ECUADOR

Guatenala circular flag
GUATEMALA

Mexico Circular flag
MEXICO

Panama circular flag
PANAMA

Peru circular flag
PERU

Puerto Rico circular flag
PUERTO RICO

Venezuela circular flag
VENEZUELA

Marimba is the name given in Spanish to a very old musical instrument that, over time, has gained visibility and importance in many countries.

The marimba is a musical percussion instrument with a rich history that spans continents and cultures.

Although its exact origin is debated, it is believed that the marimba has its roots in Africa and was developed by different African cultures such as the Bantu and the Marimberos.

The term “marimba” comes from the Bantu “marimba” or “malimba”, meaning “single bar xylophone”.

In America, historical records indicate that diatonic xylophones, precursors of the modern marimba, were introduced in Central America between the XVI and XVII centuries.

The first known marimba in America dates from 1545 in the Santa Lucia hacienda, in the municipality of Jiquipilas, Chiapas, Mexico. In Guatemala, historian Domingo Juarros documented in 1680 the use of marimbas with gourd resonators by Mayan musicians.

Musical Duo of a Guitarist and a Marimba player in Guanacaste in Costa Rica dates back to 1888
Musical Duo of a Guitarist and a Marimba player in Guanacaste in Costa Rica dates back to 1888

Throughout the 17th to 19th centuries, the marimba spread throughout most of the Americas and became a typical element of Mayan and Ladino ensembles.

Today, the marimba is considered a patriotic symbol of Guatemala and Costa Rica, and its music, along with the traditional songs and dances of Colombia’s South Pacific region and Ecuador’s Esmeraldas province, was inscribed in 2010 on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The modern marimba, like the one seen in the image provided, consists of a series of wooden slats of different sizes, arranged from largest to smallest, each with a different sound pitch.

They are struck with mallets to produce musical notes, and each key has its own soundboard.

The development of the modern chromatic marimba was established in Chiapas, Mexico, around 1890.

This instrument has been integrated into a variety of musical genres, from traditional Latin American music to academic concerts, jazz and martial bands.

The marimba remains a vital instrument that celebrates the cultural heritage and musical creativity of the regions where it is loved and played.

Image of a musical duet between a guitarist and a marimba player dated Guanacaste, 1888.

Learning about the materials and components of the marimba, being aware of the playing techniques and learning about the existing varieties helps to broaden cultural knowledge and to discover a wonderful universe of particular sounds.

Marimba Moderna
Marimba Moderna

It is enriching to know, among other things, that a series of woods of multiple sizes arranged from longest to shortest are essential to assemble the keyboard. For the soundboard, on the other hand, it is necessary to work on the tuning so that each wood of this structure is in tune with each key.

As for playing procedures, the four-stick technique and the art of glissando appear as alternatives to keep in mind. Of course, the most advisable thing to do is to attend a marimba workshop in order to master the techniques correctly.

Nor should we forget that, since ancient times, many types of marimbas have been made and used and have contributed their characteristic sounds to multiple musical genres and styles.

Thanks to those who dare to experiment with instruments and musical compositions without being conditioned by prejudices, for example, the folk marimba and the midi marimba can coexist in harmony, to cite two specific cases.

Marimba Antonko-AMC12
Marimba Antonko-AMC12

Saurce: Recuperando la historia en Guanacaste

Also Read: Son Cubano is one of the most popular musical styles in Cuba and Kiki Valera is one of its leading exponents

19va Entrega Anual de los Latin Grammy

North America / USA / Las Vegas

19th Annual Latin Grammy Awards. The most important award ceremony of the Latin American Music Industry will be held for the fourth time in Las Vegas, Nevada

The main international event in Spanish that brings together the best of Spanish-speaking music reaches its nineteenth live broadcast, from the MGM Grand Garden Arena in Las Vegas, Nevada for the fourth time, to reward and honor the achievements of professionals of music throughout the year. The ceremony of the 19th Latin Grammy Awards is here, and on November 15 you will be able to enjoy it through the Univisión signal for the United States and with the #LatinGrammy you will be able to follow it minute by minute during its three hours of transmission by all social networks.

