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Spirit Of The Dance On Tour In 2023: A Wink To Their Fans

Experience the hard-hitting rhythms and pulsing energy of every thrilling moment in this intense production starting in January

Spirit of the Dance's debut was at Bristol Hippodrome Theatre in the mid-1990s. — Spirit of the Dance’s debut was at Bristol Hippodrome Theatre in the mid-1990s.

At a time when entertainment is at our fingertips, Spirit of the Dance returns to the UK stage with more soul, strength, and passion to celebrate its 26th anniversary as one of the most successful dance acts of the 20th and 21st centuries. This local tour will kick off at the Grand Theater Blackpool (January 18th), tour New Theater Royal (January 24th), and continue at the Princess Theater on Sunday, February 19th. Tickets are available now and range from £13 to £45. So now you can take your phone and write “Spirit of the Dance Tickets” and book your tickets.

This almost two-hour show by British producer David King combines the sensual Latin rhythms of Salsa, Tango, and Flamenco with the explosive footwork of Irish dance and other rhythms such as Street Dance, Hip Hop, Techno, Can Can, and American Tap.

The singers (Three) during the transitions will interpret great international classics by artists such as Adele and Céline Dion, among others, as well as Celtic hits.

The more than 350 dancers throughout the production present uncompromising precision and astonishing technique and skill in this high-octane show that borders between thundering feet performing as one and the audience vociferously demanding more.

This vibrant choreography of musical fusions has been acclaimed by more than 20 million people around the world and has packed theaters in a matter of hours since its inception in 1996.

So join the biggest dance sensation in history that celebrates 26 years as one of the most successful dance acts in the world, and mark your calendars now. See you there!

Do You Want To Know How It Was Done?

The shows on December 27th, 29th, and 30th were canceled in Spain.

I’m going to tell you everything. You see, David King is one of the most applauded English theater producers by the public and specialized critics in Europe, Oceania (Australia), and Asia. He owns the King’s Castle Theater in Missouri (USA), the Broadway Theater at the New York-New York Hotel & Casino on the Las Vegas Strip (USA), and is the Executive Producer of Spirit Productions, becoming in this way in one of the largest employers in the world of entertainment in the last two decades.

His first musical, Spirit of the Dance https://www.spiritofthedance.com/, was created in the spring of 1996 when David was in the worst financial situation of his life, he wanted to start in the music industry entertainment but was not assertive in any business. One day he accompanied his friend to see the musical Riverdance starring the Irish dancer and choreographer Michael Flatley. At the end of the show, he watched the audience go crazy and during that moment he thought: “I can do this.”

When he left the theater he returned to his house and began the development of the play. In just three months he wrote the plot and used pieces of music that he had composed during his youth. “With my last £100, I printed copies of the poster and sent them to cinemas across the country. The phone in my kitchen started ringing and people were like, ‘Get me this show! I had the right idea at the right time.” David expressed to international media.

However, he tried to raise the money to put on the show but was rejected by everyone, “no one had faith in me to invest. I knocked on so many doors my knuckles ached. But despite all the refusals and all the doors that were closed in my face, I kept going despite everything… I sold everything I had, including my car and the family silver. It was time to sink or swim, and I jumped in with both feet. My luck changed for the better when Michael Flatley announced that he was leaving Riverdance to start his own show. Everyone assumed Spirit of the Dance was his new show and opening night sold out in hours.”

By 1998 and up to 2006 there were already 14 different Spirit of the Dance groups performing in 14 countries simultaneously.

This theatrical production updates its program every year to include current dance styles, so fans and curious viewers return to see the musical on several occasions.

You Can Also Read: 6 Clubs To Dance Salsa In London

Know The Best Latin Music Events In Spain During December

This month of vacation, you will have the opportunity to experience incredible concerts and festivals

In December, great festivals are celebrated in Spain that last from the beginning of Advent until New Year’s Day. Moderate, non-intrusive décor is ever-present in public spaces and homes during this exciting time of year. A wide range of music that goes from the traditional Spanish melody to Latin music (Salsa, Bachata, and Reggaeton) popular among the youngest will disperse throughout the Iberian country, and here I have summarized everything for you.