19 Latin Grammy Nominaciones
19 Latin Grammy Nominaciones
The most important night of Latin music 19 Latin Grammy
The most important night of Latin music 19 Latin Grammy
Congratulations Latin Grammy Nominees
Congratulations Latin Grammy Nominees

Each year the Latin Recording Academy awards recognition to Latin music in 49 categories for work recorded in two languages: Spanish and Portuguese. This prestigious institution also endorses musical genres, identifies new talent, recognizes legendary living artists, and preserves and archives both recordings and videos in order to preserve the valuable Latin American musical culture.

The global impact that Spanish-language recordings have caused this 2017-2018 has proven once again that this year each category will be close to its maximum exponential, which shows that MUSIC made by Latinos has an enormous export capacity, and further evidence that the Latin Grammy awards continue to be one of the specials with the largest audience in the country, as it integrates the largest audience of diverse generations united to witness the annual event with the greatest presence of artistic talent gathered in the same show.

FOR THIS 19TH AWARD OF THE LATIN GRAMMYS, THE NOMINEES ARE:

BEST SALSA ALBUM

  1. Dancer’s Corner

Pete perignon

Record Label: Pete Perignon Music

“La Esquina Del Bailador” is the second production by musical director and master percussionist, Pete Perignon. This album contains five unreleased singles and five re-interpretations of classics. “Gotita Falling in Key” was his first promotional theme. This album released in 2017 has versions of classics with modern arrangements such as: “De Mi Para Ti” (Bossa recorded by Tito Puente and Santos Colón), “El Beso Discreto” original from the Cuban songbook Trio Matamoros, among many other original songs and versioned

Pete Perignon
Pete Perignon
  1. Village Singer

Alexander Abreu and Havana D’ Primera

Record Label: Páfata Productions

Alexander Havana D Primera - Cantor del Pueblo
Alexander Havana D Primera – Cantor del Pueblo
  1. For My People

Charlie aponte

Record Label: CA Records Inc.

Charlie Aponte
Charlie Aponte
  1. The Sound Makers

Chiquito Team Band

Record Label: Planet Records

Chiquito Team Band - Los Creadores
Chiquito Team Band – Los Creadores
  1. 7/25

Victor Manuelle

Record Label: Sony Music Latin

Victor Manuelle y Juan Luis Guerra
Victor Manuelle y Juan Luis Guerra

BEST TRADITIONAL TROPICAL ALBUM

  1. To Me What – Tribute To The Cuban Classics

José Alberto El Canario & The Santiaguero Septet

Record Label: Los Canarios Music

In this category, the Septeto Santiaguero, originally from Cuba, is nominated for its fourth album “A Mí Qué- Tributo A Los Clásicos Cubanos”. This ensemble founded in 1995 recorded this production in the company of the Dominican interpreter José Alberto “El Canario” and other music stars. This record material has 13 Tracks and was released on May 25, 2018.

  1. Medoro Madera

Rubén Blades With Roberto Delgado and Orchestra

Record Label: Ruben Blades Productions

Medoro Madera
Medoro Madera
  1. The Party Continues

The Sonora Santanera

Record Label: Sony Music

Sonora Santanera
Sonora Santanera
  1. Omara Always

Omara Portuondo

Record Label: Egrem

Omara
Omara
  1. Reasons

Maria Rivas

Record Label: Angel Falls Artists Inc.

Maria Rivas
Maria Rivas

BEST TROPICAL SONG

  1. I want time

Juan Carlos Luces & Víctor Manuelle, songwriters (Víctor Manuelle Featuring Juan Luis Guerra)

Cut off: 7/25

Record Label: Sony Music Latin

Victor Manuelle 25/7
Victor Manuelle 25/7

The prominent Puerto Rican singer-songwriter and producer, Víctor Manuelle, began his professional career in 1993, and to date has sold millions of records worldwide. He has earned 16 LATIN GRAMMY and GRAMMY nominations, thus establishing himself as one of the most admired artists of his generation. He has placed 46 singles on Billboard’s weekly Hot Latin Songs chart. Eleven of his albums have reached the place of honor in the Salsa genre for sales in the United States and Puerto Rico.