Salsa singer Yiyo Sarante will offer a concert in Girona for the first time at the Euphoria nightclub

In Girona (a province located in the northeast of the autonomous community of Catalonia), the Dominican singer Yiyo Sarante will make his first appearance on December 2^nd in the spaces of the Latin disco Euphoria https://www.facebook.com/EUPHORIALATINAGIRONA/?ref=page_internal (Sala Univers, Girona, Carrer del camp de les lloses, 8) at midnight to present his most recent singles Quiero Perderme Contigo, Llorarás, Eres Pasado, Demonio y Prohíbeme Verte as well as his greats classics Pirata, Maldita Primavera, Tierra Mala, Nos engañó a Los Dos y Tres Semanas. Tickets are already available and range from €30 (online) to €40 (box office). The minimum age to access this event is 18 years.

This same day (Friday, December 2^nd) the Sevillian exponent of Bachata Dani J will give a concert in Madrid as part of his Abraxas Dancing Tour to celebrate the season. This concert will take place at the Cervantes Complex (Highway M206 Torrejón at Km 2.6, M-206, Km 2, 600, 28890 Loeches, Madrid) at 1 AM, and its doors will open at 10:30 PM with a workshop, followed by an hour of social dance to then continue with the concert, and close with the second social dance until dawn. Tickets can be purchased from €15 by clicking here. https://complejocervantes.com/

The workshops, parties, and socials will be held at the 8 Tiempos Dance School

The third event that I bring you will take place in Zaragoza, the largest city in the autonomous community of Aragon in the northeast of Spain. The Zaragoza Dance Festival is a three-day celebration of tropical dance immersion with more than 30 Salsa, Bachata, and Kizomba workshops with great artists from Europe and Latin America in two simultaneous rooms, two nights of partying from 11 PM to 6 AM with DJ Tevez (Spain), DJ Sergio (Spain), DJ Shark (Cuba), DJ Antony Tarraxa (Italy), and DJ Enzo (Spain), as well as the concert of the world star of the song DANI J on Saturday night. The festival will take place from December 16^th to December 18^th at the facilities of the 8 Tiempos dance school located at C. de Tomás A. Edison, 9, Zaragoza. The full pass for the I Zaragoza Dance Festival which will welcome thousands of fans from different corners of the planet can be purchased through its official website. https://lasalsadelbaile.com/zaragozadancefestival

Following the same trend in festivals this season, the Winter Bachata Festival stands out. It is an annual event that is organized in Gandia city, province of Valencia. This seventh edition features local dance professionals who will help hone the skills of amateur dancers. All this by the hand of DJ Miguelón, DJ Salva, and DJ Yago who will animate with their mixes the daytime and nighttime workshops as well as the parties and social dances that will start at 11:30 PM until 3 AM. In this field dominated by Latin dance professionals, you will have the opportunity to attend and meet new friends. Winter Bachata Festival https://lasalsadelbaile.com/winterbachata will take place from December 8th to December 11th at the Hotel Gandia Palace (Carrer de la Rioja, 41), and the ticket costs €45.

Seats will be assigned in order of entry of reservations. If necessary, tables will be shared

Finally, in this list of the best Latin music events in Spain that will make you live an unforgettable experience during this beautiful time of year, I bring you the Terra show with an international cast made up of almost 50 artists who will be in charge of guiding a trip around the world very particular that will surprise and show the spectator all the artistic richness with the main performances by the New Bambú Orchestra, the Christmas carols by candlelight with the tribute to Il Divo, and the singer Ami Tapper, who will accompany the spectators during this journey with musical themes that have become universal classics. In addition, award-winning magician David Climent, comedian Titto Lester, aerial contortionist Sharyn Monni, Kimberly Lester with the number of “sand art” and circus artists Sandy, Samantha & Jastin Monteiro Vassallo will perform.

On Sunday, December 25^th (New Bambú show and tribute to Il Divo + gala dinner: €70), Saturday, December 31^st (show + gala dinner: €185) and Thursday, January 5^th (show + gala dinner: €64) are the dates to enjoy this amazing show by Terra at the Benidorm Palace concert hall www.benidormpalace.es located at Avenue Severo Ochoa 13 in the city of Benidorm, one of the most popular tourist destinations in Europe and the Second city in the world with the highest number of skyscrapers per square meter.

Omar Ledezma Jr talks about his experience at the Tempo Latino Festival

His reaction to the scholarship

We are here with Venezuelan percussionist and musician Omar Ledezma Jr. Good afternoon, Mr. Ledezma, how are you? Nice to meet you.

Same to you, Karina. It’s great to be participating again in the activities of International Salsa Magazine, a magazine that I have much appreciation and I’m find of it. Here we are always at your service.

man with glass — Venezuelan Grammy Award–winning singer and percussionist Omar Ledezma Jr

According to your website, you received a scholarship to study at Berkeley College of Music. How did you receive the news that you were selected?

That was interesting because when I arrived in the United States, I applied for the scholarship, so I had to extend my stay here in order to attend the audition in a December. In January, I got a letter that said I passed the audition and awarded the scholarship to study at the school. That was one of the most important news in my life.

So you were in the United States at the time you received the scholarship.

Yes, because there was no way I could have done that in Caracas, where I am from. So, I had the opportunity to travel to Boston to apply for the scholarship. Thank goodness, I had the opportunity to come and everything worked out fine.

Regarding technical and musical issues, what differences between your native country and the United States did you notice?

The first thing I noticed was that there were many opportunities. Really, I can say that I didn’t face the same constraints as in Caracas. When I started playing, I had many opportunities to go abroad to take my art. I already had the experience of having done it in my country with many other artists.

I think It would’ve been no different if I was in Caracas because I would have taken all the opportunities, played with many people and made my career there. However, I was able to go to Boston and took that opportunity. A few months later, I was already playing with school teachers, classmates, graduates and new people I met in a very interesting way. Despite my constraints related to the language, you can establish such interaction with all of them.

man playing the timbales — Omar Ledezma Jr playing the timbales

We understand that you are teaching at the SF Community Music Center and work hand in hand with other academic institutions, what made you dedicate yourself to teaching and training young talent?

I think it is important to lay the groundwork for the future. The present is lived now and the past provides us with experience, but we should always open the road forward for the future and new generations. I think that legacy for musicians is very important. We have to pass those teachings on to new generations.

Do you feel that the language shut doors on you at the beginning?

Not really. I have always thought that language should not be a limitation to fulfill your dreams. You have to respect the language of the country you are moving to, but without forgetting the mother tongue with which you were born, which is why I am a big supporter of bilingualism. You have to learn English, but without forgetting Spanish. It is a very important tool for young people whose parents were born outside the United States and moved here, but they should not forget their roots.

His experience at the Tempo Latino Festival

You have already told us that you have had the opportunity to tour the world. Could you tell us a little about your experience with Tempo Latino?

It was a very important experience for me and the group that I’m in, Pacific Mambo. It was an incredible experience with a massive attendance and it was surprising that we were able to meet that many people after the pandemic. We were playing in an arena full of people where we were warmly received.

It was very nice to feel the warmth of the live audience again and massively.

Omar Ledezma Jr in the arena at the Tempo Latino Festival

How was the flight, the arrival, the reception and everything that happened before the show?

It’s interesting because when I lived on the Northeast United States coastline, it was very easy for me to travel to Europe, Latin America, the Caribbean and other parts of the United States. Moving to California makes it more difficult because the trip is longer. It takes me about 11 hours to get to any port in Europe, and then being there, you have to make connection to get somewhere else. In our case, it was a full day of travel, as we arrived through Portugal. It was there that we waited for our connection to get to France. There were many people entering through the port of Lisbon, but there was no problem at all.

Already in France, the welcome the Tempo Latino staff was absolutely incredible. The audience was already waiting for our show. Then, we arrived to the village where the festival takes place and traveled a very beautiful route with spectacular scenery. Despite the fatigue, we fully enjoyed the trip.

When you played in the arena, how many people were there?

It is difficult to count the amount of people people there. I don’t have the exact numbers, but I can tell you that the arena was packed at the time of getting to the stage. We had the responsibility of opening for other well-known groups such as Los Van Van, so the arena was already full of people at the time of performing our show.

How was the audience reception towards you?

The audience reception was very warm and touching. People did not expect the band to have that contact and respect for the public like every time we perform. Many people enjoyed the hits we have had throughout our career such as OverJoyed by Stevie Wonder, Pink Panther Mambo, among other songs. When I did my solo with the timbales and the drums, I achieved a sound very much like We will rock you by Queen and I had to keep playing it because people were singing the song. An amazing thing that had never happened to me in my career.