His hit “Imaginar” (2016) as a duo with urban artist Yandel, broke records, reaching #1 on the tropical charts thanks to his fusions of salsa with urban rhythms. In addition, it was named the most popular tropical song of that year, marking the third time that Víctor has obtained this important recognition, after his hits “Me Da Lo Mismo” and “ Tengo Ganas”.

Tonny Succar
Tonny Succar

In this 2018, Víctor celebrates his silver anniversary as a professional artist with his new record label “25/7” under the Sony Music Latin label. This album nominated for best Salsa album features collaborations with international artists, such as: Wisin, Bad Bunny, Juan Luis Guerra, Gilberto Santa Rosa and Glenn Monroig. The single “Quiero Tiempo” taken from this production is designated as one of the candidates to win the award in this important category.

  1. Marry Me

Silvestre Dangond, Nicky Jam, Juan Medina, Mauricio Rengifo & Andrés Torres, songwriters (Silvestre Dangond Featuring Nicky Jam)

Record Label: Sony Music Entertainment US Latin

Marry Me Silvestre Dangond ft Nicky Jam
Marry Me Silvestre Dangond ft Nicky Jam
  1. Fall in love dancing

Jorge Luis Piloto, songwriter (Reynier Pérez y Su Septeto Acarey Featuring Gilberto Santa Rosa)

Cut from: Fall in Love Dancing

Record Label: Independent

SEPTETO ACAREY
SEPTETO ACAREY
  1. I fall more in love with you

Jorge Luis Piloto, Jean Rodríguez & Tony Succar, songwriters (Tony Succar Featuring Jean Rodríguez)

Record Label: Unity Entertainment

  1. Simple Hearts

Fonseca, Mauricio Rengifo & Andrés Torres, songwriters (Fonseca)

Record Label: Sony Music Latin

 

BEST LATIN JAZZ/JAZZ ALBUM

  1. Mind of a Master

Bobby Valentin & The Latin Jazzists

Record Label: Bronco Records

Bobby Valentin
Bobby Valentin
Tracks:
1. De Nuevo a la Carga 7.El Cumbanchero
2. Latin Gravy 8.Mellow Funk
3.Orocoa 9. Endless Love
4.Smooth Ride 10.Freedom
5.Blast Off 11. God Bless the Child
6. Coco Seco  

 

Roberto Valentin, better known as Bobby Valentin, was born on June 9, 1941 in the town of Orocovis on the island of Puerto Rico. At a very young age, Bobby learned to play the guitar thanks to the teachings of his father. At just 11 years old, he formed his first musical trio with which he won his first prize, after participating in a local competition. In 1963 Bobby Valentin joined the Tito Rodríguez orchestra traveling to Venezuela twice.

This phenomenal bass player and arranger belonged to the Fania All Stars for 20 years and also arranged music at the same time for celebrities such as: Charlie Palmieri, Joe Quijano, Willie Rosario and Ray Barretto.

In 1975 he formed his own record label “Bronco Records” and released the album, “Va a la Cárcel” Vol. 1 and Vol. 2, among others.

Over the years, Bobby has made collaborations on recordings for great artists of international fame, such as: Larry Harlow, Ismael Miranda, Roberto Roena, Cheo Feliciano and the always remembered, Celia Cruz.

Likewise, Valentin has taken over the stages performing live in the United States during this year, and more recently launched his new production “Mind of a Master”, on April 14, 2018, with which he is nominated. for this important award.

  1. The House Of A Jazz Pianist

Adrian Iaies Trio

Record Label: DBN

  1. Universal Nature

Hermeto Pascoal & Big Band

Record Label: Scubidu Music

  1. Back To The Sunset

Dafnis Prieto Big Band

Record Label: Dafnison Music

PRIETO
PRIETO
  1. Jazz Flute Traditions

Nestor Torres

Record Label: Alfi Records

Nestor Torres
Nestor Torres

For more information visit the official website of the Latin Recording Academy:

https://www.latingrammy.com/en

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.