Pacific Mambo performing at the Tempo Latino Festival

I heard that when you left France, you turned out to be infected with Covid-19, could you tell us what it went?

Yes, it came a surprise for me because I had not been infected since I went back to work on the street after the pandemic. I returned to my activities in the schools where I work and started providing shows again, but I had never tested positive for Covid-19 despite having been exposed. In fact, I have traveled to play in many places and even went on vacation to Venezuela, but I never contracted the virus.

When I return from my travel at the Tempo Latino festival, I was feeling a little sick and thought it was the fatigue of travel, but it turned out to be Covid-19. Fortunately, symptoms were very mild and I followed the treatment prescribed by the doctors. It took a little while for the virus to go away, but it all worked out. It was a period of forced vacation, as I had to wait about 20 days for the tests to be all negative.

Are you planning other international tours to Europe or Latin America?

We are negotiating to go to the East Coast and Canada in November. We are also making preparations for another small tour in the fall.

Today, the San Francisco Jazz Organization is going to broadcast our concert for subscribers, which makes us very happy.

What projects do you have on hand?

With regard to the band is concerned, we have talked about the possibility of making a new album and the way we want to do it. We are already looking for the music, the composers and the songs for the pre-production of this new musical work.

Two Latin Events Will Blow Europe Away In August

A Salsero Festival and Tour will be the stars of the summer in the main cities of Europe

Europe welcomes Latin music events in the last month of summer this year with two impressive Salseras parties. During these events, the safety of the attendees will be guaranteed, will be an unbeatable festive atmosphere and lots of fun. So, don’t miss the opportunity to attend the Salsa Latina Istriana Festival in Croatia and the Cuban artist Maykel Blanco y Su Salsa Mayor’s European Tour, and enjoy the heat of August with your favorite Latin music.

Salsa Latina Istriana Festival 2022

DJ Sergio, DJ Marc “El Mágico” and DJ Julián Duke will be in charge of mixing the greatest Salsa hits during the Festival

Salsa Latina Istrian Festival began in 2004 as a free dance workshop with 100 dancers who love and dance enthusiasts to promote Salsa and other Caribbean dances.

This year the eighteenth edition of this festival with tradition and support for the community of European dancers arrives from August 26^th to August 29^th with four Bootcamps, workshops (Salsa, Bachata, Kizomba, Semba, and Urban Kiz), international instructors, Masterclasses, night parties, boat and beach parties (the farewell party on Monday will be free), 12 famous DJs, two free social dances on four floors, and much more.

Salsa Latina Istriana Festival 2022 http://www.salsalatinaistriana.com will be held under the precautionary measures agreed for events and dance academies.

The workshops, as well as the night parties, will take place over three days at Dom Hrvatskih Branitelja, Leharova 9, in the center of the coastal city of Pula, Croatia, and the cost of the gold pass is €150.

Maykel Blanco y su Salsa Mayor

The singles Qué Hace Que Te Mueve and Ya Tú No Coronas belong to the “Qué Hace Que Te Mueve” album released in 2019

Cuban artist Maykel Blanco and his orchestra will continue their tour of Europe (Part 2) on Saturday, August 27^th, at London’s iconic auditorium Electric Brixton with a special six-hour Cuban Salsa show. Javier La Rosa and Dr. Jim will be the evening’s Cuban DJs, while Osbanis and Anneta (Cuban Salsa Dancers and UK and World Champions) will lead a Cuban Salsa class for all levels.

On Sunday, August 28^th, they will visit Glasgow (United Kingdom) at The Garage (nightclub) and will end their tour on September 9^th at the Transformatorhuis event venue located in Amsterdam (Netherlands).

Maykel Blanco y Su Salsa Mayor made their way into the Havanera capital’s music scene more than a decade ago. This popular band in Cuba combines catchy lyrics with irresistible arrangements that get dancers, fans, and onlookers moving on the dance floor.

They currently have two great hits playing on the popularity charts of the most important radio stations on the Afro-Caribbean Island, Ya Tú No Coronas (2019) and Qué Hace Que Te Mueve (2019).

“Maykel was born in San Leopoldo, a neighborhood of the Centro Habana municipality in the Cuban capital, on January 21^st, 1981, the year that began a decade of splendor for Cuban popular music. With academic training at the Guillermo Tomás Music Schools and the Amadeo Roldán Conservatory, at the age of 17, he joined the orchestra “Abel y la Seducción” and a year later created, “Suprema Ley”, thus starting his outstanding career professional.

At this stage, he arouses the interest of the Spanish record label Envidia Record with which he signed his first international contract. With this record company, he managed to produce more than ten phonograms for his group and various other artists, including Tirso Duarte. He also participated in the recording of 40 albums as a percussionist in various productions and created music for various “Latin Jazz” groups, such as “Havana Express”.

Maykel decides on October 10^th, 2004 to make his big debut with his new orchestra “Maykel Blanco y Su Salsa Mayor”, made up of talented musicians, who graduated from various art schools in the nation.

Since then and up to the present, he has devoted his energy, creation, and musical talent to this interesting project. Thus, allowing his professional career to continue on the rise, as a pianist, percussionist, composer, music producer, arranger, and cultural promoter reaching a high level of popularity and prestige, in Cuba and the world”. Fragments extracted from Maykel Blanco biography. http://www.maykelblanco.com/

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In Barrio Marianao in Havana, Cuba was born Armando Peraza was a Latin jazz percussionist

Peraza (May 30, 1924-April 14, 2014) was a Cuban Latin jazz percussionist.

Thanks to his collaborations with guitarist Carlos Santana, jazz pianist George Shearing and vibraphonist Cal Tjader between 1950 and 1990, he is internationally recognized as one of the most important figures in the field of Latin percussion.

Known primarily as a conguero and bongocero, Peraza is also a skilled dancer and composer. He has appeared on recordings by Pérez Prado, Machito, George Shearing, Charlie Parker, Tito Puente, Cal Tjader and Carlos Santana. Performances with Santana, Shearing and Tjader brought him international fame.

He was inducted into the Smithsonian Institute and had three “Armando Peraza Days” from the city of San Francisco.

One of the most important and respected figures in the world of percussion.

He is a legendary master on both congas and bongoes, whose unorthodox style and story are an inspiration to countless young musicians.

He began his artistic career in the early 1940s, played with singer Alberto Ruiz’s Kuvabana ensemble where he played the bongo and moved to San Francisco in 1949.

At the New York World’s Fair he played congas in an African pavilion with a Nigerian.

This African arrives and says to me: “Man, what part of Africa are you from? I told him, I am from Cuba. He said: “Don’t tell me” He later worked with the orchestras of Paulina Álvarez and Dámaso Pérez Prado, and the Bolero group.

In 1947 he moved to Mexico, where he joined with Mongo Santamaría the ensemble Clave de Oro, and in 1948 they both traveled to New York as percussionists accompanying the dance couple Pablito y Lilón.

At the end of that year, Peraza joined Slim Gaillard’s jazz combo with which he traveled throughout the United States. After arriving in New York in 1949, Armando became a sought-after musician, especially in the contemporary Bebop and Latin Jazz scenes.

Armando built a reputation for impressively fast and complex hand technique, experimental techniques and great talent for entertaining. He flourished in progressive atmospheres that combined jazz with Afro-Cuban styles and was at the center of a new expression called “Cubop”.

He has played on more than 100 albums and is the composer of more than 40 songs. Some of these works include collaborations with Mongo Santamaria, George Shearing, Cal Tjader and Carlos Santana.

Settled in San Francisco, California, in the early 1950s, Peraza began working with pianist George Shearing’s quintet, where he demonstrated his mastery as a player of the tumbadora and bongo; also in this period he recorded several albums of Cuban folk music with Mongo Santamaria.

In the 60’s he joined the quintet of vibraphonist Cal Tjader, with whom he remained for several years and with whom he popularized Chano Pozo’s Guachi guaro. In the 1970s, he joined Mongo Santamaría’s orchestra, with which he participated in the Montreaux Jazz Festival in Switzerland.

Later he worked with Carlos Santana’s rock band, in which he remained for 17 years, until his retirement from artistic life in the 90s.

He possessed a great capacity to obtain the most unusual sounds of the bongo and the tumbadora, and distinguished himself for his extraordinary solos on both instruments.

He died on April 14, 2014 in California, United States, as a result of pneumonia.

Fuente: https://kripkit.com/armando-peraza/